Written by
Billy Collins |
Today I pass the time reading
a favorite haiku,
saying the few words over and over.
It feels like eating
the same small, perfect grape
again and again.
I walk through the house reciting it
and leave its letters falling
through the air of every room.
I stand by the big silence of the piano and say it.
I say it in front of a painting of the sea.
I tap out its rhythm on an empty shelf.
I listen to myself saying it,
then I say it without listening,
then I hear it without saying it.
And when the dog looks up at me,
I kneel down on the floor
and whisper it into each of his long white ears.
It's the one about the one-ton temple bell
with the moth sleeping on its surface,
and every time I say it, I feel the excruciating
pressure of the moth
on the surface of the iron bell.
When I say it at the window,
the bell is the world
and I am the moth resting there.
When I say it at the mirror,
I am the heavy bell
and the moth is life with its papery wings.
And later, when I say it to you in the dark,
you are the bell,
and I am the tongue of the bell, ringing you,
and the moth has flown
from its line
and moves like a hinge in the air above our bed.
|
Written by
Sylvia Plath |
for Susan O'Neill Roe
What a thrill ----
My thumb instead of an onion.
The top quite gone
Except for a sort of hinge
Of skin,
A flap like a hat,
Dead white.
Then that red plush.
Little pilgrim,
The Indian's axed your scalp.
Your turkey wattle
Carpet rolls
Straight from the heart.
I step on it,
Clutching my bottle
Of pink fizz.
A celebration, this is.
Out of a gap
A million soldiers run,
Redcoats, every one.
Whose side are they one?
O my
Homunculus, I am ill.
I have taken a pill to kill
The thin
Papery feeling.
Saboteur,
Kamikaze man ----
The stain on your
Gauze Ku Klux Klan
Babushka
Darkens and tarnishes and when
The balled
Pulp of your heart
Confronts its small
Mill of silence
How you jump ----
Trepanned veteran,
Dirty girl,
Thumb stump.
|
Written by
G K Chesterton |
Under what withering leprous light
The very grass as hair is grey,
Grass in the cracks of the paven courts
Of gods we graved but yesterday.
Senate, republic, empire, all
We leaned our backs on like a wall
And blessed as stron as strong and blamed as stolid--
Can it be these that waver and fall?
And what is this like a ghost returning,
A dream grown strong in the strong daylight?
The all-forsaken, the unforgotten,
The ever-behind and out of sight.
We turned our backs and our blind flesh felt it
Growing and growing, a tower in height.
Ah, not alone the evil splendour
And not the insolent arms alone
Break with the ramrod, stiff and brittle,
The sceptre of the nordic throne;
But things of manlier renown
Reel in the wreck of throne and crown,
With tyrannous tyranny, tyrannous loyalty
Tyrannous liberty, all gone down.
(There is never a crack in the ivory tower
Or a hinge to groan in the house of gold
Or a leaf of the rose in the wind to wither
And she grows young as the world grows old.
A Woman clothed with the sun returning
to clothe the sun when the sun is cold.
)
Ah, who had guessed that in a moment
Great Liberty that loosed the tribes,
the Republic of the young men's battles
Grew stale and stank of old men's bribes;
And where we watched her smile in power
A statue like a starry tower
the stone face sneers as in a nightmare
Down on a world that worms devour.
(Archaic incredible dead dawns breaking
Deep in the deserts and waste and wealds,
Where the dead cry aloud on Our Lady of Victories,
Queen of the Eagles, aloft on the shields,
And the sun is gone up on the Thundering Legion
On the roads of Rome to the Battlefields.
)
Ah, who had known who had not seen
How soft and sudden on the fame
Of my most noble English ships
The sunset light of Carthage came
And the thing I never had dreamed could be
In the house of my fathers came to me
Through the sea-wall cloven, the cloud and dark,
A voice divided, a doubtful sea.
(The light is bright on the Tower of David,
The evening glows with the morning star
In the skies turned back and the days returning
She walks so near who had wandered far
And in the heart of the swords, the seven times wounded,
Was never wearied as our hearts are.
)
How swift as with a fall of snow
New things grow hoary with the light.
We watch the wrinkles crawl like snakes
On the new image in our sight.
The lines that sprang up taut and bold
Sag like primordial monsters old,
Sink in the bas-reliers of fossil
And the slow earth swallows them, fold on fold,
But light are the feet on the hills of the morning
Of the lambs that leap up to the Bride of the Sun,
And swift are the birds as the butterflies flashing
And sudden as laughter the rivulets run
And sudden for ever as summer lightning
the light is bright on the world begun.
Thou wilt not break as we have broken
The towers we reared to rival Thee.
More true to England than the English
More just to freedom than the free.
O trumpet of the intolerant truth
Thou art more full of grace and ruth
For the hopes of th world than the world that made them,
The world that murdered the loves of our youth.
Thou art more kind to our dreams, Our Mother,
Than the wise that wove us the dreams for shade.
God if more good to the gods that mocked Him
Than men are good to the gods they made.
Tenderer with toys than a boy grown brutal,
Breaking the puppets with which he played.
