10 Best Famous Gingham Poems

Here is a collection of the top 10 all-time best famous Gingham poems. This is a select list of the best famous Gingham poetry. Reading, writing, and enjoying famous Gingham poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of gingham poems.

• All Famous Gingham Poems

 The gingham dog and the calico cat
Side by side on the table sat;
'T was half-past twelve, and (what do you think!)
Nor one nor t' other had slept a wink!
The old Dutch clock and the Chinese plate
Appeared to know as sure as fate
There was going to be a terrible spat.
(I wasn't there; I simply state
What was told to me by the Chinese plate!)

The gingham dog went "bow-wow-wow!"
And the calico cat replied "mee-ow!"
The air was littered, an hour or so,
With bits of gingham and calico,
While the old Dutch clock in the chimney place
Up with its hands before its face,
For it always dreaded a family row!
(Now mind: I'm only telling you
What the old Dutch clock declares is true!)

The Chinese plate looked very blue,
And wailed, "Oh, dear! what shall we do!"
But the gingham dog and the calico cat
Wallowed this way and tumbled that,
Employing every tooth and claw
In the awfullest way you ever saw -
And, oh! how the gingham and calico flew!
(Don't fancy I exaggerate -
I got my news from the Chinese plate!)

Next morning, where the two had sat
They found no trace of dog or cat;
And some folks think unto this day
That burglars stole that pair away!
But the truth about the cat and pup
Is this: they ate each other up!
Now what do you really think of that!
(The old Dutch clock it told me so,
And that is how I came to know.)

 ELSIE FLIMMERWON, you got a job now with a jazz outfit in vaudeville.

The houses go wild when you finish the act shimmying a fast shimmy to The Livery Stable Blues.

It is long ago, Elsie Flimmerwon, I saw your mother over a washtub in a grape arbor when your father came with the locomotor ataxia shuffle.

It is long ago, Elsie, and now they spell your name with an electric sign.

Then you were a little thing in checked gingham and your mother wiped your nose and said: You little fool, keep off the streets.

Now you are a big girl at last and streetfuls of people read your name and a line of people shaped like a letter S stand at the box office hoping to see you shimmy.

 When Ida puts her armor on
 And draws her trusty blade
The turnips in the bin turn pale,
 The apples are afraid.
The quiet kitchen city wakes
 And consternation feels,
And quick the tocsin pealeth forth
 In long potato peels.

When Ida puts her armor on
 The pots and pans succumb,
A wooden spoon her drum-stick is,
 A mixing pan her drum;
She charges on the kitchen folk
 With silver, tin and steel
She beat the eggs, she whips the cream,
 The victory is a meal.

When Ida puts her apron on
 Her breast-plate is of blue.
(Checked gingham ruffled top and sides)
 Her gauntlets gingham, too;
And thus protected from assault
 Of batter, stain and flour
She wars with vegetable foes
 And conquers in an hour.

When Ida puts her armor on
 She is so fair to see
Her battle with the kitchen folk
 Is reproduced in me;
So sweet she is, armed cap-a-pie,
 So good her kitchen art
I hardly know which loves her best
 My palate or my heart.

Caught Susanner whistlin'; well,
It's most nigh too good to tell.
'Twould 'a' b'en too good to see
Ef it had n't b'en fur me,
Comin' up so soft an' sly
That she didn' hear me nigh.
I was pokin' 'round that day,
An' ez I come down the way,
First her whistle strikes my ears,—
Then her gingham dress appears;
So with soft step up I slips.
Oh, them dewy, rosy lips!
Ripe ez cherries, red an' round,
Puckered up to make the sound.
She was lookin' in the spring,
Whistlin' to beat anything,—
"Kitty Dale" er "In the Sweet."
I was jest so mortal beat
That I can't quite ricoleck
What the toon was, but I 'speck
'T was some hymn er other, fur
Hymny things is jest like her.
Well she went on fur awhile
With her face all in a smile,
An' I never moved, but stood
Stiller 'n a piece o' wood—
Would n't wink ner would n't stir,
But a-gazin' right at her,
Tell she turns an' sees me—my!
Thought at first she 'd try to fly.
But she blushed an' stood her ground.
Then, a-slyly lookin' round,
She says: "Did you hear me, Ben?"
"Whistlin' woman, crowin' hen,"
Says I, lookin' awful stern.
Then the red commenced to burn
In them cheeks o' hern. Why, la!
Reddest red you ever saw—
Pineys wa'n't a circumstance.[Pg 150]
You 'd 'a' noticed in a glance
She was pow'rful shamed an' skeart;
But she looked so sweet an' peart,
That a idee struck my head;
So I up an' slowly said:
"Woman whistlin' brings shore harm,
Jest one thing 'll break the charm."
"And what's that?" "Oh, my!" says I,
"I don't like to tell you." "Why?"
Says Susanner. "Well, you see
It would kinder fall on me."
Course I knowed that she 'd insist,—
So I says: "You must be kissed
By the man that heard you whistle;
Everybody says that this 'll
Break the charm and set you free
From the threat'nin' penalty."
She was blushin' fit to kill,
But she answered, kinder still:
"I don't want to have no harm,
Please come, Ben, an' break the charm."
Did I break that charm?—oh, well,
There's some things I must n't tell.
I remember, afterwhile,
Her a-sayin' with a smile:
"Oh, you quit,—you sassy dunce,
You jest caught me whistlin' once."
Ev'ry sence that when I hear
Some one whistlin' kinder clear,
I most break my neck to see
Ef it 's Susy; but, dear me,
I jest find I 've b'en to chase
Some blamed boy about the place.
Dad 's b'en noticin' my way,
An' last night I heerd him say:
"We must send fur Dr. Glenn,
Mother; somethin 's wrong with Ben!"

