10 Best Famous Great Love Poems

Here is a collection of the top 10 all-time best famous Great Love poems. This is a select list of the best famous Great Love poetry. Reading, writing, and enjoying famous Great Love poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of great love poems.

• All Famous Great Love Poems

 "Aug." 10, 1911.

Full moon to-night; and six and twenty years
Since my full moon first broke from angel spheres!
A year of infinite love unwearying ---
No circling seasons, but perennial spring!
A year of triumph trampling through defeat,
The first made holy and the last made sweet
By this same love; a year of wealth and woe,
Joy, poverty, health, sickness --- all one glow
In the pure light that filled our firmament
Of supreme silence and unbarred extent,
Wherein one sacrament was ours, one Lord,
One resurrection, one recurrent chord,
One incarnation, one descending dove,
All these being one, and that one being Love!

You sent your spirit into tunes; my soul
Yearned in a thousand melodies to enscroll
Its happiness: I left no flower unplucked
That might have graced your garland. I induct
Tragedy, comedy, farce, fable, song,
Each longing a little, each a little long,
But each aspiring only to express
Your excellence and my unworthiness --- 
Nay! but my worthiness, since I was sense
And spirit too of that same excellence.

So thus we solved the earth's revolving riddle:
I could write verse, and you could play the fiddle,
While, as for love, the sun went through the signs,
And not a star but told him how love twines
A wreath for every decanate, degree,
Minute and second, linked eternally
In chains of flowers that never fading are,
Each one as sempiternal as a star.

Let me go back to your last birthday. Then
I was already your one man of men
Appointed to complete you, and fulfil
From everlasting the eternal will.
We lay within the flood of crimson light
In my own balcony that August night,
And conjuring the aright and the averse
Created yet another universe.

We worked together; dance and rite and spell
Arousing heaven and constraining hell.
We lived together; every hour of rest
Was honied from your tiger-lily breast.
We --- oh what lingering doubt or fear betrayed
My life to fate! --- we parted. Was I afraid?
I was afraid, afraid to live my love,
Afraid you played the serpent, I the dove,
Afraid of what I know not. I am glad 
Of all the shame and wretchedness I had,
Since those six weeks have taught me not to doubt you,
And also that I cannot live without you.

Then I came back to you; black treasons rear
Their heads, blind hates, deaf agonies of fear,
Cruelty, cowardice, falsehood, broken pledges,
The temple soiled with senseless sacrileges,
Sickness and poverty, a thousand evils,
Concerted malice of a million devils; ---
You never swerved; your high-pooped galleon
Went marvellously, majestically on
Full-sailed, while every other braver bark
Drove on the rocks, or foundered in the dark.

Then Easter, and the days of all delight!
God's sun lit noontide and his moon midnight,
While above all, true centre of our world,
True source of light, our great love passion-pearled
Gave all its life and splendour to the sea
Above whose tides stood our stability.

Then sudden and fierce, no monitory moan,
Smote the mad mischief of the great cyclone.
How far below us all its fury rolled!
How vainly sulphur tries to tarnish gold!
We lived together: all its malice meant
Nothing but freedom of a continent!

It was the forest and the river that knew
The fact that one and one do not make two. 
We worked, we walked, we slept, we were at ease,
We cried, we quarrelled; all the rocks and trees
For twenty miles could tell how lovers played,
And we could count a kiss for every glade.
Worry, starvation, illness and distress?
Each moment was a mine of happiness.

Then we grew tired of being country mice,
Came up to Paris, lived our sacrifice
There, giving holy berries to the moon,
July's thanksgiving for the joys of June.

And you are gone away --- and how shall I
Make August sing the raptures of July?
And you are gone away --- what evil star
Makes you so competent and popular?
How have I raised this harpy-hag of Hell's
Malice --- that you are wanted somewhere else?
I wish you were like me a man forbid,
Banned, outcast, nice society well rid
Of the pair of us --- then who would interfere
With us? --- my darling, you would now be here!

