Written by
Shel Silverstein |
Well, my daddy left home when I was three,
and he didn't leave much to Ma and me,
just this old guitar and a bottle of booze.
Now I don't blame him because he run and hid,
but the meanest thing that he ever did was
before he left he went and named me Sue.
Well, he must have thought it was quite a joke,
and it got lots of laughs from a lot of folks,
it seems I had to fight my whole life through.
Some gal would giggle and I'd get red
and some guy would laugh and I'd bust his head,
I tell you, life ain't easy for a boy named Sue.
Well, I grew up quick and I grew up mean.
My fist got hard and my wits got keen.
Roamed from town to town to hide my shame,
but I made me a vow to the moon and the stars,
I'd search the honky tonks and bars and kill
that man that gave me that awful name.
But it was Gatlinburg in mid July and I had
just hit town and my throat was dry.
I'd thought i'd stop and have myself a brew.
At an old saloon in a street of mud
and at a table dealing stud sat the dirty,
mangy dog that named me Sue.
Well, I knew that snake was my own sweet dad
from a worn-out picture that my mother had
and I knew the scar on his cheek and his evil eye.
He was big and bent and gray and old
and I looked at him and my blood ran cold,
and I said, "My name is Sue. How do you do?
Now you're gonna die." Yeah, that's what I told him.
Well, I hit him right between the eyes and he went down
but to my surprise he came up with a knife
and cut off a piece of my ear. But I busted a chair
right across his teeth. And we crashed through
the wall and into the street kicking and a-gouging
in the mud and the blood and the beer.
I tell you I've fought tougher men but I really can't remember when.
He kicked like a mule and bit like a crocodile.
I heard him laughin' and then I heard him cussin',
he went for his gun and I pulled mine first.
He stood there looking at me and I saw him smile.
And he said, "Son, this world is rough and if
a man's gonna make it, he's gotta be tough
and I knew I wouldn't be there to help you along.
So I gave you that name and I said 'Goodbye'.
I knew you'd have to get tough or die. And it's
that name that helped to make you strong."
Yeah, he said, "Now you have just fought one
helluva fight, and I know you hate me and you've
got the right to kill me now and I wouldn't blame you
if you do. But you ought to thank me
before I die for the gravel in your guts and the spit
in your eye because I'm the nut that named you Sue."
Yeah, what could I do? What could I do?
I got all choked up and I threw down my gun,
called him pa and he called me a son,
and I came away with a different point of view
and I think about him now and then.
Every time I tried, every time I win and if I
ever have a son I think I am gonna name him
Bill or George - anything but Sue.
|
Written by
Maya Angelou |
I've got the children to tend
The clothes to mend
The floor to mop
The food to shop
Then the chicken to fry
The baby to dry
I got company to feed
The garden to weed
I've got shirts to press
The tots to dress
The can to be cut
I gotta clean up this hut
Then see about the sick
And the cotton to pick.
Shine on me, sunshine
Rain on me, rain
Fall softly, dewdrops
And cool my brow again.
Storm, blow me from here
With your fiercest wind
Let me float across the sky
'Til I can rest again.
Fall gently, snowflakes
Cover me with white
Cold icy kisses and
Let me rest tonight.
Sun, rain, curving sky
Mountain, oceans, leaf and stone
Star shine, moon glow
You're all that I can call my own.
|
Written by
Nikki Giovanni |
All I Gotta Doall i gotta do is sit and wait sit and wait and it's gonna find me all i gotta do is sit and wait if i can learn how what i need to do is sit and wait cause i'm a woman sit and wait what i gotta do is sit and wait cause i'm a woman it'll find me you get yours and i'll get mine if i learn to sit and wait you got yours i want mine and i'm gonna get it cause i gotta get it cause i need to get it if i learn how thought about calling for it on the phone asked for a delivery but they didn't have it thought about going to the store to get it walked to the corner but they didn't have it called your name in my sleep sitting and waiting thought you would awake me called your name lying in my bed but you didn't have it offered to go get it but you didn't have it so i'm sitting all i know is sitting and waiting waiting and sitting cause i'm a woman all i know is sitting and waiting cause i gotta wait wait for it to find me
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Written by
Maggie Estep |
I am THE SEX GODDESS OF THE WESTERN HEMISPHERE
so don't mess with me
I've got a big bag full of SEX TOYS
and you can't have any
'cause they're all mine
'cause I'm
the SEX GODDESS OF THE WESTERN HEMISPHERE.