 In the upstairs hallway, complacent sunlight
stings the walls with gold and translucent almond
over Turkish runners betraying patterns
faded with travel.

At their raveled edges, my daughter slumbers
in the room from which this lost sun arranges
through a window high on an eastern sill of
drapes and black lacquer.

Past the pillowcase where her blonde head swivels
in a dream of chocolate, or paint and horses,
I imagined rest on the gingham, but it
proved only shadow…

Surely evening goes by this pitch and motion,
by the rasp of fans at the center ceiling,
and the purposes of an outside cypress
hidden from hearing.

But again it’s day, in which dust turns static.
Almost blank of heart, I’ll descend the staircase
with a babbled tune on the landing like a
passage to being.

 Rhodes' slave! Selling shoes and gingham,
Flour and bacon, overalls, clothing, all day long
For fourteen hours a day for three hundred and thirteen days
For more than twenty years.
Saying "Yes'm" and "Yes, sir", and "Thank you"
A thousand times a day, and all for fifty dollars a month.
Living in this stinking room in the rattle-trap "Commercial."
And compelled to go to Sunday School, and to listen
To the Rev. Abner Peet one hundred and four times a year
For more than an hour at a time,
Because Thomas Rhodes ran the church
As well as the store and the bank.
So while I was tying my neck-tie that morning
I suddenly saw myself in the glass:
My hair all gray, my face like a sodden pie.
So I cursed and cursed: You damned old thing
You cowardly dog! You rotten pauper!
You Rhodes' slave! Till Roger Baughman
Thought I was having a fight with some one,
And looked through the transom just in time
To see me fall on the floor in a heap
From a broken vein in my head.

 Little Miss Brag has much to say
To the rich little lady from over the way
And the rich little lady puts out a lip
As she looks at her own white, dainty slip,
And wishes that she could wear a gown
As pretty as gingham of faded brown!
For little Miss Brag she lays much stress
On the privileges of a gingham dress -
"Aha,
Oho!"

The rich little lady from over the way
Has beautiful dolls in vast array;
Yet she envies the raggedy home-made doll
She hears our little Miss Brag extol.
For the raggedy doll can fear no hurt
From wet, or heat, or tumble, or dirt!
Her nose is inked, and her mouth is, too,
And one eye's black and the other's blue -
"Aha,
Oho!"

The rich little lady goes out to ride
With footmen standing up outside,
Yet wishes that, sometimes, after dark
Her father would trundle her in the park; -
That, sometimes, her mother would sing the things
Little Miss Brag says her mother sings
When through the attic window streams
The moonlight full of golden dreams -
"Aha,
Oho!"

Yes, little Miss Brag has much to say
To the rich little lady from over the way;
And yet who knows but from her heart
Often the bitter sighs upstart -
Uprise to lose their burn and sting
In the grace of the tongue that loves to sing
Praise of the treasures all its own!
So I've come to love that treble tone -
"Aha,
Oho!"

When labor is light and the morning is fair,
I find it a pleasure beyond all compare
To hitch up my nag and go hurrying down
And take Katie May for a ride into town;
For bumpety-bump goes the wagon,
But tra-la-la-la our lay.
There's joy in a song as we rattle along
In the light of the glorious day.
A coach would be fine, but a spring wagon's good;
My jeans are a match for Kate's gingham and hood;
The hills take us up and the vales take us down,
But what matters that? we are riding to town,
And bumpety-bump goes the wagon,
But tra-la-la-la sing we.
There's never a care may live in the air
That is filled with the breath of our glee.
And after we've started, there's naught can repress
The thrill of our hearts in their wild happiness;
The heavens may smile or the heavens may frown,
And it's all one to us when we're riding to town.
For bumpety-bump goes the wagon,
[Pg 71]But tra-la-la-la we shout,
For our hearts they are clear and there 's nothing to fear,
And we've never a pain nor a doubt.
The wagon is weak and the roadway is rough,
And tho' it is long it is not long enough,
For mid all my ecstasies this is the crown
To sit beside Katie and ride into town,
When bumpety-bump goes the wagon,
But tra-la-la-la our song;
And if I had my way, I 'd be willing to pay
If the road could be made twice as long.