10 Best Famous Hall Poems

Here is a collection of the top 10 all-time best famous Hall poems. This is a select list of the best famous Hall poetry. Reading, writing, and enjoying famous Hall poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of hall poems.

• All Famous Hall Poems

 I

Our life is twofold; Sleep hath its own world,
A boundary between the things misnamed
Death and existence: Sleep hath its own world,
And a wide realm of wild reality,
And dreams in their development have breath,
And tears, and tortures, and the touch of joy;
They leave a weight upon our waking thoughts,
They take a weight from off waking toils,
They do divide our being; they become
A portion of ourselves as of our time,
And look like heralds of eternity;
They pass like spirits of the past—they speak
Like sibyls of the future; they have power— 
The tyranny of pleasure and of pain;
They make us what we were not—what they will,
And shake us with the vision that's gone by,
The dread of vanished shadows—Are they so?
Is not the past all shadow?—What are they?
Creations of the mind?—The mind can make
Substances, and people planets of its own
With beings brighter than have been, and give
A breath to forms which can outlive all flesh.
I would recall a vision which I dreamed
Perchance in sleep—for in itself a thought,
A slumbering thought, is capable of years,
And curdles a long life into one hour.

II

I saw two beings in the hues of youth
Standing upon a hill, a gentle hill,
Green and of mild declivity, the last
As 'twere the cape of a long ridge of such,
Save that there was no sea to lave its base,
But a most living landscape, and the wave
Of woods and corn-fields, and the abodes of men
Scattered at intervals, and wreathing smoke
Arising from such rustic roofs: the hill
Was crowned with a peculiar diadem
Of trees, in circular array, so fixed,
Not by the sport of nature, but of man:
These two, a maiden and a youth, were there
Gazing—the one on all that was beneath
Fair as herself—but the boy gazed on her;
And both were young, and one was beautiful:
And both were young—yet not alike in youth.
As the sweet moon on the horizon's verge,
The maid was on the eve of womanhood;
The boy had fewer summers, but his heart
Had far outgrown his years, and to his eye
There was but one beloved face on earth,
And that was shining on him; he had looked
Upon it till it could not pass away;
He had no breath, no being, but in hers:
She was his voice; he did not speak to her,
But trembled on her words; she was his sight,
For his eye followed hers, and saw with hers,
Which coloured all his objects;—he had ceased
To live within himself: she was his life,
The ocean to the river of his thoughts,
Which terminated all; upon a tone,
A touch of hers, his blood would ebb and flow,
And his cheek change tempestuously—his heart
Unknowing of its cause of agony.
But she in these fond feelings had no share:
Her sighs were not for him; to her he was
Even as a brother—but no more; 'twas much,
For brotherless she was, save in the name
Her infant friendship had bestowed on him;
Herself the solitary scion left
Of a time-honoured race.—It was a name
Which pleased him, and yet pleased him not—and why?
Time taught him a deep answer—when she loved
Another; even now she loved another,
And on the summit of that hill she stood
Looking afar if yet her lover's steed
Kept pace with her expectancy, and flew.

III

A change came o'er the spirit of my dream.
There was an ancient mansion, and before
Its walls there was a steed caparisoned:
Within an antique Oratory stood
The Boy of whom I spake;—he was alone,
And pale, and pacing to and fro: anon
He sate him down, and seized a pen, and traced
Words which I could not guess of; then he leaned
His bowed head on his hands and shook, as 'twere
With a convulsion—then rose again,
And with his teeth and quivering hands did tear
What he had written, but he shed no tears.
And he did calm himself, and fix his brow
Into a kind of quiet: as he paused,
The Lady of his love re-entered there;
She was serene and smiling then, and yet
She knew she was by him beloved; she knew— 
For quickly comes such knowledge—that his heart
Was darkened with her shadow, and she saw
That he was wretched, but she saw not all.
He rose, and with a cold and gentle grasp
He took her hand; a moment o'er his face
A tablet of unutterable thoughts
Was traced, and then it faded, as it came;
He dropped the hand he held, and with slow steps
Retired, but not as bidding her adieu,
For they did part with mutual smiles; he passed
From out the massy gate of that old Hall,
And mounting on his steed he went his way;
And ne'er repassed that hoary threshold more.

IV

A change came o'er the spirit of my dream.
The Boy was sprung to manhood: in the wilds
Of fiery climes he made himself a home,
And his Soul drank their sunbeams; he was girt
With strange and dusky aspects; he was not
Himself like what he had been; on the sea
And on the shore he was a wanderer;
There was a mass of many images
Crowded like waves upon me, but he was
A part of all; and in the last he lay
Reposing from the noontide sultriness,
Couched among fallen columns, in the shade
Of ruined walls that had survived the names
Of those who reared them; by his sleeping side
Stood camels grazing, and some goodly steeds
Were fastened near a fountain; and a man,
Glad in a flowing garb, did watch the while,
While many of his tribe slumbered around:
And they were canopied by the blue sky,
So cloudless, clear, and purely beautiful,
That God alone was to be seen in heaven.

