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Best Famous Grants Poems

Here is a collection of the all-time best famous Grants poems. This is a select list of the best famous Grants poetry. Reading, writing, and enjoying famous Grants poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of grants poems.

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Written by Robert Frost | Create an image from this poem

Asking For Roses

 A house that lacks, seemingly, mistress and master,
With doors that none but the wind ever closes,
Its floor all littered with glass and with plaster;
It stands in a garden of old-fashioned roses.
I pass by that way in the gloaming with Mary; 'I wonder,' I say, 'who the owner of those is.
' 'Oh, no one you know,' she answers me airy, 'But one we must ask if we want any roses.
' So we must join hands in the dew coming coldly There in the hush of the wood that reposes, And turn and go up to the open door boldly, And knock to the echoes as beggars for roses.
'Pray, are you within there, Mistress Who-were-you?' 'Tis Mary that speaks and our errand discloses.
'Pray, are you within there? Bestir you, bestir you! 'Tis summer again; there's two come for roses.
'A word with you, that of the singer recalling-- Old Herrick: a saying that every maid knows is A flower unplucked is but left to the falling, And nothing is gained by not gathering roses.
' We do not loosen our hands' intertwining (Not caring so very much what she supposes), There when she comes on us mistily shining And grants us by silence the boon of her roses.


Written by Victor Hugo | Create an image from this poem

ENVY AND AVARICE

 ("L'Avarice et l'Envie.") 
 
 {LE CONSERVATEUR LITÉRAIRE, 1820.} 


 Envy and Avarice, one summer day, 
 Sauntering abroad 
 In quest of the abode 
 Of some poor wretch or fool who lived that way— 
 You—or myself, perhaps—I cannot say— 
 Along the road, scarce heeding where it tended, 
 Their way in sullen, sulky silence wended; 
 
 For, though twin sisters, these two charming creatures, 
 Rivals in hideousness of form and features, 
 Wasted no love between them as they went. 
 Pale Avarice, 
 With gloating eyes, 
 And back and shoulders almost double bent, 
 Was hugging close that fatal box 
 For which she's ever on the watch 
 Some glance to catch 
 Suspiciously directed to its locks; 
 And Envy, too, no doubt with silent winking 
 At her green, greedy orbs, no single minute 
 Withdrawn from it, was hard a-thinking 
 Of all the shining dollars in it. 
 
 The only words that Avarice could utter, 
 Her constant doom, in a low, frightened mutter, 
 "There's not enough, enough, yet in my store!" 
 While Envy, as she scanned the glittering sight, 
 Groaned as she gnashed her yellow teeth with spite, 
 "She's more than me, more, still forever more!" 
 
 Thus, each in her own fashion, as they wandered, 
 Upon the coffer's precious contents pondered, 
 When suddenly, to their surprise, 
 The God Desire stood before their eyes. 
 Desire, that courteous deity who grants 
 All wishes, prayers, and wants; 
 Said he to the two sisters: "Beauteous ladies, 
 As I'm a gentleman, my task and trade is 
 To be the slave of your behest— 
 Choose therefore at your own sweet will and pleasure, 
 Honors or treasure! 
 Or in one word, whatever you'd like best. 
 But, let us understand each other—she 
 Who speaks the first, her prayer shall certainly 
 Receive—the other, the same boon redoubled!" 
 
 Imagine how our amiable pair, 
 At this proposal, all so frank and fair, 
 Were mutually troubled! 
 Misers and enviers, of our human race, 
 Say, what would you have done in such a case? 
 Each of the sisters murmured, sad and low 
 "What boots it, oh, Desire, to me to have 
 Crowns, treasures, all the goods that heart can crave, 
 Or power divine bestow, 
 Since still another must have always more?" 
 
 So each, lest she should speak before 
 The other, hesitating slow and long 
 Till the god lost all patience, held her tongue. 
 He was enraged, in such a way, 
 To be kept waiting there all day, 
 With two such beauties in the public road; 
 Scarce able to be civil even, 
 He wished them both—well, not in heaven. 
 
 Envy at last the silence broke, 
 And smiling, with malignant sneer, 
 Upon her sister dear, 
 Who stood in expectation by, 
 Ever implacable and cruel, spoke 
 "I would be blinded of one eye!" 
 
 American Keepsake 


 




Written by Victor Hugo | Create an image from this poem

BELOVED NAME

 ("Le parfum d'un lis.") 
 
