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Written by Ernest Lawrence Thayer | Create an image from this poem

Casey At The Bat

The outlook wasn't brilliant for the Mudville nine that day, 
The score stood four to two, with but one inning more to play. 

And then when Cooney died at first, and Barrows did the same, 
A pall-like silence fell upon the patrons of the game. 

A straggling few got up to go in deep despair. 
The rest clung to that hope which springs eternal in the human breast. 
They thought, "if only Casey could but get a whack at that. 
We'd put up even money now, with Casey at the bat." 

But Flynn preceded Casey, as did also Jimmy Blake; 
and the former was a hoodoo, while the latter was a cake. 

So upon that stricken multitude, grim melancholy sat; 
for there seemed but little chance of Casey getting to the bat. 

But Flynn let drive a single, to the wonderment of all. 
And Blake, the much despised, tore the cover off the ball. 

And when the dust had lifted, 
and men saw what had occurred, 
there was Jimmy safe at second and Flynn a-hugging third. 

Then from five thousand throats and more there rose a lusty yell; 
it rumbled through the valley, it rattled in the dell; 

it pounded through on the mountain and recoiled upon the flat; 
for Casey, mighty Casey, was advancing to the bat. 

There was ease in Casey's manner as he stepped into his place, 
there was pride in Casey's bearing and a smile lit Casey's face. 

And when, responding to the cheers, he lightly doffed his hat, 
no stranger in the crowd could doubt t'was Casey at the bat. 

Ten thousand eyes were on him as he rubbed his hands with dirt. 
Five thousand tongues applauded when he wiped them on his shirt. 

Then, while the writhing pitcher ground the ball into his hip, 
defiance flashed in Casey's eye, a sneer curled Casey's lip. 

And now the leather-covered sphere came hurtling through the air, 
and Casey stood a-watching it in haughty grandeur there. 

Close by the sturdy batsman the ball unheeded sped -- 
"That ain't my style," said Casey. 

"Strike one!" the umpire said. 
From the benches, black with people, there went up a muffled roar, 
like the beating of the storm waves on a stern and distant shore. 

"Kill him! Kill the umpire!" shouted someone on the stand, 
and it's likely they'd have killed him had not Casey raised his hand. 

With a smile of Christian charity, great Casey's visage shone, 
he stilled the rising tumult, he bade the game go on. 

He signaled to the pitcher, and once more the dun sphere flew, 
but Casey still ignored it, and the umpire said, "Strike two!" 

"Fraud!" cried the maddened thousands, and echo answered "Fraud!" 
But one scornful look from Casey and the audience was awed. 

They saw his face grow stern and cold, they saw his muscles strain, 
and they knew that Casey wouldn't let that ball go by again. 

The sneer has fled from Casey's lip, the teeth are clenched in hate. 
He pounds, with cruel violence, his bat upon the plate. 

And now the pitcher holds the ball, and now he lets it go, 
and now the air is shattered by the force of Casey's blow. 

Oh, somewhere in this favored land the sun is shining bright. 
The band is playing somewhere, and somewhere hearts are light. 
And, somewhere men are laughing, and little children shout, 

but there is no joy in Mudville 
mighty Casey has struck out. 


Written by Roger McGough | Create an image from this poem

The Lesson

 Chaos ruled OK in the classroom
as bravely the teacher walked in
the nooligans ignored him
hid voice was lost in the din

"The theme for today is violence
and homework will be set
I'm going to teach you a lesson
one that you'll never forget"

He picked on a boy who was shouting
and throttled him then and there
then garrotted the girl behind him
(the one with grotty hair)

Then sword in hand he hacked his way
between the chattering rows
"First come, first severed" he declared
"fingers, feet or toes"

He threw the sword at a latecomer
it struck with deadly aim
then pulling out a shotgun
he continued with his game

The first blast cleared the backrow
(where those who skive hang out)
they collapsed like rubber dinghies
when the plug's pulled out

"Please may I leave the room sir?"
a trembling vandal enquired
"Of course you may" said teacher
put the gun to his temple and fired

The Head popped a head round the doorway
to see why a din was being made
nodded understandingly
then tossed in a grenade

