Written by
Johann Wolfgang von Goethe |
[First published in Schiller's Horen, in connection
with a
friendly contest in the art of ballad-writing between the two
great poets, to which many of their finest works are owing.
]
ONCE a stranger youth to Corinth came,
Who in Athens lived, but hoped that he
From a certain townsman there might claim,
As his father's friend, kind courtesy.
Son and daughter, they
Had been wont to say
Should thereafter bride and bridegroom be.
But can he that boon so highly prized,
Save tis dearly bought, now hope to get?
They are Christians and have been baptized,
He and all of his are heathens yet.
For a newborn creed,
Like some loathsome weed,
Love and truth to root out oft will threat.
Father, daughter, all had gone to rest,
And the mother only watches late;
She receives with courtesy the guest,
And conducts him to the room of state.
Wine and food are brought,
Ere by him besought;
Bidding him good night.
she leaves him straight.
But he feels no relish now, in truth,
For the dainties so profusely spread;
Meat and drink forgets the wearied youth,
And, still dress'd, he lays him on the bed.
Scarce are closed his eyes,
When a form in-hies
Through the open door with silent tread.
By his glimmering lamp discerns he now
How, in veil and garment white array'd,
With a black and gold band round her brow,
Glides into the room a bashful maid.
But she, at his sight,
Lifts her hand so white,
And appears as though full sore afraid.
"Am I," cries she, "such a stranger here,
That the guest's approach they could not name?
Ah, they keep me in my cloister drear,
Well nigh feel I vanquish'd by my shame.
On thy soft couch now
Slumber calmly thou!
I'll return as swiftly as I came.
"
"Stay, thou fairest maiden!" cries the boy,
Starting from his couch with eager haste:
"Here are Ceres', Bacchus' gifts of joy;
Amor bringest thou, with beauty grac'd!
Thou art pale with fear!
Loved one let us here
Prove the raptures the Immortals taste.
"
"Draw not nigh, O Youth! afar remain!
Rapture now can never smile on me;
For the fatal step, alas! is ta'en,
Through my mother's sick-bed phantasy.
Cured, she made this oath:
'Youth and nature both
Shall henceforth to Heav'n devoted be.
'
"From the house, so silent now, are driven
All the gods who reign'd supreme of yore;
One Invisible now rules in heaven,
On the cross a Saviour they adore.
Victims slay they here,
Neither lamb nor steer,
But the altars reek with human gore.
"
And he lists, and ev'ry word he weighs,
While his eager soul drinks in each sound:
"Can it be that now before my gaze
Stands my loved one on this silent ground?
Pledge to me thy troth!
Through our father's oath:
With Heav'ns blessing will our love be crown'd.
"
"Kindly youth, I never can be thine!
'Tis my sister they intend for thee.
When I in the silent cloister pine,
Ah, within her arms remember me!
Thee alone I love,
While love's pangs I prove;
Soon the earth will veil my misery.
"
"No! for by this glowing flame I swear,
Hymen hath himself propitious shown:
Let us to my fathers house repair,
And thoult find that joy is not yet flown,
Sweetest, here then stay,
And without delay
Hold we now our wedding feast alone!"
Then exchange they tokens of their truth;
She gives him a golden chain to wear,
And a silver chalice would the youth
Give her in return of beauty rare.
"That is not for me;
Yet I beg of thee,
One lock only give me of thy hair.
"
Now the ghostly hour of midnight knell'd,
And she seem'd right joyous at the sign;
To her pallid lips the cup she held,
But she drank of nought but blood-red wine.
For to taste the bread
There before them spread,
Nought he spoke could make the maid incline.
To the youth the goblet then she brought,--
He too quaff'd with eager joy the bowl.
Love to crown the silent feast he sought,
Ah! full love-sick was the stripling's soul.
From his prayer she shrinks,
Till at length he sinks
On the bed and weeps without control.
And she comes, and lays her near the boy:
"How I grieve to see thee sorrowing so!