V

A change came o'er the spirit of my dream.
The Lady of his love was wed with One
Who did not love her better: in her home,
A thousand leagues from his,—her native home,
She dwelt, begirt with growing Infancy,
Daughters and sons of Beauty,—but behold!
Upon her face there was a tint of grief,
The settled shadow of an inward strife,
And an unquiet drooping of the eye,
As if its lid were charged with unshed tears.
What could her grief be?—she had all she loved,
And he who had so loved her was not there
To trouble with bad hopes, or evil wish,
Or ill-repressed affliction, her pure thoughts.
What could her grief be?—she had loved him not,
Nor given him cause to deem himself beloved,
Nor could he be a part of that which preyed
Upon her mind—a spectre of the past.

VI

A change came o'er the spirit of my dream.
The Wanderer was returned.—I saw him stand
Before an altar—with a gentle bride;
Her face was fair, but was not that which made
The Starlight of his Boyhood;—as he stood
Even at the altar, o'er his brow there came
The selfsame aspect and the quivering shock
That in the antique Oratory shook
His bosom in its solitude; and then— 
As in that hour—a moment o'er his face
The tablet of unutterable thoughts
Was traced—and then it faded as it came,
And he stood calm and quiet, and he spoke
The fitting vows, but heard not his own words,
And all things reeled around him; he could see
Not that which was, nor that which should have been— 
But the old mansion, and the accustomed hall,
And the remembered chambers, and the place,
The day, the hour, the sunshine, and the shade,
All things pertaining to that place and hour,
And her who was his destiny, came back
And thrust themselves between him and the light;
What business had they there at such a time?

VII

A change came o'er the spirit of my dream.
The Lady of his love;—Oh! she was changed,
As by the sickness of the soul; her mind
Had wandered from its dwelling, and her eyes,
They had not their own lustre, but the look
Which is not of the earth; she was become
The queen of a fantastic realm; her thoughts
Were combinations of disjointed things;
And forms impalpable and unperceived
Of others' sight familiar were to hers.
And this the world calls frenzy; but the wise
Have a far deeper madness, and the glance
Of melancholy is a fearful gift;
What is it but the telescope of truth?
Which strips the distance of its fantasies,
And brings life near in utter nakedness,
Making the cold reality too real!

VIII

A change came o'er the spirit of my dream.
The Wanderer was alone as heretofore,
The beings which surrounded him were gone,
Or were at war with him; he was a mark
For blight and desolation, compassed round
With Hatred and Contention; Pain was mixed
In all which was served up to him, until,
Like to the Pontic monarch of old days,
He fed on poisons, and they had no power,
But were a kind of nutriment; he lived
Through that which had been death to many men,
And made him friends of mountains; with the stars
And the quick Spirit of the Universe
He held his dialogues: and they did teach
To him the magic of their mysteries;
To him the book of Night was opened wide,
And voices from the deep abyss revealed
A marvel and a secret.—Be it so.

IX

My dream is past; it had no further change.
It was of a strange order, that the doom
Of these two creatures should be thus traced out
Almost like a reality—the one
To end in madness—both in misery.

 Aye, but she?
Your other sister and my other soul
Grave Silence, lovelier
Than the three loveliest maidens, what of her?
Clio, not you,
Not you, Calliope,
Nor all your wanton line,
Not Beauty's perfect self shall comfort me
For Silence once departed,
For her the cool-tongued, her the tranquil-hearted,
Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore, I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar,
I come from temples where her altars are,
From groves that bear her name,
Noisy with stricken victims now and sacrificial flame,
And cymbals struck on high and strident faces
Obstreperous in her praise
They neither love nor know,
A goddess of gone days,
Departed long ago,
Abandoning the invaded shrines and fanes
Of her old sanctuary,
A deity obscure and legendary,
Of whom there now remains,
For sages to decipher and priests to garble,
Only and for a little while her letters wedged in marble,
Which even now, behold, the friendly mumbling rain erases,
And the inarticulate snow,
Leaving at last of her least signs and traces
None whatsoever, nor whither she is vanished from these places.
"She will love well," I said,
"If love be of that heart inhabiter,
The flowers of the dead;
The red anemone that with no sound
Moves in the wind, and from another wound
That sprang, the heavily-sweet blue hyacinth,
That blossoms underground,
And sallow poppies, will be dear to her.
And will not Silence know
In the black shade of what obsidian steep
Stiffens the white narcissus numb with sleep?
(Seed which Demeter's daughter bore from home,
Uptorn by desperate fingers long ago,
Reluctant even as she,
Undone Persephone,
And even as she set out again to grow
In twilight, in perdition's lean and inauspicious loam).
She will love well," I said,
"The flowers of the dead;
Where dark Persephone the winter round,
Uncomforted for home, uncomforted,
Lacking a sunny southern slope in northern Sicily,
With sullen pupils focussed on a dream,
Stares on the stagnant stream
That moats the unequivocable battlements of Hell,
There, there will she be found,
She that is Beauty veiled from men and Music in a swound."

