Written by
Conrad Aiken |
I
The girl in the room beneath
Before going to bed
Strums on a mandolin
The three simple tunes she knows.
How inadequate they are to tell how her heart feels!
When she has finished them several times
She thrums the strings aimlessly with her finger-nails
And smiles, and thinks happily of many things.
II
I stood for a long while before the shop window
Looking at the blue butterflies embroidered on tawny silk.
The building was a tower before me,
Time was loud behind me,
Sun went over the housetops and dusty trees;
And there they were, glistening, brilliant, motionless,
Stitched in a golden sky
By yellow patient fingers long since turned to dust.
III
The first bell is silver,
And breathing darkness I think only of the long scythe of time.
The second bell is crimson,
And I think of a holiday night, with rockets
Furrowing the sky with red, and a soft shatter of stars.
The third bell is saffron and slow,
And I behold a long sunset over the sea
With wall on wall of castled cloud and glittering balustrades.
The fourth bell is color of bronze,
I walk by a frozen lake in the dun light of dusk:
Muffled crackings run in the ice,
Trees creak, birds fly.
The fifth bell is cold clear azure,
Delicately tinged with green:
One golden star hangs melting in it,
And towards this, sleepily, I go.
The sixth bell is as if a pebble
Had been dropped into a deep sea far above me . . .
Rings of sound ebb slowly into the silence.
IV
On the day when my uncle and I drove to the cemetery,
Rain rattled on the roof of the carriage;
And talkng constrainedly of this and that
We refrained from looking at the child's coffin on the seat before us.
When we reached the cemetery
We found that the thin snow on the grass
Was already transparent with rain;
And boards had been laid upon it
That we might walk without wetting our feet.
V
When I was a boy, and saw bright rows of icicles
In many lengths along a wall
I was dissappointed to find
That I could not play music upon them:
I ran my hand lightly across them
And they fell, tinkling.
I tell you this, young man, so that your expectations of life
Will not be too great.
VI
It is now two hours since I left you,
And the perfume of your hands is still on my hands.
And though since then
I have looked at the stars, walked in the cold blue streets,
And heard the dead leaves blowing over the ground
Under the trees,
I still remember the sound of your laughter.
How will it be, lady, when there is none left to remember you
Even as long as this?
Will the dust braid your hair?
VII
The day opens with the brown light of snowfall
And past the window snowflakes fall and fall.
I sit in my chair all day and work and work
Measuring words against each other.
I open the piano and play a tune
But find it does not say what I feel,
I grow tired of measuring words against each other,
I grow tired of these four walls,
And I think of you, who write me that you have just had a daughter
And named her after your first sweetheart,
And you, who break your heart, far away,
In the confusion and savagery of a long war,
And you who, worn by the bitterness of winter,
Will soon go south.
The snowflakes fall almost straight in the brown light
Past my window,
And a sparrow finds refuge on my window-ledge.
This alone comes to me out of the world outside
As I measure word with word.
VIII
Many things perplex me and leave me troubled,
Many things are locked away in the white book of stars
Never to be opened by me.
The starr'd leaves are silently turned,
And the mooned leaves;
And as they are turned, fall the shadows of life and death.
Perplexed and troubled,
I light a small light in a small room,
The lighted walls come closer to me,
The familiar pictures are clear.
I sit in my favourite chair and turn in my mind
The tiny pages of my own life, whereon so little is written,
And hear at the eastern window the pressure of a long wind, coming
From I know not where.
How many times have I sat here,
How many times will I sit here again,
Thinking these same things over and over in solitude
As a child says over and over
The first word he has learned to say.
IX
This girl gave her heart to me,
And this, and this.
This one looked at me as if she loved me,
And silently walked away.
This one I saw once and loved, and never saw her again.
Shall I count them for you upon my fingers?
Or like a priest solemnly sliding beads?
