Written by
Shel Silverstein |
One picture puzzle piece
Lyin' on the sidewalk,
One picture puzzle piece
Soakin' in the rain.
It might be a button of blue
On the coat of the woman
Who lived in a shoe.
It might be a magical bean,
Or a fold in the red
Velvet robe of a queen.
It might be the one little bite
Of the apple her stepmother
Gave to Snow White.
It might be the veil of a bride
Or a bottle with some evil genie inside.
It might be a small tuft of hair
On the big bouncy belly
Of Bobo the Bear.
It might be a bit of the cloak
Of the Witch of the West
As she melted to smoke.
It might be a shadowy trace
Of a tear that runs down an angel's face.
Nothing has more possibilities
Than one old wet picture puzzle piece.
|
Written by
J R R Tolkien |
Troll sat alone on his seat of stone,
And munched and mumbled a bare old bone;
For many a year he had gnawed it near,
For meat was hard to come by.
Done by! Gum by!
In a cave in the hills he dwelt alone,
And meat was hard to come by.
Up came Tom with his big boots on.
Said he to Troll: 'Pray, what is yon?
For it looks like the shin o' my nuncle Tim.
As should be a-lyin' in the graveyard.
Caveyard! Paveyard!
This many a year has Tim been gone,
And I thought he were lyin' in the graveyard.'
'My lad,' said Troll, 'this bone I stole.
But what be bones that lie in a hole?
Thy nuncle was dead as a lump o' lead,
Afore I found his shinbone.
Tinbone! Skinbone!
He can spare a share for a poor old troll,
For he don't need his shinbone.'
Said Tom: 'I don't see why the likes o' thee
Without axin' leave should go makin' free
With the shank or the shin o' my father's kin;
So hand the old bone over!
Rover! Trover!
Though dead he be, it belongs to he;
So hand the old bone over!'
'For a couple o' pins,' says Troll, and grins,
'I'll eat thee too, and gnaw thy shins.
A bit o' fresh meat will go down sweet!
I'll try my teeth on thee now.
Hee now! See now!
I'm tired o' gnawing old bones and skins;
I've a mind to dine on thee now.'
But just as he thought his dinner was caught,
He found his hands had hold of naught.
Before he could mind, Tom slipped behind
And gave him the boot to larn him.
Warn him! Darn him!
A bump o' the boot on the seat, Tom thought,
Would be the way to larn him.
But harder than stone is the flesh and bone
Of a troll that sits in the hills alone.
As well set your boot to the mountain's root,
For the seat of a troll don't feel it.
Peel it! Heal it!
Old Troll laughed, when he heard Tom groan,
And he knew his toes could feel it.
Tom's leg is game, since home he came,
And his bootless foot is lasting lame;
But Troll don't care, and he's still there
With the bone he boned from its owner.
Doner! *****!
Troll's old seat is still the same,
And the bone he boned from its owner!
|
Written by
Rudyard Kipling |
Wot makes the soldier's 'eart to penk, wot makes 'im to perspire?
It isn't standin' up to charge nor lyin' down to fire;
But it's everlastin' waitin' on a everlastin' road
For the commissariat camel an' 'is commissariat load.
O the oont*, O the oont, O the commissariat oont!
With 'is silly neck a-bobbin' like a basket full o' snakes;
We packs 'im like an idol, an' you ought to 'ear 'im grunt,
An' when we gets 'im loaded up 'is blessed girth-rope breaks.
Wot makes the rear-guard swear so 'ard when night is drorin' in,
An' every native follower is shiverin' for 'is skin?
It ain't the chanst o' being rushed by Paythans from the 'ills,
It's the commissariat camel puttin' on 'is bloomin' frills!
O the oont, O the oont, O the hairy scary oont!
A-trippin' over tent-ropes when we've got the night alarm!
We socks 'im with a stretcher-pole an' 'eads 'im off in front,
An' when we've saved 'is bloomin' life 'e chaws our bloomin' arm.