"I long for Silence as they long for breath
Whose helpless nostrils drink the bitter sea;
What thing can be
So stout, what so redoubtable, in Death
What fury, what considerable rage, if only she,
Upon whose icy breast,
Unquestioned, uncaressed,
One time I lay,
And whom always I lack,
Even to this day,
Being by no means from that frigid bosom weaned away,
If only she therewith be given me back?"
I sought her down that dolorous labyrinth,
Wherein no shaft of sunlight ever fell,
And in among the bloodless everywhere
I sought her, but the air,
Breathed many times and spent,
Was fretful with a whispering discontent,
And questioning me, importuning me to tell
Some slightest tidings of the light of day they know no more,
Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door,
And harked a moment, holding up my hand,—and for a space
A hush was on them, while they watched my face;
And then they fell a-whispering as before;
So that I smiled at them and left them, seeing she was not there.
I sought her, too,
Among the upper gods, although I knew
She was not like to be where feasting is,
Nor near to Heaven's lord,
Being a thing abhorred
And shunned of him, although a child of his,
(Not yours, not yours; to you she owes not breath,
Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place
And later learn, too late, how all the while,
With her still face,
She had been standing there and seen me pass, without a smile,
I sought her even to the sagging board whereat
The stout immortals sat;
But such a laughter shook the mighty hall
No one could hear me say:
Had she been seen upon the Hill that day?
And no one knew at all
How long I stood, or when at last I sighed and went away.

There is a garden lying in a lull
Between the mountains and the mountainous sea,
I know not where, but which a dream diurnal
Paints on my lids a moment till the hull
Be lifted from the kernel
And Slumber fed to me.
Your foot-print is not there, Mnemosene,
Though it would seem a ruined place and after
Your lichenous heart, being full
Of broken columns, caryatides
Thrown to the earth and fallen forward on their jointless knees,
And urns funereal altered into dust
Minuter than the ashes of the dead,
And Psyche's lamp out of the earth up-thrust,
Dripping itself in marble wax on what was once the bed
Of Love, and his young body asleep, but now is dust instead.


There twists the bitter-sweet, the white wisteria Fastens its fingers in the strangling wall,
And the wide crannies quicken with bright weeds;
There dumbly like a worm all day the still white orchid feeds;
But never an echo of your daughters' laughter
Is there, nor any sign of you at all
Swells fungous from the rotten bough, grey mother of Pieria!

Only her shadow once upon a stone
I saw,—and, lo, the shadow and the garden, too, were gone.

I tell you you have done her body an ill,
You chatterers, you noisy crew!
She is not anywhere!
I sought her in deep Hell;
And through the world as well;
I thought of Heaven and I sought her there;
Above nor under ground
Is Silence to be found,
That was the very warp and woof of you,
Lovely before your songs began and after they were through!
Oh, say if on this hill
Somewhere your sister's body lies in death,
So I may follow there, and make a wreath
Of my locked hands, that on her quiet breast
Shall lie till age has withered them!

 (Ah, sweetly from the rest
I see
Turn and consider me
Compassionate Euterpe!)
"There is a gate beyond the gate of Death,
Beyond the gate of everlasting Life,
Beyond the gates of Heaven and Hell," she saith,
"Whereon but to believe is horror!
Whereon to meditate engendereth
Even in deathless spirits such as I
A tumult in the breath,
A chilling of the inexhaustible blood
Even in my veins that never will be dry,
And in the austere, divine monotony
That is my being, the madness of an unaccustomed mood.

This is her province whom you lack and seek;
And seek her not elsewhere.
Hell is a thoroughfare
For pilgrims,—Herakles,
And he that loved Euridice too well,
Have walked therein; and many more than these;
And witnessed the desire and the despair
Of souls that passed reluctantly and sicken for the air;
You, too, have entered Hell,
And issued thence; but thence whereof I speak
None has returned;—for thither fury brings
Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there."

Oh, radiant Song! Oh, gracious Memory!
Be long upon this height
I shall not climb again!
I know the way you mean,—the little night,
And the long empty day,—never to see
Again the angry light,
Or hear the hungry noises cry my brain!
Ah, but she,
Your other sister and my other soul,
She shall again be mine;
And I shall drink her from a silver bowl,
A chilly thin green wine,
Not bitter to the taste,
Not sweet,
Not of your press, oh, restless, clamorous nine,—
To foam beneath the frantic hoofs of mirth—
But savoring faintly of the acid earth,
And trod by pensive feet
From perfect clusters ripened without haste
Out of the urgent heat
In some clear glimmering vaulted twilight under the odorous vine

. Lift up your lyres! Sing on!
But as for me, I seek your sister whither she is gone.

 I 

There was an ancient City, stricken down
With a strange frenzy, and for many a day
They paced from morn to eve the crowded town,
And danced the night away. 

I asked the cause: the aged man grew sad:
They pointed to a building gray and tall,
And hoarsely answered "Step inside, my lad,
And then you'll see it all." 


Yet what are all such gaieties to me
Whose thoughts are full of indices and surds? 

x*x + 7x + 53 = 11/3 

But something whispered "It will soon be done:
Bands cannot always play, nor ladies smile:
Endure with patience the distasteful fun
For just a little while!" 

A change came o'er my Vision - it was night:
We clove a pathway through a frantic throng:
The steeds, wild-plunging, filled us with affright:
The chariots whirled along. 

Within a marble hall a river ran -
A living tide, half muslin and half cloth:
And here one mourned a broken wreath or fan,
Yet swallowed down her wrath; 

And here one offered to a thirsty fair
(His words half-drowned amid those thunders tuneful)
Some frozen viand (there were many there),
A tooth-ache in each spoonful. 