But no! we must fight on, win through, succeed,
Earn the grudged praise that never comes to meed,
Lash dogs to kennel, trample snakes, put bit
In the mule-mouths that have such need of it,
Until the world there's so much to forgive in
Becomes a little possible to live in.

God alone knows if battle or surrender
Be the true courage; either has its splendour. 
But since we chose the first, God aid the right,
And damn me if I fail you in the fight!
God join again the ways that lie apart,
And bless the love of loyal heart to heart!
God keep us every hour in every thought,
And bring the vessel of our love to port!

These are my birthday wishes. Dawn's at hand,
And you're an exile in a lonely land.
But what were magic if it could not give
My thought enough vitality to live?
Do not then dream this night has been a loss!
All night I have hung, a god, upon the cross;
All night I have offered incense at the shrine;
All night you have been unutterably mine,
Miner in the memory of the first wild hour
When my rough grasp tore the unwilling flower
From your closed garden, mine in every mood,
In every tense, in every attitude,
In every possibility, still mine
While the sun's pomp and pageant, sign to sign,
Stately proceeded, mine not only so
In the glamour of memory and austral glow
Of ardour, but by image of my brow
Stronger than sense, you are even here and now
Miner, utterly mine, my sister and my wife,
Mother of my children, mistress of my life!

O wild swan winging through the morning mist!
The thousand thousand kisses that we kissed, 
The infinite device our love devised
If by some chance its truth might be surprised,
Are these all past? Are these to come? Believe me,
There is no parting; they can never leave me.
I have built you up into my heart and brain
So fast that we can never part again.
Why should I sing you these fantastic psalms
When all the time I have you in my arms?
Why? 'tis the murmur of our love that swells
Earth's dithyrambs and ocean's oracles.

But this is dawn; my soul shall make its nest
Where your sighs swing from rapture into rest
Love's thurible, your tiger-lily breast.

 Nay, let us walk from fire unto fire,
From passionate pain to deadlier delight, -
I am too young to live without desire,
Too young art thou to waste this summer night
Asking those idle questions which of old
Man sought of seer and oracle, and no reply was told.

For, sweet, to feel is better than to know,
And wisdom is a childless heritage,
One pulse of passion - youth's first fiery glow, -
Are worth the hoarded proverbs of the sage:
Vex not thy soul with dead philosophy,
Have we not lips to kiss with, hearts to love and eyes to see!

Dost thou not hear the murmuring nightingale,
Like water bubbling from a silver jar,
So soft she sings the envious moon is pale,
That high in heaven she is hung so far
She cannot hear that love-enraptured tune, -
Mark how she wreathes each horn with mist, yon late and labouring
moon.

White lilies, in whose cups the gold bees dream,
The fallen snow of petals where the breeze
Scatters the chestnut blossom, or the gleam
Of boyish limbs in water, - are not these
Enough for thee, dost thou desire more?
Alas! the Gods will give nought else from their eternal store.

For our high Gods have sick and wearied grown
Of all our endless sins, our vain endeavour
For wasted days of youth to make atone
By pain or prayer or priest, and never, never,
Hearken they now to either good or ill,
But send their rain upon the just and the unjust at will.

They sit at ease, our Gods they sit at ease,
Strewing with leaves of rose their scented wine,
They sleep, they sleep, beneath the rocking trees
Where asphodel and yellow lotus twine,
Mourning the old glad days before they knew
What evil things the heart of man could dream, and dreaming do.

And far beneath the brazen floor they see
Like swarming flies the crowd of little men,
The bustle of small lives, then wearily
Back to their lotus-haunts they turn again
Kissing each others' mouths, and mix more deep
The poppy-seeded draught which brings soft purple-lidded sleep.

There all day long the golden-vestured sun,
Their torch-bearer, stands with his torch ablaze,
And, when the gaudy web of noon is spun
By its twelve maidens, through the crimson haze
Fresh from Endymion's arms comes forth the moon,
And the immortal Gods in toils of mortal passions swoon.