The 'orse 'e knows above a bit, the bullock's but a fool,
The elephant's a gentleman, the battery-mule's a mule;
But the commissariat cam-u-el, when all is said an' done,
'E's a devil an' a ostrich an' a orphan-child in one.
O the oont, O the oont, O the Gawd-forsaken oont!
The lumpy-'umpy 'ummin'-bird a-singin' where 'e lies,
'E's blocked the whole division from the rear-guard to the front,
An' when we get him up again -- the beggar goes an' dies!
'E'll gall an' chafe an' lame an' fight -- 'e smells most awful vile;
'E'll lose 'isself for ever if you let 'im stray a mile;
'E's game to graze the 'ole day long an' 'owl the 'ole night through,
An' when 'e comes to greasy ground 'e splits 'isself in two.
O the oont, O the oont, O the floppin', droppin' oont!
When 'is long legs give from under an' 'is meltin' eye is dim,
The tribes is up be'ind us, and the tribes is out in front --
It ain't no jam for Tommy, but it's kites an' crows for 'im.
So when the cruel march is done, an' when the roads is blind,
An' when we sees the camp in front an' 'ears the shots be'ind,
Ho! then we strips 'is saddle off, and all 'is woes is past:
'E thinks on us that used 'im so, and gets revenge at last.
O the oont, O the oont, O the floatin', bloatin' oont!
The late lamented camel in the water-cut 'e lies;
We keeps a mile be'ind 'im an' we keeps a mile in front,
But 'e gets into the drinkin'-casks, and then o' course we dies.
|
Written by
Robert William Service |
I've got a little job on 'and, the time is drawin' nigh;
At seven by the Captain's watch I'm due to go and do it;
I wants to 'ave it nice and neat, and pleasin' to the eye,
And I 'opes the God of soldier men will see me safely through it.
Because, you see, it's somethin' I 'ave never done before;
And till you 'as experience noo stunts is always tryin';
The chances is I'll never 'ave to do it any more:
At seven by the Captain's watch my little job is . . . dyin'.
I've got a little note to write; I'd best begin it now.
I ain't much good at writin' notes, but here goes: "Dearest Mother,
I've been in many 'ot old `do's'; I've scraped through safe some'ow,
But now I'm on the very point of tacklin' another.
A little job of hand-grenades; they called for volunteers.
They picked me out; I'm proud of it; it seems a trifle dicky.
If anythin' should 'appen, well, there ain't no call for tears,
And so . . . I 'opes this finds you well. -- Your werry lovin' Micky."
I've got a little score to settle wiv them swine out there.
I've 'ad so many of me pals done in it's quite upset me.
I've seen so much of bloody death I don't seem for to care,
If I can only even up, how soon the blighters get me.
I'm sorry for them perishers that corpses in a bed;
I only 'opes mine's short and sweet, no linger-longer-lyin';
I've made a mess of life, but now I'll try to make instead . . .
It's seven sharp. Good-bye, old pals! . . . a decent job in dyin'.
|
Written by
Paul Laurence Dunbar |
I never shall furgit that night when father hitched up Dobbin,
An' all us youngsters clambered in an' down the road went bobbin'
To school where we was kep' at work in every kind o' weather,
But where that night a spellin'-bee was callin' us together.
'Twas one o' Heaven's banner nights, the stars was all a glitter,
The moon was shinin' like the hand o' God had jest then lit her.[Pg 43]
The ground was white with spotless snow, the blast was sort o' stingin';
But underneath our round-abouts, you bet our hearts was singin'.
That spellin'-bee had be'n the talk o' many a precious moment,
The youngsters all was wild to see jes' what the precious show meant,
An' we whose years was in their teens was little less desirous
O' gittin' to the meetin' so 's our sweethearts could admire us.
So on we went so anxious fur to satisfy our mission
That father had to box our ears, to smother our ambition.
