Written by
Mark Twain |
On the Erie Canal, it was,
All on a summer's day,
I sailed forth with my parents
Far away to Albany.
From out the clouds at noon that day
There came a dreadful storm,
That piled the billows high about,
And filled us with alarm.
A man came rushing from a house,
Saying, "Snub up your boat I pray,
Snub up your boat, snub up, alas,
Snub up while yet you may."
Our captain cast one glance astern,
Then forward glanced he,
And said, "My wife and little ones
I never more shall see."
Said Dollinger the pilot man,
In noble words, but few,--
"Fear not, but lean on Dollinger,
And he will fetch you through."
The boat drove on, the frightened mules
Tore through the rain and wind,
And bravely still, in danger's post,
The whip-boy strode behind.
"Come 'board, come 'board," the captain cried,
"Nor tempt so wild a storm;"
But still the raging mules advanced,
And still the boy strode on.
Then said the captain to us all,
"Alas, 'tis plain to me,
The greater danger is not there,
But here upon the sea.
So let us strive, while life remains,
To save all souls on board,
And then if die at last we must,
Let . . . . I cannot speak the word!"
Said Dollinger the pilot man,
Tow'ring above the crew,
"Fear not, but trust in Dollinger,
And he will fetch you through."
"Low bridge! low bridge!" all heads went down,
The laboring bark sped on;
A mill we passed, we passed church,
Hamlets, and fields of corn;
And all the world came out to see,
And chased along the shore
Crying, "Alas, alas, the sheeted rain,
The wind, the tempest's roar!
Alas, the gallant ship and crew,
Can nothing help them more?"
And from our deck sad eyes looked out
Across the stormy scene:
The tossing wake of billows aft,
The bending forests green,
The chickens sheltered under carts
In lee of barn the cows,
The skurrying swine with straw in mouth,
The wild spray from our bows!
"She balances!
She wavers!
Now let her go about!
If she misses stays and broaches to,
We're all"--then with a shout,]
"Huray! huray!
Avast! belay!
Take in more sail!
Lord, what a gale!
Ho, boy, haul taut on the hind mule's tail!"
"Ho! lighten ship! ho! man the pump!
Ho, hostler, heave the lead!
"A quarter-three!--'tis shoaling fast!
Three feet large!--t-h-r-e-e feet!--
Three feet scant!" I cried in fright
"Oh, is there no retreat?"
Said Dollinger, the pilot man,
As on the vessel flew,
"Fear not, but trust in Dollinger,
And he will fetch you through."
A panic struck the bravest hearts,
The boldest cheek turned pale;
For plain to all, this shoaling said
A leak had burst the ditch's bed!
And, straight as bolt from crossbow sped,
Our ship swept on, with shoaling lead,
Before the fearful gale!
"Sever the tow-line! Cripple the mules!"
Too late! There comes a shock!
Another length, and the fated craft
Would have swum in the saving lock!
Then gathered together the shipwrecked crew
And took one last embrace,
While sorrowful tears from despairing eyes
Ran down each hopeless face;
And some did think of their little ones
Whom they never more might see,
And others of waiting wives at home,
And mothers that grieved would be.
But of all the children of misery there
On that poor sinking frame,
But one spake words of hope and faith,
And I worshipped as they came:
Said Dollinger the pilot man,--
(O brave heart, strong and true!)--
"Fear not, but trust in Dollinger,
For he will fetch you through."
Lo! scarce the words have passed his lips
The dauntless prophet say'th,
When every soul about him seeth
A wonder crown his faith!
And count ye all, both great and small,
As numbered with the dead:
For mariner for forty year,
On Erie, boy and man,
I never yet saw such a storm,
Or one't with it began!"
So overboard a keg of nails
And anvils three we threw,
Likewise four bales of gunny-sacks,
Two hundred pounds of glue,
Two sacks of corn, four ditto wheat,
A box of books, a cow,
A violin, Lord Byron's works,
A rip-saw and a sow.
A curve! a curve! the dangers grow!
"Labbord!--stabbord!--s-t-e-a-d-y!--so!--
Hard-a-port, Dol!--hellum-a-lee!
