10 Best Famous Gone Too Far Poems

Here is a collection of the top 10 all-time best famous Gone Too Far poems. This is a select list of the best famous Gone Too Far poetry. Reading, writing, and enjoying famous Gone Too Far poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of gone too far poems.

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Written by Edwin Arlington Robinson | Create an image from this poem

London Bridge

 “Do I hear them? Yes, I hear the children singing—and what of it? 
Have you come with eyes afire to find me now and ask me that? 
If I were not their father and if you were not their mother, 
We might believe they made a noise…. What are you—driving at!” 

“Well, be glad that you can hear them, and be glad they are so near us,— 
For I have heard the stars of heaven, and they were nearer still. 
All within an hour it is that I have heard them calling, 
And though I pray for them to cease, I know they never will; 
For their music on my heart, though you may freeze it, will fall always, 
Like summer snow that never melts upon a mountain-top.
Do you hear them? Do you hear them overhead—the children—singing? 
Do you hear the children singing?… God, will you make them stop!” 

“And what now in His holy name have you to do with mountains? 
We’re back to town again, my dear, and we’ve a dance tonight. 
Frozen hearts and falling music? Snow and stars, and—what the devil!
Say it over to me slowly, and be sure you have it right.” 

“God knows if I be right or wrong in saying what I tell you, 
Or if I know the meaning any more of what I say. 
All I know is, it will kill me if I try to keep it hidden— 
Well, I met him…. Yes, I met him, and I talked with him—today.”

“You met him? Did you meet the ghost of someone you had poisoned, 
Long ago, before I knew you for the woman that you are? 
Take a chair; and don’t begin your stories always in the middle. 
Was he man, or was he demon? Anyhow, you’ve gone too far 
To go back, and I’m your servant. I’m the lord, but you’re the master.
Now go on with what you know, for I’m excited.” 

“Do you mean— 
Do you mean to make me try to think that you know less than I do?” 

“I know that you foreshadow the beginning of a scene. 
Pray be careful, and as accurate as if the doors of heaven
Were to swing or to stay bolted from now on for evermore.” 

“Do you conceive, with all your smooth contempt of every feeling, 
Of hiding what you know and what you must have known before? 
Is it worth a woman’s torture to stand here and have you smiling, 
With only your poor fetish of possession on your side?
No thing but one is wholly sure, and that’s not one to scare me; 
When I meet it I may say to God at last that I have tried. 
And yet, for all I know, or all I dare believe, my trials 
Henceforward will be more for you to bear than are your own; 
And you must give me keys of yours to rooms I have not entered.
Do you see me on your threshold all my life, and there alone? 
Will you tell me where you see me in your fancy—when it leads you 
Far enough beyond the moment for a glance at the abyss?” 

“Will you tell me what intrinsic and amazing sort of nonsense 
You are crowding on the patience of the man who gives you—this?
Look around you and be sorry you’re not living in an attic, 
With a civet and a fish-net, and with you to pay the rent. 
I say words that you can spell without the use of all your letters; 
And I grant, if you insist, that I’ve a guess at what you meant.” 

“Have I told you, then, for nothing, that I met him? Are you trying
To be merry while you try to make me hate you?” 

“Think again, 
My dear, before you tell me, in a language unbecoming 
To a lady, what you plan to tell me next. If I complain, 
If I seem an atom peevish at the preference you mention—
Or imply, to be precise—you may believe, or you may not, 
That I’m a trifle more aware of what he wants than you are. 
But I shouldn’t throw that at you. Make believe that I forgot. 
Make believe that he’s a genius, if you like,—but in the meantime 
Don’t go back to rocking-horses. There, there, there, now.”

“Make believe! 
When you see me standing helpless on a plank above a whirlpool, 
Do I drown, or do I hear you when you say it? Make believe? 
How much more am I to say or do for you before I tell you 
That I met him! What’s to follow now may be for you to choose.
Do you hear me? Won’t you listen? It’s an easy thing to listen….” 

“And it’s easy to be crazy when there’s everything to lose.” 
“If at last you have a notion that I mean what I am saying, 
Do I seem to tell you nothing when I tell you I shall try? 
If you save me, and I lose him—I don’t know—it won’t much matter.
I dare say that I’ve lied enough, but now I do not lie.” 

“Do you fancy me the one man who has waited and said nothing 
While a wife has dragged an old infatuation from a tomb? 
Give the thing a little air and it will vanish into ashes. 
There you are—piff! presto!”

“When I came into this room, 
It seemed as if I saw the place, and you there at your table, 
As you are now at this moment, for the last time in my life; 
And I told myself before I came to find you, ‘I shall tell him, 
If I can, what I have learned of him since I became his wife.’
And if you say, as I’ve no doubt you will before I finish, 
That you have tried unceasingly, with all your might and main, 
To teach me, knowing more than I of what it was I needed, 
Don’t think, with all you may have thought, that you have tried in vain; 
For you have taught me more than hides in all the shelves of knowledge
Of how little you found that’s in me and was in me all along. 
I believed, if I intruded nothing on you that I cared for, 
I’d be half as much as horses,—and it seems that I was wrong; 
I believed there was enough of earth in me, with all my nonsense 
Over things that made you sleepy, to keep something still awake;
But you taught me soon to read my book, and God knows I have read it— 
Ages longer than an angel would have read it for your sake. 
I have said that you must open other doors than I have entered, 
But I wondered while I said it if I might not be obscure. 
Is there anything in all your pedigrees and inventories
With a value more elusive than a dollar’s? Are you sure 
That if I starve another year for you I shall be stronger 
To endure another like it—and another—till I’m dead?” 

