by
Wystan Hugh (W H) Auden
I sit in one of the divesOn Fifty-second StreetUncertain and afraidAs the clever hopes expireOf a low dishonest decade:Waves of anger and fearCirculate over the brightAnd darkened lands of the earth,Obsessing our private lives;The unmentionable odour of deathOffends the September night. Accurate scholarship canUnearth the whole offenceFrom Luther until nowThat has driven a culture mad,Find what occurred at Linz,What huge imago madeA psychopathic god:I and the public knowWhat all schoolchildren learn,Those to whom evil is doneDo evil in return. Exiled Thucydides knewAll that a speech can sayAbout Democracy,And what dictators do,The elderly rubbish they talkTo an apathetic grave;Analysed all in his book,The enlightenment driven away,The habit-forming pain,Mismanagement and grief:We must suffer them all again. Into this neutral airWhere blind skyscrapers useTheir full height to proclaimThe strength of Collective Man,Each language pours its vainCompetitive excuse:But who can live for longIn an euphoric dream;Out of the mirror they stare,Imperialism's faceAnd the international wrong. Faces along the barCling to their average day:The lights must never go out,The music must always play,All the conventions conspireTo make this fort assumeThe furniture of home;Lest we should see where we are,Lost in a haunted wood,Children afraid of the nightWho have never been happy or good. The windiest militant trashImportant Persons shoutIs not so crude as our wish:What mad Nijinsky wroteAbout DiaghilevIs true of the normal heart;For the error bred in the boneOf each woman and each manCraves what it cannot have,Not universal loveBut to be loved alone. From the conservative darkInto the ethical lifeThe dense commuters come,Repeating their morning vow;"I will be true to the wife,I'll concentrate more on my work,"And helpless governors wakeTo resume their compulsory game:Who can release them now,Who can reach the deaf,Who can speak for the dumb? All I have is a voiceTo undo the folded lie,The romantic lie in the brainOf the sensual man-in-the-streetAnd the lie of AuthorityWhose buildings grope the sky:There is no such thing as the StateAnd no one exists alone;Hunger allows no choiceTo the citizen or the police;We must love one another or die. Defenceless under the nightOur world in stupor lies;Yet, dotted everywhere,Ironic points of lightFlash out wherever the JustExchange their messages:May I, composed like themOf Eros and of dust,Beleaguered by the sameNegation and despair,Show an affirming flame.
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by
Gregory Corso
Budger of history Brake of time You Bomb
Toy of universe Grandest of all snatched sky I cannot hate you
Do I hate the mischievous thunderbolt the jawbone of an ass
The bumpy club of One Million B.C. the mace the flail the axe
Catapult Da Vinci tomahawk Cochise flintlock Kidd dagger Rathbone
Ah and the sad desparate gun of Verlaine Pushkin Dillinger Bogart
And hath not St. Michael a burning sword St. George a lance David a sling
Bomb you are as cruel as man makes you and you're no crueller than cancer
All Man hates you they'd rather die by car-crash lightning drowning
Falling off a roof electric-chair heart-attack old age old age O Bomb
They'd rather die by anything but you Death's finger is free-lance
Not up to man whether you boom or not Death has long since distributed its
categorical blue I sing thee Bomb Death's extravagance Death's jubilee
Gem of Death's supremest blue The flyer will crash his death will differ
with the climbor who'll fall to die by cobra is not to die by bad pork
Some die by swamp some by sea and some by the bushy-haired man in the night
O there are deaths like witches of Arc Scarey deaths like Boris Karloff
No-feeling deaths like birth-death sadless deaths like old pain Bowery
Abandoned deaths like Capital Punishment stately deaths like senators
And unthinkable deaths like Harpo Marx girls on Vogue covers my own
I do not know just how horrible Bombdeath is I can only imagine
Yet no other death I know has so laughable a preview I scope