There walks Queen Juno through some dewy mead,
Her grand white feet flecked with the saffron dust
Of wind-stirred lilies, while young Ganymede
Leaps in the hot and amber-foaming must,
His curls all tossed, as when the eagle bare
The frightened boy from Ida through the blue Ionian air.

There in the green heart of some garden close
Queen Venus with the shepherd at her side,
Her warm soft body like the briar rose
Which would be white yet blushes at its pride,
Laughs low for love, till jealous Salmacis
Peers through the myrtle-leaves and sighs for pain of lonely bliss.

There never does that dreary north-wind blow
Which leaves our English forests bleak and bare,
Nor ever falls the swift white-feathered snow,
Nor ever doth the red-toothed lightning dare
To wake them in the silver-fretted night
When we lie weeping for some sweet sad sin, some dead delight.

Alas! they know the far Lethaean spring,
The violet-hidden waters well they know,
Where one whose feet with tired wandering
Are faint and broken may take heart and go,
And from those dark depths cool and crystalline
Drink, and draw balm, and sleep for sleepless souls, and anodyne.

But we oppress our natures, God or Fate
Is our enemy, we starve and feed
On vain repentance - O we are born too late!
What balm for us in bruised poppy seed
Who crowd into one finite pulse of time
The joy of infinite love and the fierce pain of infinite crime.

O we are wearied of this sense of guilt,
Wearied of pleasure's paramour despair,
Wearied of every temple we have built,
Wearied of every right, unanswered prayer,
For man is weak; God sleeps: and heaven is high:
One fiery-coloured moment: one great love; and lo! we die.

Ah! but no ferry-man with labouring pole
Nears his black shallop to the flowerless strand,
No little coin of bronze can bring the soul
Over Death's river to the sunless land,
Victim and wine and vow are all in vain,
The tomb is sealed; the soldiers watch; the dead rise not again.

We are resolved into the supreme air,
We are made one with what we touch and see,
With our heart's blood each crimson sun is fair,
With our young lives each spring-impassioned tree
Flames into green, the wildest beasts that range
The moor our kinsmen are, all life is one, and all is change.

With beat of systole and of diastole
One grand great life throbs through earth's giant heart,
And mighty waves of single Being roll
From nerveless germ to man, for we are part
Of every rock and bird and beast and hill,
One with the things that prey on us, and one with what we kill.

From lower cells of waking life we pass
To full perfection; thus the world grows old:
We who are godlike now were once a mass
Of quivering purple flecked with bars of gold,
Unsentient or of joy or misery,
And tossed in terrible tangles of some wild and wind-swept sea.

This hot hard flame with which our bodies burn
Will make some meadow blaze with daffodil,
Ay! and those argent breasts of thine will turn
To water-lilies; the brown fields men till
Will be more fruitful for our love to-night,
Nothing is lost in nature, all things live in Death's despite.

The boy's first kiss, the hyacinth's first bell,
The man's last passion, and the last red spear
That from the lily leaps, the asphodel
Which will not let its blossoms blow for fear
Of too much beauty, and the timid shame
Of the young bridegroom at his lover's eyes, - these with the same

One sacrament are consecrate, the earth
Not we alone hath passions hymeneal,
The yellow buttercups that shake for mirth
At daybreak know a pleasure not less real
Than we do, when in some fresh-blossoming wood,
We draw the spring into our hearts, and feel that life is good.

So when men bury us beneath the yew
Thy crimson-stained mouth a rose will be,
And thy soft eyes lush bluebells dimmed with dew,
And when the white narcissus wantonly
Kisses the wind its playmate some faint joy
Will thrill our dust, and we will be again fond maid and boy.

And thus without life's conscious torturing pain
In some sweet flower we will feel the sun,
And from the linnet's throat will sing again,
And as two gorgeous-mailed snakes will run
Over our graves, or as two tigers creep
Through the hot jungle where the yellow-eyed huge lions sleep

And give them battle! How my heart leaps up
To think of that grand living after death
In beast and bird and flower, when this cup,
Being filled too full of spirit, bursts for breath,
And with the pale leaves of some autumn day
The soul earth's earliest conqueror becomes earth's last great
prey.