Or pretend they are roses, pale pink, yellow, and white,
And arrange them for you in a wide bowl
To be set in sunlight?
See how nicely it sounds as I count them for you—
'This girl gave her heart to me
And this, and this, . . . !
And nevertheless, my heart breaks when I think of them,
When I think their names,
And how, like leaves, they have changed and blown
And will lie, at last, forgotten,
Under the snow.
X
It is night time, and cold, and snow is falling,
And no wind grieves the walls.
In the small world of light around the arc-lamp
A swarm of snowflakes falls and falls.
The street grows silent. The last stranger passes.
The sound of his feet, in the snow, is indistinct.
What forgotten sadness is it, on a night like this,
Takes possession of my heart?
Why do I think of a camellia tree in a southern garden,
With pink blossoms among dark leaves,
Standing, surprised, in the snow?
Why do I think of spring?
The snowflakes, helplessly veering,,
Fall silently past my window;
They come from darkness and enter darkness.
What is it in my heart is surprised and bewildered
Like that camellia tree,
Beautiful still in its glittering anguish?
And spring so far away!
XI
As I walked through the lamplit gardens,
On the thin white crust of snow,
So intensely was I thinking of my misfortune,
So clearly were my eyes fixed
On the face of this grief which has come to me,
That I did not notice the beautiful pale colouring
Of lamplight on the snow;
Nor the interlaced long blue shadows of trees;
And yet these things were there,
And the white lamps, and the orange lamps, and the lamps of lilac were there,
As I have seen them so often before;
As they will be so often again
Long after my grief is forgotten.
And still, though I know this, and say this, it cannot console me.
XII
How many times have we been interrupted
Just as I was about to make up a story for you!
One time it was because we suddenly saw a firefly
Lighting his green lantern among the boughs of a fir-tree.
Marvellous! Marvellous! He is making for himself
A little tent of light in the darkness!
And one time it was because we saw a lilac lightning flash
Run wrinkling into the blue top of the mountain,—
We heard boulders of thunder rolling down upon us
And the plat-plat of drops on the window,
And we ran to watch the rain
Charging in wavering clouds across the long grass of the field!
Or at other times it was because we saw a star
Slipping easily out of the sky and falling, far off,
Among pine-dark hills;
Or because we found a crimson eft
Darting in the cold grass!
These things interrupted us and left us wondering;
And the stories, whatever they might have been,
Were never told.
A fairy, binding a daisy down and laughing?
A golden-haired princess caught in a cobweb?
A love-story of long ago?
Some day, just as we are beginning again,
Just as we blow the first sweet note,
Death itself will interrupt us.
XIII
My heart is an old house, and in that forlorn old house,
In the very centre, dark and forgotten,
Is a locked room where an enchanted princess
Lies sleeping.
But sometimes, in that dark house,
As if almost from the stars, far away,
Sounds whisper in that secret room—
Faint voices, music, a dying trill of laughter?
And suddenly, from her long sleep,
The beautiful princess awakes and dances.
Who is she? I do not know.
Why does she dance? Do not ask me!—
Yet to-day, when I saw you,
When I saw your eyes troubled with the trouble of happiness,
And your mouth trembling into a smile,
And your fingers pull shyly forward,—
Softly, in that room,
The little princess arose
And danced;
And as she danced the old house gravely trembled
With its vague and delicious secret.
XIV
Like an old tree uprooted by the wind
And flung down cruelly
With roots bared to the sun and stars
And limp leaves brought to earth—
Torn from its house—
So do I seem to myself
When you have left me.
XV
The music of the morning is red and warm;
Snow lies against the walls;
And on the sloping roof in the yellow sunlight
Pigeons huddle against the wind.
The music of evening is attenuated and thin—
The moon seen through a wave by a mermaid;
The crying of a violin.