a city New York City streaming starkeyed subway shelter
Scores and scores A fumble of humanity High heels bend
Hats whelming away Youth forgetting their combs
Ladies not knowing what to do with their shopping bags
Unperturbed gum machines Yet dangerous 3rd rail
Ritz Brothers from the Bronx caught in the A train
The smiling Schenley poster will always smile
Impish death Satyr Bomb Bombdeath
Turtles exploding over Istanbul
The jaguar's flying foot
soon to sink in arctic snow
Penguins plunged against the Sphinx
The top of the Empire state
arrowed in a broccoli field in Sicily
Eiffel shaped like a C in Magnolia Gardens
St. Sophia peeling over Sudan
O athletic Death Sportive Bomb
the temples of ancient times
their grand ruin ceased
Electrons Protons Neutrons
gathering Hersperean hair
walking the dolorous gulf of Arcady
joining marble helmsmen
entering the final ampitheater
with a hymnody feeling of all Troys
heralding cypressean torches
racing plumes and banners
and yet knowing Homer with a step of grace
Lo the visiting team of Present
the home team of Past
Lyre and tube together joined
Hark the hotdog soda olive grape
gala galaxy robed and uniformed
commissary O the happy stands
Ethereal root and cheer and boo
The billioned all-time attendance
The Zeusian pandemonium
Hermes racing Owens
The Spitball of Buddha
Christ striking out
Luther stealing third
Planeterium Death Hosannah Bomb
Gush the final rose O Spring Bomb
Come with thy gown of dynamite green
unmenace Nature's inviolate eye
Before you the wimpled Past
behind you the hallooing Future O Bomb
Bound in the grassy clarion air
like the fox of the tally-ho
thy field the universe thy hedge the geo
Leap Bomb bound Bomb frolic zig and zag
The stars a swarm of bees in thy binging bag
Stick angels on your jubilee feet
wheels of rainlight on your bunky seat
You are due and behold you are due
and the heavens are with you
hosanna incalescent glorious liaison
BOMB O havoc antiphony molten cleft BOOM
Bomb mark infinity a sudden furnace
spread thy multitudinous encompassed Sweep
set forth awful agenda
Carrion stars charnel planets carcass elements
Corpse the universe tee-hee finger-in-the-mouth hop
over its long long dead Nor
From thy nimbled matted spastic eye
exhaust deluges of celestial ghouls
From thy appellational womb
spew birth-gusts of of great worms
Rip open your belly Bomb
from your belly outflock vulturic salutations
Battle forth your spangled hyena finger stumps
along the brink of Paradise
O Bomb O final Pied Piper
both sun and firefly behind your shock waltz
God abandoned mock-nude
beneath His thin false-talc's apocalypse
He cannot hear thy flute's
happy-the-day profanations
He is spilled deaf into the Silencer's warty ear
His Kingdom an eternity of crude wax
Clogged clarions untrumpet Him
Sealed angels unsing Him
A thunderless God A dead God
O Bomb thy BOOM His tomb
That I lean forward on a desk of science
an astrologer dabbling in dragon prose
half-smart about wars bombs especially bombs
That I am unable to hate what is necessary to love
That I can't exist in a world that consents
a child in a park a man dying in an electric-chair
That I am able to laugh at all things
all that I know and do not know thus to conceal my pain
That I say I am a poet and therefore love all man
knowing my words to be the acquainted prophecy of all men
and my unwords no less an acquaintanceship
That I am manifold
a man pursuing the big lies of gold
or a poet roaming in bright ashes
or that which I imagine myself to be
a shark-toothed sleep a man-eater of dreams
I need not then be all-smart about bombs
Happily so for if I felt bombs were caterpillars
I'd doubt not they'd become butterflies
There is a hell for bombs
They're there I see them there
They sit in bits and sing songs
mostly German songs
And two very long American songs
and they wish there were more songs
especially Russian and Chinese songs
and some more very long American songs
Poor little Bomb that'll never be
an Eskimo song I love thee
I want to put a lollipop
in thy furcal mouth
A wig of Goldilocks on thy baldy bean
and have you skip with me Hansel and Gretel
