Written by
John Donne |
I scarce believe my love to be so pure
As I had thought it was,
Because it doth endure
Vicissitude, and season, as the grass;
Methinks I lied all winter, when I swore
My love was infinite, if spring make’ it more.
But if medicine, love, which cures all sorrow
With more, not only be no quintessence,
But mixed of all stuffs paining soul or sense,
And of the sun his working vigor borrow,
Love’s not so pure, and abstract, as they use
To say, which have no mistress but their muse,
But as all else, being elemented too,
Love sometimes would contemplate, sometimes do.
And yet no greater, but more eminent,
Love by the spring is grown;
As, in the firmament,
Stars by the sun are not enlarged, but shown,
Gentle love deeds, as blossoms on a bough,
From love’s awakened root do bud out now.
If, as water stirred more circles be
Produced by one, love such additions take,
Those, like so many spheres, but one heaven make,
For they are all concentric unto thee;
And though each spring do add to love new heat,
As princes do in time of action get
New taxes, and remit them not in peace,
No winter shall abate the spring’s increase.
|
Written by
Walt Whitman |
AMERICA always!
Always our own feuillage!
Always Florida’s green peninsula! Always the priceless delta of Louisiana! Always the
cotton-fields of Alabama and Texas!
Always California’s golden hills and hollows—and the silver mountains of New
Mexico!
Always soft-breath’d Cuba!
Always the vast slope drain’d by the Southern Sea—inseparable with the slopes
drain’d
by the Eastern and Western Seas;
The area the eighty-third year of These States—the three and a half millions of
square
miles;
The eighteen thousand miles of sea-coast and bay-coast on the main—the thirty
thousand
miles of
river navigation,
The seven millions of distinct families, and the same number of dwellings—Always
these,
and
more, branching forth into numberless branches;
Always the free range and diversity! always the continent of Democracy!
Always the prairies, pastures, forests, vast cities, travelers, Kanada, the snows;
Always these compact lands—lands tied at the hips with the belt stringing the huge
oval
lakes;
Always the West, with strong native persons—the increasing density there—the
habitans,
friendly, threatening, ironical, scorning invaders;
All sights, South, North, East—all deeds, promiscuously done at all times,
All characters, movements, growths—a few noticed, myriads unnoticed,
Through Mannahatta’s streets I walking, these things gathering;
On interior rivers, by night, in the glare of pine knots, steamboats wooding up;
Sunlight by day on the valley of the Susquehanna, and on the valleys of the Potomac and
Rappahannock, and the valleys of the Roanoke and Delaware;
In their northerly wilds, beasts of prey haunting the Adirondacks, the hills—or
lapping
the
Saginaw waters to drink;
In a lonesome inlet, a sheldrake, lost from the flock, sitting on the water, rocking
silently;
In farmers’ barns, oxen in the stable, their harvest labor done—they rest
standing—they are too tired;
Afar on arctic ice, the she-walrus lying drowsily, while her cubs play around;
The hawk sailing where men have not yet sail’d—the farthest polar sea, ripply,
crystalline, open, beyond the floes;
White drift spooning ahead, where the ship in the tempest dashes;
On solid land, what is done in cities, as the bells all strike midnight together;
In primitive woods, the sounds there also sounding—the howl of the wolf, the scream
of the
panther, and the hoarse bellow of the elk;
In winter beneath the hard blue ice of Moosehead Lake—in summer visible through the
clear
waters, the great trout swimming;
In lower latitudes, in warmer air, in the Carolinas, the large black buzzard floating
slowly,
high
beyond the tree tops,
Below, the red cedar, festoon’d with tylandria—the pines and cypresses, growing
out
of the
white sand that spreads far and flat;
Rude boats descending the big Pedee—climbing plants, parasites, with color’d
flowers
and
berries, enveloping huge trees,
The waving drapery on the live oak, trailing long and low, noiselessly waved by the wind;
The camp of Georgia wagoners, just after dark—the supper-fires, and the cooking and
eating
by
whites and *******,
Thirty or forty great wagons—the mules, cattle, horses, feeding from troughs,
The shadows, gleams, up under the leaves of the old sycamore-trees—the
flames—with
the
black smoke from the pitch-pine, curling and rising;
Southern fishermen fishing—the sounds and inlets of North Carolina’s
coast—the
shad-fishery and the herring-fishery—the large sweep-seines—the windlasses on
shore
work’d by horses—the clearing, curing, and packing-houses;
Deep in the forest, in piney woods, turpentine dropping from the incisions in the
trees—There
are the turpentine works,
There are the ******* at work, in good health—the ground in all directions is
cover’d
with
pine straw:
—In Tennessee and Kentucky, slaves busy in the coalings, at the forge, by the
furnace-blaze, or
at the corn-shucking;
In Virginia, the planter’s son returning after a long absence, joyfully welcom’d
and
kiss’d by the aged mulatto nurse;
On rivers, boatmen safely moor’d at night-fall, in their boats, under shelter of high
banks,
Some of the younger men dance to the sound of the banjo or fiddle—others sit on the
gunwale,
smoking and talking;
Late in the afternoon, the mocking-bird, the American mimic, singing in the Great Dismal
Swamp—there are the greenish waters, the resinous odor, the plenteous moss, the
cypress
tree,
and the juniper tree;
—Northward, young men of Mannahatta—the target company from an excursion
returning
home at
evening—the musket-muzzles all bear bunches of flowers presented by women;
Children at play—or on his father’s lap a young boy fallen asleep, (how his lips
move! how
he smiles in his sleep!)