There comes a happy pause, for human strength
Will not endure to dance without cessation;
And every one must reach the point at length
Of absolute prostration. 

At such a moment ladies learn to give,
To partners who would urge them over-much,
A flat and yet decided negative -
Photographers love such. 

There comes a welcome summons - hope revives,
And fading eyes grow bright, and pulses quicken:
Incessant pop the corks, and busy knives
Dispense the tongue and chicken. 

Flushed with new life, the crowd flows back again:
And all is tangled talk and mazy motion -
Much like a waving field of golden grain,
Or a tempestuous ocean. 

And thus they give the time, that Nature meant
For peaceful sleep and meditative snores,
To ceaseless din and mindless merriment
And waste of shoes and floors. 

And One (we name him not) that flies the flowers,
That dreads the dances, and that shuns the salads,
They doom to pass in solitude the hours,
Writing acrostic-ballads. 

How late it grows! The hour is surely past
That should have warned us with its double knock?
The twilight wanes, and morning comes at last -
"Oh, Uncle, what's o'clock?" 

The Uncle gravely nods, and wisely winks.
It MAY mean much, but how is one to know?
He opens his mouth - yet out of it, methinks,
No words of wisdom flow. 


II 

Empress of Art, for thee I twine
This wreath with all too slender skill.
Forgive my Muse each halting line,
And for the deed accept the will! 


O day of tears! Whence comes this spectre grim,
Parting, like Death's cold river, souls that love?
Is not he bound to thee, as thou to him,
By vows, unwhispered here, yet heard above? 

And still it lives, that keen and heavenward flame,
Lives in his eye, and trembles in his tone:
And these wild words of fury but proclaim
A heart that beats for thee, for thee alone! 

But all is lost: that mighty mind o'erthrown,
Like sweet bells jangled, piteous sight to see!
"Doubt that the stars are fire," so runs his moan,
"Doubt Truth herself, but not my love for thee!" 

A sadder vision yet: thine aged sire
Shaming his hoary locks with treacherous wile!
And dost thou now doubt Truth to be a liar?
And wilt thou die, that hast forgot to smile? 

Nay, get thee hence! Leave all thy winsome ways
And the faint fragrance of thy scattered flowers:
In holy silence wait the appointed days,
And weep away the leaden-footed hours. 


III. 

The air is bright with hues of light
And rich with laughter and with singing:
Young hearts beat high in ecstasy,
And banners wave, and bells are ringing:
But silence falls with fading day,
And there's an end to mirth and play.
Ah, well-a-day 

Rest your old bones, ye wrinkled crones!
The kettle sings, the firelight dances.
Deep be it quaffed, the magic draught
That fills the soul with golden fancies!
For Youth and Pleasance will not stay,
And ye are withered, worn, and gray.
Ah, well-a-day! 

O fair cold face! O form of grace,
For human passion madly yearning!
O weary air of dumb despair,
From marble won, to marble turning!
"Leave us not thus!" we fondly pray.
"We cannot let thee pass away!"
Ah, well-a-day! 


IV. 

My First is singular at best:
More plural is my Second:
My Third is far the pluralest -
So plural-plural, I protest
It scarcely can be reckoned! 

My First is followed by a bird:
My Second by believers
In magic art: my simple Third
Follows, too often, hopes absurd
And plausible deceivers. 

My First to get at wisdom tries -
A failure melancholy!
My Second men revered as wise:
My Third from heights of wisdom flies
To depths of frantic folly. 

My First is ageing day by day:
My Second's age is ended:
My Third enjoys an age, they say,
That never seems to fade away,
Through centuries extended. 

My Whole? I need a poet's pen
To paint her myriad phases:
The monarch, and the slave, of men -
A mountain-summit, and a den
Of dark and deadly mazes - 

A flashing light - a fleeting shade -
Beginning, end, and middle
Of all that human art hath made
Or wit devised! Go, seek HER aid,
If you would read my riddle!

 BUT two miles more, and then we rest ! 
Well, there is still an hour of day, 
And long the brightness of the West 
Will light us on our devious way; 
Sit then, awhile, here in this wood­ 
So total is the solitude, 
We safely may delay. 

These massive roots afford a seat, 
Which seems for weary travellers made. 
There rest. The air is soft and sweet 
In this sequestered forest glade, 
And there are scents of flowers around, 
The evening dew draws from the ground;
How soothingly they spread ! 

Yes; I was tired, but not at heart; 
No­that beats full of sweet content, 
For now I have my natural part 
Of action with adventure blent; 
Cast forth on the wide vorld with thee, 
And all my once waste energy
To weighty purpose bent. 

Yet­say'st thou, spies around us roam, 
Our aims are termed conspiracy ? 
Haply, no more our English home 
An anchorage for us may be ? 
That there is risk our mutual blood 
May redden in some lonely wood 
The knife of treachery ? 

Say'st thou­that where we lodge each night, 
In each lone farm, or lonelier hall 
Of Norman Peer­ere morning light 
Suspicion must as duly fall,
As day returns­such vigilance 
Presides and watches over France, 
Such rigour governs all ? 