 {Bk. V. xiii.} 


 The lily's perfume pure, fame's crown of light, 
 The latest murmur of departing day, 
 Fond friendship's plaint, that melts at piteous sight, 
 The mystic farewell of each hour at flight, 
 The kiss which beauty grants with coy delay,— 
 
 The sevenfold scarf that parting storms bestow 
 As trophy to the proud, triumphant sun; 
 The thrilling accent of a voice we know, 
 The love-enthralled maiden's secret vow, 
 An infant's dream, ere life's first sands be run,— 
 
 The chant of distant choirs, the morning's sigh, 
 Which erst inspired the fabled Memnon's frame,— 
 The melodies that, hummed, so trembling die,— 
 The sweetest gems that 'mid thought's treasures lie, 
 Have naught of sweetness that can match HER NAME! 
 
 Low be its utterance, like a prayer divine, 
 Yet in each warbled song be heard the sound; 
 Be it the light in darksome fanes to shine, 
 The sacred word which at some hidden shrine, 
 The selfsame voice forever makes resound! 
 
 O friends! ere yet, in living strains of flame, 
 My muse, bewildered in her circlings wide, 
 With names the vaunting lips of pride proclaim, 
 Shall dare to blend the one, the purer name, 
 Which love a treasure in my breast doth hide,— 
 
 Must the wild lay my faithful harp can sing, 
 Be like the hymns which mortals, kneeling, hear; 
 To solemn harmonies attuned the string, 
 As, music show'ring from his viewless wing, 
 On heavenly airs some angel hovered near. 
 
 CAROLINE BOWLES (MRS. SOUTHEY) 


 




Written by Paul Celan | Create an image from this poem

Death Fugue

 Black milk of daybreak we drink it at sundown
we drink it at noon in the morning we drink it at night
we drink it and drink it
we dig a grave in the breezes there one lies unconfined
A man lives in the house he plays with the serpents
 he writes
he writes when dusk falls to Germany your golden
 hair Margarete
he writes it ans steps out of doors and the stars are
 flashing he whistles his pack out
he whistles his Jews out in earth has them dig for a
 grave
he commands us strike up for the dance

Black milk of daybreak we drink you at night
we drink you in the morning at noon we drink you at
 sundown
we drink and we drink you
A man lives in the house he plays with the serpents
 he writes
he writes when dusk falls to Germany your golden hair
 Margarete
your ashen hair Sulamith we dig a grave in the breezes
 there one lies unconfined

He calls out jab deeper into the earth you lot you
 others sing now and play
he grabs at teh iron in his belt he waves it his
 eyes are blue
jab deper you lot with your spades you others play
 on for the dance

Black milk of daybreak we drink you at night
we drink you at at noon in the morning we drink you
 at sundown
we drink and we drink you
a man lives in the house your golden hair Margarete
your ashen hair Sulamith he plays with the serpents
He calls out more sweetly play death death is a master
 from Germany
he calls out more darkly now stroke your strings then
 as smoke you will rise into air
then a grave you will have in the clouds there one
 lies unconfined

Black milk of daybreak we drink you at night
we drink you at noon death is a master from Germany
we drink you at sundown and in the morning we drink
 and we drink you
death is a master from Germany his eyes are blue
he strikes you with leaden bullets his aim is true
a man lives in the house your golden hair Margarete
he sets his pack on to us he grants us a grave in
 the air
He plays with the serpents and daydreams death is
 a master from Germany

your golden hair Margarete
your ashen hair Shulamith
Written by Ralph Waldo Emerson | Create an image from this poem

Merops

 What care I, so they stand the same,—
Things of the heavenly mind,—
How long the power to give them fame
Tarries yet behind?

Thus far to-day your favors reach,
O fair, appeasing Presences!
Ye taught my lips a single speech,
And a thousand silences.
Space grants beyond his fated road No inch to the god of day, And copious language still bestowed One word, no more, to say.