Far down there, far down where the river turns to the west,
The delicate lights begin to twinkle
On the dusky arches of the bridge:
In the green sky a long cloud,
A smouldering wave of smoky crimson,
Breaks in the freezing wind: and above it, unabashed,
Remote, untouched, fierly palpitant,
Sings the first star.
|
Written by
T S (Thomas Stearns) Eliot |
APENECK SWEENEY spreads his knees
Letting his arms hang down to laugh,
The zebra stripes along his jaw
Swelling to maculate giraffe.
The circles of the stormy moon
Slide westward toward the River Plate,
Death and the Raven drift above
And Sweeney guards the hornèd gate.
Gloomy Orion and the Dog
Are veiled; and hushed the shrunken seas;
The person in the Spanish cape
Tries to sit on Sweeney’s knees
Slips and pulls the table cloth
Overturns a coffee-cup,
Reorganised upon the floor
She yawns and draws a stocking up;
The silent man in mocha brown
Sprawls at the window-sill and gapes;
The waiter brings in oranges
Bananas figs and hothouse grapes;
The silent vertebrate in brown
Contracts and concentrates, withdraws;
Rachel née Rabinovitch
Tears at the grapes with murderous paws;
She and the lady in the cape
Are suspect, thought to be in league;
Therefore the man with heavy eyes
Declines the gambit, shows fatigue,
Leaves the room and reappears
Outside the window, leaning in,
Branches of wistaria
Circumscribe a golden grin;
The host with someone indistinct
Converses at the door apart,
The nightingales are singing near
The Convent of the Sacred Heart,
And sang within the bloody wood
When Agamemnon cried aloud,
And let their liquid siftings fall
To stain the stiff dishonoured shroud.
|
Written by
D. H. Lawrence |
The shorn moon trembling indistinct on her path,
Frail as a scar upon the pale blue sky,
Draws towards the downward slope: some sorrow hath
Worn her down to the quick, so she faintly fares
Along her foot-searched way without knowing why
She creeps persistent down the sky’s long stairs.
Some day they see, though I have never seen,
The dead moon heaped within the new moon’s arms;
For surely the fragile, fine young thing had been
Too heavily burdened to mount the heavens so.
But my heart stands still, as a new, strong dread alarms
Me; might a young girl be heaped with such shadow of woe?
Since Death from the mother moon has pared us down to the quick,
And cast us forth like shorn, thin moons, to travel
An uncharted way among the myriad thick
Strewn stars of silent people, and luminous litter
Of lives which sorrows like mischievous dark mice chavel
To nought, diminishing each star’s glitter,
Since Death has delivered us utterly, naked and white,
Since the month of childhood is over, and we stand alone,
Since the beloved, faded moon that set us alight
Is delivered from us and pays no heed though we moan
In sorrow, since we stand in bewilderment, strange
And fearful to sally forth down the sky’s long range.
We may not cry to her still to sustain us here,
We may not hold her shadow back from the dark.
Oh, let us here forget, let us take the sheer
Unknown that lies before us, bearing the ark
Of the covenant onwards where she cannot go.
Let us rise and leave her now, she will never know.
|
Written by
Philip Larkin |
This empty street, this sky to blandness scoured,
This air, a little indistinct with autumn
Like a reflection, constitute the present --
A time traditionally soured,
A time unrecommended by event.
But equally they make up something else:
This is the furthest future childhood saw
Between long houses, under travelling skies,
Heard in contending bells --
An air lambent with adult enterprise,
And on another day will be the past,
A valley cropped by fat neglected chances
That we insensately forbore to fleece.
On this we blame our last
Threadbare perspectives, seasonal decrease.
|
Written by
Johann Wolfgang von Goethe |
When man had ceased to utter his lament,
A god then let me tell my tale of sorrow.
WHAT hope of once more meeting is there now
In the still-closed blossoms of this day?
Both heaven and hell thrown open seest thou;
What wav'ring thoughts within the bosom play
No longer doubt! Descending from the sky,
She lifts thee in her arms to realms on high.