Haw the head mule!--the aft one gee!
Luff!--bring her to the wind!"
For straight a farmer brought a plank,--
(Mysteriously inspired)--
And laying it unto the ship,
In silent awe retired.
Then every sufferer stood amazed
That pilot man before;
A moment stood. Then wondering turned,
And speechless walked ashore.
|
Written by
Carl Sandburg |
THE HORSE’S name was Remorse.
There were people said, “Gee, what a nag!”
And they were Edgar Allan Poe bugs and so
They called him Remorse.
When he was a gelding
He flashed his heels to other ponies
And threw dust in the noses of other ponies
And won his first race and his second
And another and another and hardly ever
Came under the wire behind the other runners.
And so, Remorse, who is gone, was the hero of a play
By Henry Blossom, who is now gone.
What is there to a monicker? Call me anything.
A nut, a cheese, something that the cat brought in.
Nick me with any old name.
Class me up for a fish, a gorilla, a slant head, an egg, a ham.
Only … slam me across the ears sometimes … and hunt for a white star
In my forehead and twist the bang of my forelock around it.
Make a wish for me. Maybe I will light out like a streak of wind.
|
Written by
Les Murray |
To go home and wear shorts forever
in the enormous paddocks, in that warm climate,
adding a sweater when winter soaks the grass,
to camp out along the river bends
for good, wearing shorts, with a pocketknife,
a fishing line and matches,
or there where the hills are all down, below the plain,
to sit around in shorts at evening
on the plank verandah -
If the cardinal points of costume
are Robes, Tat, Rig and Scunge,
where are shorts in this compass?
They are never Robes
as other bareleg outfits have been:
the toga, the kilt, the lava-lava
the Mahatma's cotton dhoti;
archbishops and field marshals
at their ceremonies never wear shorts.
The very word
means underpants in North America.
Shorts can be Tat,
Land-Rovering bush-environmental tat,
socio-political ripped-and-metal-stapled tat,
solidarity-with-the-Third World tat tvam asi,
likewise track-and-field shorts worn to parties
and the further humid, modelling negligee
of the Kingdom of Flaunt,
that unchallenged aristocracy.
More plainly climatic, shorts
are farmers' rig, leathery with salt and bonemeal;
are sailors' and branch bankers' rig,
the crisp golfing style
of our youngest male National Costume.
Most loosely, they are Scunge,
ancient Bengal bloomers or moth-eaten hot pants
worn with a former shirt,
feet, beach sand, hair
and a paucity of signals.
Scunge, which is real negligee
housework in a swimsuit, pyjamas worn all day,
is holiday, is freedom from ambition.
Scunge makes you invisible
to the world and yourself.
The entropy of costume,
scunge can get you conquered by more vigorous cultures
and help you notice it less.
To be or to become
is a serious question posed by a work-shorts counter
with its pressed stack, bulk khaki and blue,
reading Yakka or King Gee, crisp with steely warehouse odour.
Satisfied ambition, defeat, true unconcern,
the wish and the knack of self-forgetfulness
all fall within the scunge ambit
wearing board shorts of similar;
it is a kind of weightlessness.
Unlike public nakedness, which in Westerners
is deeply circumstantial, relaxed as exam time,
artless and equal as the corsetry of a hussar regiment,
shorts and their plain like
are an angelic nudity,
spirituality with pockets!
A double updraft as you drop from branch to pool!
Ideal for getting served last
in shops of the temperate zone
they are also ideal for going home, into space,
into time, to farm the mind's Sabine acres
for product and subsistence.
Now that everyone who yearned to wear long pants
has essentially achieved them,
long pants, which have themselves been underwear
repeatedly, and underground more than once,
it is time perhaps to cherish the culture of shorts,
to moderate grim vigour
with the knobble of bare knees,
to cool bareknuckle feet in inland water,
slapping flies with a book on solar wind
or a patient bare hand, beneath the cadjiput trees,
to be walking meditatively
among green timber, through the grassy forest
towards a calm sea
and looking across to more of that great island
and the further tropics.
|
Written by
Sylvia Plath |
Viciousness in the kitchen!