I fear not, William; dost thou fear ? 
So that the knife does not divide, 
It may be ever hovering near: 
I could not tremble at thy side, 
And strenuous love­like mine for thee­
Is buckler strong, 'gainst treachery, 
And turns its stab aside. 

I am resolved that thou shalt learn 
To trust my strength as I trust thine; 
I am resolved our souls shall burn, 
With equal, steady, mingling shine;
Part of the field is conquered now, 
Our lives in the same channel flow, 
Along the self-same line; 

And while no groaning storm is heard, 
Thou seem'st content it should be so, 
But soon as comes a warning word 
Of danger­straight thine anxious brow 
Bends over me a mournful shade, 
As doubting if my powers are made 
To ford the floods of woe. 

Know, then it is my spirit swells, 
And drinks, with eager joy, the air 
Of freedom­where at last it dwells,
Chartered, a common task to share 
With thee, and then it stirs alert,
And pants to learn what menaced hurt
Demands for thee its care. 

Remember, I have crossed the deep, 
And stood with thee on deck, to gaze 
On waves that rose in threatening heap, 
While stagnant lay a heavy haze, 
Dimly confusing sea with sky, 
And baffling, even, the pilot's eye, 
Intent to thread the maze­ 

Of rocks, on Bretagne's dangerous coast,
And find a way to steer our band
To the one point obscure, which lost,
Flung us, as victims, on the strand;­
All, elsewhere, gleamed the Gallic sword,
And not a wherry could be moored
Along the guarded land. 

I feared not then­I fear not now; 
The interest of each stirring scene 
Wakes a new sense, a welcome glow, 
In every nerve and bounding vein; 
Alike on turbid Channel sea, 
Or in still wood of Normandy, 
I feel as born again. 

The rain descended that wild morn 
When, anchoring in the cove at last, 
Our band, all weary and forlorn, 
Ashore, like wave-worn sailors, cast­ 
Sought for a sheltering roof in vain, 
And scarce could scanty food obtain 
To break their morning fast. 

Thou didst thy crust with me divide, 
Thou didst thy cloak around me fold; 
And, sitting silent by thy side, 
I ate the bread in peace untold: 
Given kindly from thy hand, 'twas sweet 
As costly fare or princely treat 
On royal plate of gold. 

Sharp blew the sleet upon my face, 
And, rising wild, the gusty wind 
Drove on those thundering waves apace, 
Our crew so late had left behind; 
But, spite of frozen shower and storm, 
So close to thee, my heart beat warm, 
And tranquil slept my mind. 

So now­nor foot-sore nor opprest
With walking all this August day,
I taste a heaven in this brief rest,
This gipsy-halt beside the way.
England's wild flowers are fair to view,
Like balm is England's summer dew,
Like gold her sunset ray. 

But the white violets, growing here,
Are sweeter than I yet have seen,
And ne'er did dew so pure and clear
Distil on forest mosses green,
As now, called forth by summer heat,
Perfumes our cool and fresh retreat­
These fragrant limes between. 

That sunset ! Look beneath the boughs,
Over the copse­beyond the hills;
How soft, yet deep and warm it glows,
And heaven with rich suffusion fills;
With hues where still the opal's tint,
Its gleam of poisoned fire is blent,
Where flame through azure thrills ! 

Depart we now­for fast will fade
That solemn splendour of decline,
And deep must be the after-shade
As stars alone to-night will shine;
No moon is destined­pale­to gaze
On such a day's vast Phoenix blaze,
A day in fires decayed ! 

There­hand-in-hand we tread again 
The mazes of this varying wood, 
And soon, amid a cultured plain, 
Girt in with fertile solitude, 
We shall our resting-place descry, 
Marked by one roof-tree, towering high 
Above a farm-stead rude. 

Refreshed, erelong, with rustic fare, 
We'll seek a couch of dreamless ease; 
Courage will guard thy heart from fear, 
And Love give mine divinest peace: 
To-morrow brings more dangerous toil, 
And through its conflict and turmoil 
We'll pass, as God shall please.

 I 

The bitterness. the misery, the wretchedness of childhood 
Put me out of love with God. 
I can't believe in God's goodness; 
I can believe 
In many avenging gods. 
Most of all I believe 
In gods of bitter dullness, 
Cruel local gods 
Who scared my childhood. 

II 

I've seen people put 
A chrysalis in a match-box, 
"To see," they told me, "what sort of moth would come." 
But when it broke its shell 
It slipped and stumbled and fell about its prison 
And tried to climb to the light 
For space to dry its wings. 

That's how I was. 
Somebody found my chrysalis 
And shut it in a match-box. 
My shrivelled wings were beaten, 
Shed their colours in dusty scales 
Before the box was opened 
For the moth to fly. 

III 

I hate that town; 
I hate the town I lived in when I was little; 
I hate to think of it. 
There wre always clouds, smoke, rain 
In that dingly little valley. 
It rained; it always rained. 
I think I never saw the sun until I was nine -- 
And then it was too late; 
Everything's too late after the first seven years. 