If thou think'st to clasp my form with joy,
Thou must learn this secret sad to know;
Yes! the maid, whom thou
Call'st thy loved one now,
Is as cold as ice, though white as snow.
"
Then he clasps her madly in his arm,
While love's youthful might pervades his frame:
"Thou might'st hope, when with me, to grow warm,
E'en if from the grave thy spirit came!
Breath for breath, and kiss!
Overflow of bliss!
Dost not thou, like me, feel passion's flame?"
Love still closer rivets now their lips,
Tears they mingle with their rapture blest,
From his mouth the flame she wildly sips,
Each is with the other's thought possess'd.
His hot ardour's flood
Warms her chilly blood,
But no heart is beating in her breast.
In her care to see that nought went wrong,
Now the mother happen'd to draw near;
At the door long hearkens she, full long,
Wond'ring at the sounds that greet her ear.
Tones of joy and sadness,
And love's blissful madness,
As of bride and bridegroom they appear,
From the door she will not now remove
'Till she gains full certainty of this;
And with anger hears she vows of love,
Soft caressing words of mutual bliss.
"Hush! the cock's loud strain!
But thoult come again,
When the night returns!"--then kiss on kiss.
Then her wrath the mother cannot hold,
But unfastens straight the lock with ease
"In this house are girls become so bold,
As to seek e'en strangers' lusts to please?"
By her lamp's clear glow
Looks she in,--and oh!
Sight of horror!--'tis her child she sees.
Fain the youth would, in his first alarm,
With the veil that o'er her had been spread,
With the carpet, shield his love from harm;
But she casts them from her, void of dread,
And with spirit's strength,
In its spectre length,
Lifts her figure slowly from the bed.
"Mother! mother!"--Thus her wan lips say:
"May not I one night of rapture share?
From the warm couch am I chased away?
Do I waken only to despair?
It contents not thee
To have driven me
An untimely shroud of death to wear?
"But from out my coffin's prison-bounds
By a wond'rous fate I'm forced to rove,
While the blessings and the chaunting sounds
That your priests delight in, useless prove.
Water, salt, are vain
Fervent youth to chain,
Ah, e'en Earth can never cool down love!
"When that infant vow of love was spoken,
Venus' radiant temple smiled on both.
Mother! thou that promise since hast broken,
Fetter'd by a strange, deceitful oath.
Gods, though, hearken ne'er,
Should a mother swear
To deny her daughter's plighted troth.
From my grave to wander I am forc'd,
Still to seek The Good's long-sever'd link,
Still to love the bridegroom I have lost,
And the life-blood of his heart to drink;
When his race is run,
I must hasten on,
And the young must 'neath my vengeance sink,
"Beauteous youth! no longer mayst thou live;
Here must shrivel up thy form so fair;
Did not I to thee a token give,
Taking in return this lock of hair?
View it to thy sorrow!
Grey thoult be to-morrow,
Only to grow brown again when there.
"Mother, to this final prayer give ear!
Let a funeral pile be straightway dress'd;
Open then my cell so sad and drear,
That the flames may give the lovers rest!
When ascends the fire
From the glowing pyre,
To the gods of old we'll hasten, blest.
"
1797.
|
Written by
Paul Laurence Dunbar |
You know how it is waking
from a dream certain you can fly
and that someone, long gone, returned
and you are filled with longing,
for a brief moment, to drive off
the road and feel nothing
or to see the loved one and feel
everything.
Perhaps one morning,
taking brush to hair you'll wonder
how much of your life you've spent
at this task or signing your name
or rising in fog in near darkness
to ready for work.
Day begins
with other people's needs first
and your thoughts disperse like breath.
In the in-between hour, the solitary hour,
before day begins all the world
gradually reappears car by car.
|
Written by
Sylvia Plath |
The smile of iceboxes annihilates me.
Such blue currents in the veins of my loved one!
I hear her great heart purr.
