10 Best Famous Gouty Poems

Here is a collection of the top 10 all-time best famous Gouty poems. This is a select list of the best famous Gouty poetry. Reading, writing, and enjoying famous Gouty poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of gouty poems.

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Written by John Donne | Create an image from this poem

Elegy VIII: The Comparison

 As the sweet sweat of roses in a still,
As that which from chafed musk-cats' pores doth trill,
As the almighty balm of th' early East,
Such are the sweat drops of my mistress' breast,
And on her brow her skin such lustre sets,
They seem no sweat drops, but pearl coronets.
Rank sweaty froth thy Mistress's brow defiles,
Like spermatic issue of ripe menstruous boils,
Or like the scum, which, by need's lawless law
Enforced, Sanserra's starved men did draw
From parboiled shoes and boots, and all the rest
Which were with any sovereigne fatness blest,
And like vile lying stones in saffroned tin,
Or warts, or weals, they hang upon her skin.
Round as the world's her head, on every side,
Like to the fatal ball which fell on Ide,

Or that whereof God had such jealousy,
As, for the ravishing thereof we die.
Thy head is like a rough-hewn statue of jet,
Where marks for eyes, nose, mouth, are yet scarce set;
Like the first Chaos, or flat-seeming face
Of Cynthia, when th' earth's shadows her embrace.
Like Proserpine's white beauty-keeping chest,
Or Jove's best fortunes urn, is her fair breast.
Thine's like worm-eaten trunks, clothed in seals' skin,
Or grave, that's dust without, and stink within.
And like that slender stalk, at whose end stands
The woodbine quivering, are her arms and hands.
Like rough barked elm-boughs, or the russet skin
Of men late scourged for madness, or for sin,
Like sun-parched quarters on the city gate,
Such is thy tanned skin's lamentable state.
And like a bunch of ragged carrots stand
The short swol'n fingers of thy gouty hand.
Then like the Chimic's masculine equal fire,
Which in the Lymbecks warm womb doth inspire
Into th' earth's worthless dirt a soul of gold,
Such cherishing heat her best loved part doth hold.
Thine's like the dread mouth of a fired gun,
Or like hot liquid metals newly run
Into clay moulds, or like to that Etna
Where round about the grass is burnt away.
Are not your kisses then as filthy, and more,
As a worm sucking an envenomed sore?
Doth not thy feareful hand in feeling quake,
As one which gath'ring flowers still fears a snake?
Is not your last act harsh, and violent,
As when a plough a stony ground doth rent?
So kiss good turtles, so devoutly nice
Are priests in handling reverent sacrifice,
And such in searching wounds the surgeon is
As we, when we embrace, or touch, or kiss.
Leave her, and I will leave comparing thus,
She, and comparisons are odious.

Written by Alfred Lord Tennyson | Create an image from this poem

Amphion

 MY father left a park to me, 
But it is wild and barren, 
A garden too with scarce a tree, 
And waster than a warren: 
Yet say the neighbours when they call, 
It is not bad but good land, 
And in it is the germ of all 
That grows within the woodland. 

O had I lived when song was great 
In days of old Amphion, 
And ta'en my fiddle to the gate, 
Nor cared for seed or scion! 
And had I lived when song was great, 
And legs of trees were limber, 
And ta'en my fiddle to the gate, 
And fiddled in the timber! 

'Tis said he had a tuneful tongue, 
Such happy intonation, 
Wherever he sat down and sung 
He left a small plantation; 
Wherever in a lonely grove 
He set up his forlorn pipes, 
The gouty oak began to move, 
And flounder into hornpipes. 

The mountain stirr'd its bushy crown, 
And, as tradition teaches, 
Young ashes pirouetted down 
Coquetting with young beeches; 
And briony-vine and ivy-wreath 
Ran forward to his rhyming, 
And from the valleys underneath 
Came little copses climbing. 

The linden broke her ranks and rent 
The woodbine wreaths that bind her, 
And down the middle, buzz! she went 
With all her bees behind her: 
The poplars, in long order due, 
With cypress promenaded, 
The shock-head willows two and two 
By rivers gallopaded. 

