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Best Famous Handing Poems

Here is a collection of the all-time best famous Handing poems. This is a select list of the best famous Handing poetry. Reading, writing, and enjoying famous Handing poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of handing poems.

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Written by Erin Belieu | Create an image from this poem

For Catherine: Juana Infanta of Navarre

 Ferdinand was systematic when
he drove his daughter mad.
With a Casanova's careful art, he moved slowly, stole only one child at a time through tunnels specially dug behind the walls of her royal chamber, then paid the Duenna well to remember nothing but his appreciation.
Imagine how quietly the servants must have worked, loosening the dirt, the muffled ring of pick-ends against the castle stone.
The Duenna, one eye gauging the drugged girl's sleep, each night handing over another light parcel, another small body vanished through the mouth of a hole.
Once you were a daughter, too, then a wife and now the mother of a baby with a Spanish name.
Paloma, you call her, little dove; she sleeps in a room beyond you.
Your husband, too, works late, drinks too much at night, comes home lit, wanting sex and dinner.
You feign sleep, shrunk in the corner of the queen-sized bed.
You've confessed, you can't feel things when they touch you; take Prozac for depression, Ativan for the buzz.
Drunk, you call your father who doesn't want to claim a ha!fsand-niggergrandkid.
He says he never loved your mother.
No one remembers Juana; almost everything's forgotten in time, and if I tell her story, it's only when guessing what she loved, what she dreamed about, the lost details of a life that barely survives history.
God and Latin, I suppose, what she loved.
And dreams of mice pouring out from a hole.
The Duenna, in spite of her black, widow's veil, leaning to kiss her, saying Juana, don't listen.
.
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Written by Marianne Moore | Create an image from this poem

Baseball and Writing

 Fanaticism?No.
Writing is exciting and baseball is like writing.
You can never tell with either how it will go or what you will do; generating excitement-- a fever in the victim-- pitcher, catcher, fielder, batter.
Victim in what category? Owlman watching from the press box? To whom does it apply? Who is excited?Might it be I? It's a pitcher's battle all the way--a duel-- a catcher's, as, with cruel puma paw, Elston Howard lumbers lightly back to plate.
(His spring de-winged a bat swing.
) They have that killer instinct; yet Elston--whose catching arm has hurt them all with the bat-- when questioned, says, unenviously, "I'm very satisfied.
We won.
" Shorn of the batting crown, says, "We"; robbed by a technicality.
When three players on a side play three positions and modify conditions, the massive run need not be everything.
"Going, going .
.
.
"Is it?Roger Maris has it, running fast.
You will never see a finer catch.
Well .
.
.
"Mickey, leaping like the devil"--why gild it, although deer sounds better-- snares what was speeding towards its treetop nest, one-handing the souvenir-to-be meant to be caught by you or me.
Assign Yogi Berra to Cape Canaveral; he could handle any missile.
He is no feather.
"Strike! .
.
.
Strike two!" Fouled back.
A blur.
It's gone.
You would infer that the bat had eyes.
He put the wood to that one.
Praised, Skowron says, "Thanks, Mel.
I think I helped a little bit.
" All business, each, and modesty.
Blanchard, Richardson, Kubek, Boyer.
In that galaxy of nine, say which won the pennant?Each.
It was he.
Those two magnificent saves from the knee-throws by Boyer, finesses in twos-- like Whitey's three kinds of pitch and pre- diagnosis with pick-off psychosis.
Pitching is a large subject.
Your arm, too true at first, can learn to catch your corners--even trouble Mickey Mantle.
("Grazed a Yankee! My baby pitcher, Montejo!" With some pedagogy, you'll be tough, premature prodigy.
) They crowd him and curve him and aim for the knees.
Trying indeed!The secret implying: "I can stand here, bat held steady.
" One may suit him; none has hit him.
Imponderables smite him.
Muscle kinks, infections, spike wounds require food, rest, respite from ruffians.
(Drat it! Celebrity costs privacy!) Cow's milk, "tiger's milk," soy milk, carrot juice, brewer's yeast (high-potency-- concentrates presage victory sped by Luis Arroyo, Hector Lopez-- deadly in a pinch.
And "Yes, it's work; I want you to bear down, but enjoy it while you're doing it.
" Mr.
Houk and Mr.
Sain, if you have a rummage sale, don't sell Roland Sheldon or Tom Tresh.
Studded with stars in belt and crown, the Stadium is an adastrium.
O flashing Orion, your stars are muscled like the lion.
Written by John Wilmot | Create an image from this poem