And thus thou into Paradise wert brought,
As worthy of a pure and endless life;
Nothing was left, no wish, no hope, no thought,
Here was the boundary of thine inmost strife:
And seeing one so fair, so glorified,
The fount of yearning tears was straightway dried.
No motion stirr'd the day's revolving wheel,
In their own front the minutes seem'd to go;
The evening kiss, a true and binding seal,
Ne'er changing till the morrow's sunlight glow.
The hours resembled sisters as they went.
Yet each one from another different.
The last hour's kiss, so sadly sweet, effac'd
A beauteous network of entwining love.
Now on the threshold pause the feet, now haste.
As though a flaming cherub bade them move;
The unwilling eye the dark road wanders o'er,
Backward it looks, but closed it sees the door.
And now within itself is closed this breast,
As though it ne'er were open, and as though,
Vying with ev'ry star, no moments blest
Had, in its presence, felt a kindling glow;
Sadness, reproach, repentance, weight of care,
Hang heavy on it in the sultry air.
Is not the world still left? The rocky steeps,
Are they with holy shades no longer crown'd?
Grows not the harvest ripe? No longer creeps
The espalier by the stream,--the copse around?
Doth not the wondrous arch of heaven still rise,
Now rich in shape, now shapeless to the eyes?
As, seraph-like, from out the dark clouds' chorus,
With softness woven, graceful, light, and fair,
Resembling Her, in the blue aether o'er us,
A slender figure hovers in the air,--
Thus didst thou see her joyously advance,
The fairest of the fairest in the dance.
Yet but a moment dost thou boldly dare
To clasp an airy form instead of hers;
Back to thine heart! thou'lt find it better there,
For there in changeful guise her image stirs
What erst was one, to many turneth fast,
In thousand forms, each dearer than the last.
As at the door, on meeting lingerd she,
And step by step my faithful ardour bless'd,
For the last kiss herself entreated me,
And on my lips the last last kiss impress'd,--
Thus clearly traced, the lov'd one's form we view,
With flames engraven on a heart so true,--
A heart that, firm as some embattled tower,
Itself for her, her in itself reveres,
For her rejoices in its lasting power,
Conscious alone, when she herself appears;
Feels itself freer in so sweet a thrall,
And only beats to give her thanks in all.
The power of loving, and all yearning sighs
For love responsive were effaced and drown'd;
While longing hope for joyous enterprise
Was form'd, and rapid action straightway found;
If love can e'er a loving one inspire,
Most lovingly it gave me now its fire;
And 'twas through her!--an inward sorrow lay
On soul and body, heavily oppress'd;
To mournful phantoms was my sight a prey,
In the drear void of a sad tortured breast;
Now on the well-known threshold Hope hath smil'd,
Herself appeareth in the sunlight mild.
Unto the peace of God, which, as we read,
Blesseth us more than reason e'er bath done,
Love's happy peace would I compare indeed,
When in the presence of the dearest one.
There rests the heart, and there that sweetest thought,
The thought of being hers, is check'd by nought.
In the pure bosom doth a yearning float,
Unto a holier, purer, unknown Being
Its grateful aspiration to devote,
The Ever-Nameless then unriddled seeing;
We call it: piety!--such blest delight
I feel a share in, when before her sight.
Before her sight, as 'neath the sun's hot ray,
Before her breath, as 'neath the spring's soft wind,
In its deep wintry cavern melts away
Self-love, so long in icy chains confin'd;
No selfishness and no self-will are nigh,
For at her advent they were forced to fly.
It seems as though she said: "As hours pass by
They spread before us life with kindly plan;
Small knowledge did the yesterday supply,
To know the morrow is conceal'd from man;
And if the thought of evening made me start,
The sun at setting gladden'd straight my heart.
"Act, then, as I, and look, with joyous mind,
The moment in the face; nor linger thou!
