by
Mahmoud Darwish
Here on the slopes of hills, facing the dusk and the cannon of time
Close to the gardens of broken shadows,
We do what prisoners do,
And what the jobless do:
We cultivate hope.
***
A country preparing for dawn. We grow less intelligent
For we closely watch the hour of victory:
No night in our night lit up by the shelling
Our enemies are watchful and light the light for us
In the darkness of cellars.
***
Here there is no "I".
Here Adam remembers the dust of his clay.
***
On the verge of death, he says:
I have no trace left to lose:
Free I am so close to my liberty. My future lies in my own hand.
Soon I shall penetrate my life,
I shall be born free and parentless,
And as my name I shall choose azure letters...
***
You who stand in the doorway, come in,
Drink Arabic coffee with us
And you will sense that you are men like us
You who stand in the doorways of houses
Come out of our morningtimes,
We shall feel reassured to be
Men like you!
***
When the planes disappear, the white, white doves
Fly off and wash the cheeks of heaven
With unbound wings taking radiance back again, taking possession
Of the ether and of play. Higher, higher still, the white, white doves
Fly off. Ah, if only the sky
Were real [a man passing between two bombs said to me].
***
Cypresses behind the soldiers, minarets protecting
The sky from collapse. Behind the hedge of steel
Soldiers piss—under the watchful eye of a tank—
And the autumnal day ends its golden wandering in
A street as wide as a church after Sunday mass...
***
[To a killer] If you had contemplated the victim’s face
And thought it through, you would have remembered your mother in the
Gas chamber, you would have been freed from the reason for the rifle
And you would have changed your mind: this is not the way
to find one’s identity again.
***
The siege is a waiting period
Waiting on the tilted ladder in the middle of the storm.
***
Alone, we are alone as far down as the sediment
Were it not for the visits of the rainbows.
***
We have brothers behind this expanse.
Excellent brothers. They love us. They watch us and weep.
Then, in secret, they tell each other:
"Ah! if this siege had been declared..." They do not finish their sentence:
"Don’t abandon us, don’t leave us."
***
Our losses: between two and eight martyrs each day.
And ten wounded.
And twenty homes.
And fifty olive trees...
Added to this the structural flaw that
Will arrive at the poem, the play, and the unfinished canvas.
***
A woman told the cloud: cover my beloved
For my clothing is drenched with his blood.
***
If you are not rain, my love
Be tree
Sated with fertility, be tree
If you are not tree, my love
Be stone
Saturated with humidity, be stone
If you are not stone, my love
Be moon
In the dream of the beloved woman, be moon
[So spoke a woman
to her son at his funeral]
***
Oh watchmen! Are you not weary
Of lying in wait for the light in our salt
And of the incandescence of the rose in our wound
Are you not weary, oh watchmen?
***
A little of this absolute and blue infinity
Would be enough
To lighten the burden of these times
And to cleanse the mire of this place.
***
It is up to the soul to come down from its mount
And on its silken feet walk
By my side, hand in hand, like two longtime
Friends who share the ancient bread
And the antique glass of wine
May we walk this road together
And then our days will take different directions:
I, beyond nature, which in turn
Will choose to squat on a high-up rock.
***
On my rubble the shadow grows green,
And the wolf is dozing on the skin of my goat
He dreams as I do, as the angel does
That life is here...not over there.
***
In the state of siege, time becomes space
Transfixed in its eternity
In the state of siege, space becomes time
That has missed its yesterday and its tomorrow.
***
The martyr encircles me every time I live a new day
And questions me: Where were you? Take every word
You have given me back to the dictionaries
And relieve the sleepers from the echo’s buzz.
***
The martyr enlightens me: beyond the expanse
I did not look
For the virgins of immortality for I love life
On earth, amid fig trees and pines,
But I cannot reach it, and then, too, I took aim at it
With my last possession: the blood in the body of azure.
***
The martyr warned me: Do not believe their ululations
Believe my father when, weeping, he looks at my photograph
How did we trade roles, my son, how did you precede me.
I first, I the first one!
***
The martyr encircles me: my place and my crude furniture are all that I have changed.
I put a gazelle on my bed,
And a crescent of moon on my finger
To appease my sorrow.
***
The siege will last in order to convince us we must choose an enslavement that does no harm, in fullest liberty!
***
Resisting means assuring oneself of the heart’s health,
The health of the testicles and of your tenacious disease:
The disease of hope.
***
And in what remains of the dawn, I walk toward my exterior
And in what remains of the night, I hear the sound of footsteps inside me.
***
Greetings to the one who shares with me an attention to
The drunkenness of light, the light of the butterfly, in the
Blackness of this tunnel!
***
Greetings to the one who shares my glass with me
In the denseness of a night outflanking the two spaces:
Greetings to my apparition.
***
My friends are always preparing a farewell feast for me,
A soothing grave in the shade of oak trees
A marble epitaph of time
And always I anticipate them at the funeral:
Who then has died...who?
***
Writing is a puppy biting nothingness
Writing wounds without a trace of blood.