The scout riding on horseback over the plains west of the Mississippi—he ascends a
knoll
and
sweeps his eye around;
California life—the miner, bearded, dress’d in his rude costume—the stanch
California
friendship—the sweet air—the graves one, in passing, meets, solitary, just
aside the
horsepath;
Down in Texas, the cotton-field, the *****-cabins—drivers driving mules or oxen
before
rude
carts—cotton bales piled on banks and wharves;
Encircling all, vast-darting, up and wide, the American Soul, with equal
hemispheres—one
Love,
one Dilation or Pride;
—In arriere, the peace-talk with the Iroquois, the aborigines—the calumet, the
pipe
of
good-will, arbitration, and indorsement,
The sachem blowing the smoke first toward the sun and then toward the earth,
The drama of the scalp-dance enacted with painted faces and guttural exclamations,
The setting out of the war-party—the long and stealthy march,
The single-file—the swinging hatchets—the surprise and slaughter of enemies;
—All the acts, scenes, ways, persons, attitudes of These States—reminiscences,
all
institutions,
All These States, compact—Every square mile of These States, without excepting a
particle—you also—me also,
Me pleas’d, rambling in lanes and country fields, Paumanok’s fields,
Me, observing the spiral flight of two little yellow butterflies, shuffling between each
other,
ascending high in the air;
The darting swallow, the destroyer of insects—the fall traveler southward, but
returning
northward early in the spring;
The country boy at the close of the day, driving the herd of cows, and shouting to them as
they
loiter to browse by the road-side;
The city wharf—Boston, Philadelphia, Baltimore, Charleston, New Orleans, San
Francisco,
The departing ships, when the sailors heave at the capstan;
—Evening—me in my room—the setting sun,
The setting summer sun shining in my open window, showing the swarm of flies, suspended,
balancing
in the air in the centre of the room, darting athwart, up and down, casting swift shadows
in
specks
on the opposite wall, where the shine is;
The athletic American matron speaking in public to crowds of listeners;
Males, females, immigrants, combinations—the copiousness—the individuality of
The
States,
each for itself—the money-makers;
Factories, machinery, the mechanical forces—the windlass, lever, pulley—All
certainties,
The certainty of space, increase, freedom, futurity,
In space, the sporades, the scatter’d islands, the stars—on the firm earth, the
lands, my
lands;
O lands! all so dear to me—what you are, (whatever it is,) I become a part of that,
whatever it
is;
Southward there, I screaming, with wings slowly flapping, with the myriads of gulls
wintering
along
the coasts of Florida—or in Louisiana, with pelicans breeding;
Otherways, there, atwixt the banks of the Arkansaw, the Rio Grande, the Nueces, the
Brazos, the
Tombigbee, the Red River, the Saskatchawan, or the Osage, I with the spring waters
laughing
and
skipping and running;
Northward, on the sands, on some shallow bay of Paumanok, I, with parties of snowy herons
wading in
the wet to seek worms and aquatic plants;
Retreating, triumphantly twittering, the king-bird, from piercing the crow with its bill,
for
amusement—And I triumphantly twittering;
The migrating flock of wild geese alighting in autumn to refresh themselves—the body
of
the
flock feed—the sentinels outside move around with erect heads watching, and are from
time
to
time reliev’d by other sentinels—And I feeding and taking turns with the rest;
In Kanadian forests, the moose, large as an ox, corner’d by hunters, rising
desperately on
his
hind-feet, and plunging with his fore-feet, the hoofs as sharp as knives—And I,
plunging
at the
hunters, corner’d and desperate;
In the Mannahatta, streets, piers, shipping, store-houses, and the countless workmen
working in
the
shops,
And I too of the Mannahatta, singing thereof—and no less in myself than the whole of
the
Mannahatta in itself,
Singing the song of These, my ever united lands—my body no more inevitably united,
part to
part, and made one identity, any more than my lands are inevitably united, and made ONE
IDENTITY;
Nativities, climates, the grass of the great Pastoral Plains;
Cities, labors, death, animals, products, war, good and evil—these me,
These affording, in all their particulars, endless feuillage to me and to America, how can
I do
less
than pass the clew of the union of them, to afford the like to you?
Whoever you are! how can I but offer you divine leaves, that you also be eligible as I am?
How can I but, as here, chanting, invite you for yourself to collect bouquets of the
incomparable
feuillage of These States?
|
Written by
John Greenleaf Whittier |
Before my drift-wood fire I sit,
And see, with every waif I burn,
Old dreams and fancies coloring it,
And folly's unlaid ghosts return.