A Satyre on Charles II

 [Rochester had to flee the court for several months
after handing this to the King by mistake.
] In th' isle of Britain, long since famous grown For breeding the best cunts in Christendom, There reigns, and oh! long may he reign and thrive, The easiest King and best bred man alive.
Him no ambition moves to get reknown Like the French fool, that wanders up and down Starving his people, hazarding his crown.
Peace is his aim, his gentleness is such, And love he loves, for he loves fucking much.
Nor are his high desires above his strength: His scepter and his prick are of a length; And she may sway the one who plays with th' other, And make him little wiser than his brother.
Poor Prince! thy prick, like thy buffoons at court, Will govern thee because it makes thee sport.
'Tis sure the sauciest prick that e'er did swive, The proudest, peremptoriest prick alive.
Though safety, law, religion, life lay on 't, 'Twould break through all to make its way to ****.
Restless he rolls about from whore to whore, A merry monarch, scandalous and poor.
To Carwell, the most dear of all his dears, The best relief of his declining years, Oft he bewails his fortune, and her fate: To love so well, and be beloved so late.
Yet his dull, graceless bollocks hang an ****.
This you'd believe, had I but time to tell ye The pains it costs to poor, laborious Nelly, Whilst she employs hands, fingers, mouth, and thighs, Ere she can raise the member she enjoys.
All monarchs I hate, and the thrones they sit on, From the hector of France to the cully of Britain.
Written by Carl Sandburg | Create an image from this poem

To a Contemporary Bunkshooter

 YOU come along.
.
.
tearing your shirt.
.
.
yelling about Jesus.
Where do you get that stuff? What do you know about Jesus? Jesus had a way of talking soft and outside of a few bankers and higher-ups among the con men of Jerusalem everybody liked to have this Jesus around because he never made any fake passes and everything he said went and he helped the sick and gave the people hope.
You come along squirting words at us, shaking your fist and calling us all damn fools so fierce the froth slobbers over your lips.
.
.
always blabbing we're all going to hell straight off and you know all about it.
I've read Jesus' words.
I know what he said.
You don't throw any scare into me.
I've got your number.
I know how much you know about Jesus.
He never came near clean people or dirty people but they felt cleaner because he came along.
It was your crowd of bankers and business men and lawyers hired the sluggers and murderers who put Jesus out of the running.
I say the same bunch backing you nailed the nails into the hands of this Jesus of Nazareth.
He had lined up against him the same crooks and strong-arm men now lined up with you paying your way.
This Jesus was good to look at, smelled good, listened good.
He threw out something fresh and beautiful from the skin of his body and the touch of his hands wherever he passed along.
You slimy bunkshooter, you put a smut on every human blossom in reach of your rotten breath belching about hell-fire and hiccupping about this Man who lived a clean life in Galilee.
When are you going to quit making the carpenters build emergency hospitals for women and girls driven crazy with wrecked nerves from your gibberish about Jesus--I put it to you again: Where do you get that stuff; what do you know about Jesus? Go ahead and bust all the chairs you want to.
Smash a whole wagon load of furniture at every performance.
Turn sixty somersaults and stand on your nutty head.
If it wasn't for the way you scare the women and kids I'd feel sorry for you and pass the hat.
I like to watch a good four-flusher work, but not when he starts people puking and calling for the doctors.
I like a man that's got nerve and can pull off a great original performance, but you--you're only a bug- house peddler of second-hand gospel--you're only shoving out a phoney imitation of the goods this Jesus wanted free as air and sunlight.
You tell people living in shanties Jesus is going to fix it up all right with them by giving them mansions in the skies after they're dead and the worms have eaten 'em.
You tell $6 a week department store girls all they need is Jesus; you take a steel trust wop, dead without having lived, gray and shrunken at forty years of age, and you tell him to look at Jesus on the cross and he'll be all right.
You tell poor people they don't need any more money on pay day and even if it's fierce to be out of a job, Jesus'll fix that up all right, all right--all they gotta do is take Jesus the way you say.
I'm telling you Jesus wouldn't stand for the stuff you're handing out.
Jesus played it different.
The bankers and lawyers of Jerusalem got their sluggers and murderers to go after Jesus just because Jesus wouldn't play their game.
He didn't sit in with the big thieves.
I don't want a lot of gab from a bunkshooter in my religion.
I won't take my religion from any man who never works except with his mouth and never cherishes any memory except the face of the woman on the American silver dollar.
I ask you to come through and show me where you're pouring out the blood of your life.
I've been to this suburb of Jerusalem they call Golgotha, where they nailed Him, and I know if the story is straight it was real blood ran from His hands and the nail-holes, and it was real blood spurted in red drops where the spear of the Roman soldier rammed in between the ribs of this Jesus of Nazareth.
Written by Carl Sandburg | Create an image from this poem