The long street we lived in 
Was duller than a drain 
And nearly as dingy. 
There were the big College 
And the pseudo-Gothic town-hall. 
There were the sordid provincial shops -- 
The grocer's, and the shops for women, 
The shop where I bought transfers, 
And the piano and gramaphone shop 
Where I used to stand 
Staring at the huge shiny pianos and at the pictures 
Of a white dog looking into a gramaphone. 

How dull and greasy and grey and sordid it was! 
On wet days -- it was always wet -- 
I used to kneel on a chair 
And look at it from the window. 

The dirty yellow trams 
Dragged noisily along 
With a clatter of wheels and bells 
And a humming of wires overhead. 
They threw up the filthy rain-water from the hollow lines 
And then the water ran back 
Full of brownish foam bubbles. 

There was nothing else to see -- 
It was all so dull -- 
Except a few grey legs under shiny black umbrellas 
Running along the grey shiny pavements; 
Sometimes there was a waggon 
Whose horses made a strange loud hollow sound 
With their hoofs 
Through the silent rain. 

And there was a grey museum 
Full of dead birds and dead insects and dead animals 
And a few relics of the Romans -- dead also. 
There was a sea-front, 
A long asphalt walk with a bleak road beside it, 
Three piers, a row of houses, 
And a salt dirty smell from the little harbour. 

I was like a moth -- 
Like one of those grey Emperor moths 
Which flutter through the vines at Capri. 
And that damned little town was my match-box, 
Against whose sides I beat and beat 
Until my wings were torn and faded, and dingy 
As that damned little town. 

IV 

At school it was just as dull as that dull High Street. 
The front was dull; 
The High Street and the other street were dull -- 
And there was a public park, I remember, 
And that was damned dull, too, 
With its beds of geraniums no one was allowed to pick, 
And its clipped lawns you weren't allowed to walk on, 
And the gold-fish pond you mustn't paddle in, 
And the gate made out of a whale's jaw-bones, 
And the swings, which were for "Board-School children," 
And its gravel paths. 

And on Sundays they rang the bells, 
From Baptist and Evangelical and Catholic churches. 
They had a Salvation Army. 
I was taken to a High Church; 
The parson's name was Mowbray, 
"Which is a good name but he thinks too much of it --" 
That's what I heard people say. 

I took a little black book 
To that cold, grey, damp, smelling church, 
And I had to sit on a hard bench, 
Wriggle off it to kneel down when they sang psalms 
And wriggle off it to kneel down when they prayed, 
And then there was nothing to do 
Except to play trains with the hymn-books. 

There was nothing to see, 
Nothing to do, 
Nothing to play with, 
Except that in an empty room upstairs 
There was a large tin box 
Containing reproductions of the Magna Charta, 
Of the Declaration of Independence 
And of a letter from Raleigh after the Armada. 
There were also several packets of stamps, 
Yellow and blue Guatemala parrots, 
Blue stags and red baboons and birds from Sarawak, 
Indians and Men-of-war 
From the United States, 
And the green and red portraits 
Of King Francobello 
Of Italy. 

V 

I don't believe in God. 
I do believe in avenging gods 
Who plague us for sins we never sinned 
But who avenge us. 

That's why I'll never have a child, 
Never shut up a chrysalis in a match-box 
For the moth to spoil and crush its brght colours, 
Beating its wings against the dingy prison-wall.

Between the dark and the daylight, 
When the night is beginning to lower, 
Comes a pause in the day's occupations, 
That is known as the Children's Hour. 

I hear in the chamber above me 
The patter of little feet, 
The sound of a door that is opened, 
And voices soft and sweet. 

From my study I see in the lamplight, 
Descending the broad hall stair, 
Grave Alice, and laughing Allegra, 
And Edith with golden hair. 

A whisper, and then a silence: 
Yet I know by their merry eyes 
They are plotting and planning together 
To take me by surprise. 

A sudden rush from the stairway, 
A sudden raid from the hall! 
By three doors left unguarded 
They enter my castle wall! 

They climb up into my turret 
O'er the arms and back of my chair; 
If I try to escape, they surround me; 
They seem to be everywhere. 

They almost devour me with kisses, 
Their arms about me entwine, 
Till I think of the Bishop of Bingen 
In his Mouse-Tower on the Rhine! 

Do you think, O blue-eyed banditti, 
Because you have scaled the wall, 
Such an old mustache as I am 
Is not a match for you all! 

I have you fast in my fortress, 
And will not let you depart, 
But put you down into the dungeon 
In the round-tower of my heart. 

And there will I keep you forever, 
Yes, forever and a day, 
Till the walls shall crumble to ruin, 
And moulder in dust away! 