O think of it! We shall inform ourselves
Into all sensuous life, the goat-foot Faun,
The Centaur, or the merry bright-eyed Elves
That leave their dancing rings to spite the dawn
Upon the meadows, shall not be more near
Than you and I to nature's mysteries, for we shall hear

The thrush's heart beat, and the daisies grow,
And the wan snowdrop sighing for the sun
On sunless days in winter, we shall know
By whom the silver gossamer is spun,
Who paints the diapered fritillaries,
On what wide wings from shivering pine to pine the eagle flies.

Ay! had we never loved at all, who knows
If yonder daffodil had lured the bee
Into its gilded womb, or any rose
Had hung with crimson lamps its little tree!
Methinks no leaf would ever bud in spring,
But for the lovers' lips that kiss, the poets' lips that sing.

Is the light vanished from our golden sun,
Or is this daedal-fashioned earth less fair,
That we are nature's heritors, and one
With every pulse of life that beats the air?
Rather new suns across the sky shall pass,
New splendour come unto the flower, new glory to the grass.

And we two lovers shall not sit afar,
Critics of nature, but the joyous sea
Shall be our raiment, and the bearded star
Shoot arrows at our pleasure! We shall be
Part of the mighty universal whole,
And through all aeons mix and mingle with the Kosmic Soul!

We shall be notes in that great Symphony
Whose cadence circles through the rhythmic spheres,
And all the live World's throbbing heart shall be
One with our heart; the stealthy creeping years
Have lost their terrors now, we shall not die,
The Universe itself shall be our Immortality.

 In the rectory garden on his evening walk
Paced brisk Father Shawn. A cold day, a sodden one it was
In black November. After a sliding rain
Dew stood in chill sweat on each stalk,
Each thorn; spiring from wet earth, a blue haze
Hung caught in dark-webbed branches like a fabulous heron.

Hauled sudden from solitude,
Hair prickling on his head,
Father Shawn perceived a ghost
Shaping itself from that mist.

'How now,' Father Shawn crisply addressed the ghost
Wavering there, gauze-edged, smelling of woodsmoke,
'What manner of business are you on?
From your blue pallor, I'd say you inhabited the frozen waste
Of hell, and not the fiery part. Yet to judge by that dazzled look,
That noble mien, perhaps you've late quitted heaven?'

In voice furred with frost,
Ghost said to priest:
'Neither of those countries do I frequent:
Earth is my haunt.'

'Come, come,' Father Shawn gave an impatient shrug,
'I don't ask you to spin some ridiculous fable
Of gilded harps or gnawing fire: simply tell
After your life's end, what just epilogue
God ordained to follow up your days. Is it such trouble
To satisfy the questions of a curious old fool?'

'In life, love gnawed my skin
To this white bone;
What love did then, love does now:
Gnaws me through.'

'What love,' asked Father Shawn, 'but too great love
Of flawed earth-flesh could cause this sorry pass?
Some damned condition you are in:
Thinking never to have left the world, you grieve
As though alive, shriveling in torment thus
To atone as shade for sin that lured blind man.'

'The day of doom
Is not yest come.
Until that time
A crock of dust is my dear hom.'

'Fond phantom,' cried shocked Father Shawn,
'Can there be such stubbornness--
A soul grown feverish, clutching its dead body-tree
Like a last storm-crossed leaf? Best get you gone
To judgment in a higher court of grace.
Repent, depart, before God's trump-crack splits the sky.'

From that pale mist
Ghost swore to priest:
'There sits no higher court
Than man's red heart.'

 Ah yes, I love you, and with all my heart; 
Just as a weaker woman loves her own, 
Better than I love my beloved art, 
Which, until you came, reigned royally, alone, 
My king, my master. Since I saw your face
I have dethroned it, and you hold that place.