O ships of mine, whose swift keels cleft
The enchanted sea on which they sailed,
Are these poor fragments only left
Of vain desires and hopes that failed?
Did I not watch from them the light
Of sunset on my towers in Spain,
And see, far off, uploom in sight
The Fortunate Isles I might not gain?
Did sudden lift of fog reveal
Arcadia's vales of song and spring,
And did I pass, with grazing keel,
The rocks whereon the sirens sing?
Have I not drifted hard upon
The unmapped regions lost to man,
The cloud-pitched tents of Prester John,
The palace domes of Kubla Khan?
Did land winds blow from jasmine flowers,
Where Youth the ageless Fountain fills?
Did Love make sign from rose blown bowers,
And gold from Eldorado's hills?
Alas! the gallant ships, that sailed
On blind Adventure's errand sent,
Howe'er they laid their courses, failed
To reach the haven of Content.
And of my ventures, those alone
Which Love had freighted, safely sped,
Seeking a good beyond my own,
By clear-eyed Duty piloted.
O mariners, hoping still to meet
The luck Arabian voyagers met,
And find in Bagdad's moonlit street,
Haroun al Raschid walking yet,
Take with you, on your Sea of Dreams,
The fair, fond fancies dear to youth.
I turn from all that only seems,
And seek the sober grounds of truth.
What matter that it is not May,
That birds have flown, and trees are bare,
That darker grows the shortening day,
And colder blows the wintry air!
The wrecks of passion and desire,
The castles I no more rebuild,
May fitly feed my drift-wood fire,
And warm the hands that age has chilled.
Whatever perished with my ships,
I only know the best remains;
A song of praise is on my lips
For losses which are now my gains.
Heap high my hearth! No worth is lost;
No wisdom with the folly dies.
Burn on, poor shreds, your holocaust
Shall be my evening sacrifice!
Far more than all I dared to dream,
Unsought before my door I see;
On wings of fire and steeds of steam
The world's great wonders come to me,
And holier signs, unmarked before,
Of Love to seek and Power to save,—
The righting of the wronged and poor,
The man evolving from the slave;
And life, no longer chance or fate,
Safe in the gracious Fatherhood.
I fold o'er-wearied hands and wait,
In full assurance of the good.
And well the waiting time must be,
Though brief or long its granted days,
If Faith and Hope and Charity
Sit by my evening hearth-fire's blaze.
And with them, friends whom Heaven has spared,
Whose love my heart has comforted,
And, sharing all my joys, has shared
My tender memories of the dead,—
Dear souls who left us lonely here,
Bound on their last, long voyage, to whom
We, day by day, are drawing near,
Where every bark has sailing room.
I know the solemn monotone
Of waters calling unto me;
I know from whence the airs have blown
That whisper of the Eternal Sea.
As low my fires of drift-wood burn,
I hear that sea's deep sounds increase,
And, fair in sunset light, discern
Its mirage-lifted Isles of Peace.
|
Written by
Muhammad Ali |
This is the legend of Cassius Clay,
The most beautiful fighter in the world today.
He talks a great deal, and brags indeed-y,
Of a muscular punch that's incredibly speed-y.
The fistic world was dull and weary,
but with a champ like Liston, things had to be dreary.
Then someone with color and someone with dash,
brought fight fans are runnin' with Cash.
This brash young boxer is something to see
and the heavyweight championship is his destiny.
This kid's got a left, this kid's got a right,
if he hit you once, you're asleep for the night.
This is the legend of Muhammad Ali,
The greatest fighter that ever will be.
He talks a great deal and brags, indeed.
Of a powerful punch and blinding speed.
Ali fights great, he's got speed and endurance.
If you sign to fight him, increase your insurance.
Ali's got a left, Ali's got a right;
If he hits you once, you're asleep for the night
|
Written by
Walt Whitman |
1
GREAT are the myths—I too delight in them;
Great are Adam and Eve—I too look back and accept them;
Great the risen and fallen nations, and their poets, women, sages, inventors, rulers,
warriors,
and priests.
Great is Liberty! great is Equality! I am their follower;
Helmsmen of nations, choose your craft! where you sail, I sail,
I weather it out with you, or sink with you.
Great is Youth—equally great is Old Age—great are the Day and Night;
Great is Wealth—great is Poverty—great is Expression—great is Silence.
Youth, large, lusty, loving—Youth, full of grace, force, fascination!
Do you know that Old Age may come after you, with equal grace, force, fascination?
Day, full-blown and splendid—Day of the immense sun, action, ambition, laughter,
The Night follows close, with millions of suns, and sleep, and restoring darkness.
Wealth, with the flush hand, fine clothes, hospitality;
But then the Soul’s wealth, which is candor, knowledge, pride, enfolding love;
(Who goes for men and women showing Poverty richer than wealth?)
Expression of speech! in what is written or said, forget not that Silence is also
expressive,
That anguish as hot as the hottest, and contempt as cold as the coldest, may be without
words.
2
Great is the Earth, and the way it became what it is;
Do you imagine it has stopt at this? the increase abandon’d?