Written by Barry Tebb | Create an image from this poem

THE SINGING SCHOOL

 The Poetry School, The Poetry Book Society, The Poetry Business:

So much poetry about you’d think I’d want to shout, “Hurray, hurray,

Every day’s Poetry Day!” but I don’t and you don’t either-

You know its flim-flam on the ether, grants for Jack-the-lads

Of both sexes, poets who’ve never been seen in a little magazine

Then gone on to win the Oopla Prize and made baroque architecture

The subject of an O.
U.
lecture.
Seventy five pounds for a seminar on sensitivity in verse; A hundred and fifty for an infinitely worse whole weekend of ‘Steps towards a personal fiction in post-modern diction’; And the inevitable course anthology, eight pounds for eleven Nameless poets Pascale Petit and Mimi Kahlvati carefully selected From, well honestly! Who cares? God only knows how banal they’re Bound to be.
Budding Roddy Lumsdens, (Has anyone read a Roddy Lumsden Poem?) “Yeah! Yeah! Yeah!” his first collection short-listed here and there - The sheer hype’s enough to put me off for life.
I still write at bus-stops and avoid competitions like the plague.
I’m not lucky that way, I’ve still to win a single literary prize.
Is there one for every day of the year? And as for James Kirkup, My mentor of forty-odd years, his name evokes blank stares; but Look him up in ‘Who’s Who’, countless OUP collections, the best- ever Version of Val?ry’s ‘Cimeti?re Marin’, translations from eleven tongues Including Vietnamese.
Is there nothing Jamie can do to please? I help one poet to write and one to stay alive; Please God help poor poets thrive.
Written by William Cowper | Create an image from this poem

Joy and Peace in Believing

 Sometimes a light surprises
The Christian while he sings;
It is the Lord who rises
With healing on His wings;
When comforts are declining,
He grants the soul again
A season of clear shining,
To cheer it after rain.
In holy contemplation We sweetly then pursue The theme of God's salvation, And find it ever new; Set free from present sorrow, We cheerfully can say, E'en let the unknown to-morrow Bring with it what it may! It can bring with it nothing, But He will bear us through; Who gives the lilies clothing, Will clothe His people too; Beneath the spreading heavens No creature but is fed; And He who feeds the ravens Will give His children bread.
Though vine nor fig tree neither Their wonted fruit shall bear, Though all the field should wither, Nor flocks nor herds be there: Yet God the same abiding, His praise shall tune my voice; For, while in Him confiding, I cannot but rejoice.
Written by Alexander Pope | Create an image from this poem