***
Our cups of coffee. Birds green trees
In the blue shade, the sun gambols from one wall
To another like a gazelle
The water in the clouds has the unlimited shape of what is left to us
Of the sky. And other things of suspended memories
Reveal that this morning is powerful and splendid,
And that we are the guests of eternity.
|
by
Walt Whitman
SPONTANEOUS me, Nature,
The loving day, the mounting sun, the friend I am happy with,
The arm of my friend hanging idly over my shoulder,
The hill-side whiten’d with blossoms of the mountain ash,
The same, late in autumn—the hues of red, yellow, drab, purple, and light and dark
green,
The rich coverlid of the grass—animals and birds—the private untrimm’d
bank—the primitive apples—the pebble-stones,
Beautiful dripping fragments—the negligent list of one after another, as I happen to
call them to me, or think of them,
The real poems, (what we call poems being merely pictures,)
The poems of the privacy of the night, and of men like me,
This poem, drooping shy and unseen, that I always carry, and that all men carry,
(Know, once for all, avow’d on purpose, wherever are men like me, are our lusty,
lurking, masculine poems;)
Love-thoughts, love-juice, love-odor, love-yielding, love-climbers, and the climbing sap,
Arms and hands of love—lips of love—phallic thumb of love—breasts of
love—bellies press’d and glued together with love,
Earth of chaste love—life that is only life after love,
The body of my love—the body of the woman I love—the body of the man—the
body of the earth,
Soft forenoon airs that blow from the south-west,
The hairy wild-bee that murmurs and hankers up and down—that gripes the full-grown
lady-flower, curves upon her with amorous firm legs, takes his will of her, and holds
himself tremulous and tight till he is satisfied,
The wet of woods through the early hours,
Two sleepers at night lying close together as they sleep, one with an arm slanting down
across and below the waist of the other,
The smell of apples, aromas from crush’d sage-plant, mint, birch-bark,
The boy’s longings, the glow and pressure as he confides to me what he was dreaming,
The dead leaf whirling its spiral whirl, and falling still and content to the ground,
The no-form’d stings that sights, people, objects, sting me with,
The hubb’d sting of myself, stinging me as much as it ever can any one,
The sensitive, orbic, underlapp’d brothers, that only privileged feelers may be
intimate where they are,
The curious roamer, the hand, roaming all over the body—the bashful withdrawing of
flesh where the fingers soothingly pause and edge themselves,
The limpid liquid within the young man,
The vexed corrosion, so pensive and so painful,
The torment—the irritable tide that will not be at rest,
The like of the same I feel—the like of the same in others,
The young man that flushes and flushes, and the young woman that flushes and flushes,
The young man that wakes, deep at night, the hot hand seeking to repress what would master
him;
The mystic amorous night—the strange half-welcome pangs, visions, sweats,
The pulse pounding through palms and trembling encircling fingers—the young man all
color’d, red, ashamed, angry;
The souse upon me of my lover the sea, as I lie willing and naked,
The merriment of the twin-babes that crawl over the grass in the sun, the mother never
turning her vigilant eyes from them,
The walnut-trunk, the walnut-husks, and the ripening or ripen’d long-round walnuts;
The continence of vegetables, birds, animals,
The consequent meanness of me should I skulk or find myself indecent, while birds and
animals never once skulk or find themselves indecent;
The great chastity of paternity, to match the great chastity of maternity,
The oath of procreation I have sworn—my Adamic and fresh daughters,
The greed that eats me day and night with hungry gnaw, till I saturate what shall produce
boys to fill my place when I am through,
The wholesome relief, repose, content;
And this bunch, pluck’d at random from myself;
It has done its work—I tossed it carelessly to fall where it may.
|
by
Alec Derwent (A D) Hope
Crossing the frontier they were stopped in time,
Told, quite politely, they would have to wait:
Passports in order, nothing to declare
And surely holding hands was not a crime
Until they saw how, ranged across the gate,
All their most formidable friends were there.
Wearing his conscience like a crucifix,
Her father, rampant, nursed the Family Shame;
And, armed wlth their old-fashioned dinner-gong,
His aunt, who even when they both were six,
Had just to glance towards a childish game
To make them feel that they were doing wrong.
And both their mothers, simply weeping floods,
Her head-mistress, his boss, the parish priest,
And the bank manager who cashed their cheques;
The man who sold him his first rubber-goods;
Dog Fido, from whose love-life, shameless beast,
She first observed the basic facts of sex.
They looked as though they had stood there for hours;
For years - perhaps for ever. In the trees
Two furtive birds stopped courting and flew off;
While in the grass beside the road the flowers
Kept up their guilty traffic with the bees.
Nobody stirred. Nobody risked a cough.
Nobody spoke. The minutes ticked away;
The dog scratched idly. Then, as parson bent
And whispered to a guard who hurried in,
The customs-house loudspeakers with a bray
Of raucous and triumphant argument
Broke out the wedding march from Lohengrin.
He switched the engine off: "We must turn back."