And when the ammo was well spent
with blood on every chair
Silence shuffled forward
with its hands up in the air

The teacher surveyed the carnage
the dying and the dead
He waggled a finger severely
"Now let that be a lesson" he said
Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)
Written by T S (Thomas Stearns) Eliot | Create an image from this poem

Skimbleshanks: The Railway Cat

 There's a whisper down the line at 11.39
When the Night Mail's ready to depart,
Saying "Skimble where is Skimble has he gone to hunt the thimble?
We must find him or the train can't start."
All the guards and all the porters and the stationmaster's daughters
They are searching high and low,
Saying "Skimble where is Skimble for unless he's very nimble
Then the Night Mail just can't go."
At 11.42 then the signal's nearly due
And the passengers are frantic to a man—
Then Skimble will appear and he'll saunter to the rear:
He's been busy in the luggage van!

He gives one flash of his glass-green eyes
And the signal goes "All Clear!"
And we're off at last for the northern part
Of the Northern Hemisphere!

You may say that by and large it is Skimble who's in charge
Of the Sleeping Car Express.
From the driver and the guards to the bagmen playing cards
He will supervise them all, more or less.
Down the corridor he paces and examines all the faces
Of the travellers in the First and the Third;
He establishes control by a regular patrol
And he'd know at once if anything occurred.
He will watch you without winking and he sees what you are thinking
And it's certain that he doesn't approve
Of hilarity and riot, so the folk are very quiet
When Skimble is about and on the move.
You can play no pranks with Skimbleshanks!
He's a Cat that cannot be ignored;
So nothing goes wrong on the Northern Mail
When Skimbleshanks is aboard.

Oh, it's very pleasant when you have found your little den
With your name written up on the door.
And the berth is very neat with a newly folded sheet
And there's not a speck of dust on the floor.
There is every sort of light-you can make it dark or bright;
There's a handle that you turn to make a breeze.
There's a funny little basin you're supposed to wash your face in
And a crank to shut the window if you sneeze.
Then the guard looks in politely and will ask you very brightly
"Do you like your morning tea weak or strong?"
But Skimble's just behind him and was ready to remind him,
For Skimble won't let anything go wrong.
And when you creep into your cosy berth
And pull up the counterpane,
You ought to reflect that it's very nice
To know that you won't be bothered by mice—
You can leave all that to the Railway Cat,
The Cat of the Railway Train!

In the watches of the night he is always fresh and bright;
Every now and then he has a cup of tea
With perhaps a drop of Scotch while he's keeping on the watch,
Only stopping here and there to catch a flea.
You were fast asleep at Crewe and so you never knew
That he was walking up and down the station;
You were sleeping all the while he was busy at Carlisle,
Where he greets the stationmaster with elation.
But you saw him at Dumfries, where he speaks to the police
If there's anything they ought to know about:
When you get to Gallowgate there you do not have to wait—
For Skimbleshanks will help you to get out!
He gives you a wave of his long brown tail
Which says: "I'll see you again!
You'll meet without fail on the Midnight Mail
The Cat of the Railway Train."
Written by Barry Tebb | Create an image from this poem

Our Son

 Quarter to three: I wake again at the hour of his birth

Thirty years ago and now he paces corridors of dark

In nightmares of self-condemnation where random thoughts

Besiege his fevered imagination – England’s 

Imminent destruction, his own, the world’s…

Sixty to eighty cigarettes a day, unavailing depot injections,

Failed abscondings, failed everything: Eton and Balliol

Hold no sway on ward one, nor even being

‘A six language master,’ on PICU madness is the only qualification.

There was the ‘shaving incident’ at school, which

Made him ready to walk out at fifteen, the alcohol

Defences at Oxford which shut us out then petered out

During the six years in India, studying Bengali at Shantiniketan.

He tottered from the plane, penniless and unshaven,

To hide away in the seediest bedsit Beeston could boast

Where night turned to day and vaguely he applied 

For jobs as clerk and court usher and drank in pubs with yobs.

When the crisis came – "I feel my head coming off my body’ –

I was ready and unready, making the necessary calls

To get a bed, to keep him on the ward, to visit and reassure 

Us both that some way out could be found.