 When first the fiery-mantled sun 
His heavenly race begun to run; 
Round the earth and ocean blue, 
His children four the Seasons flew. 
First, in green apparel dancing, 
The young Spring smiled with angel grace; 
Rosy summer next advancing, 
Rushed into her sire's embrace:- 
Her blue-haired sire, who bade her keep 
For ever nearest to his smile, 
On Calpe's olive-shaded steep, 
On India's citron-covered isles: 
More remote and buxom-brown, 
The Queen of vintage bowed before his throne, 
A rich pomegranate gemmed her gown, 
A ripe sheaf bound her zone. 
But howling Winter fled afar, 
To hills that prop the polar star, 
And lives on deer-borne car to ride 
With barren darkness at his side, 
Round the shore where loud Lofoden 
Whirls to death the roaring whale, 
Round the hall where runic Odin 
Howls his war-song to the gale; 
Save when adown the ravaged globe 
He travels on his native storm, 
Deflowering Nature's grassy robe, 
And trampling on her faded form:- 
Till light's returning lord assume 
The shaft the drives him to his polar field, 
Of power to pierce his raven plume 
And crystal-covered shield. 
Oh, sire of storms! whose savage ear 
The Lapland drum delights to hear, 
When frenzy with her blood-shot eye 
Implores thy dreadful deity, 
Archangel! power of desolation! 
Fast descending as thou art, 
Say, hath mortal invocation 
Spells to touch thy stony heart? 
Then, sullen Winter, hear my prayer, 
And gently rule the ruined year; 
Nor chill the wanders bosom bare, 
Nor freeze the wretch's falling tear;- 
To shuddering Want's unmantled bed 
Thy horror-breathing agues cease to lead, 
And gently on the orphan head 
Of innocence descend.- 
But chiefly spare, O king of clouds! 
The sailor on his airy shrouds; 
When wrecks and beacons strew the steep, 
And specters walk along the deep. 
Milder yet thy snowy breezes 
Pour on yonder tented shores, 
Where the Rhine's broad billow freezes, 
Or the Dark-brown Danube roars. 
Oh, winds of winter! List ye there 
To many a deep and dying groan; 
Or start, ye demons of the midnight air, 
At shrieks and thunders louder than your own. 
Alas! Even unhallowed breath 
May spare the victim fallen low; 
But man will ask no truce of death,- 
No bounds to human woe.

Shadows on the wall
Noises down the hall
Life doesn't frighten me at all
 
Bad dogs barking loud
Big ghosts in a cloud
Life doesn't frighten me at all
 
Mean old Mother Goose
Lions on the loose
They don't frighten me at all
 
Dragons breathing flame
On my counterpane
That doesn't frighten me at all.
 
I go boo
Make them shoo
I make fun
Way they run
I won't cry
So they fly
I just smile
They go wild
 
Life doesn't frighten me at all.
 
Tough guys fight
All alone at night
Life doesn't frighten me at all.
 
Panthers in the park
Strangers in the dark
No, they don't frighten me at all.
 
That new classroom where
Boys all pull my hair
(Kissy little girls
With their hair in curls)
They don't frighten me at all.
 
Don't show me frogs and snakes
And listen for my scream,
If I'm afraid at all
It's only in my dreams.
 
I've got a magic charm
That I keep up my sleeve
I can walk the ocean floor
And never have to breathe.
 
Life doesn't frighten me at all
Not at all
Not at all.
 
Life doesn't frighten me at all.

 An old man cocked his car upon a bridge;
 He and his friend, their faces to the South,
 Had trod the uneven road. Their hoots were soiled,
 Their Connemara cloth worn out of shape;
 They had kept a steady pace as though their beds,
 Despite a dwindling and late-risen moon,
 Were distant still. An old man cocked his ear.

Aherne. What made that Sound?

Robartes. A rat or water-hen
Splashed, or an otter slid into the stream.
We are on the bridge; that shadow is the tower,
And the light proves that he is reading still.
He has found, after the manner of his kind,
Mere images; chosen this place to live in
Because, it may be, of the candle-light
From the far tower where Milton's Platonist
Sat late, or Shelley's visionary prince:
The lonely light that Samuel Palmer engraved,
An image of mysterious wisdom won by toil;
And now he seeks in book or manuscript
What he shall never find.

Ahernc. Why should not you
Who know it all ring at his door, and speak
Just truth enough to show that his whole life
Will scarcely find for him a broken crust
Of all those truths that are your daily bread;
And when you have spoken take the roads again?

Robartes. He wrote of me in that extravagant style
He had learnt from pater, and to round his tale
Said I was dead; and dead I choose to be.

Aherne. Sing me the changes of the moon once more;
True song, though speech: "mine author sung it me.'

Robartes. Twenty-and-eight the phases of the moon,
The full and the moon's dark and all the crescents,
Twenty-and-eight, and yet but six-and-twenty
The cradles that a man must needs be rocked in:
For there's no human life at the full or the dark.
From the first crescent to the half, the dream
But summons to adventure and the man
Is always happy like a bird or a beast;
But while the moon is rounding towards the full
He follows whatever whim's most difficult
Among whims not impossible, and though scarred.
As with the cat-o'-nine-tails of the mind,
His body moulded from within his body
Grows comelier. Eleven pass, and then
Athene takes Achilles by the hair,
Hector is in the dust, Nietzsche is born,
Because the hero's crescent is the twelfth.
And yet, twice born, twice buried, grow he must,
Before the full moon, helpless as a worm.
The thirteenth moon but sets the soul at war
In its own being, and when that war's begun
There is no muscle in the arm; and after,
Under the frenzy of the fourteenth moon,
The soul begins to tremble into stillness,
To die into the labyrinth of itself!

Aherne. Sing out the song; sing to the end, and sing
The strange reward of all that discipline.