Understand then that it goes as far onward from this, as this is from the times when it
lay in
covering waters and gases, before man had appear’d.
Great is the quality of Truth in man;
The quality of truth in man supports itself through all changes,
It is inevitably in the man—he and it are in love, and never leave each other.
The truth in man is no dictum, it is vital as eyesight;
If there be any Soul, there is truth—if there be man or woman there is truth—if
there
be physical or moral, there is truth;
If there be equilibrium or volition, there is truth—if there be things at all upon
the
earth, there is truth.
O truth of the earth! I am determin’d to press my way toward you;
Sound your voice! I scale mountains, or dive in the sea after you.
3
Great is Language—it is the mightiest of the sciences,
It is the fulness, color, form, diversity of the earth, and of men and women, and of all
qualities and processes;
It is greater than wealth—it is greater than buildings, ships, religions, paintings,
music.
Great is the English speech—what speech is so great as the English?
Great is the English brood—what brood has so vast a destiny as the English?
It is the mother of the brood that must rule the earth with the new rule;
The new rule shall rule as the Soul rules, and as the love, justice, equality in the Soul
rule.
Great is Law—great are the few old land-marks of the law,
They are the same in all times, and shall not be disturb’d.
4
Great is Justice!
Justice is not settled by legislators and laws—it is in the Soul;
It cannot be varied by statutes, any more than love, pride, the attraction of gravity,
can;
It is immutable—it does not depend on majorities—majorities or what not, come at
last
before the same passionless and exact tribunal.
For justice are the grand natural lawyers, and perfect judges—is it in their Souls;
It is well assorted—they have not studied for nothing—the great includes the
less;
They rule on the highest grounds—they oversee all eras, states, administrations.
The perfect judge fears nothing—he could go front to front before God;
Before the perfect judge all shall stand back—life and death shall stand
back—heaven
and hell shall stand back.
5
Great is Life, real and mystical, wherever and whoever;
Great is Death—sure as life holds all parts together, Death holds all parts together.
Has Life much purport?—Ah, Death has the greatest purport.
|
Written by
William Blake |
I heard an Angel singing
When the day was springing,
'Mercy, Pity, Peace
Is the world's release.'
Thus he sung all day
Over the new mown hay,
Till the sun went down
And haycocks looked brown.
I heard a Devil curse
Over the heath and the furze,
'Mercy could be no more,
If there was nobody poor,
And pity no more could be,
If all were as happy as we.'
At his curse the sun went down,
And the heavens gave a frown.
Down pour'd the heavy rain
Over the new reap'd grain ...
And Miseries' increase
Is Mercy, Pity, Peace.
|
Written by
John Dryden |
All human things are subject to decay,
And, when Fate summons, monarchs must obey:
This Flecknoe found, who, like Augustus, young
Was call'd to empire, and had govern'd long:
In prose and verse, was own'd, without dispute
Through all the realms of Non-sense, absolute.
This aged prince now flourishing in peace,
And blest with issue of a large increase,
Worn out with business, did at length debate
To settle the succession of the State:
And pond'ring which of all his sons was fit
To reign, and wage immortal war with wit;
Cry'd, 'tis resolv'd; for nature pleads that he
Should only rule, who most resembles me:
Shadwell alone my perfect image bears,
Mature in dullness from his tender years.
Shadwell alone, of all my sons, is he
Who stands confirm'd in full stupidity.
The rest to some faint meaning make pretence,
But Shadwell never deviates into sense.
Some beams of wit on other souls may fall,
Strike through and make a lucid interval;
But Shadwell's genuine night admits no ray,
His rising fogs prevail upon the day:
Besides his goodly fabric fills the eye,
And seems design'd for thoughtless majesty:
Thoughtless as monarch oaks, that shade the plain,
And, spread in solemn state, supinely reign.
Heywood and Shirley were but types of thee,
Thou last great prophet of tautology:
Even I, a dunce of more renown than they,
Was sent before but to prepare thy way;
And coarsely clad in Norwich drugget came
To teach the nations in thy greater name.
My warbling lute, the lute I whilom strung
When to King John of Portugal I sung,
Was but the prelude to that glorious day,
When thou on silver Thames did'st cut thy way,
With well tim'd oars before the royal barge,
Swell'd with the pride of thy celestial charge;
And big with hymn, commander of an host,
The like was ne'er in Epsom blankets toss'd.
Methinks I see the new Arion sail,
The lute still trembling underneath thy nail.
At thy well sharpen'd thumb from shore to shore
The treble squeaks for fear, the basses roar:
Echoes from Pissing-Alley, Shadwell call,
And Shadwell they resound from Aston Hall.
About thy boat the little fishes throng,
As at the morning toast, that floats along.
Sometimes as prince of thy harmonious band
Thou wield'st thy papers in thy threshing hand.
St. Andre's feet ne'er kept more equal time,
Not ev'n the feet of thy own Psyche's rhyme:
Though they in number as in sense excel;
So just, so like tautology they fell,
That, pale with envy, Singleton forswore
The lute and sword which he in triumph bore
And vow'd he ne'er would act Villerius more.