From her lips ampersands and percent signs
Exit like kisses.
It is Monday in her mind: morals
Launder and present themselves.
What am I to make of these contradictions?
I wear white cuffs, I bow.
Is this love then, this red material
Issuing from the steele needle that flies so blindingly?
It will make little dresses and coats,
It will cover a dynasty.
How her body opens and shuts --
A Swiss watch, jeweled in the hinges!
O heart, such disorganization!
The stars are flashing like terrible numerals.
ABC, her eyelids say.
|
Written by
Walter de la Mare |
The abode of the nightingale is bare,
Flowered frost congeals in the gelid air,
The fox howls from his frozen lair:
Alas, my loved one is gone,
I am alone:
It is winter.
Once the pink cast a winy smell,
The wild bee hung in the hyacinth bell,
Light in effulgence of beauty fell:
I am alone:
It is winter.
My candle a silent fire doth shed,
Starry Orion hunts o'erhead;
Come moth, come shadow, the world is dead:
Alas, my loved one is gone,
I am alone;
It is winter.
|
Written by
Alfred Lord Tennyson |
Faint as a climate-changing bird that flies
All night across the darkness, and at dawn
Falls on the threshold of her native land,
And can no more, thou camest, O my child,
Led upward by the God of ghosts and dreams,
Who laid thee at Eleusis, dazed and dumb,
With passing thro' at once from state to state,
Until I brought thee hither, that the day,
When here thy hands let fall the gather'd flower,
Might break thro' clouded memories once again
On thy lost self.
A sudden nightingale
Saw thee, and flash'd into a frolic of song
And welcome; and a gleam as of the moon,
When first she peers along the tremulous deep,
Fled wavering o'er thy face, and chased away
That shadow of a likeness to the king
Of shadows, thy dark mate.
Persephone!
Queen of the dead no more -- my child! Thine eyes
Again were human-godlike, and the Sun
Burst from a swimming fleece of winter gray,
And robed thee in his day from head to feet --
"Mother!" and I was folded in thine arms.
Child, those imperial, disimpassion'd eyes
Awed even me at first, thy mother -- eyes
That oft had seen the serpent-wanded power
Draw downward into Hades with his drift
Of fickering spectres, lighted from below
By the red race of fiery Phlegethon;
But when before have Gods or men beheld
The Life that had descended re-arise,
And lighted from above him by the Sun?
So mighty was the mother's childless cry,
A cry that ran thro' Hades, Earth, and Heaven!
So in this pleasant vale we stand again,
The field of Enna, now once more ablaze
With flowers that brighten as thy footstep falls,
All flowers -- but for one black blur of earth
Left by that closing chasm, thro' which the car
Of dark Aidoneus rising rapt thee hence.
And here, my child, tho' folded in thine arms,
I feel the deathless heart of motherhood
Within me shudder, lest the naked glebe
Should yawn once more into the gulf, and thence
The shrilly whinnyings of the team of Hell,
Ascending, pierce the glad and songful air,
And all at once their arch'd necks, midnight-maned,
Jet upward thro' the mid-day blossom.
No!
For, see, thy foot has touch'd it; all the space
Of blank earth-baldness clothes itself afresh,
And breaks into the crocus-purple hour
That saw thee vanish.
Child, when thou wert gone,
I envied human wives, and nested birds,
Yea, the cubb'd lioness; went in search of thee
Thro' many a palace, many a cot, and gave
Thy breast to ailing infants in the night,
And set the mother waking in amaze
To find her sick one whole; and forth again
Among the wail of midnight winds, and cried,
"Where is my loved one? Wherefore do ye wail?"
And out from all the night an answer shrill'd,
"We know not, and we know not why we wail.
"
I climb'd on all the cliffs of all the seas,
And ask'd the waves that moan about the world
"Where? do ye make your moaning for my child?"
And round from all the world the voices came
"We know not, and we know not why we moan.