Put Off the Wedding Five Times and Nobody Comes to It

 (Handbook for Quarreling Lovers)I THOUGHT of offering you apothegms.
I might have said, “Dogs bark and the wind carries it away.
” I might have said, “He who would make a door of gold must knock a nail in every day.
” So easy, so easy it would have been to inaugurate a high impetuous moment for you to look on before the final farewells were spoken.
You who assumed the farewells in the manner of people buying newspapers and reading the headlines—and all peddlers of gossip who buttonhole each other and wag their heads saying, “Yes, I heard all about it last Wednesday.
” I considered several apothegms.
“There is no love but service,” of course, would only initiate a quarrel over who has served and how and when.
“Love stands against fire and flood and much bitterness,” would only initiate a second misunderstanding, and bickerings with lapses of silence.
What is there in the Bible to cover our case, or Shakespere? What poetry can help? Is there any left but Epictetus? Since you have already chosen to interpret silence for language and silence for despair and silence for contempt and silence for all things but love, Since you have already chosen to read ashes where God knows there was something else than ashes, Since silence and ashes are two identical findings for your eyes and there are no apothegms worth handing out like a hung jury’s verdict for a record in our own hearts as well as the community at large, I can only remember a Russian peasant who told me his grandfather warned him: If you ride too good a horse you will not take the straight road to town.
It will always come back to me in the blur of that hokku: The heart of a woman of thirty is like the red ball of the sun seen through a mist.
Or I will remember the witchery in the eyes of a girl at a barn dance one winter night in Illinois saying: Put off the wedding five times and nobody comes to it.


Written by D. H. Lawrence | Create an image from this poem

We are Transmitters

 As we live, we are transmitters of life.
And when we fail to transmit life, life fails to flow through us.
That is part of the mystery of sex, it is a flow onwards.
Sexless people transmit nothing.
And if, as we work, we can transmit life into our work, life, still more life, rushes into us to compensate, to be ready and we ripple with life through the days.
Even if it is a woman making an apple dumpling, or a man a stool, if life goes into the pudding, good is the pudding good is the stool, content is the woman, with fresh life rippling in to her, content is the man.
Give, and it shall be given unto you is still the truth about life.
But giving life is not so easy.
It doesn't mean handing it out to some mean fool, or letting the living dead eat you up.
It means kindling the life-quality where it was not, even if it's only in the whiteness of a washed pocket-handkerchief.
Written by Erin Belieu | Create an image from this poem

From On Being Fired Again

 I've known the pleasures of being
fired at least eleven times—

most notably by Larry who found my snood
unsuitable, another time by Jack,
whom I was sleeping with.
Poor attitude, tardiness, a contagious lack of team spirit; I have been unmotivated squirting perfume onto little cards, while stocking salad bars, when stripping covers from romance novels, their heroines slaving on the chain gang of obsessive love— and always the same hard candy of shame dissolving in my throat; handing in my apron, returning the cash- register key.
And yet, how fine it feels, the perversity of freedom which never signs a rent check or explains anything to one's family.
.
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Written by Edward Lear | Create an image from this poem

There was an Old Person of Cadiz

There was an Old Person of Cadiz,
Who was always polite to all ladies;
But in handing his daughter, he fell into the water,
Which drowned that Old Person of Cadiz.

Book: Shattered Sighs