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Best Famous Mending Poems

Here is a collection of the all-time best famous Mending poems. This is a select list of the best famous Mending poetry. Reading, writing, and enjoying famous Mending poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of mending poems.

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Written by Robert Frost | Create an image from this poem

Mending Wall

Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing: I have come after them and made repair Where they have left not one stone on a stone, But they would have the rabbit out of hiding, To please the yelping dogs.
The gaps I mean, No one has seen them made or heard them made, But at spring mending-time we find them there.
I let my neighbor know beyond the hill; And on a day we meet to walk the line And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls We have to use a spell to make them balance: "Stay where you are until our backs are turned!" We wear our fingers rough with handling them.
Oh, just another kind of outdoor game, One on a side.
It comes to little more: There where it is we do not need the wall: He is all pine and I am apple orchard.
My apple trees will never get across And eat the cones under his pines, I tell him.
He only says, "Good fences make good neighbors.
" Spring is the mischief in me, and I wonder If I could put a notion in his head: "Why do they make good neighbors? Isn't it Where there are cows? But here there are no cows.
Before I built a wall I'd ask to know What I was walling in or walling out, And to whom I was like to give offense.
Something there is that doesn't love a wall, That wants it down.
" I could say "Elves" to him, But it's not elves exactly, and I'd rather He said it for himself.
I see him there Bringing a stone grasped firmly by the top In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me, Not of woods only and the shade of trees.
He will not go behind his father's saying, And he likes having thought of it so well He says again, "Good fences make good neighbors.
"


Written by Jonathan Swift | Create an image from this poem

To Stella Who Collected and Transcribed His Poems

 As, when a lofty pile is raised,
We never hear the workmen praised,
Who bring the lime, or place the stones;
But all admire Inigo Jones:
So, if this pile of scattered rhymes
Should be approved in aftertimes;
If it both pleases and endures,
The merit and the praise are yours.
Thou, Stella, wert no longer young, When first for thee my harp was strung, Without one word of Cupid's darts, Of killing eyes, or bleeding hearts; With friendship and esteem possest, I ne'er admitted Love a guest.
In all the habitudes of life, The friend, the mistress, and the wife, Variety we still pursue, In pleasure seek for something new; Or else, comparing with the rest, Take comfort that our own is best; The best we value by the worst, As tradesmen show their trash at first; But his pursuits are at an end, Whom Stella chooses for a friend.
A poet starving in a garret, Invokes his mistress and his Muse, And stays at home for want of shoes: Should but his Muse descending drop A slice of bread and mutton-chop; Or kindly, when his credit's out, Surprise him with a pint of stout; Or patch his broken stocking soles; Or send him in a peck of coals; Exalted in his mighty mind, He flies and leaves the stars behind; Counts all his labours amply paid, Adores her for the timely aid.
Or, should a porter make inquiries For Chloe, Sylvia, Phillis, Iris; Be told the lodging, lane, and sign, The bowers that hold those nymphs divine; Fair Chloe would perhaps be found With footmen tippling under ground; The charming Sylvia beating flax, Her shoulders marked with bloody tracks; Bright Phyllis mending ragged smocks: And radiant Iris in the pox.
These are the goddesses enrolled In Curll's collection, new and old, Whose scoundrel fathers would not know 'em, If they should meet them in a poem.
True poets can depress and raise, Are lords of infamy and praise; They are not scurrilous in satire, Nor will in panegyric flatter.
Unjustly poets we asperse; Truth shines the brighter clad in verse, And all the fictions they pursue Do but insinuate what is true.
Now, should my praises owe their truth To beauty, dress, or paint, or youth, What stoics call without our power, They could not be ensured an hour; 'Twere grafting on an annual stock, That must our expectation mock, And, making one luxuriant shoot, Die the next year for want of root: Before I could my verses bring, Perhaps you're quite another thing.
So Maevius, when he drained his skull To celebrate some suburb trull, His similes in order set, And every crambo he could get; Had gone through all the common-places Worn out by wits, who rhyme on faces; Before he could his poem close, The lovely nymph had lost her nose.
Your virtues safely I commend; They on no accidents depend: Let malice look with all her eyes, She dare not say the poet lies.
Stella, when you these lines transcribe, Lest you should take them for a bribe, Resolved to mortify your pride, I'll here expose your weaker side.
Your spirits kindle to a flame, Moved by the lightest touch of blame; And when a friend in kindness tries To show you where your error lies, Conviction does but more incense; Perverseness is your whole defence; Truth, judgment, wit, give place to spite, Regardless both of wrong and right; Your virtues all suspended wait, Till time has opened reason's gate; And, what is worse, your passion bends Its force against your nearest friends, Which manners, decency, and pride, Have taught from you the world to hide; In vain; for see, your friend has brought To public light your only fault; And yet a fault we often find Mixed in a noble, generous mind: And may compare to Etna's fire, Which, though with trembling, all admire; The heat that makes the summit glow, Enriching all the vales below.
Those who, in warmer climes, complain From Phoebus' rays they suffer pain, Must own that pain is largely paid By generous wines beneath a shade.
Yet, when I find your passions rise, And anger sparkling in your eyes, I grieve those spirits should be spent, For nobler ends by nature meant.
One passion, with a different turn, Makes wit inflame, or anger burn: So the sun's heat, with different powers, Ripens the grape, the liquor sours: Thus Ajax, when with rage possest, By Pallas breathed into his breast, His valour would no more employ, Which might alone have conquered Troy; But, blinded be resentment, seeks For vengeance on his friends the Greeks.
You think this turbulence of blood From stagnating preserves the flood, Which, thus fermenting by degrees, Exalts the spirits, sinks the lees.
Stella, for once your reason wrong; For, should this ferment last too long, By time subsiding, you may find Nothing but acid left behind; From passion you may then be freed, When peevishness and spleen succeed.
Say, Stella, when you copy next, Will you keep strictly to the text? Dare you let these reproaches stand, And to your failing set your hand? Or, if these lines your anger fire, Shall they in baser flames expire? Whene'er they burn, if burn they must, They'll prove my accusation just.
Written by Robinson Jeffers | Create an image from this poem