"
"Where?" and I stared from every eagle-peak,
I thridded the black heart of all the woods,
I peer'd thro' tomb and cave, and in the storms
Of Autumn swept across the city, and heard
The murmur of their temples chanting me,
Me, me, the desolate Mother! "Where"? -- and turn'd,
And fled by many a waste, forlorn of man,
And grieved for man thro' all my grief for thee, --
The jungle rooted in his shatter'd hearth,
The serpent coil'd about his broken shaft,
The scorpion crawling over naked skulls; --
I saw the tiger in the ruin'd fane
Spring from his fallen God, but trace of thee
I saw not; and far on, and, following out
A league of labyrinthine darkness, came
On three gray heads beneath a gleaming rift.
"Where"? and I heard one voice from all the three
"We know not, for we spin the lives of men,
And not of Gods, and know not why we spin!
There is a Fate beyond us.
" Nothing knew.
Last as the likeness of a dying man,
Without his knowledge, from him flits to warn
A far-off friendship that he comes no more,
So he, the God of dreams, who heard my cry,
Drew from thyself the likeness of thyself
Without thy knowledge, and thy shadow past
Before me, crying "The Bright one in the highest
Is brother of the Dark one in the lowest,
And Bright and Dark have sworn that I, the child
Of thee, the great Earth-Mother, thee, the Power
That lifts her buried life from loom to bloom,
Should be for ever and for evermore
The Bride of Darkness.
"
So the Shadow wail'd.
Then I, Earth-Goddess, cursed the Gods of Heaven.
I would not mingle with their feasts; to me
Their nectar smack'd of hemlock on the lips,
Their rich ambrosia tasted aconite.
The man, that only lives and loves an hour,
Seem'd nobler than their hard Eternities.
My quick tears kill'd the flower, my ravings hush'd
The bird, and lost in utter grief I fail'd
To send my life thro' olive-yard and vine
And golden grain, my gift to helpless man.
Rain-rotten died the wheat, the barley-spears
Were hollow-husk'd, the leaf fell, and the sun,
Pale at my grief, drew down before his time
Sickening, and Aetna kept her winter snow.
Then He, the brother of this Darkness, He
Who still is highest, glancing from his height
On earth a fruitless fallow, when he miss'd
The wonted steam of sacrifice, the praise
And prayer of men, decreed that thou should'st dwell
For nine white moons of each whole year with me,
Three dark ones in the shadow with thy King.
Once more the reaper in the gleam of dawn
Will see me by the landmark far away,
Blessing his field, or seated in the dusk
Of even, by the lonely threshing-floor,
Rejoicing in the harvest and the grange.
Yet I, Earth-Goddess, am but ill-content
With them, who still are highest.
Those gray heads,
What meant they by their "Fate beyond the Fates"
But younger kindlier Gods to bear us down,
As we bore down the Gods before us? Gods,
To quench, not hurl the thunderbolt, to stay,
Not spread the plague, the famine; Gods indeed,
To send the noon into the night and break
The sunless halls of Hades into Heaven?
Till thy dark lord accept and love the Sun,
And all the Shadow die into the Light,
When thou shalt dwell the whole bright year with me,
And souls of men, who grew beyond their race,
And made themselves as Gods against the fear
Of Death and Hell; and thou that hast from men,
As Queen of Death, that worship which is Fear,
Henceforth, as having risen from out the dead,
Shalt ever send thy life along with mine
From buried grain thro' springing blade, and bless
Their garner'd Autumn also, reap with me,
Earth-mother, in the harvest hymns of Earth
The worship which is Love, and see no more
The Stone, the Wheel, the dimly-glimmering lawns
Of that Elysium, all the hateful fires
Of torment, and the shadowy warrior glide
Along the silent field of Asphodel.
|
Written by
Thomas Hardy |
"Ah, are you digging on my grave,
My loved one? -- planting rue?"
-- "No: yesterday he went to wed
One of the brightest wealth has bred.