The ‘Care Home’ was the next disaster, trying to cure

Schizophrenia with sticking plaster: "We don’t want 

Carers’ input, we call patients ‘residents’ and insist on chores

Not medication", then the letters of terrible abuse, the finding of a flat,

‘The discharge into the community.’

His ‘keyworker’ was the keyworker from hell: the more

Isaiah’s care fell apart the more she encouraged 

Him to blame us and ‘Make his life his own’, vital signs

Of decline ignored or consigned to files, ‘confidentiality’ reigned supreme.

Insidiously the way back to the ward unveiled

Over painful months, the self-neglect, the inappropriate remarks

In pubs, the neglected perforated eardrum, keeping

Company with his feckless cousins between their bouts in prison.

The pointless team meetings he was patted through,

My abrupt dismissal as carer at the keyworker’s instigation,

The admission we knew nothing of, the abscondings we were told of

And had to sort out, then the phone call from the ASW.

"We are about to section your son for six months, have you

Any comment?" Then the final absconding to London

From a fifteen minute break on PICU, to face his brother’s 

Drunken abuse, the police were kindness itself as they drove him to the secure unit.



Two nurses came by taxi from Leeds the next day to collect him 

The Newsam Centre’s like a hotel – Informality and first class treatment

Behind the locked doors he freezes before and whispers 

"Daddy, I was damned in hell but now I am God’s friend."

Note: PICU- Psychiatric Intensive Care Unit

Beeston- An inner city area of Leeds

ASW- Approved Social Worker


Written by Elizabeth Bishop | Create an image from this poem

The Imaginary Iceberg

 We'd rather have the iceberg than the ship, 
although it meant the end of travel. 
Although it stood stock-still like cloudy rock 
and all the sea were moving marble. 
We'd rather have the iceberg than the ship; 
we'd rather own this breathing plain of snow 
though the ship's sails were laid upon the sea 
as the snow lies undissolved upon the water. 
O solemn, floating field, 
are you aware an iceberg takes repose 
with you, and when it wakes may pasture on your snows? 

This is a scene a sailor'd give his eyes for. 
The ship's ignored. The iceberg rises 
and sinks again; its glassy pinnacles 
correct elliptics in the sky. 
This is a scene where he who treads the boards 
is artlessly rhetorical. The curtain 
is light enough to rise on finest ropes 
that airy twists of snow provide. 
The wits of these white peaks 
spar with the sun. Its weight the iceberg dares 
upon a shifting stage and stands and stares. 

The iceberg cuts its facets from within. 
Like jewelry from a grave 
it saves itself perpetually and adorns 
only itself, perhaps the snows 
which so surprise us lying on the sea. 
Good-bye, we say, good-bye, the ship steers off 
where waves give in to one another's waves 
and clouds run in a warmer sky. 
Icebergs behoove the soul 
(both being self-made from elements least visible) 
to see them so: fleshed, fair, erected indivisible.
Written by Robert Browning | Create an image from this poem

Rabbi Ben Ezra

 Grow old along with me!
The best is yet to be,
The last of life, for which the first was made:
Our times are in His hand
Who saith 'A whole I planned,
Youth shows but half; trust God: see all, nor be afraid!'

Not that, amassing flowers,
Youth sighed 'Which rose make ours,
Which lily leave and then as best recall?'
Not that, admiring stars,
It yearned 'Nor Jove, nor Mars;
Mine be some figured flame which blends, transcends them all!'

Not for such hopes and fears
Annulling youth's brief years,
Do I remonstrate: folly wide the mark!
Rather I prize the doubt
Low kinds exist without,
Finished and finite clods, untroubled by a spark.

Poor vaunt of life indeed,
Were man but formed to feed
On joy, to solely seek and find and feast:
Such feasting ended, then
As sure an end to men;
Irks care the crop-full bird? Frets doubt the maw-crammed beast?

Rejoice we are allied
To That which doth provide
And not partake, effect and not receive!
A spark disturbs our clod;
Nearer we hold of God
Who gives, than of His tribes that take, I must believe.

Then, welcome each rebuff
That turns earth's smoothness rough,
Each sting that bids nor sit nor stand but go!
Be our joys three-parts pain!
Strive, and hold cheap the strain;
Learn, nor account the pang; dare, never grudge the throe!