"Hey," you may say to yourself,
"who the hell's she tryin' to kid,
she's no sex goddess,"
But trust me,
I am
if only for the fact that I have
the unabashed gall
to call
myself a SEX GODDESS,
I mean, after all,
it's what so many of us have at some point thought,
we've all had someone
who worshipped our filthy socks
and barked like a dog when we were near
giving us cause
to pause and think: You know, I may not look like much
but deep inside, I am a SEX GODDESS.
Only
we'd never come out and admit it publicly
well, you wouldn't admit it publicly
but I will
because I am
THE SEX GODDESS OF THE WESTERN HEMISPHERE.
I haven't always been
a SEX GODDESS
I used to be just a mere mortal woman
but I grew tired of sexuality being repressed
then manifest
in late night 900 number ads
where 3 bodacious bimbettes
heave cleavage into the camera's winking lens and sigh:
"Big Girls oooh, Bad Girls oooh, Blonde Girls oooh,
you know what to do, call 1-900-UNMITIGATED BIMBO ooooh."
Yeah
I got fed up with the oooh oooh oooh oooh oooh
I got fed up with it all
so I put on my combat boots
and hit the road with my bag full of SEX TOYS
that were a vital part of my SEX GODDESS image
even though I would never actually use
my SEX TOYS
'cause my being a SEX GODDESS
it isn't a SEXUAL thing
it's a POLITICAL thing
I don't actually have SEX, no
I'm too busy taking care of
important SEX GODDESS BUSINESS,
yeah,
I gotta go on The Charlie Rose Show
and MTV and become a parody
of myself and make
buckets full of money off my own inane brand
of self-righteous POP PSYCHOLOGY
because my pain is different
because I am a SEX GODDESS
and when I talk,
people listen
why ?
Because, you guessed it,
I AM THE SEX GODDESS OF THE WESTERN HEMISPHERE
and you're not.
|
Written by
Thom Gunn |
The blue jay scuffling in the bushes follows
Some hidden purpose, and the gush of birds
That spurts across the field, the wheeling swallows,
Have nested in the trees and undergrowth.
Seeking their instinct, or their pose, or both,
One moves with an uncertain violence
Under the dust thrown by a baffled sense
Or the dull thunder of approximate words.
On motorcycles, up the road, they come:
Small, black, as flies hanging in heat, the Boy,
Until the distance throws them forth, their hum
Bulges to thunder held by calf and thigh.
In goggles, donned impersonality,
In gleaming jackets trophied with the dust,
They strap in doubt--by hiding it, robust--
And almost hear a meaning in their noise.
Exact conclusion of their hardiness
Has no shape yet, but from known whereabouts
They ride, directions where the tires press.
They scare a flight of birds across the field:
Much that is natural, to the will must yield.
Men manufacture both machine and soul,
And use what they imperfectly control
To dare a future from the taken routes.
It is part solution, after all.
One is not necessarily discord
On Earth; or damned because, half animal,
One lacks direct instinct, because one wakes
Afloat on movement that divides and breaks.
One joins the movement in a valueless world,
Crossing it, till, both hurler and the hurled,
One moves as well, always toward, toward.
A minute holds them, who have come to go:
The self-denied, astride the created will.
They burst away; the towns they travel through
Are home for neither birds nor holiness,
For birds and saints complete their purposes.
At worse, one is in motion; and at best,
Reaching no absolute, in which to rest,
One is always nearer by not keeping still.
|
Written by
Carl Sandburg |
YOU come along. . . tearing your shirt. . . yelling about
Jesus.
Where do you get that stuff?
What do you know about Jesus?
Jesus had a way of talking soft and outside of a few
bankers and higher-ups among the con men of Jerusalem
everybody liked to have this Jesus around because
he never made any fake passes and everything
he said went and he helped the sick and gave the
people hope.
You come along squirting words at us, shaking your fist
and calling us all damn fools so fierce the froth slobbers
over your lips. . . always blabbing we're all
going to hell straight off and you know all about it.
I've read Jesus' words. I know what he said. You don't
throw any scare into me. I've got your number. I
know how much you know about Jesus.