Came wet-shod alder from the wave, 
Came yews, a dismal coterie; 
Each pluck'd his one foot from the grave, 
Poussetting with a sloe-tree: 
Old elms came breaking from the vine, 
The vine stream'd out to follow, 
And, sweating rosin, plump'd the pine 
From many a cloudy hollow. 

And wasn't it a sight to see, 
When, ere his song was ended, 
Like some great landslip, tree by tree, 
The country-side descended; 
And shepherds from the mountain-eaves 
Look'd down, half-pleased, half-frighten'd, 
As dash'd about the drunken leaves 
The random sunshine lighten'd! 

Oh, nature first was fresh to men, 
And wanton without measure; 
So youthful and so flexile then, 
You moved her at your pleasure. 
Twang out, my fiddle! shake the twigs' 
And make her dance attendance; 
Blow, flute, and stir the stiff-set sprigs, 
And scirrhous roots and tendons. 

'Tis vain ! in such a brassy age 
I could not move a thistle; 
The very sparrows in the hedge 
Scarce answer to my whistle; 
'Or at the most, when three-parts-sick 
With strumming and with scraping, 
A jackass heehaws from the rick, 
The passive oxen gaping. 

But what is that I hear ? a sound 
Like sleepy counsel pleading; 
O Lord !--'tis in my neighbour's ground, 
The modern Muses reading. 
They read Botanic Treatises, 
And Works on Gardening thro' there, 
And Methods of transplanting trees 
To look as if they grew there. 

The wither'd Misses! how they prose 
O'er books of travell'd seamen, 
And show you slips of all that grows 
From England to Van Diemen. 
They read in arbours clipt and cut, 
And alleys, faded places, 
By squares of tropic summer shut 
And warm'd in crystal cases. 

But these, tho' fed with careful dirt, 
Are neither green nor sappy; 
Half-conscious of the garden-squirt, 
The spindlings look unhappy. 
Better to me the meanest weed 
That blows upon its mountain, 
The vilest herb that runs to seed 
Beside its native fountain. 

And I must work thro' months of toil, 
And years of cultivation, 
Upon my proper patch of soil 
To grow my own plantation. 
I'll take the showers as they fall, 
I will not vex my bosom: 
Enough if at the end of all 
A little garden blossom.
Written by Andrew Marvell | Create an image from this poem