Hurt Hawks

 I

The broken pillar of the wing jags from the clotted shoulder,
The wing trails like a banner in defeat, 

No more to use the sky forever but live with famine
And pain a few days: cat nor coyote
Will shorten the week of waiting for death, there is game without talons.
He stands under the oak-bush and waits The lame feet of salvation; at night he remembers freedom And flies in a dream, the dawns ruin it.
He is strong and pain is worse to the strong, incapacity is worse.
The curs of the day come and torment him At distance, no one but death the redeemer will humble that head, The intrepid readiness, the terrible eyes.
The wild God of the world is sometimes merciful to those That ask mercy, not often to the arrogant.
You do not know him, you communal people, or you have forgotten him; Intemperate and savage, the hawk remembers him; Beautiful and wild, the hawks, and men that are dying, remember him.
II I'd sooner, except the penalties, kill a man than a hawk; but the great redtail Had nothing left but unable misery From the bone too shattered for mending, the wing that trailed under his talons when he moved.
We had fed him six weeks, I gave him freedom, He wandered over the foreland hill and returned in the evening, asking for death, Not like a beggar, still eyed with the old Implacable arrogance.
I gave him the lead gift in the twilight.
What fell was relaxed, Owl-downy, soft feminine feathers; but what Soared: the fierce rush: the night-herons by the flooded river cried fear at its rising Before it was quite unsheathed from reality.
Written by Henry Lawson | Create an image from this poem