Here stopt the good old sire; and wept for joy
In silent raptures of the hopeful boy.
All arguments, but most his plays, persuade,
That for anointed dullness he was made.
Close to the walls which fair Augusta bind,
(The fair Augusta much to fears inclin'd)
An ancient fabric, rais'd t'inform the sight,
There stood of yore, and Barbican it hight:
A watch tower once; but now, so fate ordains,
Of all the pile an empty name remains.
From its old ruins brothel-houses rise,
Scenes of lewd loves, and of polluted joys.
Where their vast courts, the mother-strumpets keep,
And, undisturb'd by watch, in silence sleep.
Near these a nursery erects its head,
Where queens are form'd, and future heroes bred;
Where unfledg'd actors learn to laugh and cry,
Where infant punks their tender voices try,
And little Maximins the gods defy.
Great Fletcher never treads in buskins here,
Nor greater Jonson dares in socks appear;
But gentle Simkin just reception finds
Amidst this monument of vanish'd minds:
Pure clinches, the suburbian muse affords;
And Panton waging harmless war with words.
Here Flecknoe, as a place to fame well known,
Ambitiously design'd his Shadwell's throne.
For ancient Decker prophesi'd long since,
That in this pile should reign a mighty prince,
Born for a scourge of wit, and flail of sense:
To whom true dullness should some Psyches owe,
But worlds of Misers from his pen should flow;
Humorists and hypocrites it should produce,
Whole Raymond families, and tribes of Bruce.
Now Empress Fame had publisht the renown,
Of Shadwell's coronation through the town.
Rous'd by report of fame, the nations meet,
From near Bun-Hill, and distant Watling-street.
No Persian carpets spread th'imperial way,
But scatter'd limbs of mangled poets lay:
From dusty shops neglected authors come,
Martyrs of pies, and reliques of the bum.
Much Heywood, Shirley, Ogleby there lay,
But loads of Shadwell almost chok'd the way.
Bilk'd stationers for yeoman stood prepar'd,
And Herringman was Captain of the Guard.
The hoary prince in majesty appear'd,
High on a throne of his own labours rear'd.
At his right hand our young Ascanius sat
Rome's other hope, and pillar of the state.
His brows thick fogs, instead of glories, grace,
And lambent dullness play'd around his face.
As Hannibal did to the altars come,
Sworn by his sire a mortal foe to Rome;
So Shadwell swore, nor should his vow be vain,
That he till death true dullness would maintain;
And in his father's right, and realm's defence,
Ne'er to have peace with wit, nor truce with sense.
The king himself the sacred unction made,
As king by office, and as priest by trade:
In his sinister hand, instead of ball,
He plac'd a mighty mug of potent ale;
Love's kingdom to his right he did convey,
At once his sceptre and his rule of sway;
Whose righteous lore the prince had practis'd young,
And from whose loins recorded Psyche sprung,
His temples last with poppies were o'er spread,
That nodding seem'd to consecrate his head:
Just at that point of time, if fame not lie,
On his left hand twelve reverend owls did fly.
So Romulus, 'tis sung, by Tiber's brook,
Presage of sway from twice six vultures took.
Th'admiring throng loud acclamations make,
And omens of his future empire take.
The sire then shook the honours of his head,
And from his brows damps of oblivion shed
Full on the filial dullness: long he stood,
Repelling from his breast the raging god;
At length burst out in this prophetic mood:
Heavens bless my son, from Ireland let him reign
To far Barbadoes on the Western main;
Of his dominion may no end be known,
And greater than his father's be his throne.
Beyond love's kingdom let him stretch his pen;
He paus'd, and all the people cry'd Amen.
Then thus, continu'd he, my son advance
Still in new impudence, new ignorance.
Success let other teach, learn thou from me
Pangs without birth, and fruitless industry.
Let Virtuosos in five years be writ;
Yet not one thought accuse thy toil of wit.
Let gentle George in triumph tread the stage,
Make Dorimant betray, and Loveit rage;
Let Cully, Cockwood, Fopling, charm the pit,
And in their folly show the writer's wit.
Yet still thy fools shall stand in thy defence,
And justify their author's want of sense.
Let 'em be all by thy own model made
Of dullness, and desire no foreign aid:
That they to future ages may be known,
Not copies drawn, but issue of thy own.
Nay let thy men of wit too be the same,
All full of thee, and differing but in name;
But let no alien Sedley interpose
To lard with wit thy hungry Epsom prose.
And when false flowers of rhetoric thou would'st cull,
Trust Nature, do not labour to be dull;
But write thy best, and top; and in each line,
Sir Formal's oratory will be thine.
Sir Formal, though unsought, attends thy quill,
And does thy Northern Dedications fill.
Nor let false friends seduce thy mind to fame,
By arrogating Jonson's hostile name.
Let Father Flecknoe fire thy mind with praise,
And Uncle Ogleby thy envy raise.
Thou art my blood, where Jonson has no part;
What share have we in Nature or in Art?
Where did his wit on learning fix a brand,
And rail at arts he did not understand?