But boxin' ears was too short work to hinder our arrivin',
He jest turned roun' an' smacked us all, an' kep' right on a-drivin'.
Well, soon the schoolhouse hove in sight, the winders beamin' brightly;
The sound o' talkin' reached our ears, and voices laffin' lightly.
It puffed us up so full an' big 'at I 'll jest bet a dollar,
There wa'n't a feller there but felt the strain upon his collar.
So down we jumped an' in we went ez sprightly ez you make 'em,
But somethin' grabbed us by the knees an' straight began to shake 'em.
Fur once within that lighted room, our feelin's took a canter,
An' scurried to the zero mark ez quick ez Tam O'Shanter.
'Cause there was crowds o' people there, both sexes an' all stations;
It looked like all the town had come an' brought all their relations.
The first I saw was Nettie Gray, I thought that girl was dearer
'N' gold; an' when I got a chance, you bet I aidged up near her.
An' Farmer Dobbs's girl was there, the one 'at Jim was sweet on,
An' Cyrus Jones an' Mandy Smith an' Faith an' Patience Deaton.
Then Parson Brown an' Lawyer Jones were present—all attention,
An' piles on piles of other folks too numerous to mention.
The master rose an' briefly said: "Good friends, dear brother Crawford,
To spur the pupils' minds along, a little prize has offered.
To him who spells the best to-night—or 't may be 'her'—no tellin'[Pg 44]—
He offers ez a jest reward, this precious work on spellin'."
A little blue-backed spellin'-book with fancy scarlet trimmin';
We boys devoured it with our eyes—so did the girls an' women.
He held it up where all could see, then on the table set it,
An' ev'ry speller in the house felt mortal bound to get it.
At his command we fell in line, prepared to do our dooty,
Outspell the rest an' set 'em down, an' carry home the booty.
'T was then the merry times began, the blunders, an' the laffin',
The nudges an' the nods an' winks an' stale good-natured chaffin'.
Ole Uncle Hiram Dane was there, the clostest man a-livin',
Whose only bugbear seemed to be the dreadful fear o' givin'.
His beard was long, his hair uncut, his clothes all bare an' dingy;
It wasn't 'cause the man was pore, but jest so mortal stingy;
An' there he sot by Sally Riggs a-smilin' an' a-smirkin',
An' all his children lef' to home a diggin' an' a-workin'.
A widower he was, an' Sal was thinkin' 'at she 'd wing him;
I reckon he was wond'rin' what them rings o' hern would bring him.
An' when the spellin'-test commenced, he up an' took his station,
A-spellin' with the best o' them to beat the very nation.
An' when he 'd spell some youngster down, he 'd turn to look at Sally,
An' say: "The teachin' nowadays can't be o' no great vally."
But true enough the adage says, "Pride walks in slipp'ry places,"
Fur soon a thing occurred that put a smile on all our faces.
The laffter jest kep' ripplin' 'roun' an' teacher could n't quell it,
Fur when he give out "charity" ole Hiram could n't spell it.
But laffin' 's ketchin' an' it throwed some others off their bases,
An' folks 'u'd miss the very word that seemed to fit their cases.
Why, fickle little Jessie Lee come near the house upsettin'
By puttin' in a double "kay" to spell the word "coquettin'."
An' when it come to Cyrus Jones, it tickled me all over—
Him settin' up to Mandy Smith an' got sot down on "lover."[Pg 45]
But Lawyer Jones of all gone men did shorely look the gonest,
When he found out that he 'd furgot to put the "h" in "honest."
An' Parson Brown, whose sermons were too long fur toleration,
Caused lots o' smiles by missin' when they give out "condensation."
So one by one they giv' it up—the big words kep' a-landin',
Till me an' Nettie Gray was left, the only ones a-standin',
An' then my inward strife began—I guess my mind was petty—
I did so want that spellin'-book; but then to spell down Nettie
Jest sort o' went ag'in my grain—I somehow could n't do it,
An' when I git a notion fixed, I 'm great on stickin' to it.