I am as weak as other women are –
Your frown can make the whole world like a tomb
Your smile shines brighter than the sun, by far; 
Sometimes I think there is not space or room
In all the earth for such a love as mine, 
And it soars up to breathe in realms divine.

I know that your desertion or neglect
Could break my heart, as women’s hearts do break; 
If my wan days had nothing to expect
From your love’s splendour, all joy would forsake
The chambers of my soul. Yes this is true.
And yet, and yet – one thing I keep from you.

There is a subtle part of me, which went
Into my long pursued and worshipped art; 
Though your great love fills me with such content, 
No other love finds room now in my heart.
Yet that rare essence was my art’s alone.
Thank God, you cannot grasp it; ‘tis mine own.

Thank God, I say, for while I love you so, 
With that vast love, as passionate as tender, 
I feel an exultation as I know
I have not made you a complete surrender.
Here is my body; bruise it, if you will, 
And break my heart; I have that something still.

You cannot grasp it. Seize the breath of morn, 
Or bind the perfume of the rose as well.
God put it in my soul when I was born; 
It is not mine to give away, or sell, 
Or offer up on any alter shrine.
It was my art’s; and when not art’s, ‘tis mine.

For Love’s sake, I can put the art away, 
Or anything which stands ‘twixt me and you, 
But that strange essence God bestowed, I say, 
To permeate the work He gave to do: 
And it cannot be drained, dissolved, or sent
Through any channel, save the one He meant.

 Once a great love cut my life in two.
The first part goes on twisting
at some other place like a snake cut in two.

The passing years have calmed me
and brought healing to my heart and rest to my eyes.

And I'm like someone standing in the Judean desert, looking at a sign:
"Sea Level"
He cannot see the sea, but he knows.

Thus I remember your face everywhere
at your "face Level."

 It was the pleasant season yet,
When the stones at cottage doors
Dry quickly, while the roads are wet,
After the silver showers.

The green leaves they looked greener still,
And the thrush, renewing his tune,
Shook a loud note from his gladsome bill
Into the bright blue noon.

Robin Hood's mother looked out, and said
"It were a shame and a sin
For fear of getting a wet head
To keep such a day within,
Nor welcome up from his sick bed
Your uncle Gamelyn."

And Robin leaped, and thought so too;
And so he has grasped her gown,
And now looking back, they have lost the view
Of merry sweet Locksley town.

Robin was a gentle boy,
And therewithal as bold;
To say he was his mother's joy,
It were a phrase too cold.

His hair upon his thoughtful brow
Came smoothly clipped, and sleek,
But ran into a curl somehow
Beside his merrier cheek.

Great love to him his uncle too
The noble Gamelyn bare,
And often said, as his mother knew,
That he should be his heir.

Gamelyn's eyes, now getting dim,
Would twinkle at his sight,
And his ruddy wrinkles laugh at him
Between his locks so white:

For Robin already let him see
He should beat his playmates all
At wrestling, running, and archery,
Yet he cared not for a fall.

Merriest he was of merry boys,
And would set the old helmets bobbing;
If his uncle asked about the noise,
'Twas "If you please, Sir, Robin."

And yet if the old man wished no noise,
He'd come and sit at his knee,
And be the gravest of grave-eyed boys;
And not a word spoke he.

So whenever he and his mother came
To brave old Gamelyn Hall,
'Twas nothing there but sport and game,
And holiday folks all:
The servants never were to blame,
Though they let the physic fall.

And now the travellers turn the road,
And now they hear the rooks;
And there it is, — the old abode,
With all its hearty looks.

Robin laughed, and the lady too,
And they looked at one another;
Says Robin, "I'll knock, as I'm used to do,
At uncle's window, mother."

And so he pick'd up some pebbles and ran,
And jumping higher and higher,
He reach'd the windows with tan a ran tan,
And instead of the kind old white-haired man,
There looked out a fat friar.