Where made he love in Prince Nicander's vein,
Or swept the dust in Psyche's humble strain?
Where sold he bargains, whip-stitch, kiss my ****,
Promis'd a play and dwindled to a farce?
When did his muse from Fletcher scenes purloin,
As thou whole Eth'ridge dost transfuse to thine?
But so transfus'd as oil on waters flow,
His always floats above, thine sinks below.
This is thy province, this thy wondrous way,
New humours to invent for each new play:
This is that boasted bias of thy mind,
By which one way, to dullness, 'tis inclin'd,
Which makes thy writings lean on one side still,
And in all changes that way bends thy will.
Nor let thy mountain belly make pretence
Of likeness; thine's a tympany of sense.
A tun of man in thy large bulk is writ,
But sure thou 'rt but a kilderkin of wit.
Like mine thy gentle numbers feebly creep,
Thy Tragic Muse gives smiles, thy Comic sleep.
With whate'er gall thou sett'st thy self to write,
Thy inoffensive satires never bite.
In thy felonious heart, though venom lies,
It does but touch thy Irish pen, and dies.
Thy genius calls thee not to purchase fame
In keen iambics, but mild anagram:
Leave writing plays, and choose for thy command
Some peaceful province in acrostic land.
There thou may'st wings display and altars raise,
And torture one poor word ten thousand ways.
Or if thou would'st thy diff'rent talents suit,
Set thy own songs, and sing them to thy lute.
He said, but his last words were scarcely heard,
For Bruce and Longvil had a trap prepar'd,
And down they sent the yet declaiming bard.
Sinking he left his drugget robe behind,
Born upwards by a subterranean wind.
The mantle fell to the young prophet's part,
With double portion of his father's art.
|
Written by
Mary Darby Robinson |
I.
Dark was the dawn, and o'er the deep
The boist'rous whirlwinds blew;
The Sea-bird wheel'd its circling sweep,
And all was drear to view--
When on the beach that binds the western shore
The love-lorn ZELMA stood, list'ning the tempest's roar.
II.
Her eager Eyes beheld the main,
While on her DRACO dear
She madly call'd, but call'd in vain,
No sound could DRACO hear,
Save the shrill yelling of the fateful blast,
While ev'ry Seaman's heart, quick shudder'd as it past.
III.
White were the billows, wide display'd
The clouds were black and low;
The Bittern shriek'd, a gliding shade
Seem'd o'er the waves to go !
The livid flash illum'd the clam'rous main,
While ZELMA pour'd, unmark'd, her melancholy strain.
IV.
"Be still!" she cried, "loud tempest cease!
"O ! spare the gallant souls:
"The thunder rolls--the winds increase--
"The Sea, like mountains, rolls!
"While, from the deck, the storm worn victims leap,
"And o'er their struggling limbs, the furious billows sweep.
V.
"O! barb'rous Pow'r! relentless Fate!
"Does Heav'n's high will decree
"That some should sleep on beds of state,--
"Some, in the roaring Sea ?
"Some, nurs'd in splendour, deal Oppression's blow,
"While worth and DRACO pine--in Slavery and woe!
VI.
"Yon Vessel oft has plough'd the main
"With human traffic fraught;
"Its cargo,--our dark Sons of pain--
"For worldly treasure bought !
"What had they done?--O Nature tell me why--
"Is taunting scorn the lot, of thy dark progeny?
VII.
"Thou gav'st, in thy caprice, the Soul
"Peculiarly enshrin'd;
"Nor from the ebon Casket stole
"The Jewel of the mind!
"Then wherefore let the suff'ring *****'s breast
"Bow to his fellow, MAN, in brighter colours drest.
VIII.
"Is it the dim and glossy hue
"That marks him for despair?--
"While men with blood their hands embrue,
"And mock the wretch's pray'r?
"Shall guiltless Slaves the Scourge of tyrants feel,
"And, e'en before their GOD ! unheard, unpitied kneel.
IX.
"Could the proud rulers of the land
"Our Sable race behold;
"Some bow'd by torture's Giant hand
"And others, basely sold !
"Then would they pity Slaves, and cry, with shame,
"Whate'er their TINTS may be, their SOULS are still the same!
X.
"Why seek to mock the Ethiop's face?
"Why goad our hapless kind?
"Can features alienate the race--
"Is there no kindred mind?
"Does not the cheek which vaunts the roseate hue
"Oft blush for crimes, that Ethiops never knew?
XI.
"Behold ! the angry waves conspire
"To check the barb'rous toil!
"While wounded Nature's vengeful ire--
"Roars, round this trembling Isle!
"And hark ! her voice re-echoes in the wind--
"Man was not form'd by Heav'n, to trample on his kind!
XII.
"Torn from my Mother's aching breast,
"My Tyrant sought my love--
"But, in the Grave shall ZELMA rest,
"E'er she will faithless prove--
"No DRACO!--Thy companion I will be
"To that celestial realm, where Negros shall be free!
XIII.