He never came near clean people or dirty people but
they felt cleaner because he came along. It was your
crowd of bankers and business men and lawyers
hired the sluggers and murderers who put Jesus out
of the running.
I say the same bunch backing you nailed the nails into
the hands of this Jesus of Nazareth. He had lined
up against him the same crooks and strong-arm men
now lined up with you paying your way.
This Jesus was good to look at, smelled good, listened
good. He threw out something fresh and beautiful
from the skin of his body and the touch of his hands
wherever he passed along.
You slimy bunkshooter, you put a smut on every human
blossom in reach of your rotten breath belching
about hell-fire and hiccupping about this Man who
lived a clean life in Galilee.
When are you going to quit making the carpenters build
emergency hospitals for women and girls driven
crazy with wrecked nerves from your gibberish about
Jesus--I put it to you again: Where do you get that
stuff; what do you know about Jesus?
Go ahead and bust all the chairs you want to. Smash
a whole wagon load of furniture at every performance.
Turn sixty somersaults and stand on your
nutty head. If it wasn't for the way you scare the
women and kids I'd feel sorry for you and pass the hat.
I like to watch a good four-flusher work, but not when
he starts people puking and calling for the doctors.
I like a man that's got nerve and can pull off a great
original performance, but you--you're only a bug-
house peddler of second-hand gospel--you're only
shoving out a phoney imitation of the goods this
Jesus wanted free as air and sunlight.
You tell people living in shanties Jesus is going to fix it
up all right with them by giving them mansions in
the skies after they're dead and the worms have
eaten 'em.
You tell $6 a week department store girls all they need
is Jesus; you take a steel trust wop, dead without
having lived, gray and shrunken at forty years of
age, and you tell him to look at Jesus on the cross
and he'll be all right.
You tell poor people they don't need any more money
on pay day and even if it's fierce to be out of a job,
Jesus'll fix that up all right, all right--all they gotta
do is take Jesus the way you say.
I'm telling you Jesus wouldn't stand for the stuff you're
handing out. Jesus played it different. The bankers
and lawyers of Jerusalem got their sluggers and
murderers to go after Jesus just because Jesus
wouldn't play their game. He didn't sit in with
the big thieves.
I don't want a lot of gab from a bunkshooter in my religion.
I won't take my religion from any man who never works
except with his mouth and never cherishes any memory
except the face of the woman on the American
silver dollar.
I ask you to come through and show me where you're
pouring out the blood of your life.
I've been to this suburb of Jerusalem they call Golgotha,
where they nailed Him, and I know if the story is
straight it was real blood ran from His hands and
the nail-holes, and it was real blood spurted in red
drops where the spear of the Roman soldier rammed
in between the ribs of this Jesus of Nazareth.
|
Written by
Ntozake Shange |
somebody almost walked off wid alla my stuff ?not my poems or a dance i gave up in the street? but somebody almost walked off wid alla my stuff
like a kleptomaniac workin hard & forgettin while stealin? this is mine/this aint yr stuff/?now why don’t you put me back & let me hang out in my own self
somebody almost walked off wit alla my stuff ; didn’t care enuf to send a note home sayin ?i was late for my solo conversation? or two sizes to small for my own tacky skirts
what can anybody do wit somethin of no value on?a open market/ did you getta dime for my things/?hey man/ where are you goin wid alla my stuff/?to ohh & ahh abt/ daddy/ i gotta mainline number ?from my own ****/ now wontcha put me back/ & let? me play this duet/ wit silver ring in my nose/?honest to god/
somebody almost run off wit alla my stuff/ ?& i didnt bring anythin but the kick & sway of it ?the perfect ass for my man & none of it is theirs ?this is mine/ ntozake ‘her own things’/ that’s my name? now give me my stuff/ i see ya hidin my laugh/ & how i?s it wif my legs open sometimes/ to give me ?some sunlight/ & there goes my love my toes my chewed ?up finger nails/ niggah/ wif the curls in yr hair/?mr. louisiana hot link/