'It cannot hurt her now,' he said,
'That I should not be true.
'"
"Then who is digging on my grave,
My nearest dearest kin?"
-- "Ah, no: they sit and think, 'What use!
What good will planting flowers produce?
No tendance of her mound can loose
Her spirit from Death's gin.
'"
"But someone digs upon my grave?
My enemy? -- prodding sly?"
-- "Nay: when she heard you had passed the Gate
That shuts on all flesh soon or late,
She thought you no more worth her hate,
And cares not where you lie.
"Then, who is digging on my grave?
Say -- since I have not guessed!"
-- "O it is I, my mistress dear,
Your little dog , who still lives near,
And much I hope my movements here
Have not disturbed your rest?"
"Ah yes! You dig upon my grave.
.
.
Why flashed it not to me
That one true heart was left behind!
What feeling do we ever find
To equal among human kind
A dog's fidelity!"
"Mistress, I dug upon your grave
To bury a bone, in case
I should be hungry near this spot
When passing on my daily trot.
I am sorry, but I quite forgot
It was your resting place.
"
|
Written by
Matthew Arnold |
Come, dear children, let us away;
Down and away below!
Now my brothers call from the bay,
Now the great winds shoreward blow,
Now the salt tides seaward flow;
Now the wild white horses play,
Champ and chafe and toss in the spray.
Children dear, let us away!
This way, this way!
Call her once before you go—
Call once yet!
In a voice that she will know:
'Margaret! Margaret!'
Children's voices should be dear
(Call once more) to a mother's ear;
Children's voices, wild with pain—
Surely she will come again!
Call her once and come away;
This way, this way!
'Mother dear, we cannot stay!
The wild white horses foam and fret.
'
Margaret! Margaret!
Come, dear children, come away down;
Call no more!
One last look at the white-walled town,
And the little grey church on the windy shore;
Then come down!
She will not come though you call all day;
Come away, come away!
Children dear, was it yesterday
We heard the sweet bells over the bay?
In the caverns where we lay,
Through the surf and through the swell,
The far-off sound of a silver bell?
Sand-strewn caverns, cool and deep,
Where the winds are all asleep;
Where the spent lights quiver and gleam,
Where the salt weed sways in the stream,
Where the sea-beasts, ranged all round,
Feed in the ooze of their pasture-ground;
Where the sea-snakes coil and twine,
Dry their mail and bask in the brine;
Where great whales come sailing by,
Sail and sail, with unshut eye,
Round the world for ever and aye?
When did music come this way?
Children dear, was it yesterday?
Children dear, was it yesterday
(Call yet once) that she went away?
Once she sate with you and me,
On a red gold throne in the heart of the sea,
And the youngest sate on her knee.
She combed its bright hair, and she tended it well,
When down swung the sound of a far-off bell.
She sighed, she looked up through the clear green sea;
She said: 'I must go, for my kinsfolk pray
In the little grey church on the shore today.
'Twill be Easter-time in the world—ah me!
And I lose my poor soul, Merman! here with thee.
'
I said: 'Go up, dear heart, through the waves;
Say thy prayer, and come back to the kind sea-caves!'
She smiled, she went up through the surf in the bay.
Children dear, was it yesterday?
Children dear, were we long alone?
'The sea grows stormy, the little ones moan;
Long prayers,' I said, 'in the world they say;
Come,' I said; and we rose through the surf in the bay.
We went up the beach, by the sandy down
Where the sea-stocks bloom, to the white-walled town;
Through the narrow paved streets, where all was still,
To the little grey church on the windy hill.
From the church came a murmur of folk at their prayers,
But we stood without in the cold blowing airs.
We climbed on the graves, on the stones worn with rains,
And we gazed up the aisle through the small leaded panes.
She sate by the pillar; we saw her clear:
'Margaret, hist! come quick, we are here!
Dear heart,' I said, 'we are long alone;
The sea grows stormy, the little ones moan.