Robartes. All thought becomes an image and the soul
Becomes a body: that body and that soul
Too perfect at the full to lie in a cradle,
Too lonely for the traffic of the world:
Body and soul cast out and cast away
Beyond the visible world.

Aherne. All dreams of the soul
End in a beautiful man's or woman's body.

Robartes, Have you not always known it?

Aherne. The song will have it
That those that we have loved got their long fingers
From death, and wounds, or on Sinai's top,
Or from some bloody whip in their own hands.
They ran from cradle to cradle till at last
Their beauty dropped out of the loneliness
Of body and soul.

Robartes. The lover's heart knows that.

Aherne. It must be that the terror in their eyes
Is memory or foreknowledge of the hour
When all is fed with light and heaven is bare.

Robartes. When the moon's full those creatures of the
 full
Are met on the waste hills by countrymen
Who shudder and hurry by: body and soul
Estranged amid the strangeness of themselves,
Caught up in contemplation, the mind's eye
Fixed upon images that once were thought;
For separate, perfect, and immovable
Images can break the solitude
Of lovely, satisfied, indifferent eyes.

 And thereupon with aged, high-pitched voice
 Aherne laughed, thinking of the man within,
 His sleepless candle and lahorious pen.

Robartes. And after that the crumbling of the moon.
The soul remembering its loneliness
Shudders in many cradles; all is changed,
It would be the world's servant, and as it serves,
Choosing whatever task's most difficult
Among tasks not impossible, it takes
Upon the body and upon the soul
The coarseness of the drudge.

Aherne. Before the full
It sought itself and afterwards the world.

Robartes. Because you are forgotten, half out of life,
And never wrote a book, your thought is clear.
Reformer, merchant, statesman, learned man,
Dutiful husband, honest wife by turn,
Cradle upon cradle, and all in flight and all
Deformed because there is no deformity
But saves us from a dream.

Aherne. And what of those
That the last servile crescent has set free?

Robartes. Because all dark, like those that are all light,
They are cast beyond the verge, and in a cloud,
Crying to one another like the bats;
And having no desire they cannot tell
What's good or bad, or what it is to triumph
At the perfection of one's own obedience;
And yet they speak what's blown into the mind;
Deformed beyond deformity, unformed,
Insipid as the dough before it is baked,
They change their bodies at a word.

Aherne. And then?

Rohartes. When all the dough has been so kneaded up
That it can take what form cook Nature fancies,
The first thin crescent is wheeled round once more.

Aherne. But the escape; the song's not finished yet.

Robartes. Hunchback and Saint and Fool are the last
 crescents.
The burning bow that once could shoot an arrow
Out of the up and down, the wagon-wheel
Of beauty's cruelty and wisdom's chatter -
Out of that raving tide - is drawn betwixt
Deformity of body and of mind.

Aherne. Were not our beds far off I'd ring the bell,
Stand under the rough roof-timbers of the hall
Beside the castle door, where all is stark
Austerity, a place set out for wisdom
That he will never find; I'd play a part;
He would never know me after all these years
But take me for some drunken countryman:
I'd stand and mutter there until he caught
"Hunchback and Sant and Fool,' and that they came
Under the three last crescents of the moon.
And then I'd stagger out. He'd crack his wits
Day after day, yet never find the meaning.

 And then he laughed to think that what seemed hard
 Should be so simple - a bat rose from the hazels
 And circled round him with its squeaky cry,
 The light in the tower window was put out.

 I

Who would be
A mermaid fair,
Singing alone,
Combing her hair
Under the sea,
In a golden curl
With a comb of pearl,
On a throne?

II

I would be a mermaid fair;
I would sing to myself the whole of the day;
With a comb of pearl I would comb my hair;
And still as I comb'd I would sing and say,
'Who is it loves me? who loves not me?'
I would comb my hair till my ringlets would fall
 Low adown, low adown,
From under my starry sea-bud crown
 Low adown and around,
And I should look like a fountain of gold
 Springing alone
 With a shrill inner sound
 Over the throne
 In the midst of the hall;
Till that great sea-snake under the sea
From his coiled sleeps in the central deeps
Would slowly trail himself sevenfold
Round the hall where I sate, and look in at the gate
With his large calm eyes for the love of me.
And all the mermen under the sea
Would feel their immortality
Die in their hearts for the love of me.

III

But at night I would wander away, away,
 I would fling on each side my low-flowing locks,
And lightly vault from the throne and play
 With the mermen in and out of the rocks;
We would run to and fro, and hide and seek,
 On the broad sea-wolds in the crimson shells,
Whose silvery spikes are nighest the sea.
But if any came near I would call and shriek,
And adown the steep like a wave I would leap
 From the diamond-ledges that jut from the dells;
For I would not be kiss'd by all who would list
Of the bold merry mermen under the sea.
They would sue me, and woo me, and flatter me,
In the purple twilights under the sea;
But the king of them all would carry me,
Woo me, and win me, and marry me,
In the branching jaspers under the sea.
Then all the dry-pied things that be
In the hueless mosses under the sea
Would curl round my silver feet silently,
All looking up for the love of me.
And if I should carol aloud, from aloft
All things that are forked, and horned, and soft
Would lean out from the hollow sphere of the sea,
All looking down for the love of me.