Meet it with speed, so fraught with life, so kind
In action, and in love so radiant now;
Let all things be where thou art, childlike ever,
Thus thoult be all, thus, thou'lt be vanquish'd never."
Thou speakest well, methought, for as thy guide
The moment's favour did a god assign,
And each one feels himself when by thy side,
Fate's fav'rite in a moment so divine;
I tremble at thy look that bids me go,
Why should I care such wisdom vast to know?
Now am I far! And what would best befit
The present minute? I could scarcely tell;
Full many a rich possession offers it,
These but offend, and I would fain repel.
Yearnings unquenchable still drive me on,
All counsel, save unbounded tears, is gone.
Flow on, flow on in never-ceasing course,
Yet may ye never quench my inward fire!
Within my bosom heaves a mighty force,
Where death and life contend in combat dire.
Medicines may serve the body's pangs to still;
Nought but the spirit fails in strength of will,--
Fails in conception; wherefore fails it so?
A thousand times her image it portrays;
Enchanting now, and now compell'd to go,
Now indistinct, now clothed in purest rays!
How could the smallest comfort here be flowing?
The ebb and flood, the coming and the going!
* * * * * *
Leave me here now, my life's companions true!
Leave me alone on rock, in moor and heath;
But courage! open lies the world to you,
The glorious heavens above, the earth beneath;
Observe, investigate, with searching eyes,
And nature will disclose her mysteries.
To me is all, I to myself am lost,
Who the immortals' fav'rite erst was thought;
They, tempting, sent Pandoras to my cost,
So rich in wealth, with danger far more fraught;
They urged me to those lips, with rapture crown'd,
Deserted me, and hurl'd me to the ground.
1823.
|
Written by
Alan Seeger |
We first saw fire on the tragic slopes
Where the flood-tide of France's early gain,
Big with wrecked promise and abandoned hopes,
Broke in a surf of blood along the Aisne.
The charge her heroes left us, we assumed,
What, dying, they reconquered, we preserved,
In the chill trenches, harried, shelled, entombed,
Winter came down on us, but no man swerved.
Winter came down on us. The low clouds, torn
In the stark branches of the riven pines,
Blurred the white rockets that from dusk till morn
Traced the wide curve of the close-grappling lines.
In rain, and fog that on the withered hill
Froze before dawn, the lurking foe drew down;
Or light snows fell that made forlorner still
The ravaged country and the ruined town;
Or the long clouds would end. Intensely fair,
The winter constellations blazing forth --
Perseus, the Twins, Orion, the Great Bear --
Gleamed on our bayonets pointing to the north.
And the lone sentinel would start and soar
On wings of strong emotion as he knew
That kinship with the stars that only War
Is great enough to lift man's spirit to.
And ever down the curving front, aglow
With the pale rockets' intermittent light,
He heard, like distant thunder, growl and grow
The rumble of far battles in the night, --
Rumors, reverberant, indistinct, remote,
Borne from red fields whose martial names have won
The power to thrill like a far trumpet-note, --
Vic, Vailly, Soupir, Hurtelise, Craonne . . .
Craonne, before thy cannon-swept plateau,
Where like sere leaves lay strewn September's dead,
I found for all dear things I forfeited
A recompense I would not now forego.
For that high fellowship was ours then
With those who, championing another's good,
More than dull Peace or its poor votaries could,
Taught us the dignity of being men.
There we drained deeper the deep cup of life,
And on sublimer summits came to learn,
After soft things, the terrible and stern,
After sweet Love, the majesty of Strife;
There where we faced under those frowning heights
The blast that maims, the hurricane that kills;
There where the watchlights on the winter hills
Flickered like balefire through inclement nights;
There where, firm links in the unyielding chain,
Where fell the long-planned blow and fell in vain --
Hearts worthy of the honor and the trial,
We helped to hold the lines along the Aisne.
|
Written by
Alan Seeger |
Another prospect pleased the builder's eye,
And Fashion tenanted (where Fashion wanes)
Here in the sorrowful suburban lanes
When first these gables rose against the sky.