“Has your tame cat sold a picture?—or more likely had a windfall? 
Or for God’s sake, what’s broke loose? Have you a bee-hive in your head?
A little more of this from you will not be easy hearing 
Do you know that? Understand it, if you do; for if you won’t…. 
What the devil are you saying! Make believe you never said it, 
And I’ll say I never heard it…. Oh, you…. If you….” 

“If I don’t?”
“There are men who say there’s reason hidden somewhere in a woman, 
But I doubt if God himself remembers where the key was hung.” 

“He may not; for they say that even God himself is growing. 
I wonder if He makes believe that He is growing young; 
I wonder if He makes believe that women who are giving
All they have in holy loathing to a stranger all their lives 
Are the wise ones who build houses in the Bible….” 

“Stop—you devil!” 
“…Or that souls are any whiter when their bodies are called wives. 
If a dollar’s worth of gold will hoop the walls of hell together,
Why need heaven be such a ruin of a place that never was? 
And if at last I lied my starving soul away to nothing, 
Are you sure you might not miss it? Have you come to such a pass 
That you would have me longer in your arms if you discovered 
That I made you into someone else…. Oh!…Well, there are worse ways.
But why aim it at my feet—unless you fear you may be sorry…. 
There are many days ahead of you.” 

“I do not see those days.” 
“I can see them. Granted even I am wrong, there are the children. 
And are they to praise their father for his insight if we die?
Do you hear them? Do you hear them overhead—the children—singing? 
Do you hear them? Do you hear the children?” 
“Damn the children!” 

“Why? 
What have they done?…Well, then,—do it…. Do it now, and have it over.”
“Oh, you devil!…Oh, you….” 

“No, I’m not a devil, I’m a prophet— 
One who sees the end already of so much that one end more 
Would have now the small importance of one other small illusion, 
Which in turn would have a welcome where the rest have gone before.
But if I were you, my fancy would look on a little farther 
For the glimpse of a release that may be somewhere still in sight. 
Furthermore, you must remember those two hundred invitations 
For the dancing after dinner. We shall have to shine tonight. 
We shall dance, and be as happy as a pair of merry spectres,
On the grave of all the lies that we shall never have to tell; 
We shall dance among the ruins of the tomb of our endurance, 
And I have not a doubt that we shall do it very well. 
There!—I’m glad you’ve put it back; for I don’t like it. Shut the drawer now. 
No—no—don’t cancel anything. I’ll dance until I drop.
I can’t walk yet, but I’m going to…. Go away somewhere, and leave me…. 
Oh, you children! Oh, you children!…God, will they never stop!”

Written by Pablo Neruda | Create an image from this poem

I crave your mouth your voice your hair

 Don't go far off, not even for a day
Don't go far off, not even for a day, 
Because I don't know how to say it - a day is long
And I will be waiting for you, as in
An empty station when the trains are 
Parked off somewhere else, asleep. 

Don't leave me, even for an hour, because then 
The little drops of anguish will all run together, 
The smoke that roams looking for a home will drift 
Into me, choking my lost heart. 

Oh, may your silhouette never dissolve
On the beach, may your eyelids never flutter
Into the empty distance. Don't LEAVE me for 
A second, my dearest, because in that moment you'll 
Have gone so far I'll wander mazily 
Over all the earth, asking, will you 
Come back? Will you leave me here, dying?
Written by Anne Bradstreet | Create an image from this poem

A Letter to Her Husband

 Absent upon Public Employment 

My head, my heart, mine eyes, my life, nay more,
My joy, my magazine, of earthly store,
If two be one, as surely thou and I,
How stayest thou there, whilst I at Ipswich lie?
So many steps, head from the heart to sever,
If but a neck, soon should we be together.
I, like the Earth this season, mourn in black,
My Sun is gone so far in's zodiac,
Whom whilst I 'joyed, nor storms, nor frost I felt,
His warmth such fridged colds did cause to melt.
My chilled limbs now numbed lie forlorn;
Return; return, sweet Sol, from Capricorn;
In this dead time, alas, what can I more
Than view those fruits which through thy heart I bore?
Which sweet contentment yield me for a space,
True living pictures of their father's face.
O strange effect! now thou art southward gone,
I weary grow the tedious day so long;
But when thou northward to me shalt return,
I wish my Sun may never set, but burn
Within the Cancer of my glowing breast,
The welcome house of him my dearest guest.
Where ever, ever stay, and go not thence,
Till nature's sad decree shall call thee hence;
Flesh of thy flesh, bone of thy bone,
I here, thou there, yet both but one.
Written by Pablo Neruda | Create an image from this poem

Dont Go Far Off Not Even For A Day

 Don't go far off, not even for a day, because -- 
because -- I don't know how to say it: a day is long 
and I will be waiting for you, as in an empty station 
when the trains are parked off somewhere else, asleep. 