So when they giv' the next word out—I had n't orter tell it,
But then 't was all fur Nettie's sake—I missed so's she could spell it.
She spelt the word, then looked at me so lovin'-like an' mello',
I tell you 't sent a hunderd pins a shootin' through a fello'.
O' course I had to stand the jokes an' chaffin' of the fello's,
But when they handed her the book I vow I was n't jealous.
We sung a hymn, an' Parson Brown dismissed us like he orter,
Fur, la! he 'd learned a thing er two an' made his blessin' shorter.
'T was late an' cold when we got out, but Nettie liked cold weather,
An' so did I, so we agreed we 'd jest walk home together.
We both wuz silent, fur of words we nuther had a surplus,
'Till she spoke out quite sudden like, "You missed that word on purpose."
Well, I declare it frightened me; at first I tried denyin',
But Nettie, she jest smiled an' smiled, she knowed that I was lyin'.
Sez she: "That book is yourn by right;" sez I: "It never could be—
I—I—you—ah—" an' there I stuck, an' well she understood me.
So we agreed that later on when age had giv' us tether,
We 'd jine our lots an' settle down to own that book together.[Pg 46]
|
Written by
Marriott Edgar |
When Joe Dove took his elephants out on the road
He made each one hold fast with his trunk
To the tail of the elephant walking in front
To stop them from doing a bunk.
There were fifteen in all, so 'twere rather a job
To get them linked up in a row,
But once he had fixed 'em Joe knew they'd hold on,
For an elephant never lets go.
The pace it was set by the big 'uns in front,
'Twas surprising how fast they could stride,
And poor little Aggie, the one at the back...
Had to run till she very near died.
They were walking one Sunday from Blackpool to Crewe,
They'd started at break of the day,
Joe followed behind with a bagful of buns
In case they got hungry on t'way.
They travelled along at a rattling good pace
Over moorland and valley and plain,
And poor little Aggie the one at the back
Her trunk fairly creaked with the strain.
They came to a place where the railway crossed road,
An ungated crossing it were,
And they wasn't to know as the express was due
At the moment that they landed there.
They was half way across when Joe saw the express-
It came tearing along up the track-
He tried hard to stop, but it wasn't much good,
For an elephant never turns back.
He saw if he didn't do something at once
The train looked like spoiling his troupe,
So he ran on ahead and he waggled tho buns
To show them they'd best hurry up
When they caught sight of buns they all started to run,
And they soon got across at this gait,
Except poor little Aggie-the one at the back,
She were one second too late.
The express came dashing along at full speed,
And caught her end on, fair and square
She bounced off the buffers, turned head over heels,
And lay with her legs in the air.
Joe thought she were dead when he saw her lyin' there,
With the back of her head on the line
He knelt by her side, put his ear to her chest,
And told her to say " ninety-nine."
She waggled her tail and she twiggled her trunk ;
To show him as she were alive;
She hadn't the strength for to say "ninety-nine,"
She just managed a weak "eighty-five."
When driver of th' engine got down from his cab
Joe said "Here's a nice howdedo,
To see fifteen elephants ruined for life
By a clumsy great driver like you."
Said the driver, "There's no need to mak' all this fuss,
There's only one hit as I've seen."
Joe said, "Aye, that's right, but they held on so tight
You've pulled back end off t' other fourteen."
Joe still walks around with his elephant troupe,
He got them patched up at the vet's,
But Aggie won't walk at the back any more,
'Cos an elephant never forgets.
|
Written by
Henry Lawson |
Now up and down the siding brown
The great black crows are flyin',
And down below the spur, I know,
Another `milker's' dyin';
The crops have withered from the ground,
The tank's clay bed is glarin',
But from my heart no tear nor sound,
For I have gone past carin' --
Past worryin' or carin',
Past feelin' aught or carin';
But from my heart no tear nor sound,
For I have gone past carin'.