"The Tyrant WHITE MAN taught my mind--
"The letter'd page to trace;--
"He taught me in the Soul to find
"No tint, as in the face:
"He bade my Reason, blossom like the tree--
"But fond affection gave, the ripen'd fruits to thee.
XIV.
"With jealous rage he mark'd my love
"He sent thee far away;--
"And prison'd in the plantain grove--
"Poor ZELMA pass'd the day--
"But ere the moon rose high above the main,
"ZELMA, and Love contriv'd, to break the Tyrant's chain.
XV.
"Swift, o'er the plain of burning Sand
"My course I bent to thee;
"And soon I reach'd the billowy strand
"Which bounds the stormy Sea.--
"DRACO! my Love! Oh yet, thy ZELMA'S soul
"Springs ardently to thee,--impatient of controul.
XVI.
"Again the lightning flashes white--
"The rattling cords among!
"Now, by the transient vivid light,
"I mark the frantic throng!
"Now up the tatter'd shrouds my DRACO flies--
While o'er the plunging prow, the curling billows rise.
XVII.
"The topmast falls--three shackled slaves--
"Cling to the Vessel's side!
"Now lost amid the madd'ning waves--
"Now on the mast they ride--
"See ! on the forecastle my DRACO stands
"And now he waves his chain, now clasps his bleeding hands.
XVIII.
"Why, cruel WHITE-MAN! when away
"My sable Love was torn,
"Why did you let poor ZELMA stay,
On Afric's sands to mourn?
"No ! ZELMA is not left, for she will prove
"In the deep troubled main, her fond--her faithful LOVE."
XIX.
The lab'ring Ship was now a wreck,
The shrouds were flutt'ring wide!
The rudder gone, the lofty deck
Was rock'd from side to side--
Poor ZELMA'S eyes now dropp'd their last big tear,
While, from her tawny cheek, the blood recoil'd with fear.
XX.
Now frantic, on the sands she roam'd,
Now shrieking stop'd to view
Where high the liquid mountains foam'd,
Around the exhausted crew--
'Till, from the deck, her DRACO'S well known form
Sprung mid the yawning waves, and buffetted the Storm.
XXI.
Long, on the swelling surge sustain'd
Brave DRACO sought the shore,
Watch'd the dark Maid, but ne'er complain'd,
Then sunk, to gaze no more!
Poor ZELMA saw him buried by the wave--
And, with her heart's true Love, plung'd in a wat'ry grave.
|
Written by
Elizabeth Barrett Browning |
How he sleepeth! having drunken
Weary childhood's mandragore,
From his pretty eyes have sunken
Pleasures, to make room for more---
Sleeping near the withered nosegay, which he pulled the day before.
Nosegays! leave them for the waking:
Throw them earthward where they grew.
Dim are such, beside the breaking
Amaranths he looks unto---
Folded eyes see brighter colours than the open ever do.
Heaven-flowers, rayed by shadows golden
From the paths they sprang beneath,
Now perhaps divinely holden,
Swing against him in a wreath---
We may think so from the quickening of his bloom and of his breath.
Vision unto vision calleth,
While the young child dreameth on.
Fair, O dreamer, thee befalleth
With the glory thou hast won!
Darker wert thou in the garden, yestermorn, by summer sun.
We should see the spirits ringing
Round thee,---were the clouds away.
'Tis the child-heart draws them, singing
In the silent-seeming clay---
Singing!---Stars that seem the mutest, go in music all the way.
As the moths around a taper,
As the bees around a rose,
As the gnats around a vapour,---
So the Spirits group and close
Round about a holy childhood, as if drinking its repose.
Shapes of brightness overlean thee,---
Flash their diadems of youth
On the ringlets which half screen thee,---
While thou smilest, . . . not in sooth
Thy smile . . . but the overfair one, dropt from some aethereal mouth.
Haply it is angels' duty,
During slumber, shade by shade:
To fine down this childish beauty
To the thing it must be made,
Ere the world shall bring it praises, or the tomb shall see it fade.
Softly, softly! make no noises!
Now he lieth dead and dumb---
Now he hears the angels' voices
Folding silence in the room---
Now he muses deep the meaning of the Heaven-words as they come.
Speak not! he is consecrated---
Breathe no breath across his eyes.
Lifted up and separated,
On the hand of God he lies,
In a sweetness beyond touching---held in cloistral sanctities.
Could ye bless him---father---mother ?
Bless the dimple in his cheek?
Dare ye look at one another,
And the benediction speak?
Would ye not break out in weeping, and confess yourselves too weak?
He is harmless---ye are sinful,---
Ye are troubled---he, at ease:
From his slumber, virtue winful
Floweth outward with increase---
Dare not bless him! but be blessed by his peace---and go in peace.
|
Written by
William Butler Yeats |
I. Ribh at the Tomb of Baile and Aillinn
Because you have found me in the pitch-dark night
With open book you ask me what I do.
Mark and digest my tale, carry it afar
To those that never saw this tonsured head
Nor heard this voice that ninety years have cracked.
Of Baile and Aillinn you need not speak,
All know their tale, all know what leaf and twig,
What juncture of the apple and the yew,
Surmount their bones; but speak what none have heard.