along the Hollywoodian screen
O Bomb in which all lovely things
moral and physical anxiously participate
O fairylike plucked from the
grandest universe tree
O piece of heaven which gives
both mountain and anthill a sun
I am standing before your fantastic lily door
I bring you Midgardian roses Arcadian musk
Reputed cosmetics from the girls of heaven
Welcome me fear not thy opened door
nor thy cold ghost's grey memory
nor the pimps of indefinite weather
their cruel terrestial thaw
Oppenheimer is seated
in the dark pocket of Light
Fermi is dry in Death's Mozambique
Einstein his mythmouth
a barnacled wreath on the moon-squid's head
Let me in Bomb rise from that pregnant-rat corner
nor fear the raised-broom nations of the world
O Bomb I love you
I want to kiss your clank eat your boom
You are a paean an acme of scream
a lyric hat of Mister Thunder
O resound thy tanky knees
BOOM BOOM BOOM BOOM BOOM
BOOM ye skies and BOOM ye suns
BOOM BOOM ye moons ye stars BOOM
nights ye BOOM ye days ye BOOM
BOOM BOOM ye winds ye clouds ye rains
go BANG ye lakes ye oceans BING
Barracuda BOOM and cougar BOOM
Ubangi BOOM orangutang
BING BANG BONG BOOM bee bear baboon
ye BANG ye BONG ye BING
the tail the fin the wing
Yes Yes into our midst a bomb will fall
Flowers will leap in joy their roots aching
Fields will kneel proud beneath the halleluyahs of the wind
Pinkbombs will blossom Elkbombs will perk their ears
Ah many a bomb that day will awe the bird a gentle look
Yet not enough to say a bomb will fall
or even contend celestial fire goes out
Know that the earth will madonna the Bomb
that in the hearts of men to come more bombs will be born
magisterial bombs wrapped in ermine all beautiful
and they'll sit plunk on earth's grumpy empires
fierce with moustaches of gold
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by
Andrew Hudgins
Despite the noon sun shimmering on Court Street,
each day I leave my desk, and window-shop,
waste time, and use my whole lunch hour to stroll
the route the marchers took. The walk is blistering--
the kind of heat that might make you recall
Nat Turner skinned and rendered into grease
if you share my cheap liberal guilt for sins
before your time. I hold it dear. I know
if I had lived in 1861
I would have fought in butternut, not blue
and never known I'd sinned. Nat Turner skinned
for doing what I like to think I'd do
if I were him.
Before the war
half-naked coffles were paraded to Court Square,
where Mary Chesnut gasped--"seasick"--to see
a bright mulatto on the auction block,
who bantered with the buyers, sang bawdy songs,
and flaunted her green satin dress, smart shoes,
I'm sure the poor thing knew who'd purchase her,
wrote Mrs. Chestnut, who plopped on a stool
to discipline her thoughts. Today I saw,
in that same square, three black girls pick loose tar,
flick it at one another's new white dresses,
then squeal with laughter. Three girls about that age
of those blown up in church in Birmingham.
The legendary buses rumble past the church
where Reverend King preached when he lived in town,
a town somehow more his than mine, despite
my memory of standing on Dexter Avenue
and watching, fascinated, a black man fry
six eggs on his Dodge Dart. Because I watched
he gave me one with flecks of dark blue paint
stuck on the yolk. My mother slapped my hand.
I dropped the egg. And when I tried to say
I'm sorry, Mother grabbed my wrist and marched me
back to our car.
I can't hold to the present.
I've known these streets, their history, too long.
Two months before she died, my grandmother
remembered when I'd sassed her as a child,
and at the dinner table, in midbite,
leaned over, struck the grown man on the mouth.
And if I hadn't said I'm sorry,fast,
she would have gone for me again. My aunt,
from laughing, choked on a piece of lemon pie.
But I'm not sure. I'm just Christian enough
to think each sin taints every one of us,
a harsh philosophy that doesn't seem
to get me very far--just to the Capitol
each day at noon, my wet shirt clinging to my back.
Atop its pole, the stars-and-bars,
too heavy for the breeze, hangs listlessly.