For thence,--a paradox
Which comforts while it mocks,--
Shall life succeed in that it seems to fail:
What I aspired to be,
And was not, comforts me:
A brute I might have been, but would not sink i' the scale.

What is he but a brute
Whose flesh has soul to suit,
Whose spirit works lest arms and legs want play?
To man, propose this test--
Thy body at its best,
How far can that project thy soul on its lone way?

Yet gifts should prove their use:
I own the Past profuse
Of power each side, perfection every turn:
Eyes, ears took in their dole,
Brain treasured up the whole;
Should not the heart beat once 'How good to live and learn?'

Not once beat 'Praise be Thine!
I see the whole design,
I, who saw power, see now love perfect too:
Perfect I call Thy plan:
Thanks that I was a man!
Maker, remake, complete,--I trust what Thou shalt do!'

For pleasant is this flesh;
Our soul, in its rose-mesh
Pulled ever to the earth, still yearns for rest;
Would we some prize might hold
To match those manifold
Possessions of the brute,--gain most, as we did best!

Let us not always say,
'Spite of this flesh to-day
I strove, made head, gained ground upon the whole!'
As the bird wings and sings,
Let us cry 'All good things
Are ours, nor soul helps flesh more, now, than flesh helps soul!'

Therefore I summon age
To grant youth's heritage,
Life's struggle having so far reached its term:
Thence shall I pass, approved
A man, for aye removed
From the developed brute; a god though in the germ.

And I shall thereupon
Take rest, ere I be gone
Once more on my adventure brave and new:
Fearless and unperplexed,
When I wage battle next,
What weapons to select, what armour to indue.

Youth ended, I shall try
My gain or loss thereby;
Leave the fire ashes, what survives is gold:
And I shall weigh the same,
Give life its praise or blame:
Young, all lay in dispute; I shall know, being old.

For note, when evening shuts,
A certain moment cuts
The deed off, calls the glory from the grey:
A whisper from the west
Shoots--'Add this to the rest,
Take it and try its worth: here dies another day.'

So, still within this life,
Though lifted o'er its strife,
Let me discern, compare, pronounce at last,
This rage was right i' the main,
That acquiescence vain:
The Future I may face now I have proved the Past.'

For more is not reserved
To man, with soul just nerved
To act to-morrow what he learns to-day:
Here, work enough to watch
The Master work, and catch
Hints of the proper craft, tricks of the tool's true play.

As it was better, youth
Should strive, through acts uncouth,
Toward making, than repose on aught found made:
So, better, age, exempt
From strife, should know, than tempt
Further. Thou waitedst age: wait death nor be afraid!
Enough now, if the Right
And Good and Infinite
Be named here, as thou callest thy hand thine own
With knowledge absolute,
Subject to no dispute
From fools that crowded youth, nor let thee feel alone.

Be there, for once and all,
Severed great minds from small,
Announced to each his station in the Past!
Was I, the world arraigned,
Were they, my soul disdained,
Right? Let age speak the truth and give us peace at last!

Now, who shall arbitrate?
Ten men love what I hate,
Shun what I follow, slight what I receive;
Ten, who in ears and eyes
Match me: we all surmise,
They this thing, and I that: whom shall my soul believe?

Not on the vulgar mass
Called 'work,' must sentence pass,
Things done, that took the eye and had the price;
O'er which, from level stand,
The low world laid its hand,
Found straightway to its mind, could value in a trice:

But all, the world's coarse thumb
And finger failed to plumb,
So passed in making up the main account;
All instincts immature,
All purposes unsure,
That weighed not as his work, yet swelled the man's amount:

Thoughts hardly to be packed
Into a narrow act,
Fancies that broke through language and escaped;
All I could never be,
All, men ignored in me,
This, I was worth to God, whose wheel the pitcher shaped.

Ay, note that Potter's wheel,
That metaphor! and feel
Why time spins fast, why passive lies our clay,--
Thou, to whom fools propound,
When the wine makes its round,
'Since life fleets, all is change; the Past gone, seize to-day!'