The Man Who Raised Charlestown

 They were hanging men in Buckland who would not cheer King George – 
The parson from his pulpit and the blacksmith from his forge; 
They were hanging men and brothers, and the stoutest heart was down, 
When a quiet man from Buckland rode at dusk to raise Charlestown.
Not a young man in his glory filled with patriotic fire, Not an orator or soldier, or a known man in his shire; He was just the Unexpected – one of Danger's Volunteers, At a time for which he'd waited, all unheard of, many years.
And Charlestown met in council, the quiet man to hear – The town was large and wealthy, but the folks were filled with fear, The fear of death and plunder; and none to lead had they, And Self fought Patriotism as will always be the way.
The man turned to the people, and he spoke in anger then.
And crooked his finger here and there to those he marked as men.
And many gathered round him to see what they could do – For men know men in danger, as they know the cowards too.
He chose his men and captains, and sent them here and there, The arms and ammunition were gathered in the square; While peaceful folk were praying or croaking, every one, He was working with his blacksmiths at the carriage of a gun.
While the Council sat on Sunday, and the church bells rang their peal, The quiet man was mending a broken waggon wheel; While they passed their resolutions on his doings (and the likes), From a pile his men brought to him he was choosing poles for pikes.
(They were hanging men in Buckland who would not cheer King George – They were making pikes in Charlestown at every blacksmith's forge: While the Council sat in session and the same old song they sang, They heard the horsemen gallop out, and the blacksmiths' hammers clang.
) And a thrill went through the city ere the drums began to roll, And the coward found his courage, and the drunkard found his soul.
So a thrill went through the city that would go through all the land, For the quiet man from Buckland held men's hearts in his right hand.
And he caught a Charlestown poet (there are many tell the tale), And he took him by the collar when he'd filled him up with ale; "Now, then, write a song for Charlestown that shall lift her on her way, For she's marching out to Buckland and to Death at break o' day.
" And he set the silenced women tearing sheet and shift and shirt To make bandages and roll them for the men that would get hurt.
And he called out his musicians and he told them what to play: "For I want my men excited when they march at break o' day.
" And he set the women cooking – with a wood-and-water crew – "For I want no empty stomachs for the work we have to do.
" Then he said to his new soldiers: "Eat your fill while yet you may; 'Tis a heavy road to Buckland that we'll march at break o' day.
" And a shout went through the city when the drums began to roll (And the coward was a brave man and the beggar had a soul), And the drunken Charlestown poet cared no more if he should hang, For his song of "Charlestown's Coming" was the song the soldiers sang.
And they cursed the King of England, and they shouted in their glee, And they swore to drive the British and their friends into the sea; But when they'd quite finished swearing, said their leader "Let us pray, For we march to Death and Freedom, and it's nearly dawn of day.
" There were marching feet at daybreak, and close upon their heels Came the scuffling tread of horses and the heavy crunch of wheels; So they took the road to Buckland, with their scout out to take heed, And a quiet man of fifty on a grey horse in the lead.
There was silence in the city, there was silence as of night – Women in the ghostly daylight, kneeling, praying, deathly white, As their mothers knelt before them, as their daughters knelt since then, And as ours shall, in the future, kneel and pray for fighting men.
For their men had gone to battle, as our sons and grandsons too Must go out, for Life and Freedom, as all nations have to do.
And the Charlestown women waited for the sounds that came too soon – Though they listened, almost breathless, till the early afternoon.
Then they heard the tones of danger for their husbands, sweethearts, sons, And they stopped their ears in terror, crying, "Oh, my God! The guns!" Then they strained their ears to listen through the church-bells' startled chime – Far along the road to Buckland, Charlestown's guns were marking time.
"They advance!" "They halt!" "Retreating!" "They come back!" The guns are done!" But the calmer spirits, listening, said: "Our guns are going on.
" And the friend and foe in Buckland felt two different kinds of thrills When they heard the Charlestown cannon talking on the Buckland hills.
And the quiet man of Buckland sent a message in that day, And he gave the British soldiers just two hours to march away.
And they hang men there no longer, there is peace on land and wave; On the sunny hills of Buckland there is many a quiet grave.
There is peace upon the land, and there is friendship on the waves – On the sunny hills of Buckland there are rows of quiet graves.
And an ancient man in Buckland may be seen in sunny hours, Pottering round about his garden, and his kitchen stuff and flowers.
Written by Robert Louis Stevenson | Create an image from this poem