Relic of a romantic taste gone by,
This stately monument alone remains,
Vacant, with lichened walls and window-panes
Blank as the windows of a skull. But I,
On evenings when autumnal winds have stirred
In the porch-vines, to this gray oracle
Have laid a wondering ear and oft-times heard,
As from the hollow of a stranded shell,
Old voices echoing (or my fancy erred)
Things indistinct, but not insensible.
|
Written by
Du Fu |
Life not mutual see Act like Shen and Shang Today evening again which evening Share this candle light Young and vigorous able how long Temple hair each already grey Enquire old partly be ghosts Exclaim excited in intestines Didn't know twenty years Again at your hall Past part you not married Boys girls suddenly form a line Happy and contented respect father friend Ask I come what direction Question answer be not finish Boys girls spread out alcohol Night rain cut spring chives New cooked rice mix golden millet Host say meet hard One cup repeat ten cups Ten cups also not drunk Feel your friendship long Tomorrow separate mountain mountain Human affairs two boundless and indistinct We've lived our lives and have not seen each other, We've been just like the stars of Shen and Shang. Oh what an evening is this evening now, Together in the light of this one lamp? Young and vigorous for so short a time, Already now we both have greying temples. We ask of old friends, half of them now dead, Your exclamation stirs up my own heart. We did not know it would be twenty years, Before we met again inside your hall. When we parted then, you were unmarried, Suddenly boys and girls come in a row. Happy and content, they respect their father's friend, Asking me from which direction I come. And even before the question has been answered, The boys and girls have gone to fetch the wine. In the rainy night, they cut spring chives, And mix the fresh cooked rice with golden millet. My host says it's been hard for us to meet, One draught's repeated, now becomes ten cups. After ten cups, still I am not drunk, It's your lasting friendship which is moving. Tomorrow we'll be sundered by the hills, Just two in a boundless world of human affairs.
|
Written by
Constantine P Cavafy |
Just because we've torn their statues down,
and cast them from their temples,
doesn't for a moment mean the gods are dead.
Land of Ionia, they love you yet,
their spirits still remember you.
When an August morning breaks upon you
a vigour from their lives stabs through your air;
and sometimes an ethereal and youthful form
in swiftest passage, indistinct,
passes up above your hills.
|
Written by
William Cowper |
The twentieth year is well nigh past
Since first our sky was overcast;—
Ah would that this might be the last!
My Mary!
Thy spirits have a fainter flow,
I see thee daily weaker grow;—
'Twas my distress that brought thee low,
My Mary!
Thy needles, once a shining store,
For my sake restless heretofore,
Now rust disused, and shine no more,
My Mary!
For though thou gladly wouldst fulfil
The same kind office for me still,
Thy sight now seconds not thy will,
My Mary!
But well thou playedst the housewife's part,
And all thy threads with magic art
Have wound themselves about this heart,
My Mary!
Thy indistinct expressions seem
Like language uttered in a dream;
Yet me they charm, whate'er the theme,
My Mary!
Thy silver locks, once auburn bright,
Are still more lovely in my sight
Than golden beams of orient light,
My Mary!
For could I view nor them nor thee,
What sight worth seeing could I see?
The sun would rise in vain for me,
My Mary!
Partakers of thy sad decline,
Thy hands their little force resign;
Yet gently pressed, press gently mine,
My Mary!
Such feebleness of limbs thou prov'st
That now at every step thou mov'st
Upheld by two; yet still thou lov'st,
My Mary!
And still to love, though pressed with ill,
In wintry age to feel no chill,
With me is to be lovely still,
My Mary!
But ah! by constant heed I know
How oft the sadness that I show
Transforms thy smiles to looks of woe,
My Mary!
And should my future lot be cast
With much resemblance of the past,
Thy worn-out heart will break at last,
My Mary!
|