Fool! All that is, at all,
Lasts ever, past recall;
Earth changes, but thy soul and God stand sure:
What entered into thee,
That was, is, and shall be:
Time's wheel runs back or stops: Potter and clay endure.

He fixed thee mid this dance
Of plastic circumstance,
This Present, thou, forsooth, wouldst fain arrest:
Machinery just meant
To give thy soul its bent,
Try thee and turn thee forth, sufficiently impressed.

What though the earlier grooves,
Which ran the laughing loves
Around thy base, no longer pause and press?
What though, about thy rim,
Skull-things in order grim
Grow out, in graver mood, obey the sterner stress?

Look not thou down but up!
To uses of a cup,
The festal board, lamp's flash and trumpet's peal,
The new wine's foaming flow,
The Master's lips a-glow!
Thou, heaven's consummate cup, what need'st thou with earth's wheel?

But I need, now as then,
Thee, God, who mouldest men;
And since, not even while the whirl was worst,
Did I,--to the wheel of life
With shapes and colours rife,
Bound dizzily,--mistake my end, to slake Thy thirst:

So, take and use Thy work:
Amend what flaws may lurk,
What strain o' the stuff, what warpings past the aim!
My times be in Thy hand!
Perfect the cup as planned!
Let age approve of youth, and death complete the same!
Written by Derek Walcott | Create an image from this poem

Love After Love

 The time will come 
when, with elation 
you will greet yourself arriving 
at your own door, in your own mirror 
and each will smile at the other's welcome, 

and say, sit here. Eat. 
You will love again the stranger who was your self.
Give wine. Give bread. Give back your heart 
to itself, to the stranger who has loved you 

all your life, whom you ignored 
for another, who knows you by heart. 
Take down the love letters from the bookshelf, 

the photographs, the desperate notes, 
peel your own image from the mirror. 
Sit. Feast on your life.
Written by Philip Levine | Create an image from this poem

The Mercy

 The ship that took my mother to Ellis Island 
Eighty-three years ago was named "The Mercy." 
She remembers trying to eat a banana 
without first peeling it and seeing her first orange
in the hands of a young Scot, a seaman 
who gave her a bite and wiped her mouth for her 
with a red bandana and taught her the word,
"orange," saying it patiently over and over. 
A long autumn voyage, the days darkening 
with the black waters calming as night came on, 
then nothing as far as her eyes could see and space
without limit rushing off to the corners 
of creation. She prayed in Russian and Yiddish 
to find her family in New York, prayers 
unheard or misunderstood or perhaps ignored 
by all the powers that swept the waves of darkness 
before she woke, that kept "The Mercy" afloat 
while smallpox raged among the passengers 
and crew until the dead were buried at sea 
with strange prayers in a tongue she could not fathom.
"The Mercy," I read on the yellowing pages of a book 
I located in a windowless room of the library 
on 42nd Street, sat thirty-one days 
offshore in quarantine before the passengers
disembarked. There a story ends. Other ships 
arrived, "Tancred" out of Glasgow, "The Neptune"
registered as Danish, "Umberto IV," 
the list goes on for pages, November gives 
way to winter, the sea pounds this alien shore. 
Italian miners from Piemonte dig 
under towns in western Pennsylvania 
only to rediscover the same nightmare 
they left at home. A nine-year-old girl travels 
all night by train with one suitcase and an orange. 
She learns that mercy is something you can eat 
again and again while the juice spills over 
your chin, you can wipe it away with the back 
of your hands and you can never get enough.
Written by Czeslaw Milosz | Create an image from this poem

Account

 The history of my stupidity would fill many volumes.

Some would be devoted to acting against consciousness,
Like the flight of a moth which, had it known,
Would have tended nevertheless toward the candle's flame.

Others would deal with ways to silence anxiety,
The little whisper which, thought it is a warning, is ignored.

I would deal separately with satisfaction and pride,
The time when I was among their adherents
Who strut victoriously, unsuspecting.

But all of them would have one subject, desire,
If only my own -- but no, not at all; alas,
I was driven because I wanted to be like others.
I was afraid of what was wild and indecent in me.

The history of my stupidity will not be written.
For one thing, it's late. And the truth is laborious.


Berkeley, 1980.

Book: Radiant Verses: A Journey Through Inspiring Poetry