The potatoes hiss.
It is all Hollywood, windowless,
The fluorescent light wincing on and off like a terrible migraine,
Coy paper strips for doors --
Stage curtains, a widow's frizz.
And I, love, am a pathological liar,
And my child -- look at her, face down on the floor,
Little unstrung puppet, kicking to disappear --
Why she is schizophrenic,
Her face is red and white, a panic,
You have stuck her kittens outside your window
In a sort of cement well
Where they crap and puke and cry and she can't hear.
You say you can't stand her,
The bastard's a girl.
You who have blown your tubes like a bad radio
Clear of voices and history, the staticky
Noise of the new.
You say I should drown the kittens. Their smell!
You say I should drown my girl.
She'll cut her throat at ten if she's mad at two.
The baby smiles, fat snail,
From the polished lozenges of orange linoleum.
You could eat him. He's a boy.
You say your husband is just no good to you.
His Jew-Mama guards his sweet sex like a pearl.
You have one baby, I have two.
I should sit on a rock off Cornwall and comb my hair.
I should wear tiger pants, I should have an affair.
We should meet in another life, we should meet in air,
Me and you.
Meanwhile there's a stink of fat and baby crap.
I'm doped and thick from my last sleeping pill.
The smog of cooking, the smog of hell
Floats our heads, two venemous opposites,
Our bones, our hair.
I call you Orphan, orphan. You are ill.
The sun gives you ulcers, the wind gives you T.B.
Once you were beautiful.
In New York, in Hollywood, the men said: 'Through?
Gee baby, you are rare.'
You acted, acted for the thrill.
The impotent husband slumps out for a coffee.
I try to keep him in,
An old pole for the lightning,
The acid baths, the skyfuls off of you.
He lumps it down the plastic cobbled hill,
Flogged trolley. The sparks are blue.
The blue sparks spill,
Splitting like quartz into a million bits.
O jewel! O valuable!
That night the moon
Dragged its blood bag, sick
Animal
Up over the harbor lights.
And then grew normal,
Hard and apart and white.
The scale-sheen on the sand scared me to death.
We kept picking up handfuls, loving it,
Working it like dough, a mulatto body,
The silk grits.
A dog picked up your doggy husband. He went on.
Now I am silent, hate
Up to my neck,
Thick, thick.
I do not speak.
I am packing the hard potatoes like good clothes,
I am packing the babies,
I am packing the sick cats.
O vase of acid,
It is love you are full of. You know who you hate.
He is hugging his ball and chain down by the gate
That opens to the sea
Where it drives in, white and black,
Then spews it back.
Every day you fill him with soul-stuff, like a pitcher.
You are so exhausted.
Your voice my ear-ring,
Flapping and sucking, blood-loving bat.
That is that. That is that.
You peer from the door,
Sad hag. 'Every woman's a whore.
I can't communicate.'
I see your cute décor
Close on you like the fist of a baby
Or an anemone, that sea
Sweetheart, that kleptomaniac.
I am still raw.
I say I may be back.
You know what lies are for.
Even in your Zen heaven we shan't meet.
|
Written by
Shel Silverstein |
Oh, I'm being eaten
By a boa constrictor,
A boa constrictor,
A boa constrictor,
I'm being eaten by a boa constrictor,
And I don't like it--one bit.
Well, what do you know?
It's nibblin' my toe.
Oh, gee,
It's up to my knee.
Oh my,
It's up to my thigh.
Oh, fiddle,
It's up to my middle.
Oh, heck,
It's up to my neck.
Oh, dread,
It's upmmmmmmmmmmffffffffff . . .
|
Written by
Thomas Hood |
Young Ben he was a nice young man,
A carpenter by trade;
And he fell in love with Sally Brown,
That was a lady's maid.
But as they fetch'd a walk one day,
They met a press-gang crew;
And Sally she did faint away,
Whilst Ben he was brought to.
The Boatswain swore with wicked words,
Enough to shock a saint,
That though she did seem in a fit,
'Twas nothing but a feint.