What are the flowers the garden guards not
And how but here should dreams return?
And how on hearths made cold with ruin
the wide wind-scattered ashes burn--
What is the home of the heart set free,
And where is the nesting of liberty,
And where from the world shall the world take shelter
And man be matter, and not with Thee?
Wisdom is set in her throne of thunder,
The Mirror of Justice blinds the day--
Where are the towers that are not of the City,
Trophies and trumpetings, where are they?
Where over the maze of the world returning
The bye-ways bend to the King's highway.
|
Written by
Stanley Kunitz |
An agitation of the air,
A perturbation of the light
Admonished me the unloved year
Would turn on its hinge that night.
I stood in the disenchanted field
Amid the stubble and the stones
Amaded, while a small worm lisped to me
The song of my marrow-bones.
Blue poured into summer blue,
A hawk broke from his cloudless tower,
The roof of the silo blazed, and I knew
That part of my life was forever over.
Already the iron door of the North
Clangs open: birds,leaves,snows
Order their populations forth,
And a cruel wind blows.
|
Written by
Rudyard Kipling |
There was a strife 'twixt man and maid--
Oh, that was at the birth of time!
But what befell 'twixt man and maid,
Oh, that's beyond the grip of rhyme.
'Twas "Sweet, I must not bide with you,"
And, "Love, I cannot bide alone";
For both were young and both were true.
And both were hard as the nether stone.
Beware the man who's crossed in love;
For pent-up steam must find its vent.
Stand back when he is on the move,
And lend him all the Continent.
Your patience, Sirs.
The Devil took me up
To the burned mountain over Sicily
(Fit place for me) and thence I saw my Earth--
(Not all Earth's splendour, 'twas beyond my need--)
And that one spot I love--all Earth to me,
And her I love, my Heaven.
What said I?
My love was safe from all the powers of Hell-
For you--e'en you--acquit her of my guilt--
But Sula, nestling by our sail--specked sea,
My city, child of mine, my heart, my home--
Mine and my pride--evil might visit there!
It was for Sula and her naked port,
Prey to the galleys of the Algerine,
Our city Sula, that I drove my price--
For love of Sula and for love of her.
The twain were woven--gold on sackcloth--twined
Past any sundering till God shall judge
The evil and the good.
Now it is not good for the Christian's health to hustle the Aryan
brown,
For the Christian riles, and the Aryan smiles and he weareth the
Christian down;
And the end of the fight is a tombstone white with the name of
the late deceased,
And the epitaph drear: "A Fool lies here who tried to hustle the
East.
"
There is pleasure in the wet, wet clay
When the artist's hand is potting it.
There is pleasure in the wet, wet lay --
When the poet's pad is blotting it.
There is pleasure in the shine of your picture on the line
At the Royal Acade-my;
But the pleasure felt in these is as chalk to Cheddar cheese
When it comes to a well-made Lie--
To a quite unwreckable Lie,
To a most impeccable Lie!
To a water-right, fire-proof, angle-iron, sunk-hinge, time-lock,
steel-faced Lie!
Not a private handsome Lie,
But a pair-and-brougham Lie,
Not a little-place-at-Tooting, but a country-house-with-shooting
And a ring-fence-deer-park Lie.
When a lover hies abroad
Looking for his love,
Azrael smiling sheathes his sword,
Heaven smiles above.
Earth and sea
His servants be,
And to lesser compass round,
That his love be sooner found!
We meet in an evil land
That is near to the gates of Hell.
I wait for thy command
To serve, to speed or withstand.
And thou sayest I do not well?
Oh Love, the flowers so red
Are only tongues of flame,
The earth is full of the dead,
The new-killed, restless dead.
There is danger beneath and o'erhead,
And I guard thy gates in fear
Of words thou canst not hear,
Of peril and jeopardy,
Of signs thou canst not see--
.
And thou sayest 'tis ill that I came?
This I saw when the rites were done,
And the lamps were dead and the Gods alone,
And the grey snake coiled on the altar stone--
Ere I fled from a Fear that I could not see,
And the Gods of the East made mouths at me.
Beat off in our last fight were we?
The greater need to seek the sea.
For Fortune changeth as the moon
To caravel and picaroon.
Then Eastward Ho! or Westward Ho!
Whichever wind may meetest blow.
Our quarry sails on either sea,
Fat prey for such bold lads as we,
And every sun-dried buccaneer
Must hand and reef and watch and steer,
And bear great wrath of sea and sky
Before the plate-ships wallow by.
Now, as our tall bows take the foam,
Let no man turn his heart to home,
Save to desire plunder more
And larger warehouse for his store,
When treasure won from Santos Bay
Shall make our sea-washed village gay.
Because I sought it far from men,
In deserts and alone,
I found it burning overhead,
The jewel of a Throne.
Because I sought--I sought it so
And spent my days to find--
It blazed one moment ere it left
The blacker night behind.
We be the Gods of the East--
Older than all--
Masters of Mourning and Feast--
How shall we fall?
Will they gape for the husks that ye proffer
Or yearn to your song
And we--have we nothing to offer
Who ruled them so long--
In the fume of incense, the clash of the cymbals, the blare of
the conch and the gong?