"How now," said the fat friar angrily,
"What is this knocking so wild?"
But when he saw young Robin's eye,
He said "Go round, my child.

"Go round to the hall, and I'll tell you all."
"He'll tell us all!" thought Robin;
And his mother and he went quietly,
Though her heart was set a throbbing.

The friar stood in the inner door,
And tenderly said, "I fear
You know not the good squire's no more,
Even Gamelyn de Vere.

"Gamelyn de Vere is dead,
He changed but yesternight:"
"Now make us way," the lady said,
"To see that doleful sight."

"Good Gamelyn de Vere is dead,
And has made us his holy heirs:"
The lady stayed not for all he said,
But went weeping up the stairs.

Robin and she went hand in hand,
Weeping all the way,
Until they came where the lord of that land
Dumb in his cold bed lay.

His hand she took, and saw his dead look,
With the lids over each eye-ball;
And Robin and she wept as plenteously,
As though he had left them all.

"I will return, Sir Abbot of Vere,
I will return as is meet,
And see my honoured brother dear
Laid in his winding sheet.

And I will stay, for to go were a sin,
For all a woman's tears,
And see the noble Gamelyn
Laid low with the De Veres."

The lady went with a sick heart out
Into the kind fresh air,
And told her Robin all about
The abbot whom he saw there:

And how his uncle must have been
Disturbed in his failing sense,
To leave his wealth to these artful men,
At her's and Robin's expense.

Sad was the stately day for all
But the Vere Abbey friars,
When the coffin was stript of its hiding pall,
Amidst the hushing choirs.

Sad was the earth-dropping "dust to dust,"
And "our brother here departed;"
The lady shook at them, as shake we must,
And Robin he felt strange-hearted.

That self-same evening, nevertheless,
They returned to Locksley town,
The lady in a dumb distress,
And Robin looking down.

They went, and went, and Robin took
Long steps by his mother's side,
Till she asked him with a sad sweet look
What made him so thoughtful-eyed.

"I was thinking, mother," said little Robin,
And with his own voice so true
He spoke right out, "That if I was a king,
I'd see what those friars do."

His mother stooped with a tear of joy,
And she kissed him again and again,
And said, "My own little Robin boy,
Thou wilt be a King of Men!"

 Naked she lay, clasped in my longing arms,
I filled with love, and she all over charms;
Both equally inspired with eager fire,
Melting through kindness, flaming in desire.
With arms,legs,lips close clinging to embrace,
She clips me to her breast, and sucks me to her face.
Her nimble tongue, Love's lesser lightening, played
Within my mouth, and to my thoughts conveyed
Swift orders that I should prepare to throw
The all-dissolving thunderbolt below.
My fluttering soul, sprung with the painted kiss,
Hangs hovering o'er her balmy brinks of bliss.
But whilst her busy hand would guide that part
Which should convey my soul up to her heart,
In liquid raptures I dissolve all o'er,
Melt into sperm and, and spend at every pore.
A touch from any part of her had done't:
Her hand, her foot, her very look's a ****.

Smiling, she chides in a kind murmuring noise,
And from her body wipes the clammy joys,
When, with a thousand kisses wandering o'er
My panting bosom, "Is there then no more?"
She cries. "All this to love and rapture's due;
Must we not pay a debt to pleasure too?"

But I, the most forlorn, lost man alive,
To show my wished obedience vainly strive:
I sigh, alas! and kiss, but cannot swive.
Eager desires confound my first intent,
Succeeding shame does more success prevent,
And rage at last confirms me impotent.
Ev'n her fair hand, which might bid heat return
To frozen age, and make cold hermits burn,
Applied to my dead cinder, warms no more
Than fire to ashes could past flames restore.
Trembling, confused, despairing, limber, dry,
A wishing, weak, unmoving lump I lie.
This dart of love, whose piercing point, oft tried,
With virgin blood ten thousand maids have dyed;
Which nature still directed with such art
That it through every **** reached every heart -
Stiffly resolved, 'twould carelessly invade
Woman or man, nor aught its fury stayed:
Where'er it pierced, a **** it found or made -
Now languid lies in this unhappy hour,
Shrunk up and sapless like a withered flower.