The Rape of the Lock: Canto 4

 But anxious cares the pensive nymph oppress'd, 
And secret passions labour'd in her breast.
Not youthful kings in battle seiz'd alive, Not scornful virgins who their charms survive, Not ardent lovers robb'd of all their bliss, Not ancient ladies when refus'd a kiss, Not tyrants fierce that unrepenting die, Not Cynthia when her manteau's pinn'd awry, E'er felt such rage, resentment, and despair, As thou, sad virgin! for thy ravish'd hair.
For, that sad moment, when the Sylphs withdrew, And Ariel weeping from Belinda flew, Umbriel, a dusky, melancholy sprite, As ever sullied the fair face of light, Down to the central earth, his proper scene, Repair'd to search the gloomy cave of Spleen.
Swift on his sooty pinions flits the Gnome, And in a vapour reach'd the dismal dome.
No cheerful breeze this sullen region knows, The dreaded East is all the wind that blows.
Here, in a grotto, shelter'd close from air, And screen'd in shades from day's detested glare, She sighs for ever on her pensive bed, Pain at her side, and Megrim at her head.
Two handmaids wait the throne: alike in place, But diff'ring far in figure and in face.
Here stood Ill Nature like an ancient maid, Her wrinkled form in black and white array'd; With store of pray'rs, for mornings, nights, and noons, Her hand is fill'd; her bosom with lampoons.
There Affectation, with a sickly mien, Shows in her cheek the roses of eighteen, Practis'd to lisp, and hang the head aside, Faints into airs, and languishes with pride, On the rich quilt sinks with becoming woe, Wrapp'd in a gown, for sickness, and for show.
The fair ones feel such maladies as these, When each new night-dress gives a new disease.
A constant vapour o'er the palace flies; Strange phantoms, rising as the mists arise; Dreadful, as hermit's dreams in haunted shades, Or bright, as visions of expiring maids.
Now glaring fiends, and snakes on rolling spires, Pale spectres, gaping tombs, and purple fires: Now lakes of liquid gold, Elysian scenes, And crystal domes, and angels in machines.
Unnumber'd throngs on ev'ry side are seen, Of bodies chang'd to various forms by Spleen.
Here living teapots stand, one arm held out, One bent; the handle this, and that the spout: A pipkin there, like Homer's tripod walks; Here sighs a jar, and there a goose pie talks; Men prove with child, as pow'rful fancy works, And maids turn'd bottles, call aloud for corks.
Safe pass'd the Gnome through this fantastic band, A branch of healing spleenwort in his hand.
Then thus address'd the pow'r: "Hail, wayward Queen! Who rule the sex to fifty from fifteen: Parent of vapours and of female wit, Who give th' hysteric, or poetic fit, On various tempers act by various ways, Make some take physic, others scribble plays; Who cause the proud their visits to delay, And send the godly in a pet to pray.
A nymph there is, that all thy pow'r disdains, And thousands more in equal mirth maintains.
But oh! if e'er thy gnome could spoil a grace, Or raise a pimple on a beauteous face, Like citron waters matrons' cheeks inflame, Or change complexions at a losing game; If e'er with airy horns I planted heads, Or rumpled petticoats, or tumbled beds, Or caus'd suspicion when no soul was rude, Or discompos'd the head-dress of a prude, Or e'er to costive lap-dog gave disease, Which not the tears of brightest eyes could ease: Hear me, and touch Belinda with chagrin; That single act gives half the world the spleen.
" The goddess with a discontented air Seems to reject him, though she grants his pray'r.
A wondrous bag with both her hands she binds, Like that where once Ulysses held the winds; There she collects the force of female lungs, Sighs, sobs, and passions, and the war of tongues.
A vial next she fills with fainting fears, Soft sorrows, melting griefs, and flowing tears.
The Gnome rejoicing bears her gifts away, Spreads his black wings, and slowly mounts to day.
Sunk in Thalestris' arms the nymph he found, Her eyes dejected and her hair unbound.
Full o'er their heads the swelling bag he rent, And all the Furies issu'd at the vent.
Belinda burns with more than mortal ire, And fierce Thalestris fans the rising fire.
"Oh wretched maid!" she spread her hands, and cried, (While Hampton's echoes, "Wretched maid!" replied, "Was it for this you took such constant care The bodkin, comb, and essence to prepare? For this your locks in paper durance bound, For this with tort'ring irons wreath'd around? For this with fillets strain'd your tender head, And bravely bore the double loads of lead? Gods! shall the ravisher display your hair, While the fops envy, and the ladies stare! Honour forbid! at whose unrivall'd shrine Ease, pleasure, virtue, all, our sex resign.
Methinks already I your tears survey, Already hear the horrid things they say, Already see you a degraded toast, And all your honour in a whisper lost! How shall I, then, your helpless fame defend? 'Twill then be infamy to seem your friend! And shall this prize, th' inestimable prize, Expos'd through crystal to the gazing eyes, And heighten'd by the diamond's circling rays, On that rapacious hand for ever blaze? Sooner shall grass in Hyde Park Circus grow, And wits take lodgings in the sound of Bow; Sooner let earth, air, sea, to chaos fall, Men, monkeys, lap-dogs, parrots, perish all!" She said; then raging to Sir Plume repairs, And bids her beau demand the precious hairs: (Sir Plume, of amber snuff-box justly vain, And the nice conduct of a clouded cane) With earnest eyes, and round unthinking face, He first the snuffbox open'd, then the case, And thus broke out--"My Lord, why, what the devil? Z{-}{-}{-}ds! damn the lock! 'fore Gad, you must be civil! Plague on't! 'tis past a jest--nay prithee, pox! Give her the hair"--he spoke, and rapp'd his box.
"It grieves me much," replied the peer again, "Who speaks so well should ever speak in vain.
But by this lock, this sacred lock I swear, (Which never more shall join its parted hair; Which never more its honours shall renew, Clipp'd from the lovely head where late it grew) That while my nostrils draw the vital air, This hand, which won it, shall for ever wear.
" He spoke, and speaking, in proud triumph spread The long-contended honours of her head.
But Umbriel, hateful gnome! forbears not so; He breaks the vial whence the sorrows flow.
Then see! the nymph in beauteous grief appears, Her eyes half-languishing, half-drown'd in tears; On her heav'd bosom hung her drooping head, Which, with a sigh, she rais'd; and thus she said: "For ever curs'd be this detested day, Which snatch'd my best, my fav'rite curl away! Happy! ah ten times happy, had I been, If Hampton Court these eyes had never seen! Yet am not I the first mistaken maid, By love of courts to num'rous ills betray'd.
Oh had I rather unadmir'd remain'd In some lone isle, or distant northern land; Where the gilt chariot never marks the way, Where none learn ombre, none e'er taste bohea! There kept my charms conceal'd from mortal eye, Like roses, that in deserts bloom and die.
What mov'd my mind with youthful lords to roam? Oh had I stay'd, and said my pray'rs at home! 'Twas this, the morning omens seem'd to tell, Thrice from my trembling hand the patch-box fell; The tott'ring china shook without a wind, Nay, Poll sat mute, and Shock was most unkind! A Sylph too warn'd me of the threats of fate, In mystic visions, now believ'd too late! See the poor remnants of these slighted hairs! My hands shall rend what ev'n thy rapine spares: These, in two sable ringlets taught to break, Once gave new beauties to the snowy neck.
The sister-lock now sits uncouth, alone, And in its fellow's fate foresees its own; Uncurl'd it hangs, the fatal shears demands And tempts once more thy sacrilegious hands.
Oh hadst thou, cruel! been content to seize Hairs less in sight, or any hairs but these!"
Written by Bob Hicok | Create an image from this poem