Don't leave me, even for an hour, because 
then the little drops of anguish will all run together, 
the smoke that roams looking for a home will drift 
into me, choking my lost heart. 

Oh, may your silhouette never dissolve on the beach; 
may your eyelids never flutter into the empty distance. 
Don't leave me for a second, my dearest, 

because in that moment you'll have gone so far 
I'll wander mazily over all the earth, asking, 
Will you come back? Will you leave me here, dying?
Written by Robert Browning | Create an image from this poem

Before

 I.

Let them fight it out, friend! things have gone too far.
God must judge the couple: leave them as they are
---Whichever one's the guiltless, to his glory,
And whichever one the guilt's with, to my story!

II.

Why, you would not bid men, sunk in such a slough,
Strike no arm out further, stick and stink as now,
Leaving right and wrong to settle the embroilment,
Heaven with snaky hell, in torture and entoilment?

III.

Who's the culprit of them? How must he conceive
God---the queen he caps to, laughing in his sleeve,
`` 'Tis but decent to profess oneself beneath her:
``Still, one must not be too much in earnest, either!''

IV.

Better sin the whole sin, sure that God observes;
Then go live his life out! Life will try his nerves,
When the sky, which noticed all, makes no disclosure,
And the earth keeps up her terrible composure.

V.

Let him pace at pleasure, past the walls of rose,
Pluck their fruits when grape-trees graze him as he goes!
For he 'gins to guess the purpose of the garden,
With the sly mute thing, beside there, for a warden.

VI.

What's the leopard-dog-thing, constant at his side,
A leer and lie in every eye of its obsequious hide?
When will come an end to all the mock obeisance,
And the price appear that pays for the misfeasance?

VII.

So much for the culprit. Who's the martyred man?
Let him bear one stroke more, for be sure he can!
He that strove thus evil's lump with good to leaven,
Let him give his blood at last and get his heaven!

VIII.

All or nothing, stake it! Trust she God or no?
Thus far and no farther? farther? be it so!
Now, enough of your chicane of prudent pauses,
Sage provisos, sub-intents and saving-clauses!

IX.

Ah, ``forgive'' you bid him? While God's champion lives,
Wrong shall be resisted: dead, why, he forgives.
But you must not end my friend ere you begin him;
Evil stands not crowned on earth, while breath is in him.

X.

Once more---Will the wronger, at this last of all,
Dare to say, ``I did wrong,'' rising in his fall?
No?---Let go then! Both the fighters to their places!
While I count three, step you back as many paces!

Written by Alfred Lord Tennyson | Create an image from this poem

In Memoriam A. H. H.

Strong Son of God, immortal Love,
   Whom we, that have not seen thy face,
   By faith, and faith alone, embrace,
Believing where we cannot prove;
 
Thine are these orbs of light and shade;
   Thou madest Life in man and brute;
   Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
 
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
 
Thou seemest human and divine,
   The highest, holiest manhood, thou.
   Our wills are ours, we know not how;
Our wills are ours, to make them thine.
 
Our little systems have their day;
   They have their day and cease to be:
   They are but broken lights of thee,
And thou, O Lord, art more than they.
 
We have but faith: we cannot know;
   For knowledge is of things we see
   And yet we trust it comes from thee,
A beam in darkness: let it grow.
 
Let knowledge grow from more to more,
   But more of reverence in us dwell;
   That mind and soul, according well,
May make one music as before,
 
But vaster. We are fools and slight;
   We mock thee when we do not fear:
   But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
 
Forgive what seem'd my sin in me;
   What seem'd my worth since I began;
   For merit lives from man to man,
And not from man, O Lord, to thee.
 
Forgive my grief for one removed,
   Thy creature, whom I found so fair.
   I trust he lives in thee, and there
I find him worthier to be loved.
 
Forgive these wild and wandering cries,
   Confusions of a wasted youth;
   Forgive them where they fail in truth,
And in thy wisdom make me wise.
 
I
I held it truth, with him who sings
   To one clear harp in divers tones,
   That men may rise on stepping-stones
Of their dead selves to higher things.
 
But who shall so forecast the years
   And find in loss a gain to match?
   Or reach a hand thro' time to catch
The far-off interest of tears?
 
Let Love clasp Grief lest both be drown'd,
   Let darkness keep her raven gloss:
   Ah, sweeter to be drunk with loss,
To dance with death, to beat the ground,
 
Than that the victor Hours should scorn
   The long result of love, and boast,
   `Behold the man that loved and lost,
But all he was is overworn.'
 
II
Old Yew, which graspest at the stones
   That name the under-lying dead,
   Thy fibres net the dreamless head,
Thy roots are wrapt about the bones.
 
The seasons bring the flower again,
   And bring the firstling to the flock;
   And in the dusk of thee, the clock
Beats out the little lives of men.
 
O, not for thee the glow, the bloom,
   Who changest not in any gale,
   Nor branding summer suns avail
To touch thy thousand years of gloom:
 
And gazing on thee, sullen tree,
   Sick for thy stubborn hardihood,
   I seem to fail from out my blood
And grow incorporate into thee.
 
III
O Sorrow, cruel fellowship,
   O Priestess in the vaults of Death,
   O sweet and bitter in a breath,
What whispers from thy lying lip?
 