Thou treacherous, base deserter of my flame,
False to my passion, fatal to my fame,
Through what mistaken magic dost thou prove
So true to lewdness, so untrue to love?
What oyster-cinder-beggar-common whore
Didst thou e'er fail in all thy life before?
When vice, disease, and scandal lead the way,
With what officious haste dost thou obey!
Like a rude, roaring hector in the streets
Who scuffles, cuffs, and justles all he meets,
But if his king or country claim his aid,
The rakehell villain shrinks and hides his head;
Ev'n so thy brutal valour is displayed,
Breaks every stew, does each small whore invade,
But when great Love the onset does command,
Base recreant to thy prince, thou dar'st not stand.
Worst part of me, and henceforth hated most,
Through all the town a common fucking-post,
On whom each whore relieves her tingling ****
As hogs do rub themselves on gates and grunt,
May'st thou to ravenous chancres be a prey,
Or in consuming weepings waste away;
May strangury and stone thy days attend;
May'st thou ne'er piss, who did refuse to spend
When all my joys did on false thee depend.
And may ten thousand abler pricks agree
To do the wronged Corinna right for thee.

 Ye sons of Germany, your noble Emperor William now is dead.
Who oft great armies to battle hath led;
He was a man beloved by his subjects all,
Because he never tried them to enthral. 

The people of Germany have cause now to mourn,
The loss of their hero, who to them will ne'er return;
But his soul I hope to Heaven has fled away,
To the realms of endless bliss for ever and aye. 

He was much respected throughout Europe by the high and the low,
And all over Germany people's hearts are full of woe;
For in the battlefield he was a hero bold,
Nevertheless, a lover of peace, to his credit be it told. 

'Twas in the year of 1888, and on March the 16th day,
That the peaceful William's remains were conveyed away
To the royal mausoleum of Charlottenburg, their last resting-place,
The God-fearing man that never did his country disgrace. 

The funeral service was conducted in the cathedral by the court chaplain, Dr. Kogel,
Which touched the hearts of his hearers, as from his lips it fell,
And in conclusion he recited the Lord's Prayer
In the presence of kings, princes, dukes, and counts assembled there. 

And at the end of the service the infantry outside fired volley after volley,
While the people inside the cathedral felt melancholy,
As the sound of the musketry smote upon the ear,
In honour of the illustrous William, whom they loved most dear. 

Then there was a solemn pause as the kings and princes took their places,
Whilst the hot tears are trickling down their faces,
And the mourners from shedding tears couldn't refrain;
And in respect of the good man, above the gateway glared a bituminous flame. 

Then the coffin was placed on the funeral car,
By the kings and princes that came from afar;
And the Crown Prince William heads the procession alone,
While behind him are the four heirs-apparent to the throne. 

Then followed the three Kings of Saxony, and the King of the Belgians also,
Together with the Prince of Wales, with their hearts full of woe,
Besides the Prince of Naples and Prince Rudolph of Austria were there,
Also the Czarevitch, and other princes in their order I do declare. 

And as the procession passes the palace the blinds are drawn completely,
And every house is half hidden with the sable drapery;
And along the line of march expansive arches were erected,
While the spectators standing by seemed very dejected. 