The Little Land

 When at home alone I sit 
And am very tired of it, 
I have just to shut my eyes 
To go sailing through the skies-- 
To go sailing far away 
To the pleasant Land of Play; 
To the fairy land afar 
Where the Little People are; 
Where the clover-tops are trees, 
And the rain-pools are the seas, 
And the leaves, like little ships, 
Sail about on tiny trips; 
And above the Daisy tree 
Through the grasses, 
High o'erhead the Bumble Bee 
Hums and passes.
In that forest to and fro I can wander, I can go; See the spider and the fly, And the ants go marching by, Carrying parcels with their feet Down the green and grassy street.
I can in the sorrel sit Where the ladybird alit.
I can climb the jointed grass And on high See the greater swallows pass In the sky, And the round sun rolling by Heeding no such things as I.
Through that forest I can pass Till, as in a looking-glass, Humming fly and daisy tree And my tiny self I see, Painted very clear and neat On the rain-pool at my feet.
Should a leaflet come to land Drifting near to where I stand, Straight I'll board that tiny boat Round the rain-pool sea to float.
Little thoughtful creatures sit On the grassy coasts of it; Little things with lovely eyes See me sailing with surprise.
Some are clad in armour green-- (These have sure to battle been!)-- Some are pied with ev'ry hue, Black and crimson, gold and blue; Some have wings and swift are gone;-- But they all look kindly on.
When my eyes I once again Open, and see all things plain: High bare walls, great bare floor; Great big knobs on drawer and door; Great big people perched on chairs, Stitching tucks and mending tears, Each a hill that I could climb, And talking nonsense all the time-- O dear me, That I could be A sailor on a the rain-pool sea, A climber in the clover tree, And just come back a sleepy-head, Late at night to go to bed.


Written by Sylvia Plath | Create an image from this poem

Among The Narcissi

 Spry, wry, and gray as these March sticks,
Percy bows, in his blue peajacket, among the narcissi.
He is recuperating from something on the lung.
The narcissi, too, are bowing to some big thing : It rattles their stars on the green hill where Percy Nurses the hardship of his stitches, and walks and walks.
There is a dignity to this; there is a formality -- The flowers vivid as bandages, and the man mending.
They bow and stand : they suffer such attacks! And the octogenarian loves the little flocks.
He is quite blue; the terrible wind tries his breathing.
The narcissi look up like children, quickly and whitely.
Written by Vachel Lindsay | Create an image from this poem

Aladdin and the Jinn

 "Bring me soft song," said Aladdin.
"This tailor-shop sings not at all.
Chant me a word of the twilight, Of roses that mourn in the fall.
Bring me a song like hashish That will comfort the stale and the sad, For I would be mending my spirit, Forgetting these days that are bad, Forgetting companions too shallow, Their quarrels and arguments thin, Forgetting the shouting Muezzin:"-- "I AM YOUR SLAVE," said the Jinn.
"Bring me old wines," said Aladdin.
"I have been a starved pauper too long.
Serve them in vessels of jade and of shell, Serve them with fruit and with song:-- Wines of pre-Adamite Sultans Digged from beneath the black seas:-- New-gathered dew from the heavens Dripped down from Heaven's sweet trees, Cups from the angels' pale tables That will make me both handsome and wise, For I have beheld her, the princess, Firelight and starlight her eyes.
Pauper I am, I would woo her.
And--let me drink wine, to begin, Though the Koran expressly forbids it.
" "I AM YOUR SLAVE," said the Jinn.
"Plan me a dome," said Aladdin, "That is drawn like the dawn of the MOON, When the sphere seems to rest on the mountains, Half-hidden, yet full-risen soon.
" Build me a dome," said Aladdin," That shall cause all young lovers to sigh, The fullness of life and of beauty, Peace beyond peace to the eye-- A palace of foam and of opal, Pure moonlight without and within, Where I may enthrone my sweet lady.
" "I AM YOUR SLAVE," said the Jinn.
Written by A E Housman | Create an image from this poem

Shot? So Quick So Clean an Ending?

 Shot? so quick, so clean an ending? 
Oh that was right, lad, that was brave: 
Yours was not an ill for mending, 
'Twas best to take it to the grave.
Oh you had forethought, you could reason, And saw your road and where it led, And early wise and brave in season Put the pistol to your head.
Oh soon, and better so than later After long disgrace and scorn, You shot dead the household traitor, The soul that should not have been born.
Right you guessed the rising morrow And scorned to tread the mire you must: Dust's your wages, son of sorrow, But men may come to worse than dust.
Souls undone, undoing others,-- Long time since the tale began.
You would not live to wrong your brothers: Oh lad, you died as fits a man.
Now to your grave shall friend and stranger With ruth and some with envy come: Undishonoured, clear of danger, Clean of guilt, pass hence and home.
Turn safe to rest, no dreams, no waking; And here, man, here's the wreath I've made: 'Tis not a gift that's worth the taking, But wear it and it will not fade.
Written by Rupert Brooke | Create an image from this poem

1914 I: Peace

 Now, God be thanked Who has watched us with His hour, 
And caught our youth, and wakened us from sleeping, 
With hand made sure, clear eye, and sharpened power, 
To turn, as swimmers into cleanness leaping, 
Glad from a world grown old and cold and weary, 
Leave the sick hearts that honour could not move, 
And half-men, and their dirty songs and dreary, 
And all the little emptiness of love! 