Over the strife of the schools
Low the day burns--
Back with the kine from the pools
Each one returns
To the life that he knows where the altar-flame glows and the
tulsi is trimmed in the urns.
|
Written by
Emily Dickinson |
The Missing All -- prevented Me
From missing minor Things.
If nothing larger than a World's
Departure from a Hinge --
Or Sun's extinction, be observed --
'Twas not so large that I
Could lift my Forehead from my work
For Curiosity.
|
Written by
Dylan Thomas |
When once the twilight locks no longer
Locked in the long worm of my finger
Nor damned the sea that sped about my fist,
The mouth of time sucked, like a sponge,
The milky acid on each hinge,
And swallowed dry the waters of the breast.
When the galactic sea was sucked
And all the dry seabed unlocked,
I sent my creature scouting on the globe,
That globe itself of hair and bone
That, sewn to me by nerve and brain,
Had stringed my flask of matter to his rib.
My fuses are timed to charge his heart,
He blew like powder to the light
And held a little sabbath with the sun,
But when the stars, assuming shape,
Drew in his eyes the straws of sleep
He drowned his father's magics in a dream.
All issue armoured, of the grave,
The redhaired cancer still alive,
The cataracted eyes that filmed their cloth;
Some dead undid their bushy jaws,
And bags of blood let out their flies;
He had by heart the Christ-cross-row of death.
Sleep navigates the tides of time;
The dry Sargasso of the tomb
Gives up its dead to such a working sea;
And sleep rolls mute above the beds
Where fishes' food is fed the shades
Who periscope through flowers to the sky.
When once the twilight screws were turned,
And mother milk was stiff as sand,
I sent my own ambassador to light;
By trick or chance he fell asleep
And conjured up a carcass shape
To rob me of my fluids in his heart.
Awake, my sleeper, to the sun,
A worker in the morning town,
And leave the poppied pickthank where he lies;
The fences of the light are down,
All but the briskest riders thrown
And worlds hang on the trees.
|
Written by
Russell Edson |
They have little use.
They are best as objects of torment.
No government cares what you do with them.
Like birds, and yet so human .
.
.
They mate by briefly looking at the other.
Their eggs are like white jellybeans.
Sometimes they have been said to inspire a man
to do more with his life than he might have.
But what is there for a man to do with his life?
.
.
.
They burn beautifully with a blue flame.
When they cry out it is like the screech of a tiny hinge;
the cry of a bat.
No one hears it .
.
.
|
Written by
Joseph Brodsky |
A list of some observation.
In a corner it's warm.
A glance leaves an imprint on anything it's dwelt on.
Water is glass's most public form.
Man is more frightening than its skeleton.
A nowhere winter evening with wine.
A black
porch resists an osier's stiff assaults.
Fixed on an elbow the body bulks
like a glacier's debris a moraine of sorts.
A millennium hence they'll no doubt expose
a fossil bivalve propped behind this gauze
cloth with the print of lips under the print of fringe
mumbling "Good night" to a window hinge.
|
Written by
James Whitcomb Riley |
THEY all climbed up on a high board-fence---
Nine little Goblins, with green-glass eyes---
Nine little Goblins that had no sense,
And couldn't tell coppers from cold mince pies;
And they all climbed up on the fence, and sat---
And I asked them what they were staring at.
And the first one said, as he scratched his head
With a ***** little arm that reached out of his ear
And rasped its claws in his hair so red---
"This is what this little arm is fer!"
And he scratched and stared, and the next one said,
"How on earth do you scratch your head ?"
Nine Little Gobblins
And he laughed like the screech of a rusty hinge---
Laughed and laughed till his face grew black;
And when he clicked, with a final twinge
Of his stifling laughter, he thumped his back
With a fist that grew on the end of his tail
Till the breath came back to his lips so pale.
And the third little Goblin leered round at me---
And there were no lids on his eyes at all---
And he clucked one eye, and he says, says he,
"What is the style of your socks this fall ?"
And he clapped his heels---and I sighed to see
That he had hands where his feet should be.
Then a bald-faced Goblin, gray and grim,
Bowed his head, and I saw him slip
His eyebrows off, as I looked at him,
And paste them over his upper lip;
And then he moaned in remorseful pain---
"Would---Ah, would I'd me brows again!"
And then the whole of the Goblin band
Rocked on the fence-top to and fro,
And clung, in a long row, hand in hand,
Singing the songs that they used to know---
Singing the songs that their grandsires sung
In the goo-goo days of the Goblin-tongue.
And ever they kept their green-glass eyes
Fixed on me with a stony stare---
Till my own grew glazed with a dread surmise,
And my hat whooped up on my lifted hair,
And I felt the heart in my breast snap to
As you've heard the lid of a snuff-box do.
And they sang "You're asleep! There is no board-fence,
And never a Goblin with green-glass eyes!---
"Tis only a vision the mind invents
After a supper of cold mince-pies,---
And you're doomed to dream this way," they said,---
"And you sha'n't wake up till you're clean plum dead!"
|