And through the Central Avenue, to make the decorations complete,
There were pedestals erected, rising fourteen to fifteen feet,
And at the foot and top of each pedestal were hung decorations of green bay,
Also beautiful wreaths and evergreen festoons all in grand array.
And there were torches fastened on pieces of wood stuck in the ground;
And as the people gazed on the weird-like scene, their silence was profound;
And the shopkeepers closed their shops, and hotel-keepers closed in the doorways,
And with torchlight and gaslight, Berlin for once was all ablaze.
The authorities of Berlin in honour of the Emperor considered it no sin,
To decorate with crape the beautiful city of Berlin;
Therefore Berlin I declare was a city of crape,
Because few buildings crape decoration did escape.
First in the procession was the Emperor's bodyguard,
And his great love for them nothing could it retard;
Then followed a squadron of the hussars with their band,
Playing "Jesus, Thou my Comfort," most solemn and grand.
And to see the procession passing the sightseers tried their best,
Especially when the cavalry hove in sight, riding four abreast;
Men and officers with their swords drawn, a magnificent sight to see
In the dim sun's rays, their burnished swords glinting dimly.
Then followed the footguards with slow and solemn tread,
Playing the "Dead March in Saul," most appropriate for the dead;
And behind them followed the artillery, with four guns abreast,
Also the ministers and court officials dressed in their best. 

The whole distance to the grave was covered over with laurel and bay,
So that the body should be borne along smoothly all the way;
And the thousands of banners in the procession were beautiful to view,
Because they were composed of cream-coloured silk and light blue. 

There were thousands of thousands of men and women gathered there,
And standing ankle deep in snow, and seemingly didn't care
So as they got a glimpse of the funeral car,
Especially the poor souls that came from afar. 

And when the funeral car appeared there was a general hush,
And the spectators in their anxiety to see began to crush;
And when they saw the funeral car by the Emperor's charger led,
Every hat and cap was lifted reverently from off each head. 

And as the procession moved on to the royal mausoleum,
The spectators remained bareheaded and seemingly quite dumb;
And as the coffin was borne into its last resting-place,
Sorrow seemed depicted in each one's face. 

And after the burial service the mourners took a last farewell
Of the noble-hearted William they loved so well;
Then rich and poor dispersed quietly that were assembled there,
While two batteries of field-guns fired a salute which did rend the air
In honour of the immortal hero they loved so dear,
The founder of the Fatherland Germany, that he did revere.

 The air is a mill of hooks --
Questions without answer,
Glittering and drunk as flies
Whose kiss stings unbearably
In the fetid wombs of black air under pines in summer.

I remember
The dead smell of sun on wood cabins,
The stiffness of sails, the long salt winding sheets.
Once one has seen God, what is the remedy?
Once one has been seized up

Without a part left over,
Not a toe, not a finger, and used,
Used utterly, in the sun's conflagration, the stains
That lengthen from ancient cathedrals
What is the remedy?

The pill of the Communion tablet,
The walking beside still water? Memory?
Or picking up the bright pieces
Of Christ in the faces of rodents,
The tame flower-nibblers, the ones

Whose hopes are so low they are comfortable --
The humpback in his small, washed cottage
Under the spokes of the clematis.
Is there no great love, only tenderness?
Does the sea

Remember the walker upon it?
Meaning leaks from the molecules.
The chimneys of the city breathe, the window sweats,
The children leap in their cots.
The sun blooms, it is a geranium.

The heart has not stopped.

 To this moment a rebel I throw down my arms,
Great Love, at first sight of Olinda's bright charms.
Make proud and secure by such forces as these,
You may now play the tyrant as soon as you please.

When Innocence, Beauty, and Wit do conspire
To betray, and engage, and inflame my Desire,
Why should I decline what I cannot avoid?
And let pleasing Hope by base Fear be destroyed?

Her innocence cannot contrive to undo me,
Her beauty's inclined, or why should it pursue me?
And Wit has to Pleasure been ever a friend,
Then what room for Despair, since Delight is Love's end?

There can be no danger in sweetness and youth,
Where Love is secured by good nature and truth;
On her beauty I'll gaze and of pleasure complain
While every kind look adds a link to my chain.

'Tis more to maintain than it was to surprise,
But her Wit leads in triumpth the slave of her eyes;
I beheld, with the loss of my freedom before,
But hearing, forever must serve and adore.

Too bright is my Goddess, her temple too weak:
Retire, divine image! I feel my heart break.
Help, Love! I dissolve in a rapture of charms
At the thought of those joys I should meet in her arms.