She heard his voice break, though he had to shout
Against a din that made their senses reel,
And felt his hand, so tense in hers, go slack.
But suddenly she laughed and said: "Get out!
Change seatsl Be quickl" and slid behind the wheel.
And drove the car straight at them with a harsh,
Dry crunch that showered both with scraps and chips,
Drove through them; barriers rising let them pass
Drove through and on and on, with Dad's moustache
Beside her twitching still round waxen lips
And Mother's tears still streaming down the glass.
|
by
Kahlil Gibran
Then a ploughman said, "Speak to us of Work."
And he answered, saying:
You work that you may keep pace with the earth and the soul of the earth.
For to be idle is to become a stranger unto the seasons, and to step out of life's procession, that marches in majesty and proud submission towards the infinite.
When you work you are a flute through whose heart the whispering of the hours turns to music.
Which of you would be a reed, dumb and silent, when all else sings together in unison?
Always you have been told that work is a curse and labour a misfortune.
But I say to you that when you work you fulfil a part of earth's furthest dream, assigned to you when that dream was born,
And in keeping yourself with labour you are in truth loving life,
And to love life through labour is to be intimate with life's inmost secret.
But if you in your pain call birth an affliction and the support of the flesh a curse written upon your brow, then I answer that naught but the sweat of your brow shall wash away that which is written.
You have been told also life is darkness, and in your weariness you echo what was said by the weary.
And I say that life is indeed darkness save when there is urge,
And all urge is blind save when there is knowledge,
And all knowledge is vain save when there is work,
And all work is empty save when there is love;
And when you work with love you bind yourself to yourself, and to one another, and to God.
And what is it to work with love?
It is to weave the cloth with threads drawn from your heart, even as if your beloved were to wear that cloth.
It is to build a house with affection, even as if your beloved were to dwell in that house.
It is to sow seeds with tenderness and reap the harvest with joy, even as if your beloved were to eat the fruit.
It is to charge all things you fashion with a breath of your own spirit,
And to know that all the blessed dead are standing about you and watching.
Often have I heard you say, as if speaking in sleep, "he who works in marble, and finds the shape of his own soul in the stone, is a nobler than he who ploughs the soil.
And he who seizes the rainbow to lay it on a cloth in the likeness of man, is more than he who makes the sandals for our feet."
But I say, not in sleep but in the over-wakefulness of noontide, that the wind speaks not more sweetly to the giant oaks than to the least of all the blades of grass;
And he alone is great who turns the voice of the wind into a song made sweeter by his own loving.
Work is love made visible.
And if you cannot work with love but only with distaste, it is better that you should leave your work and sit at the gate of the temple and take alms of those who work with joy.
For if you bake bread with indifference, you bake a bitter bread that feeds but half man's hunger.
And if you grudge the crushing of the grapes, your grudge distills a poison in the wine.
And if you sing though as angels, and love not the singing, you muffle man's ears to the voices of the day and the voices of the night.
|
by
Edgar Lee Masters
I went to the dances at Chandlerville,
And played snap-out at Winchester.
One time we changed partners,
Driving home in the midnight of middle June,
And then I found Davis.
We were married and lived together for seventy years,
Enjoying, working, raising the twelve children,
Eight of whom we lost
Ere I had reached the age of sixty.
I spun, I wove, I kept the house, I nursed the sick,
I made the garden, and for holiday
Rambled over the fields where sang the larks,
And by Spoon River gathering many a shell,
And many a flower and medicinal weed--
Shouting to the wooded hills, singing to the green valleys.
At ninety-six I had lived enough, that is all,
And passed to a sweet repose.
What is this I hear of sorrow and weariness,
Anger, discontent and drooping hopes?
Degenerate sons and daughters,
Life is too strong for you--
It takes life to love Life.
|
by
Delmore Schwartz
Saint, revolutionist,
God and sage know well,
That there is a place
Where that much-rung bell,
The well-beloved body,
And its sensitive face
Must be sacrificed.
There is, it seems, in this
A something meaningless,
Hanging without support
And yet too dear to touch,
That life should seek its end
Where no will can descend,
Facing a gun to see
Long actuality.
What is this that is
The good of nothingness,
The death of Socrates
And that strange man on the cross
Seeking out all loss?
For men love life until
It shames both face and will.
Neither in hell nor heaven
Is the answer given,
Both are a servant's pay:
But they wish to know
how far the will can go,
Lest their infinite play
And their desires be
Shadow and mockery.
|
by
Dejan Stojanovic
Love: Which is more important: Love or life?
Life: Without life, there would be no love.
Love: But without love, life would have no meaning.
Life: True, but life gives birth to love.
Love: And what gives birth to life?
Life: Life gives birth to itself.
Love: Nothing gives birth to itself automatically,
There must be some cause, a reason or an action.
Life: Life is without any cause.
Love: If life is without a cause, then it is without a purpose.
Life: The purpose of life is life.
Love: No, the purpose of life is love.
Life: You must be born to exist.
Without life, there is nothing.
Love: Life is nothing growing from unborn love.
You just don't understand.
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