'The stars,' she whispers, `blindly run;
   A web is wov'n across the sky;
   From out waste places comes a cry,
And murmurs from the dying sun:
 
'And all the phantom, Nature, stands—
   With all the music in her tone,
   A hollow echo of my own,—
A hollow form with empty hands.'
 
And shall I take a thing so blind,
   Embrace her as my natural good;
   Or crush her, like a vice of blood,
Upon the threshold of the mind?
 
IV
To Sleep I give my powers away;
   My will is bondsman to the dark;
   I sit within a helmless bark,
And with my heart I muse and say:
 
O heart, how fares it with thee now,
   That thou should'st fail from thy desire,
   Who scarcely darest to inquire,
'What is it makes me beat so low?'
 
Something it is which thou hast lost,
   Some pleasure from thine early years.
   Break, thou deep vase of chilling tears,
That grief hath shaken into frost!
 
Such clouds of nameless trouble cross
   All night below the darken'd eyes;
   With morning wakes the will, and cries, 
'Thou shalt not be the fool of loss.'
 
V
I sometimes hold it half a sin
   To put in words the grief I feel;
   For words, like Nature, half reveal
And half conceal the Soul within.
 
But, for the unquiet heart and brain,
   A use in measured language lies;
   The sad mechanic exercise,
Like dull narcotics, numbing pain.
 
In words, like weeds, I'll wrap me o'er,
   Like coarsest clothes against the cold:
   But that large grief which these enfold
Is given in outline and no more.
 
VI
One writes, that `Other friends remain,'
   That `Loss is common to the race'—
   And common is the commonplace,
And vacant chaff well meant for grain.
 
That loss is common would not make
   My own less bitter, rather more:
   Too common! Never morning wore
To evening, but some heart did break.
 
O father, wheresoe'er thou be,
   Who pledgest now thy gallant son;
   A shot, ere half thy draught be done,
Hath still'd the life that beat from thee.
 
O mother, praying God will save
   Thy sailor,—while thy head is bow'd,
   His heavy-shotted hammock-shroud
Drops in his vast and wandering grave.
 
Ye know no more than I who wrought
   At that last hour to please him well;
   Who mused on all I had to tell,
And something written, something thought;
 
Expecting still his advent home;
   And ever met him on his way
   With wishes, thinking, `here to-day,'
Or `here to-morrow will he come.'
 
O somewhere, meek, unconscious dove,
   That sittest ranging golden hair;
   And glad to find thyself so fair,
Poor child, that waitest for thy love!
 
For now her father's chimney glows
   In expectation of a guest;
   And thinking `this will please him best,'
She takes a riband or a rose;
 
For he will see them on to-night;
   And with the thought her colour burns;
   And, having left the glass, she turns
Once more to set a ringlet right;
 
And, even when she turn'd, the curse
   Had fallen, and her future Lord
   Was drown'd in passing thro' the ford,
Or kill'd in falling from his horse.
 
O what to her shall be the end?
   And what to me remains of good?
   To her, perpetual maidenhood,
And unto me no second friend.
 
VII
Dark house, by which once more I stand
   Here in the long unlovely street,
   Doors, where my heart was used to beat
So quickly, waiting for a hand,
 
A hand that can be clasp'd no more—
   Behold me, for I cannot sleep,
   And like a guilty thing I creep
At earliest morning to the door.
 
He is not here; but far away
   The noise of life begins again,
   And ghastly thro' the drizzling rain
On the bald street breaks the blank day.
 
VIII
A happy lover who has come
   To look on her that loves him well,
   Who 'lights and rings the gateway bell,
And learns her gone and far from home;
 
He saddens, all the magic light
   Dies off at once from bower and hall,
   And all the place is dark, and all
The chambers emptied of delight:
 
So find I every pleasant spot
   In which we two were wont to meet,
   The field, the chamber, and the street,
For all is dark where thou art not.
 
Yet as that other, wandering there
   In those deserted walks, may find
   A flower beat with rain and wind,
Which once she foster'd up with care;
 
So seems it in my deep regret,
   O my forsaken heart, with thee
   And this poor flower of poesy
Which little cared for fades not yet.
 
But since it pleased a vanish'd eye,
   I go to plant it on his tomb,
   That if it can it there may bloom,
Or, dying, there at least may die.
 
IX
Fair ship, that from the Italian shore
   Sailest the placid ocean-plains
   With my lost Arthur's loved remains,
Spread thy full wings, and waft him o'er.
 
So draw him home to those that mourn
   In vain; a favourable speed
   Ruffle thy mirror'd mast, and lead
Thro' prosperous floods his holy urn.
 
All night no ruder air perplex
   Thy sliding keel, till Phosphor, bright
   As our pure love, thro' early light
Shall glimmer on the dewy decks.
 
Sphere all your lights around, above;
   Sleep, gentle heavens, before the prow;
   Sleep, gentle winds, as he sleeps now,
My friend, the brother of my love;
 
My Arthur, whom I shall not see
   Till all my widow'd race be run;
   Dear as the mother to the son,
More than my brothers are to me.
 
X
I hear the noise about thy keel;
   I hear the bell struck in the night:
   I see the cabin-window bright;
I see the sailor at the wheel.
 