Fleckno an English Priest at Rome

 Oblig'd by frequent visits of this man,
Whom as Priest, Poet, and Musician,
I for some branch of Melchizedeck took,
(Though he derives himself from my Lord Brooke)
I sought his Lodging; which is at the Sign
Of the sad Pelican; Subject divine
For Poetry: There three Stair Cases high,
Which signifies his triple property,
I found at last a Chamber, as 'twas said,
But seem'd a Coffin set on the Stairs head.
Not higher then Seav'n, nor larger then three feet;
Only there was nor Seeling, nor a Sheet,
Save that th' ingenious Door did as you come
Turn in, and shew to Wainscot half the Room.
Yet of his State no man could have complain'd;
There being no Bed where he entertain'd:
And though within one Cell so narrow pent,
He'd Stanza's for a whole Appartement.
Straight without further information,
In hideous verse, he, and a dismal tone,
Begins to exercise; as if I were
Possest; and sure the Devil brought me there.
But I, who now imagin'd my selfbrought
To my last Tryal, in a serious thought
Calm'd the disorders of my youthful Breast,
And to my Martyrdom prepared Rest.
Only this frail Ambition did remain,
The last distemper of the sober Brain,
That there had been some present to assure
The future Ages how I did indure:
And how I, silent, turn'd my burning Ear
Towards the Verse; and when that could n
Held him the other; and unchanged yet,
Ask'd still for more, and pray'd him to repeat:
Till the Tyrant, weary to persecute,
Left off, and try'd t'allure me with his Lute.
Now as two Instruments, to the same key
Being tun'd by Art, if the one touched be
The other opposite as soon replies,
Mov'd by the Air and hidden Sympathies;
So while he with his gouty Fingers craules
Over the Lute, his murmuring Belly calls,
Whose hungry Guts to the same streightness twin'd
In Echo to the trembling Strings repin'd.
I, that perceiv'd now what his Musick ment,
Ask'd civilly if he had eat this Lent.
He answered yes; with such, and such an one.
For he has this of gen'rous, that alone
He never feeds; save only when he tryes
With gristly Tongue to dart the passing Flyes.
I ask'd if he eat flesh. And he, that was
So hungry that though ready to say Mass
Would break his fast before, said he was Sick,
And th' Ordinance was only Politick.
Nor was I longer to invite him: Scant
Happy at once to make him Protestant,
And Silent. Nothing now Dinner stay'd
But till he had himself a Body made.
I mean till he were drest: for else so thin
He stands, as if he only fed had been
With consecrated Wafers: and the Host
Hath sure more flesh and blood then he can boast.
This Basso Relievo of a Man,
Who as a Camel tall, yet easly can
The Needles Eye thread without any stich,
(His only impossible is to be rich)
Lest his too suttle Body, growing rare,
Should leave his Soul to wander in the Air,
He therefore circumscribes himself in rimes;
And swaddled in's own papers seaven times,
Wears a close Jacket of poetick Buff,
With which he doth his third Dimension Stuff.
Thus armed underneath, he over all
Does make a primitive Sotana fall;
And above that yet casts an antick Cloak,
Worn at the first Counsel of Antioch;
Which by the Jews long hid, and Disesteem'd,
He heard of by Tradition, and redeem'd.
But were he not in this black habit deck't,
This half transparent Man would soon reflect
Each colour that he past by; and be seen,
As the Chamelion, yellow, blew, or green.
He drest, and ready to disfurnish now
His Chamber, whose compactness did allow
No empty place for complementing doubt,
But who came last is forc'd first to go out;
I meet one on the Stairs who made me stand,
Stopping the passage, and did him demand:
I answer'd he is here Sir; but you see
You cannot pass to him but thorow me.
He thought himself affronted; and reply'd,
I whom the Pallace never has deny'd
Will make the way here; I said Sir you'l do
Me a great favour, for I seek to go.
He gathring fury still made sign to draw;
But himself there clos'd in a Scabbard saw
As narrow as his Sword's; and I, that was
Delightful, said there can no Body pass
Except by penetration hither, where
Two make a crowd, nor can three Persons here
Consist but in one substance. Then, to fit
Our peace, the Priest said I too had some wit:
To prov't, I said, the place doth us invite
But its own narrowness, Sir, to unite.
He ask'd me pardon; and to make me way
Went down, as I him follow'd to obey.
But the propitiatory Priest had straight
Oblig'd us, when below, to celebrate
Together our attonement: so increas'd
Betwixt us two the Dinner to a Feast.
Let it suffice that we could eat in peace;
And that both Poems did and Quarrels cease
During the Table; though my new made Friend
Did, as he threatned, ere 'twere long intend
To be both witty and valiant: I loth,
Said 'twas too late, he was already both.
But now, Alas, my first Tormentor came,
Who satisfy'd with eating, but not tame
Turns to recite; though Judges most severe
After th'Assizes dinner mild appear,
And on full stomach do condemn but few:
Yet he more strict my sentence doth renew;
And draws out of the black box of his Breast
Ten quire of paper in which he was drest.
Yet that which was a greater cruelty
Then Nero's Poem he calls charity:
And so the Pelican at his door hung
Picks out the tender bosome to its young.
Of all his Poems there he stands ungirt
Save only two foul copies for his shirt:
Yet these he promises as soon as clean.
But how I loath'd to see my Neighbour glean
Those papers, which he pilled from within
Like white fleaks rising from a Leaper's skin!
More odious then those raggs which the French youth
At ordinaries after dinner show'th,
When they compare their Chancres and Poulains.
Yet he first kist them, and after takes pains
To read; and then, because he understood good.
Not one Word, thought and swore that they were
But all his praises could not now appease
The provok't Author, whom it did displease
To hear his Verses, by so just a curse,
That were ill made condemn'd to be read worse:
And how (impossible) he made yet more
Absurdityes in them then were before.
For he his untun'd voice did fall or raise
As a deaf Man upon a Viol playes,
Making the half points and the periods run
Confus'der then the atomes in the Sun.
Thereat the Poet swell'd, with anger full,
And roar'd out, like Perillus in's own Bull;
Sir you read false. That any one but you
Should know the contrary. Whereat, I, now
Made Mediator, in my room, said, Why?
To say that you read false Sir is no Lye.
Thereat the waxen Youth relented straight;
But saw with sad dispair that was too late.
For the disdainful Poet was retir'd
Home, his most furious Satyr to have fir'd
Against the Rebel; who, at this struck dead
Wept bitterly as disinherited.
Who should commend his Mistress now? Or who
Praise him? both difficult indeed to do
With truth. I counsell'd him to go in time,
Ere the fierce Poets anger turn'd to rime.
He hasted; and I, finding my self free,
Did, as he threatned, ere 'twere long intend
As one scap't strangely from Captivity,
Have made the Chance be painted; and go now
To hang it in Saint Peter's for a Vow.
Written by Eugene Field | Create an image from this poem