Oh! we, who have known shame, we have found release there, 
Where there's no ill, no grief, but sleep has mending, 
Naught broken save this body, lost but breath; 
Nothing to shake the laughing heart's long peace there 
But only agony, and that has ending; 
And the worst friend and enemy is but Death.
Written by Robert William Service | Create an image from this poem

The Man From Athabaska

 Oh the wife she tried to tell me that 'twas nothing but the thrumming
 Of a wood-pecker a-rapping on the hollow of a tree;
And she thought that I was fooling when I said it was the drumming
 Of the mustering of legions, and 'twas calling unto me;
 'Twas calling me to pull my freight and hop across the sea.
And a-mending of my fish-nets sure I started up in wonder, For I heard a savage roaring and 'twas coming from afar; Oh the wife she tried to tell me that 'twas only summer thunder, And she laughed a bit sarcastic when I told her it was War; 'Twas the chariots of battle where the mighty armies are.
Then down the lake came Half-breed Tom with russet sail a-flying, And the word he said was "War" again, so what was I to do? Oh the dogs they took to howling, and the missis took to crying, As I flung my silver foxes in the little birch canoe: Yes, the old girl stood a-blubbing till an island hid the view.
Says the factor: "Mike, you're crazy! They have soldier men a-plenty.
You're as grizzled as a badger, and you're sixty year or so.
" "But I haven't missed a scrap," says I, "since I was one and twenty.
And shall I miss the biggest? You can bet your whiskers -- no!" So I sold my furs and started .
.
.
and that's eighteen months ago.
For I joined the Foreign Legion, and they put me for a starter In the trenches of the Argonne with the Boche a step away; And the partner on my right hand was an apache from Montmartre; On my left there was a millionaire from Pittsburg, U.
S.
A.
(Poor fellow! They collected him in bits the other day.
) But I'm sprier than a chipmunk, save a touch of the lumbago, And they calls me Old Methoosalah, and `blagues' me all the day.
I'm their exhibition sniper, and they work me like a Dago, And laugh to see me plug a Boche a half a mile away.
Oh I hold the highest record in the regiment, they say.
And at night they gather round me, and I tell them of my roaming In the Country of the Crepuscule beside the Frozen Sea, Where the musk-ox runs unchallenged, and the cariboo goes homing; And they sit like little children, just as quiet as can be: Men of every crime and colour, how they harken unto me! And I tell them of the Furland, of the tumpline and the paddle, Of secret rivers loitering, that no one will explore; And I tell them of the ranges, of the pack-strap and the saddle, And they fill their pipes in silence, and their eyes beseech for more; While above the star-shells fizzle and the high explosives roar.
And I tell of lakes fish-haunted, where the big bull moose are calling, And forests still as sepulchres with never trail or track; And valleys packed with purple gloom, and mountain peaks appalling, And I tell them of my cabin on the shore at Fond du Lac; And I find myself a-thinking: Sure I wish that I was back.
So I brag of bear and beaver while the batteries are roaring, And the fellows on the firing steps are blazing at the foe; And I yarn of fur and feather when the `marmites' are a-soaring, And they listen to my stories, seven `poilus' in a row, Seven lean and lousy poilus with their cigarettes aglow.
And I tell them when it's over how I'll hike for Athabaska; And those seven greasy poilus they are crazy to go too.
And I'll give the wife the "pickle-tub" I promised, and I'll ask her The price of mink and marten, and the run of cariboo, And I'll get my traps in order, and I'll start to work anew.
For I've had my fill of fighting, and I've seen a nation scattered, And an army swung to slaughter, and a river red with gore, And a city all a-smoulder, and .
.
.
as if it really mattered, For the lake is yonder dreaming, and my cabin's on the shore; And the dogs are leaping madly, and the wife is singing gladly, And I'll rest in Athabaska, and I'll leave it nevermore.

Book: Shattered Sighs