Thou bring'st the sailor to his wife,
   And travell'd men from foreign lands;
   And letters unto trembling hands;
And, thy dark freight, a vanish'd life.
 
So bring him; we have idle dreams:
   This look of quiet flatters thus
   Our home-bred fancies. O to us,
The fools of habit, sweeter seems
 
To rest beneath the clover sod,
   That takes the sunshine and the rains,
   Or where the kneeling hamlet drains
The chalice of the grapes of God;
 
Than if with thee the roaring wells
   Should gulf him fathom-deep in brine;
   And hands so often clasp'd in mine,
Should toss with tangle and with shells.
 
XI
Calm is the morn without a sound,
   Calm as to suit a calmer grief,
   And only thro' the faded leaf
The chestnut pattering to the ground:
 
Calm and deep peace on this high world,
   And on these dews that drench the furze,
   And all the silvery gossamers
That twinkle into green and gold:
 
Calm and still light on yon great plain
   That sweeps with all its autumn bowers,
   And crowded farms and lessening towers,
To mingle with the bounding main:
 
Calm and deep peace in this wide air,
   These leaves that redden to the fall;
   And in my heart, if calm at all,
If any calm, a calm despair:
 
Calm on the seas, and silver sleep,
   And waves that sway themselves in rest,
   And dead calm in that noble breast
Which heaves but with the heaving deep.
 
XII
Lo, as a dove when up she springs
   To bear thro' Heaven a tale of woe,
   Some dolorous message knit below
The wild pulsation of her wings;
 
Like her I go; I cannot stay;
   I leave this mortal ark behind,
   A weight of nerves without a mind,
And leave the cliffs, and haste away
 
O'er ocean-mirrors rounded large,
   And reach the glow of southern skies,
   And see the sails at distance rise,
And linger weeping on the marge,
 
And saying; `Comes he thus, my friend?
   Is this the end of all my care?'
   And circle moaning in the air:
'Is this the end? Is this the end?'
 
And forward dart again, and play
   About the prow, and back return
   To where the body sits, and learn
That I have been an hour away.
 
XIII
Tears of the widower, when he sees
   A late-lost form that sleep reveals,
   And moves his doubtful arms, and feels
Her place is empty, fall like these;
 
Which weep a loss for ever new,
   A void where heart on heart reposed;
   And, where warm hands have prest and closed,
Silence, till I be silent too.
 
Which weep the comrade of my choice,
   An awful thought, a life removed,
   The human-hearted man I loved,
A Spirit, not a breathing voice.
 
Come, Time, and teach me, many years,
   I do not suffer in a dream;
   For now so strange do these things seem,
Mine eyes have leisure for their tears;
 
My fancies time to rise on wing,
   And glance about the approaching sails,
   As tho' they brought but merchants' bales,
And not the burthen that they bring.
 
XIV
If one should bring me this report,
   That thou hadst touch'd the land to-day,
   And I went down unto the quay,
And found thee lying in the port;
 
And standing, muffled round with woe,
   Should see thy passengers in rank
   Come stepping lightly down the plank,
And beckoning unto those they know;
 
And if along with these should come
   The man I held as half-divine;
   Should strike a sudden hand in mine,
And ask a thousand things of home;
 
And I should tell him all my pain,
   And how my life had droop'd of late,
   And he should sorrow o'er my state
And marvel what possess'd my brain;
 
And I perceived no touch of change,
   No hint of death in all his frame,
   But found him all in all the same,
I should not feel it to be strange.
 
XV
To-night the winds begin to rise
   And roar from yonder dropping day:
   The last red leaf is whirl'd away,
The rooks are blown about the skies;
 
The forest crack'd, the waters curl'd,
   The cattle huddled on the lea;
   And wildly dash'd on tower and tree
The sunbeam strikes along the world:
 
And but for fancies, which aver
   That all thy motions gently pass
   Athwart a plane of molten glass,
I scarce could brook the strain and stir
 
That makes the barren branches loud;
   And but for fear it is not so,
   The wild unrest that lives in woe
Would dote and pore on yonder cloud
 
That rises upward always higher,
   And onward drags a labouring breast,
   And topples round the dreary west,
A looming bastion fringed with fire.
 
XVI
What words are these have falle'n from me?
   Can calm despair and wild unrest
   Be tenants of a single breast,
Or sorrow such a changeling be?
 
Or cloth she only seem to take
   The touch of change in calm or storm;
   But knows no more of transient form
In her deep self, than some dead lake
 
That holds the shadow of a lark
   Hung in the shadow of a heaven?
   Or has the shock, so harshly given,
Confused me like the unhappy bark
 
That strikes by night a craggy shelf,
   And staggers blindly ere she sink?
   And stunn'd me from my power to think
And all my knowledge of myself;
 
And made me that delirious man
   Whose fancy fuses old and new,
   And flashes into false and true,
And mingles all without a plan?
 
XVII
Thou comest, much wept for: such a breeze
   Compell'd thy canvas, and my prayer
   Was as the whisper of an air
To breathe thee over lonely seas.
 
For I in spirit saw thee move
   Thro' circles of the bounding sky,
   Week after week: the days go by:
Come quick, thou bringest all I love.
 
Henceforth, wherever thou may'st roam,
   My blessing, like a line of light,
   Is on the waters day and night,
And like a beacon guards thee home.
 