The limitations of youth

 I'd like to be a cowboy an' ride a fiery hoss
Way out into the big an' boundless west;
I'd kill the bears an' catamounts an' wolves I come across,
An' I'd pluck the bal' head eagle from his nest!
With my pistols at my side,
I would roam the prarers wide,
An' to scalp the savage Injun in his wigwam would I ride--
If I darst; but I darsen't!

I'd like to go to Afriky an' hunt the lions there,
An' the biggest ollyfunts you ever saw!
I would track the fierce gorilla to his equatorial lair,
An' beard the cannybull that eats folks raw!
I'd chase the pizen snakes
An' the 'pottimus that makes
His nest down at the bottom of unfathomable lakes--
If I darst; but I darsen't!

I would I were a pirut to sail the ocean blue,
With a big black flag aflyin' overhead;
I would scour the billowy main with my gallant pirut crew
An' dye the sea a gouty, gory red!
With my cutlass in my hand
On the quarterdeck I'd stand
And to deeds of heroism I'd incite my pirut band--
If I darst; but I darsen't!

And, if I darst, I'd lick my pa for the times that he's licked me!
I'd lick my brother an' my teacher, too!
I'd lick the fellers that call round on sister after tea,
An' I'd keep on lickin' folks till I got through!
You bet! I'd run away
From my lessons to my play,
An' I'd shoo the hens, an' tease the cat, an' kiss the girls all day--
If I darst; but I darsen't!
Written by Robert William Service | Create an image from this poem

Dance-Hall Girls

 Where are the dames I used to know
In Dawson in the days of yore?
Alas, it's fifty years ago,
And most, I guess, have "gone before."
The swinging scythe is swift to mow
Alike the gallant and the fair;
And even I, with gouty toe,
Am glad to fill a rocking chair.

Ah me, I fear each gaysome girl
Who in champagne I used to toast,
or cozen in the waltz's whirl,
In now alas, a wistful ghost.
Oh where is Touch The Button Nell?
Or Minnie Dale or Rosa Lee,
Or Lorna Doone or Daisy Bell?
And where is Montreal Maree?

Fair ladies of my lusty youth,
I fear that you are dead and gone:
Where's Gertie of the Diamond Tooth,
And where the Mare of Oregon?
What's come of Violet de Vere,
Claw-fingered Kate and Gumboot Sue?
They've crossed the Great Divide, I fear;
Remembered now by just a few.

A few who like myself can see
Through half a century of haze
A heap of goodness in their glee
And kindness in their wanton ways.
Alas, my sourdough days are dead,
Yet let me toss a tankard down . . .
Here's hoping that you wed and bred,
And lives of circumspection led,
Gay dance-hall girls o Dawson Town!

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