Through Death and Trouble, turn about,
Through hopeless desolation,
Through flood and fever, fire and drought,
And slavery and starvation;
Through childbirth, sickness, hurt, and blight,
And nervousness an' scarin',
Through bein' left alone at night,
I've got to be past carin'.
Past botherin' or carin',
Past feelin' and past carin';
Through city cheats and neighbours' spite,
I've come to be past carin'.
Our first child took, in days like these,
A cruel week in dyin',
All day upon her father's knees,
Or on my poor breast lyin';
The tears we shed -- the prayers we said
Were awful, wild -- despairin'!
I've pulled three through, and buried two
Since then -- and I'm past carin'.
I've grown to be past carin',
Past worryin' and wearin';
I've pulled three through and buried two
Since then, and I'm past carin'.
'Twas ten years first, then came the worst,
All for a dusty clearin',
I thought, I thought my heart would burst
When first my man went shearin';
He's drovin' in the great North-west,
I don't know how he's farin';
For I, the one that loved him best,
Have grown to be past carin'.
I've grown to be past carin'
Past lookin' for or carin';
The girl that waited long ago,
Has lived to be past carin'.
My eyes are dry, I cannot cry,
I've got no heart for breakin',
But where it was in days gone by,
A dull and empty achin'.
My last boy ran away from me,
I know my temper's wearin',
But now I only wish to be
Beyond all signs of carin'.
Past wearyin' or carin',
Past feelin' and despairin';
And now I only wish to be
Beyond all signs of carin'.
|
Written by
Robert William Service |
The poppies gleamed like bloody pools through cotton-woolly mist;
The Captain kept a-lookin' at the watch upon his wrist;
And there we smoked and squatted, as we watched the shrapnel flame;
'Twas wonnerful, I'm tellin' you, how fast them bullets came.
'Twas weary work the waiting, though; I tried to sleep a wink,
For waitin' means a-thinkin', and it doesn't do to think.
So I closed my eyes a little, and I had a niceish dream
Of a-standin' by a dresser with a dish of Devon cream;
But I hadn't time to sample it, for suddenlike I woke:
"Come on, me lads!" the Captain says, 'n I climbed out through the smoke.
We spread out in the open: it was like a bath of lead;
But the boys they cheered and hollered fit to raise the bloody dead,
Till a beastly bullet copped 'em, then they lay without a sound,
And it's odd -- we didn't seem to heed them corpses on the ground.
And I kept on thinkin', thinkin', as the bullets faster flew,
How they picks the werry best men, and they lets the rotters through;
So indiscriminatin' like, they spares a man of sin,
And a rare lad wot's a husband and a father gets done in.
And while havin' these reflections and advancin' on the run,
A bullet biffs me shoulder, and says I: "That's number one."
Well, it downed me for a jiffy, but I didn't lose me calm,
For I knew that I was needed: I'm a bomber, so I am.
I 'ad lost me cap and rifle, but I "carried on" because
I 'ad me bombs and knew that they was needed, so they was.
We didn't 'ave no singin' now, nor many men to cheer;
Maybe the shrapnel drowned 'em, crashin' out so werry near;
And the Maxims got us sideways, and the bullets faster flew,
And I copped one on me flipper, and says I: "That's number two."
I was pleased it was the left one, for I 'ad me bombs, ye see,
And 'twas 'ard if they'd be wasted like, and all along o' me.
And I'd lost me 'at and rifle -- but I told you that before,
So I packed me mit inside me coat and "carried on" once more.
But the rumpus it was wicked, and the men were scarcer yet,
And I felt me ginger goin', but me jaws I kindo set,
And we passed the Boche first trenches, which was 'eapin' 'igh with dead,
And we started for their second, which was fifty feet ahead;
When something like a 'ammer smashed me savage on the knee,
And down I came all muck and blood: Says I: "That's number three."