'
But, ah, she gave me never a look,
For her eyes we sealed to the holy book!
Loud prays the priest; shut stands the door.
Come away, children, call no more!
Come away, come down, call no more!
Down, down, down!
Down to the depths of the sea!
She sits at her wheel in the humming town,
Singing most joyfully.
Hark, what she sings: 'O joy, O joy,
For the humming street, and the child with its toy!
For the priest, and the bell, and the holy well;
For the wheel where I spun,
And the blessed light of the sun!'
And so she sings her fill,
Singing most joyfully,
Till the shuttle drops from her hand,
And the whizzing wheel stands still.
She steals to the window, and looks at the sand,
And over the sand at the sea;
And her eyes are set in a stare;
And anon there breaks a sigh,
And anon there drops a tear,
From a sorrow-clouded eye,
And a heart sorrow-laden,
A long, long sigh;
For the cold strange eyes of a little Mermaiden,
And the gleam of her golden hair.
Come away, away children;
Come children, come down!
The hoarse wind blows coldly;
Lights shine in the town.
She will start from her slumber
When gusts shake the door;
She will hear the winds howling,
Will hear the waves roar.
We shall see, while above us
The waves roar and whirl,
A ceiling of amber,
A pavement of pearl,
Singing: 'Here came a mortal,
But faithless was she!
And alone dwell for ever
The kings of the sea.
'
But, children, at midnight,
When soft the winds blow,
When clear fall the moonlight,
When spring-tides are low;
When sweet airs come seaward
From heaths starred with broom,
And high rocks throw mildly
On the blanched sands a gloom;
Up the still, glistening beaches,
Up the creeks we will hie,
Over banks of bright seaweed
The ebb-tide leaves dry.
We will gaze, from the sand-hills,
At the white sleeping town;
At the church on the hillside—
And then come back down.
Singing: 'There dwells a loved one,
But cruel is she!
She left lonely for ever
The kings of the sea.
'
|
Written by
Paul Celan |
Most brightly of all burned the hair of my evening loved one:
to her I send the coffin of lightest wood.
Waves billow round it as round the bed of our dream in Rome;
it wears a white wig as I do and speaks hoarsely:
it talks as I do when I grant admittance to hearts.
It knows a French song about love, I sang it in autumn
when I stopped as a tourist in Lateland and wrote my letters
to morning.
A fine boat is that coffin carved in the coppice of feelings.
I too drift in it downbloodstream, younger still than your eye.
Now you are young as a bird dropped dead in March snow,
now it comes to you, sings you its love song from France.
You are light: you will sleep through my spring till it's over.
I am lighter:
in front of strangers I sing.
|
Written by
Johann Wolfgang von Goethe |
SONG OF THE IMPRISONED COUNT.
COUNT.
I KNOW a flower of beauty rare,
Ah, how I hold it dear!
To seek it I would fain repair,
Were I not prison'd here.
My sorrow sore oppresses me,
For when I was at liberty,
I had it close beside me.
Though from this castle's walls so steep
I cast mine eyes around,
And gaze oft from the lofty keep,
The flower can not be found.
Whoe'er would bring it to my sight,
Whether a vassal he, or knight,
My dearest friend I'd deem him.
THE ROSE.
I blossom fair,--thy tale of woes
I hear from 'neath thy grate.
Thou doubtless meanest me, the rose.
Poor knight of high estate!
Thou hast in truth a lofty mind;
The queen of flowers is then enshrin'd,
I doubt not, in thy bosom.
COUNT.
Thy red, in dress of green array'd,
As worth all praise I hold;
And so thou'rt treasured by each maid
Like precious stones or gold.
Thy wreath adorns the fairest face
But still thou'rt not the flower whose grace
I honour here in silence.
THE LILY.
The rose is wont with pride to swell,
And ever seeks to rise;
But gentle sweethearts love full well
The lily's charms to prize,
The heart that fills a bosom true,
That is, like me, unsullied too,
My merit values duly.