"Come, girl," said he, "hold up your head,
He'll be as good as me;
For when your swain is in our boat,
A boatswain he will be."
So when they'd made their game of her,
And taken off her elf,
She roused, and found she only was
A coming to herself.
"And is he gone, and is he gone?"
She cried, and wept outright:
"Then I will to the water side,
And see him out of sight."
A waterman came up to her,--
"Now, young woman," said he,
"If you weep on so, you will make
Eye-water in the sea."
"Alas! they've taken my beau Ben
To sail with old Benbow;"
And her woe began to run afresh,
As if she'd said Gee woe!
Says he, "They've only taken him
To the Tender ship, you see";
"The Tender-ship," cried Sally Brown
"What a hard-ship that must be!"
"O! would I were a mermaid now,
For then I'd follow him;
But Oh!--I'm not a fish-woman,
And so I cannot swim.
"Alas! I was not born beneath
The virgin and the scales,
So I must curse my cruel stars,
And walk about in Wales."
Now Ben had sail'd to many a place
That's underneath the world;
But in two years the ship came home,
And all her sails were furl'd.
But when he call'd on Sally Brown,
To see how she went on,
He found she'd got another Ben,
Whose Christian-name was John.
"O Sally Brown, O Sally Brown,
How could you serve me so?
I've met with many a breeze before,
But never such a blow":
Then reading on his 'bacco box
He heaved a bitter sigh,
And then began to eye his pipe,
And then to pipe his eye.
And then he tried to sing "All's Well,"
But could not though he tried;
His head was turn'd, and so he chew'd
His pigtail till he died.
His death, which happen'd in his berth,
At forty-odd befell:
They went and told the sexton, and
The sexton toll'd the bell.
|
Written by
John Clare |
Summer pleasures they are gone like to visions every one
And the cloudy days of autumn and of winter cometh on
I tried to call them back but unbidden they are gone
Far away from heart and eye and for ever far away
Dear heart and can it be that such raptures meet decay
I thought them all eternal when by Langley Bush I lay
I thought them joys eternal when I used to shout and play
On its bank at 'clink and bandy' 'chock' and 'taw' and
ducking stone
Where silence sitteth now on the wild heath as her own
Like a ruin of the past all alone
When I used to lie and sing by old eastwells boiling spring
When I used to tie the willow boughs together for a 'swing'
And fish with crooked pins and thread and never catch a
thing
With heart just like a feather- now as heavy as a stone
When beneath old lea close oak I the bottom branches broke
To make our harvest cart like so many working folk
And then to cut a straw at the brook to have a soak
O I never dreamed of parting or that trouble had a sting
Or that pleasures like a flock of birds would ever take to
wing
Leaving nothing but a little naked spring
When jumping time away on old cross berry way
And eating awes like sugar plumbs ere they had lost the may
And skipping like a leveret before the peep of day
On the rolly polly up and downs of pleasant swordy well
When in round oaks narrow lane as the south got black again
We sought the hollow ash that was shelter from the rain
With our pockets full of peas we had stolen from the grain
How delicious was the dinner time on such a showry day
O words are poor receipts for what time hath stole away
The ancient pulpit trees and the play
When for school oer 'little field' with its brook and wooden
brig
Where I swaggered like a man though I was not half so big
While I held my little plough though twas but a willow twig
And drove my team along made of nothing but a name
'Gee hep' and 'hoit' and 'woi'- O I never call to mind
These pleasant names of places but I leave a sigh behind
While I see the little mouldywharps hang sweeing to the wind
On the only aged willow that in all the field remains
And nature hides her face where theyre sweeing in their
chains
And in a silent murmuring complains
Here was commons for the hills where they seek for
freedom still
Though every commons gone and though traps are set to kill
The little homeless miners- O it turns my bosom chill
When I think of old 'sneap green' puddocks nook and hilly
snow
Where bramble bushes grew and the daisy gemmed in dew
And the hills of silken grass like to cushions to the view