So may whatever tempest mars
   Mid-ocean, spare thee, sacred bark;
   And balmy drops in summer dark
Slide from the bosom of the stars.
 
So kind an office hath been done,
   Such precious relics brought by thee;
   The dust of him I shall not see
Till all my widow'd race be run.
 
XVIII
'Tis well; 'tis something; we may stand
   Where he in English earth is laid,
   And from his ashes may be made
The violet of his native land.
 
'Tis little; but it looks in truth
   As if the quiet bones were blest
   Among familiar names to rest
And in the places of his youth.
 
Come then, pure hands, and bear the head
   That sleeps or wears the mask of sleep,
   And come, whatever loves to weep,
And hear the ritual of the dead.
 
Ah yet, ev'n yet, if this might be,
   I, falling on his faithful heart,
   Would breathing thro' his lips impart
The life that almost dies in me;
 
That dies not, but endures with pain,
   And slowly forms the firmer mind,
   Treasuring the look it cannot find,
The words that are not heard again.
 
XIX
The Danube to the Severn gave
   The darken'd heart that beat no more;
   They laid him by the pleasant shore,
And in the hearing of the wave.
 
There twice a day the Severn fills;
   The salt sea-water passes by,
   And hushes half the babbling Wye,
And makes a silence in the hills.
 
The Wye is hush'd nor moved along,
   And hush'd my deepest grief of all,
   When fill'd with tears that cannot fall,
I brim with sorrow drowning song.
 
The tide flows down, the wave again
   Is vocal in its wooded walls;
   My deeper anguish also falls,
And I can speak a little then.
 
XX
The lesser griefs that may be said,
   That breathe a thousand tender vows,
   Are but as servants in a house
Where lies the master newly dead;
 
Who speak their feeling as it is,
   And weep the fulness from the mind:
   `It will be hard,' they say, `to find
Another service such as this.'
 
My lighter moods are like to these,
   That out of words a comfort win;
   But there are other griefs within,
And tears that at their fountain freeze;
 
For by the hearth the children sit
   Cold in that atmosphere of Death,
   And scarce endure to draw the breath,
Or like to noiseless phantoms flit;
 
But open converse is there none,
   So much the vital spirits sink
   To see the vacant chair, and think,
'How good! how kind! and he is gone.'
 
XXI
I sing to him that rests below,
   And, since the grasses round me wave,
   I take the grasses of the grave,
And make them pipes whereon to blow.
 
The traveller hears me now and then,
   And sometimes harshly will he speak:
   `This fellow would make weakness weak,
And melt the waxen hearts of men.'
 
Another answers, `Let him be,
   He loves to make parade of pain
   That with his piping he may gain
The praise that comes to constancy.'
 
A third is wroth: `Is this an hour
   For private sorrow's barren song,
   When more and more the people throng
The chairs and thrones of civil power?
 
'A time to sicken and to swoon,
   When Science reaches forth her arms
   To feel from world to world, and charms
Her secret from the latest moon?'
 
Behold, ye speak an idle thing:
   Ye never knew the sacred dust:
   I do but sing because I must,
And pipe but as the linnets sing:
 
And one is glad; her note is gay,
   For now her little ones have ranged;
   And one is sad; her note is changed,
Because her brood is stol'n away.
 
XXII
The path by which we twain did go,
   Which led by tracts that pleased us well,
   Thro' four sweet years arose and fell,
From flower to flower, from snow to snow:
 
And we with singing cheer'd the way,
   And, crown'd with all the season lent,
   From April on to April went,
And glad at heart from May to May:
 
But where the path we walk'd began
   To slant the fifth autumnal slope,
   As we descended following Hope,
There sat the Shadow fear'd of man;
 
Who broke our fair companionship,
   And spread his mantle dark and cold,
   And wrapt thee formless in the fold,
And dull'd the murmur on thy lip,
 
And bore thee where I could not see
   Nor follow, tho' I walk in haste,
   And think, that somewhere in the waste
The Shadow sits and waits for me.
 
XXIII
Now, sometimes in my sorrow shut,
   Or breaking into song by fits,
   Alone, alone, to where he sits,
The Shadow cloak'd from head to foot,
 
Who keeps the keys of all the creeds,
   I wander, often falling lame,
   And looking back to whence I came,
Or on to where the pathway leads;
 
And crying, How changed from where it ran
   Thro' lands where not a leaf was dumb;
   But all the lavish hills would hum
The murmur of a happy Pan:
 
When each by turns was guide to each,
   And Fancy light from Fancy caught,
   And Thought leapt out to wed with Thought
Ere Thought could wed itself with Speech;
 
And all we met was fair and good,
   And all was good that Time could bring,
   And all the secret of the Spring
Moved in the chambers of the blood;
 
And many an old philosophy
   On Argive heights divinely sang,
   And round us all the thicket rang
To many a flute of Arcady.
 
XXIV
And was the day of my delight
   As pure and perfect as I say?
   The very source and fount of Day
Is dash'd with wandering isles of night.
 
If all was good and fair we met,
   This earth had been the Paradise
   It never look'd to human eyes
Since our first Sun arose and set.
 
And is it that the haze of grief
   Makes former gladness loom so great?
   The lowness of the present state,
That sets the past in this relief?
 