COUNT.
In truth, I hope myself unstain'd,
And free from grievous crime;
Yet I am here a prisoner chain'd,
And pass in grief my time,
To me thou art an image sure
Of many a maiden, mild and pure,
And yet I know a dearer.
THE PINK.
That must be me, the pink, who scent
The warder's garden here;
Or wherefore is he so intent
My charms with care to rear?
My petals stand in beauteous ring,
Sweet incense all around I fling,
And boast a thousand colours.
COUNT.
The pink in truth we should not slight,
It is the gardener's pride
It now must stand exposed to light,
Now in the shade abide.
Yet what can make the Count's heart glow
Is no mere pomp of outward show;
It is a silent flower.
THE VIOLET.
Here stand I, modestly half hid,
And fain would silence keep;
Yet since to speak I now am bid,
I'll break my silence deep.
If, worthy Knight, I am that flower,
It grieves me that I have not power
To breathe forth all my sweetness.
COUNT.
The violet's charms I prize indeed,
So modest 'tis, and fair,
And smells so sweet; yet more I need
To ease my heavy care.
The truth I'll whisper in thine ear:
Upon these rocky heights so drear,
I cannot find the loved one.
The truest maiden 'neath the sky
Roams near the stream below,
And breathes forth many a gentle sigh,
Till I from hence can go.
And when she plucks a flow'ret blue,
And says "Forget-me-not!"--I, too,
Though far away, can feel it.
Ay, distance only swells love's might,
When fondly love a pair;
Though prison'd in the dungeon's night,
In life I linger there
And when my heart is breaking nigh,
"Forget-me-not!" is all I cry,
And straightway life returneth.
1798.
|
Written by
Rainer Maria Rilke |
Dedication
These to His Memory--since he held them dear,
Perchance as finding there unconsciously
Some image of himself--I dedicate,
I dedicate, I consecrate with tears--
These Idylls.
And indeed He seems to me
Scarce other than my king's ideal knight,
`Who reverenced his conscience as his king;
Whose glory was, redressing human wrong;
Who spake no slander, no, nor listened to it;
Who loved one only and who clave to her--'
Her--over all whose realms to their last isle,
Commingled with the gloom of imminent war,
The shadow of His loss drew like eclipse,
Darkening the world.
We have lost him: he is gone:
We know him now: all narrow jealousies
Are silent; and we see him as he moved,
How modest, kindly, all-accomplished, wise,
With what sublime repression of himself,
And in what limits, and how tenderly;
Not swaying to this faction or to that;
Not making his high place the lawless perch
Of winged ambitions, nor a vantage-ground
For pleasure; but through all this tract of years
Wearing the white flower of a blameless life,
Before a thousand peering littlenesses,
In that fierce light which beats upon a throne,
And blackens every blot: for where is he,
Who dares foreshadow for an only son
A lovelier life, a more unstained, than his?
Or how should England dreaming of HIS sons
Hope more for these than some inheritance
Of such a life, a heart, a mind as thine,
Thou noble Father of her Kings to be,
Laborious for her people and her poor--
Voice in the rich dawn of an ampler day--
Far-sighted summoner of War and Waste
To fruitful strifes and rivalries of peace--
Sweet nature gilded by the gracious gleam
Of letters, dear to Science, dear to Art,
Dear to thy land and ours, a Prince indeed,
Beyond all titles, and a household name,
Hereafter, through all times, Albert the Good.
Break not, O woman's-heart, but still endure;
Break not, for thou art Royal, but endure,
Remembering all the beauty of that star
Which shone so close beside Thee that ye made
One light together, but has past and leaves
The Crown a lonely splendour.
May all love,
His love, unseen but felt, o'ershadow Thee,
The love of all Thy sons encompass Thee,
The love of all Thy daughters cherish Thee,
The love of all Thy people comfort Thee,
Till God's love set Thee at his side again!
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