i want my stuff back/?my rhythms & my voice/ open my mouth/ & let me talk ya ?outta/ throwin my **** in the sewar/ this is some delicate ?leg & whimsical kiss/ i gotta have to give to my choice/?without you runnin off wit alla my ****/?now you cant have me less i give me away/ i waz?doin all that/ til ya run off on a good thing/
who is this you left me wit/ some simple ***** ?widda bad attitude/ i wants my things/?i want my arm wit the hot iron scar/ & my leg wit the? flea bite/ i want my calloused feet & quik language back?in my mouth/ fried plantains/ pineapple pear juice/ ?sun-ra & joseph & jules/ i want my own things/ how i lived them/?& give me my memories/ how i waz when i waz there/?you cant have them or do nothin wit them/
stealin my **** from me/ dont make it yrs/ makes it stolen/?somebody almost run off wit alla my stuff/ & i waz standin? there/ lookin at myself/ the whole time ?& it waznt a spirit took my stuff/ waz a man whose ?ego walked round like Rodan’s shadow/ waz a man faster?n my innocence/
waz a lover/ i made too much ?room for/ almost run off wit alla my stuff/?& i didnt know i’d give it up so quik/ & the one runnin wit it/?don’t know he got it/ & i’m shoutin this is mine/ & he dont ?know he got it/ my stuff is the anonymous ripped off treasure? of the year/
did you know somebody almost got away wit me/?me in a plastic bag under their arm/ me ?danglin on a string of personal carelessness/ i’m spattered wit? mud & city rain/ & no i didnt get a chance to take a douche/?hey man/ this is not your prerogative/ i gotta have me in my? pocket/ to get round like a good woman shd/ & make the poem?in the pot or the chicken in the dance/
what i got to do/?i gotta get my stuff to do it to/?why dont ya find yr own things/ & leave this package ?of me for my destiny/ what ya got to get from me/?i’ll give it to ya/ yeh/ i’ll give it to ya/?round 5:00 in the winter/ when the sky is blue-red/?& Dew City is gettin pressed/ if it’s really my stuff/?ya gotta give it to me/ if ya really want it/ i’m ?the only one/ can handle it
-----By: Ntozake Shange.
|
Written by
Robert William Service |
I don't know how the fishes feel, but I can't help thinking it odd,
That a gay young flapper of a female eel should fall in love with a cod.
Yet - that's exactly what she did and it only goes to prove,
That' what evr you do you can't put the lid on that crazy feeling Love.
Now that young tom-cod was a dreadful rake, and he had no wish to wed,
But he feared that her foolish heart would break, so this is what he said:
"Some fellows prize a woman's eyes, and some admire her lips,
While some have a taste for a tiny waist, but - me, what I like is HIPS."
"So you see, my dear," said that gay tom-cod, "Exactly how I feel;
Oh I hate to be unkind but I know my mind, and there ain't no hips on an eel."
"Alas! that's true," said the foolish fish, as she blushed to her finny tips:
"And with might and main, though it gives me pain, I'll try to develop hips."
So day and night with all her might she physical culturized;
But alas and alack, in the middle of her back no hump she recognized.
So - then she knew that her love eclipse was fated from the start;
For you never yet saw an eel with hips, so she died of a broken heart.
Chorus:
Oh you've gotta hand it out to Love, to Love you can't can Love
You'll find it from the bottom of the briny deep to the blue above.
From the Belgin hare to the Polar Bear, and the turtle dove,
You can look where you please, But from elephant to fleas,
You'll never put the lid on Love.
You can look where you choose, But from crabs to kangaroos,
You'll never put the lid on Love.
You can look where you like, But from polywogs to pike,
You'll never put the lid on Love.
You can look where you please, But from buffalo to bees,
You'll never put the lid on Love.
|
Written by
Robert William Service |
I've sung of Violet de Vere, that slinky, minky dame,
Of Gertie of the Diamond Tooth, and Touch-the-Button Nell,
And Maye Lamore,--at eighty-four I oughta blush wi' shame
That in my wild and wooly youth I knew them ladies well.
And Klondike Kit, and Gumboot Sue, and many I've forgot;
They had their faults, as I recall, the same as you and me;
But come to take them all in all, the daisy of the lot,
The glamour queen of dance-hall dames was Montreal Maree.
And yet her heart was bigger than a barn, the boys would say;
Always the first to help the weak, and so with words of woe,
She put me wise that Lipstick Lou was in the family way:
"An' who ze baby's fazzaire ees, only ze bon Dieu know."