Or that the past will always win
   A glory from its being far;
   And orb into the perfect star
We saw not, when we moved therein?
 
XXV
I know that this was Life,—the track
   Whereon with equal feet we fared;
   And then, as now, the day prepared
The daily burden for the back.
 
But this it was that made me move
   As light as carrier-birds in air;
   I loved the weight I had to bear,
Because it needed help of Love:
 
Nor could I weary, heart or limb,
   When mighty Love would cleave in twain
   The lading of a single pain,
And part it, giving half to him.
 
XXVI
Still onward winds the dreary way;
   I with it; for I long to prove
   No lapse of moons can canker Love,
Whatever fickle tongues may say.
 
And if that eye which watches guilt
   And goodness, and hath power to see
   Within the green the moulder'd tree,
And towers fall'n as soon as built—
 
Oh, if indeed that eye foresee
   Or see (in Him is no before)
   In more of life true life no more
And Love the indifference to be,
 
Then might I find, ere yet the morn
   Breaks hither over Indian seas,
   That Shadow waiting with the keys,
To shroud me from my proper scorn.
 
XXVII
I envy not in any moods
   The captive void of noble rage,
   The linnet born within the cage,
That never knew the summer woods:
 
I envy not the beast that takes
   His license in the field of time,
   Unfetter'd by the sense of crime,
To whom a conscience never wakes;
 
Nor, what may count itself as blest,
   The heart that never plighted troth
   But stagnates in the weeds of sloth;
Nor any want-begotten rest.
 
I hold it true, whate'er befall;
   I feel it, when I sorrow most;
   'Tis better to have loved and lost
Than never to have loved at all.
Written by Anne Bronte | Create an image from this poem

Severed and Gone

 Severed and gone, so many years!
And art thou still so dear to me,
That throbbing heart and burning tears
Can witness how I cling to thee? 
I know that in the narrow tomb
The form I loved was buried deep,
And left, in silence and in gloom,
To slumber out its dreamless sleep. 

I know the corner where it lies,
Is but a dreary place of rest:
The charnel moisture never dries
From the dark flagstones o'er its breast, 

For there the sunbeams never shine,
Nor ever breathes the freshening air,
­- But not for this do I repine;
For my beloved is not there. 

O, no! I do not think of thee
As festering there in slow decay: ­-
'Tis this sole thought oppresses me,
That thou art gone so far away. 

For ever gone; for I, by night,
Have prayed, within my silent room,
That Heaven would grant a burst of light
Its cheerless darkness to illume; 

And give thee to my longing eyes,
A moment, as thou shinest now,
Fresh from thy mansion in the skies,
With all its glories on thy brow. 

Wild was the wish, intense the gaze
I fixed upon the murky air,
Expecting, half, a kindling blaze
Would strike my raptured vision there, -- 

A shape these human nerves would thrill,
A majesty that might appal,
Did not thy earthly likeness, still,
Gleam softly, gladly, through it all. 

False hope! vain prayer! it might not be
That thou shouldst visit earth again.
I called on Heaven --­ I called on thee,
And watched, and waited --­ all in vain. 

Had I one shining tress of thine,
How it would bless these longing eyes!
Or if thy pictured form were mine,
What gold should rob me of the prize? 

A few cold words on yonder stone,
A corpse as cold as they can be -­
Vain words, and mouldering dust, alone -­
Can this be all that's left of thee? 

O, no! thy spirit lingers still
Where'er thy sunny smile was seen:
There's less of darkness, less of chill
On earth, than if thou hadst not been. 

Thou breathest in my bosom yet,
And dwellest in my beating heart;
And, while I cannot quite forget,
Thou, darling, canst not quite depart. 

Though, freed from sin, and grief, and pain
Thou drinkest now the bliss of Heaven,
Thou didst not visit earth in vain;
And from us, yet, thou art not riven. 

Life seems more sweet that thou didst live,
And men more true that thou wert one:
Nothing is lost that thou didst give,
Nothing destroyed that thou hast done. 

Earth hath received thine earthly part;
Thine heavenly flame has heavenward flown;
But both still linger in my heart,
Still live, and not in mine alone.
Written by Ingeborg Bachmann | Create an image from this poem

Stay

 For why cometh a time,

When you forget yesterday?

Forgot our vows that we made,

And turn and walk away.
*****
How can a heart forget,

The love we once had?

And turn yourself against me,

And make my soul so sad.
*****
You’ve found someone better,

And you’ll leave us behind;

You think you can change your heart,

And erase your troubled mind.
*****
How can you just quit,

And let our love just die?

I’ve done all I know to do,

But you refuse to try.
*****




If I could only be around you,

Our love would live , I bet;

But you want me to stay away,

So you can just forget.
*****
For what has happened to you,

That has torn up your mind?