Other Lives And Dimensions And Finally A Love Poem

 My left hand will live longer than my right.
The rivers of my palms tell me so.
Never argue with rivers.
Never expect your lives to finish at the same time.
I think praying, I think clapping is how hands mourn.
I think staying up and waiting for paintings to sigh is science.
In another dimension this is exactly what's happening, it's what they write grants about: the chromodynamics of mournful Whistlers, the audible sorrow and beta decay of Old Battersea Bridge.
I like the idea of different theres and elsewheres, an Idaho known for bluegrass, a Bronx where people talk like violets smell.
Perhaps I am somewhere patient, somehow kind, perhaps in the nook of a cousin universe I've never defiled or betrayed anyone.
Here I have two hands and they are vanishing, the hollow of your back to rest my cheek against, your voice and little else but my assiduous fear to cherish.
My hands are webbed like the wind-torn work of a spider, like they squeezed something in the womb but couldn't hang on.
One of those other worlds or a life I felt passing through mine, or the ocean inside my mother's belly she had to scream out.
Here, when I say I never want to be without you, somewhere else I am saying I never want to be without you again.
And when I touch you in each of the places we meet, in all of the lives we are, it's with hands that are dying and resurrected.
When I don't touch you it's a mistake in any life, in each place and forever.
Written by Anne Sexton | Create an image from this poem

Cripples And Other Stories

 My doctor, the comedian
I called you every time
and made you laugh yourself
when I wrote this silly rhyme.
.
.
Each time I give lectures or gather in the grants you send me off to boarding school in training pants.
God damn it, father-doctor, I'm really thirty-six.
I see dead rats in the toilet.
I'm one of the lunatics.
Disgusted, mother put me on the potty.
She was good at this.
My father was fat on scotch.
It leaked from every orifice.
Oh the enemas of childhood, reeking of outhouses and shame! Yet you rock me in your arms and whisper my nickname.
Or else you hold my hand and teach me love too late.
And that's the hand of the arm they tried to amputate.
Though I was almost seven I was an awful brat.
I put it in the Easy Wringer.
It came out nice and flat.
I was an instant cripple from my finger to my shoulder.
The laundress wept and swooned.
My mother had to hold her.
I know I was a cripple.
Of course, I'd known it from the start.
My father took the crowbar and broke the wringer's heart.
The surgeons shook their heads.
They really didn't know-- Would the cripple inside of me be a cripple that would show? My father was a perfect man, clean and rich and fat.
My mother was a brilliant thing.
She was good at that.
You hold me in your arms.
How strange that you're so tender! Child-woman that I am, you think that you can mend her.
As for the arm, unfortunately it grew.
Though mother said a withered arm would put me in Who's Who.
For years she has described it.
She sang it like a hymn.
By then she loved the shrunken thing, my little withered limb.
My father's cells clicked each night, intent on making money.
And as for my cells, they brooded, little queens, on honey.
Oh boys too, as a matter of fact, and cigarettes and cars.
Mother frowned at my wasted life.
My father smoked cigars.
My cheeks blossomed with maggots.
I picked at them like pearls.
I covered them with pancake.
I wound my hair in curls.
My father didn't know me but you kiss me in my fever.
My mother knew me twice and then I had to leave her.
But those are just two stories and I have more to tell from the outhouse, the greenhouse where you draw me out of hell.
Father, I am thirty-six, yet I lie here in your crib.
I'm getting born again, Adam, as you prod me with your rib.

Book: Shattered Sighs