Then on a black and bitter night passed on poor Lipstick Lou;
And by her bedside, midwife wise, wi' tears aflowin' free,
A holdin' out the newly born,--an' by gosh! there was two:
"Helas! I am zere mossaire now," said Montreal Maree.
Said One-eyed Mike: "In Lucky Strike we've never yet had twins,"
As darin' inundation he held one upon each knee.
"Say, boys, ain't they a purty sight, as like's a pair o' pins--
We gotta hold a christinin' wi' Father Tim McGee."
"I aim to be their Godpa," bellowed Black Moran from Nome.
"The guy wot don't love childer is a blasted S.O.B.:
So long as I can tot a gun them kids won't lack a home."
"I sink zey creep into my heart," said Montreal Maree.
'Twas hectic in the Nugget Bar, the hooch was flowin' free,
An' Lousetown Liz was singin' of how someone done her wrong,
Wi' sixty seeded sourdoughs all ahollerin' their glee,
When One-eyed Mike uprose an' called suspension of the song.
Says he: "Aloodin' to them twins, their age in months is two,
An' I propose wi' Christmas close, we offer them a tree.
'Twill sure be mighty pleasin' to the ghost o' Lipstick Lou . . ."
"Zen you will be ze Père Noël," said Montreal Maree.
The dance hall of the Nugget Bar erupted joy an' light,
An' set upon the stage them twins was elegant to see,
Like angel cherubs in their robes of pure baptismal white,
Abaskin' in the sunny smile o' Father tim McGee.
Then on the bar stood Santa Claus, says he: "We'll form a Trust;
So all you sourdoughs heft your pokes an' hang 'em on the Tree.
To give them kids a chance in life we'll raise enough or bust!"
"For zem I pray ze Lord to bless," said Montreal Maree.
You never saw a Christmas Tree so swell as that, I vow,
Wi' sixty sweaty sourdoughs ringin' round them infants two;
Their solid pokes o' virgin gold aweighin' down each bough,
All singin' Christ Is Risen, for the soul o' Lipstick Lou,
"Lo! Death is a deliverer, the purger of our sins,
And Motherhood leads up to God," said Father Tim McGee.
Then all the Ladies of the Line bent down to kiss them twins,
Clasped to the breast, Madonna-like, of Montreal Maree.
Sure 'tis the love of childer makes for savin' of the soul,
And in Maternity the hope of humankind we see;
So though she wears no halo, headin' out for Heaven's goal,
Awheelin' of a double pram,--bless Montreal Maree!
|
Written by
Robert William Service |
Sez I: My Country calls? Well, let it call.
I grins perlitely and declines wiv thanks.
Go, let 'em plaster every blighted wall,
'Ere's ONE they don't stampede into the ranks.
Them politicians with their greasy ways;
Them empire-grabbers -- fight for 'em? No fear!
I've seen this mess a-comin' from the days
Of Algyserious and Aggydear:
I've felt me passion rise and swell,
But . . . wot the 'ell, Bill? Wot the 'ell?
Sez I: My Country? Mine? I likes their cheek.
Me mud-bespattered by the cars they drive,
Wot makes my measly thirty bob a week,
And sweats red blood to keep meself alive!
Fight for the right to slave that they may spend,
Them in their mansions, me 'ere in my slum?
No, let 'em fight wot's something to defend:
But me, I've nothin' -- let the Kaiser come.
And so I cusses 'ard and well,
But . . . wot the 'ell, Bill? Wot the 'ell?
Sez I: If they would do the decent thing,
And shield the missis and the little 'uns,
Why, even _I_ might shout "God save the King",
And face the chances of them 'ungry guns.
But we've got three, another on the way;
It's that wot makes me snarl and set me jor:
The wife and nippers, wot of 'em, I say,
If I gets knocked out in this blasted war?
Gets proper busted by a shell,
But . . . wot the 'ell, Bill? Wot the 'ell?
Ay, wot the 'ell's the use of all this talk?
To-day some boys in blue was passin' me,
And some of 'em they 'ad no legs to walk,
And some of 'em they 'ad no eyes to see.
And -- well, I couldn't look 'em in the face,
And so I'm goin', goin' to declare
I'm under forty-one and take me place
To face the music with the bunch out there.
A fool, you say! Maybe you're right.
I'll 'ave no peace unless I fight.
I've ceased to think; I only know
I've gotta go, Bill, gotta go.
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