From the precious girl I once loved,

The one so pure and kind.
*****
I know that you are hurting,

You can’t look at me any more;

I know I can help you,

Heal your heart that’s sore.
*****
I know I’m not perfect,

But I really try to be;

I really truly love you,

That you’ve got to see.
*****




I know I’m no studly man,

Big and tall I’m not;

I don’t have much to offer you,

But all the love I got.
*****
We’ve had our share of problems,

But troubles don’t last long;

If we work together,

From them we can be strong.
*****
Maybe you think you’ve gone too far,

And respect you’ll never get;

But if only you’d just reach out,

Forgiveness can be met.
*****
Don’t give up like other folks,

Just so you’ll fit in;

For God and I believe in you,

And beg you not to sin.
*****






I know that you’re confused now,

And don’t know how to turn;

Just take one step toward me,

And leave your pain to burn.
*****
For I so love you dearly,

I can’t watch you walk away;

Please tell me you love me too,

And that you want to stay.
*****

Written 11-12-90
Written by John Ashbery | Create an image from this poem

For John Clare

 Kind of empty in the way it sees everything, the earth gets to its feet andsalutes the sky. More of a success at it this time than most others it is. The feeling that the sky might be in the back of someone's mind. Then there is no telling how many there are. They grace everything--bush and tree--to take the roisterer's mind off his caroling--so it's like a smooth switch back. To what was aired in their previous conniption fit. There is so much to be seen everywhere that it's like not getting used to it, only there is so much it never feels new, never any different. You are standing looking at that building and you cannot take it all in, certain details are already hazy and the mind boggles. What will it all be like in five years' time when you try to remember? Will there have been boards in between the grass part and the edge of the street? As long as that couple is stopping to look in that window over there we cannot go. We feel like they have to tell us we can, but they never look our way and they are already gone, gone far into the future--the night of time. If we could look at a photograph of it and say there they are, they never really stopped but there they are. There is so much to be said, and on the surface of it very little gets said. 
There ought to be room for more things, for a spreading out, like. Being immersed in the details of rock and field and slope --letting them come to you for once, and then meeting them halfway would be so much easier--if they took an ingenuous pride in being in one's blood. Alas, we perceive them if at all as those things that were meant to be put aside-- costumes of the supporting actors or voice trilling at the end of a narrow enclosed street. You can do nothing with them. Not even offer to pay. 
It is possible that finally, like coming to the end of a long, barely perceptible rise, there is mutual cohesion and interaction. The whole scene is fixed in your mind, the music all present, as though you could see each note as well as hear it. I say this because there is an uneasiness in things just now. Waiting for something to be over before you are forced to notice it. The pollarded trees scarcely bucking the wind--and yet it's keen, it makes you fall over. Clabbered sky. Seasons that pass with a rush. After all it's their time too--nothing says they aren't to make something of it. As for Jenny Wren, she cares, hopping about on her little twig like she was tryin' to tell us somethin', but that's just it, she couldn't even if she wanted to--dumb bird. But the others--and they in some way must know too--it would never occur to them to want to, even if they could take the first step of the terrible journey toward feeling somebody should act, that ends in utter confusion and hopelessness, east of the sun and west of the moon. So their comment is: "No comment." Meanwhile the whole history of probabilities is coming to life, starting in the upper left-hand corner, like a sail.
Written by Philip Levine | Create an image from this poem

Voyages

 Pond snipe, bleached pine, rue weed, wart -- 
I walk by sedge and brown river rot 
to where the old lake boats went daily out. 
All the ships are gone, the gray wharf fallen 
in upon itself. Even the channel's 
grown over. Once we set sail here 
for Bob-Lo, the Brewery Isles, Cleveland. 
We would have gone as far as Niagara 
or headed out to open sea if the Captain 
said so, but the Captain drank. Blood-eyed 
in the morning, coffee shaking in his hand, 
he'd plead to be put ashore or drowned, 
but no one heard. Enormous in his long coat, 
Sinbad would take the helm and shout out 
orders swiped from pirate movies. Once 
we docked north of Vermillion to meet 
a single spur of the old Ohio Western 
and sat for days waiting for a train, 
waiting for someone to claim the cargo 
or give us anything to take back, 
like the silver Cadillac roadster 
it was rumored we had once freighted 
by itself. The others went foraging 
and left me with the Captain, locked up 
in the head and sober. Two days passed, 
I counted eighty tankers pulling 
through the flat lake waters on their way, 
I counted blackbirds gathering at dusk 
in the low trees, clustered like bees. 
I counted the hours from noon to noon 
and got nowhere. At last the Captain slept. 
I banked the fire, raised anchor, cast off, 
and jumping ship left her drifting out 
on the black bay. I walked seven miles 
to the Interstate and caught a meat truck 
heading west, and came to over beer, 
hashbrowns, and fried eggs in a cafe 
northwest of Omaha. I could write 
how the radio spoke of war, how 
the century was half its age, how 
dark clouds gathered in the passes 
up ahead, the dispossessed had clogged 
the roads, but none the less I alone 
made my way to the western waters, 
a foreign ship, another life, and disappeared 
from all Id known. In fact I 
come home every year, I walk the same streets 
where I grew up, but now with my boys. 
I settled down, just as you did, took 
a degree in library sciences, 
and got my present position with 
the county. I'm supposed to believe 
something ended. I'm supposed to be 
dried up. I'm supposed to represent 
a yearning, but I like it the way it is. 
Not once has the ocean wind changed 
and brought the taste of salt 
over the coastal hills and through 
the orchards to my back yard. Not once 
have I wakened cold and scared 
out of a dreamless sleep 
into a dreamless life and cried 
and cried out for what I left behind.
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