Once, standing where Jeff Davis took his oath,
I saw the Capitol. He shrank into his chair,
so flaccid with paralysis he looked
like melting flesh, white as a maggot. He's fatter now.
He courts black votes, and life is calmer than
when Muslims shot whites on this street, and calmer
than when the Klan blew up Judge Johnson's house
or Martin Luther King's. My history could be worse.
I could be Birmingham. I could be Selma.
I could be Philadelphia, Mississippi.
Instead, I'm this small river town. Today,
as I worked at my desk, the boss
called the janitor, Jerome, I hear
you get some lunchtime pussy every day.
Jerome, toothless and over seventy,
stuck the broom handle out between his legs:
Yessir! When the Big Hog talks
--he waggled his broomstick--I gots to listen.
He laughed. And from the corner of his eye,
he looked to see if we were laughing too.
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by
Eugene Field
Away down East where I was reared amongst my Yankee kith,
There used to live a pretty girl whose name was Mary Smith;
And though it's many years since last I saw that pretty girl,
And though I feel I'm sadly worn by Western strife and whirl;
Still, oftentimes, I think about the old familiar place,
Which, someway, seemed the brighter for Miss Mary's pretty face,
And in my heart I feel once more revivified the glow
I used to feel in those old times when I was Mary's beau.
I saw her home from singing school--she warbled like a bird.
A sweeter voice than hers for song or speech I never heard.
She was soprano in the choir, and I a solemn bass,
And when we unisoned our voices filled that holy place;
The tenor and the alto never had the slightest chance,
For Mary's upper register made every heart-string dance;
And, as for me, I shall not brag, and yet I'd have you know
I sung a very likely bass when I was Mary's beau.
On Friday nights I'd drop around to make my weekly call,
And though I came to visit her, I'd have to see 'em all.
With Mary's mother sitting here and Mary's father there,
The conversation never flagged so far as I'm aware;
Sometimes I'd hold her worsted, sometimes we'd play at games,
Sometimes dissect the apples which we'd named each other's names.
Oh how I loathed the shrill-toned clock that told me when to go--
'Twas ten o'clock at half-past eight when I was Mary's beau.
Now there was Luther Baker--because he'd come of age
And thought himself some pumpkins because he drove the stage--
He fancied he could cut me out; but Mary was my friend--
Elsewise I'm sure the issue had had a tragic end.
For Luther Baker was a man I never could abide,
And, when it came to Mary, either he or I had died.
I merely cite this instance incidentally to show
That I was quite in earnest when I was Mary's beau.
How often now those sights, those pleasant sights, recur again:
The little township that was all the world I knew of then--
The meeting-house upon the hill, the tavern just beyond,
Old deacon Packard's general store, the sawmill by the pond,
The village elms I vainly sought to conquer in my quest
Of that surpassing trophy, the golden oriole's nest.
And, last of all those visions that come back from long ago,
The pretty face that thrilled my soul when I was Mary's beau.
Hush, gentle wife, there is no need a pang should vex your heart--
'T is many years since fate ordained that she and I should part;
To each a true, maturer love came in good time, and yet
It brought not with its nobler grace the power to forget.
And would you fain begrudge me now the sentimental joy
That comes of recollections of my sparkings when a boy?
I warrant me that, were your heart put to the rack,'t would show
That it had predilections when I was Mary's beau.
And, Mary, should these lines of mine seek out your biding place,
God grant they bring the old sweet smile back to your pretty face--
God grant they bring you thoughts of me, not as I am to-day,
With faltering step and brimming eyes and aspect grimly gray;
But thoughts that picture me as fair and full of life and glee
As we were in the olden times--as you shall always be.
Think of me ever, Mary, as the boy you used to know
When time was fleet, and life was sweet, and I was Mary's beau.
Dear hills of old New England, look down with tender eyes
Upon one little lonely grave that in your bosom lies;
For in that cradle sleeps a child who was so fair to see
God yearned to have unto Himself the joy she brought to me;
And bid your winds sing soft and low the song of other days,
When, hand in hand and heart to heart, we went our pleasant ways--
Ah me! but could I sing again that song of long ago,
Instead of this poor idle song of being Mary's beau.