So there I lay all 'elpless like, and bloody sick at that,
And worryin' like anythink, because I'd lost me 'at;
And thinkin' of me missis, and the partin' words she said:
"If you gets killed, write quick, ol' man, and tell me as you're dead."
And lookin' at me bunch o' bombs -- that was the 'ardest blow,
To think I'd never 'ave the chance to 'url them at the foe.
And there was all our boys in front, a-fightin' there like mad,
And me as could 'ave 'elped 'em wiv the lovely bombs I 'ad.
And so I cussed and cussed, and then I struggled back again,
Into that bit of battered trench, packed solid with its slain.
Now as I lay a-lyin' there and blastin' of me lot,
And wishin' I could just dispose of all them bombs I'd got,
I sees within the doorway of a shy, retirin' dug-out
Six Boches all a-grinnin', and their Captain stuck 'is mug out;
And they 'ad a nice machine gun, and I twigged what they was at;
And they fixed it on a tripod, and I watched 'em like a cat;
And they got it in position, and they seemed so werry glad,
Like they'd got us in a death-trap, which, condemn their souls! they 'ad.
For there our boys was fightin' fifty yards in front, and 'ere
This lousy bunch of Boches they 'ad got us in the rear.
Oh it set me blood a-boilin' and I quite forgot me pain,
So I started crawlin', crawlin' over all them mounds of slain;
And them barstards was so busy-like they 'ad no eyes for me,
And me bleedin' leg was draggin', but me right arm it was free. . . .
And now they 'ave it all in shape, and swingin' sweet and clear;
And now they're all excited like, but -- I am drawin' near;
And now they 'ave it loaded up, and now they're takin' aim. . . .
Rat-tat-tat-tat! Oh here, says I, is where I join the game.
And my right arm it goes swingin', and a bomb it goes a-slingin',
And that "typewriter" goes wingin' in a thunderbolt of flame.
Then these Boches, wot was left of 'em, they tumbled down their 'ole,
And up I climbed a mound of dead, and down on them I stole.
And oh that blessed moment when I heard their frightened yell,
And I laughed down in that dug-out, ere I bombed their souls to hell.
And now I'm in the hospital, surprised that I'm alive;
We started out a thousand men, we came back thirty-five.
And I'm minus of a trotter, but I'm most amazin' gay,
For me bombs they wasn't wasted, though, you might say, "thrown away".
|
Written by
Rudyard Kipling |
Seven men from all the world, back to Docks again,
Rolling down the Ratcliffe Road drunk and raising Cain:
Give the girls another drink 'fore we sign away --
We that took the Bolivar out across the Bay!
We put out from Sunderland loaded down with rails;
We put back to Sunderland 'cause our cargo shifted;
We put out from Sunderland -- met the winter gales --
Seven days and seven nights to the Start we drifted.
Racketing her rivets loose, smoke-stack white as snow,
All the coals adrift adeck, half the rails below,
Leaking like a lobster-pot, steering like a dray --
Out we took the Bolivar, out across the Bay!
One by one the Lights came up, winked and let us by;
Mile by mile we waddled on, coal and fo'c'sle short;
Met a blow that laid us down, heard a bulkhead fly;
Left the Wolf behind us with a two-foot list to port.
Trailing like a wounded duck, working out her soul;
Clanging like a smithy-shop after every roll;
Just a funnel and a mast lurching through the spray --
So we threshed the Bolivar out across the Bay!
'Felt her hog and felt her sag, betted when she'd break;
Wondered every time she raced if she'd stand the shock;
Heard the seas like drunken men pounding at her strake;
Hoped the Lord 'ud keep his thumb on the plummer-block.
Banged against the iron decks, bilges choked with coal;
Flayed and frozen foot and hand, sick of heart and soul;
Last we prayed she'd buck herself into judgment Day --
Hi! we cursed the Bolivar knocking round the Bay!