The miracle that gave them such a death
Transfigured to pure substance what had once
Been bone and sinew; when such bodies join
There is no touching here, nor touching there,
Nor straining joy, but whole is joined to whole;
For the intercourse of angels is a light
Where for its moment both seem lost, consumed.
Here in the pitch-dark atmosphere above
The trembling of the apple and the yew,
Here on the anniversary of their death,
The anniversary of their first embrace,
Those lovers, purified by tragedy,
Hurry into each other's arms; these eyes,
By water, herb and solitary prayer
Made aquiline, are open to that light.
Though somewhat broken by the leaves, that light
Lies in a circle on the grass; therein
I turn the pages of my holy book.
II. Ribh denounces Patrick
An abstract Greek absurdity has crazed the man -
Recall that masculine Trinity. Man, woman, child
(daughter or son),
That's how all natural or supernatural stories run.
Natural and supernatural with the self-same ring are wed.
As man, as beast, as an ephemeral fly begets, Godhead begets
Godhead,
For things below are copies, the Great Smaragdine Tablet said.
Yet all must copy copies, all increase their kind;
When the conflagration of their passion sinks, damped by the
body or the mind,
That juggling nature mounts, her coil in their embraces
twined.
The mirror-scaled serpent is multiplicity,
But all that run in couples, on earth, in flood or air, share God that is but three,
And could beget or bear themselves could they but love as He.
III. Ribh in Ecstasy
What matter that you understood no word!
Doubtless I spoke or sang what I had heard
In broken sentences. My soul had found
All happiness in its own cause or ground.
Godhead on Godhead in sexual spasm begot
Godhead. Some shadow fell. My soul forgot
Those amorous cries that out of quiet come
And must the common round of day resume.
IV. There
There all the barrel-hoops are knit,
There all the serpent-tails are bit,
There all the gyres converge in one,
There all the planets drop in the Sun.
V. Ribh considers Christian Love insufficient
Why should I seek for love or study it?
It is of God and passes human wit.
I study hatred with great diligence,
For that's a passion in my own control,
A sort of besom that can clear the soul
Of everything that is not mind or sense.
Why do I hate man, woman or event?
That is a light my jealous soul has sent.
From terror and deception freed it can
Discover impurities, can show at last
How soul may walk when all such things are past,
How soul could walk before such things began.
Then my delivered soul herself shall learn
A darker knowledge and in hatred turn
From every thought of God mankind has had.
Thought is a garment and the soul's a bride
That cannot in that trash and tinsel hide:
Hatred of God may bring the soul to God.
At stroke of midnight soul cannot endure
A bodily or mental furniture.
What can she take until her Master give!
Where can she look until He make the show!
What can she know until He bid her know!
How can she live till in her blood He live!
VI. He and She
As the moon sidles up
Must she sidle up,
As trips the scared moon
Away must she trip:
'His light had struck me blind
Dared I stop".
She sings as the moon sings:
'I am I, am I;
The greater grows my light
The further that I fly.'
All creation shivers
With that sweet cry.
VII. What Magic Drum?
He holds him from desire, all but stops his breathing lest
primordial Motherhood forsake his limbs, the child no longer
rest,
Drinking joy as it were milk upon his breast.
Through light-obliterating garden foliage what magic drum?
Down limb and breast or down that glimmering belly move
his mouth and sinewy tongue.
What from the forest came? What beast has licked its young?
VIII. Whence had they come?
Eternity is passion, girl or boy
Cry at the onset of their sexual joy
'For ever and for ever'; then awake
Ignorant what Dramatis personae spake;
A passion-driven exultant man sings out
Sentences that he has never thought;
The Flagellant lashes those submissive loins
Ignorant what that dramatist enjoins,
What master made the lash. Whence had they come,
The hand and lash that beat down frigid Rome?
What sacred drama through her body heaved
When world-transforming Charlemagne was conceived?
IX. The Four Ages of Man
He with body waged a fight,
But body won; it walks upright.
Then he struggled with the heart;
Innocence and peace depart.
Then he struggled with the mind;
His proud heart he left behind.
Now his wars on God begin;
At stroke of midnight God shall win.
X. Conjunctions
If Jupiter and Saturn meet,
What a cop of mummy wheat!
The sword's a cross; thereon He died:
On breast of Mars the goddess sighed.
XI. A Needle's Eye
All the stream that's roaring by
Came out of a needle's eye;
Things unborn, things that are gone,
From needle's eye still goad it on.
XII. Meru
Civilisation is hooped together, brought
Under a mle, under the semblance of peace
By manifold illusion; but man's life is thought,
And he, despite his terror, cannot cease
Ravening through century after century,
Ravening, raging, and uprooting that he may come
Into the desolation of reality:
Egypt and Greece, good-bye, and good-bye, Rome!
Hermits upon Mount Meru or Everest,
Caverned in night under the drifted snow,
Or where that snow and winter's dreadful blast
Beat down upon their naked bodies, know
That day brings round the night, that before dawn
His glory and his monuments are gone.
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