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by
Rudyard Kipling
"Brother Square-Toes"--Rewards and Fairies.
If you're off to Philadelphia in the morning,
You mustn't take my stories for a guide.
There's little left, indeed, of the city you will read of,
And all the folk I write about have died.
Now few will understand if you mention Talleyrand,
Or remember what his cunning and his skill did;
And the cabmen at the wharf do not know Count Zinzendorf,
Nor the Church in Philadelphia he builded.
It is gone, gone, gone with lost Atlantis,
(Never say I didn't give you warning).
In Seventeen Ninety-three 'twas there for all to see,
But it's not in Philadelphia this morning.
If you're off to Philadelphia in the morning,
You mustn't go by anything I've said.
Bob Bicknell's Southern Stages have been laid aside for ages,
But the Limited will take you there instead.
Toby Hirte can't be seen at One Hundred and Eighteen
North Second Street--no matter when you call;
And I fear you'll search in vain for the wash-house down the lane
Where Pharaoh played the fiddle at the ball.
It is gone, gone, gone with Thebes the Golden,
(Never say I didn't give you warning).
In Seventeen Ninety-four 'twas a famous dancing floor--
But it's not in Philadelphia this morning.
If you're off to Philadelphia in the morning,
You must telegraph for rooms at some Hotel.
You needn't try your luck at Epply's or "The Buck,"
Though the Father of his Country liked them well.
It is not the slightest use to inquire for Adam Goos,
Or to ask where Pastor Meder has removed--so
You must treat as out of date the story I relate
Of the Church in Philadelphia he loved so.
He is gone, gone, gone with Martin Luther
(Never say I didn't give you warning)
In Seventeen Ninety-five he was, ( rest his soul! ) alive.
But he's not in Philadelphia this morning.
If you're off to Philadelphia this morning,
And wish to prove the truth of what I say,
I pledge my word you'll find the pleasant land behind
Unaltered since Red Jacket rode that way.
Still the pine-woods scent the noon; still the catbird sings his
tune;
Still autumn sets the maple-forest blazing;
Still the grape-vine through the dusk flings her soul-compelling
musk;
Still the fire-flies in the corn make night amazing!
They are there, there, there with Earth immortal
( Citizens, I give you friendly warning ). .
The thins that truly last when men and times have passed,
They are all in Pennsylvania this morning!
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by
Eugene Field
(FROM THE GERMAN OF MARTIN LUTHER)
O heart of mine! lift up thine eyes
And see who in yon manger lies!
Of perfect form, of face divine--
It is the Christ-child, heart of mine!
O dearest, holiest Christ-child, spread
Within this heart of mine thy bed;
Then shall my breast forever be
A chamber consecrate to thee!
Beat high to-day, O heart of mine,
And tell, O lips, what joys are thine;
For with your help shall I prolong
Old Bethlehem's sweetest cradle-song.
Glory to God, whom this dear Child
Hath by His coming reconciled,
And whose redeeming love again
Brings peace on earth, good will to men!
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by
Robert Browning
Give'' and ``It-shall-be-given-unto-you.''
I.
Grand rough old Martin Luther
Bloomed fables---flowers on furze,
The better the uncouther:
Do roses stick like burrs?
II.
A beggar asked an alms
One day at an abbey-door,
Said Luther; but, seized with qualms,
The abbot replied, ``We're poor!
III.
``Poor, who had plenty once,
``When gifts fell thick as rain:
``But they give us nought, for the nonce,
``And how should we give again?''
IV.
Then the beggar, ``See your sins!
``Of old, unless I err,
``Ye had brothers for inmates, twins,
``Date and Dabitur.
V.
``While Date was in good case
``Dabitur flourished too:
``For Dabitur's lenten face
``No wonder if Date rue.
VI.
``Would ye retrieve the one?
``Try and make plump the other!
``When Date's penance is done,
``Dabitur helps his brother.
VII.
``Only, beware relapse!''
The Abbot hung his head.
This beggar might be perhaps
An angel, Luther said.
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