O her nose flung up to sky, groaning to be still --
Up and down and back we went, never time for breath;
Then the money paid at Lloyd's caught her by the heel,
And the stars ran round and round dancin' at our death.
Aching for an hour's sleep, dozing off between;
'Heard the rotten rivets draw when she took it green;
'Watched the compass chase its tail like a cat at play --
That was on the Bolivar, south across the Bay.
Once we saw between the squalls, lyin' head to swell --
Mad with work and weariness, wishin' they was we --
Some damned Liner's lights go by like a long hotel;
Cheered her from the Bolivar swampin' in the sea.
Then a grayback cleared us out, then the skipper laughed;
"Boys, the wheel has gone to Hell -- rig the winches aft!
Yoke the kicking rudder-head -- get her under way!"
So we steered her, pulley-haul, out across the Bay!
Just a pack o' rotten plates puttied up with tar,
In we came, an' time enough, 'cross Bilbao Bar.
Overloaded, undermanned, meant to founder, we
Euchred God Almighty's storm, bluffed the Eternal Sea!
Seven men from all the world, back to town again,
Rollin' down the Ratcliffe Road drunk and raising Cain:
Seven men from out of Hell. Ain't the owners gay,
'Cause we took the "Bolivar" safe across the Bay?
|
Written by
Rudyard Kipling |
We're marchin' on relief over Injia's sunny plains,
A little front o' Christmas-time an' just be'ind the Rains;
Ho! get away you bullock-man, you've 'eard the bugle blowed,
There's a regiment a-comin' down the Grand Trunk Road;
With its best foot first
And the road a-sliding past,
An' every bloomin' campin'-ground exactly like the last;
While the Big Drum says,
With 'is "rowdy-dowdy-dow!" --
"Kiko kissywarsti don't you hamsher argy jow?"*
* Why don't you get on?
Oh, there's them Injian temples to admire when you see,
There's the peacock round the corner an' the monkey up the tree,
An' there's that rummy silver grass a-wavin' in the wind,
An' the old Grand Trunk a-trailin' like a rifle-sling be'ind.
While it's best foot first, . . .
At half-past five's Revelly, an' our tents they down must come,
Like a lot of button mushrooms when you pick 'em up at 'ome.
But it's over in a minute, an' at six the column starts,
While the women and the kiddies sit an' shiver in the carts.
An' it's best foot first, . . .
Oh, then it's open order, an' we lights our pipes an' sings,
An' we talks about our rations an' a lot of other things,
An' we thinks o' friends in England, an' we wonders what they're at,
An' 'ow they would admire for to hear us sling the bat.*
An' it's best foot first, . . .
* Language. Thomas's first and firmest conviction is that he is a profound Orientalist and a fluent speaker of Hindustani. As a matter of fact, he depends largely on the sign-language.
It's none so bad o' Sunday, when you're lyin' at your ease,
To watch the kites a-wheelin' round them feather-'eaded trees,
For although there ain't no women, yet there ain't no barrick-yards,
So the orficers goes shootin' an' the men they plays at cards.
Till it's best foot first, . . .
So 'ark an' 'eed, you rookies, which is always grumblin' sore,
There's worser things than marchin' from Umballa to Cawnpore;
An' if your 'eels are blistered an' they feels to 'urt like 'ell,
You drop some tallow in your socks an' that will make 'em well.
For it's best foot first, . . .
We're marchin' on relief over Injia's coral strand,
Eight 'undred fightin' Englishmen, the Colonel, and the Band;
Ho! get away you bullock-man, you've 'eard the bugle blowed,
There's a regiment a-comin' down the Grand Trunk Road;
With its best foot first
And the road a-sliding past,
An' every bloomin' campin'-ground exactly like the last;
While the Big Drum says,
With 'is "rowdy-dowdy-dow!" --
"Kiko kissywarsti don't you amsher argy jow?"
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