When we threw the pissmire crumbs when we's nothing
else to do
All leveled like a desert by the never weary plough
All vanished like the sun where that cloud is passing now
All settled here for ever on its brow
I never thought that joys would run away from boys
Or that boys would change their minds and forsake such
summer joys
But alack I never dreamed that the world had other toys
To petrify first feelings like the fable into stone
Till I found the pleasure past and a winter come at last
Then the fields were sudden bare and the sky got overcast
And boyhoods pleasing haunts like a blossom in the blast
Was shrivelled to a withered weed and trampled down and
done
Till vanished was the morning spring and set that summer
sun
And winter fought her battle strife and won
By Langley bush I roam but the bush hath left its hill
On cowper green I stray tis a desert strange and chill
And spreading lea close oak ere decay had penned its will
To the axe of the spoiler and self interest fell a prey
And cross berry way and old round oaks narrow lane
With its hollow trees like pulpits I shall never see again
Inclosure like a Buonaparte let not a thing remain
It levelled every bush and tree and levelled every hill
And hung the moles for traitors - though the brook is
running still
It runs a naked brook cold and chill
O had I known as then joy had left the paths of men
I had watched her night and day besure and never slept agen
And when she turned to go O I'd caught her mantle then
And wooed her like a lover by my lonely side to stay
Aye knelt and worshipped on as love in beautys bower
And clung upon her smiles as a bee upon her flower
And gave her heart my poesys all cropt in a sunny hour
As keepsakes and pledges to fade away
But love never heeded to treasure up the may
So it went the comon road with decay
|
Written by
Richard Brautigan |
Oh, Marcia,
I want your long blonde beauty
to be taught in high school,
so kids will learn that God
lives like music in the skin
and sounds like a sunshine harpsicord.
I want high school report cards
to look like this:
Playing with Gentle Glass Things
A
Computer Magic
A
Writing Letters to Those You Love
A
Finding out about Fish
A
Marcia's Long Blonde Beauty
A+!
|
Written by
Sidney Lanier |
Down mildest shores of milk-white sand,
By cape and fair Floridian bay,
Twixt billowy pines -- a surf asleep on land --
And the great Gulf at play,
Past far-off palms that filmed to nought,
Or in and out the cunning keys
That laced the land like fragile patterns wrought
To edge old broideries,
The sail sighed on all day for joy,
The prow each pouting wave did leave
All smile and song, with sheen and ripple coy,
Till the dusk diver Eve
Brought up from out the brimming East
The oval moon, a perfect pearl.
In that large lustre all our haste surceased,
The sail seemed fain to furl,
The silent steersman landward turned,
And ship and shore set breast to breast.
Under a palm wherethrough a planet burned
We ate, and sank to rest.
But soon from sleep's dear death (it seemed)
I rose and strolled along the sea
Down silver distances that faintly gleamed
On to infinity.
Till suddenly I paused, for lo!
A shape (from whence I ne'er divined)
Appeared before me, pacing to and fro,
With head far down inclined.
`A wraith' (I thought) `that walks the shore
To solve some old perplexity.'
Full heavy hung the draggled gown he wore;
His hair flew all awry.
He waited not (as ghosts oft use)
To be `dearheaven'd!' and `oh'd!'
But briskly said: "Good-evenin'; what's the news?
Consumption? After boa'd?
"Or mebbe you're intendin' of
Investments? Orange-plantin'? Pine?
Hotel? or Sanitarium? What above
This yea'th CAN be your line?
"Speakin' of sanitariums, now,
Jest look 'ee here, my friend:
I know a little story, -- well, I swow,
Wait till you hear the end!
"Some year or more ago, I s'pose,
I roamed from Maine to Floridy,
And, -- see where them Palmettos grows?
I bought that little key,
"Cal'latin' for to build right off
A c'lossal sanitarium:
Big surf! Gulf breeze! Jest death upon a cough!
-- I run it high, to hum!
"Well, sir, I went to work in style:
Bought me a steamboat, loaded it
With my hotel (pyazers more'n a mile!)
Already framed and fit,
"Insured 'em, fetched 'em safe around,
Put up my buildin', moored my boat,
COM-plete! then went to bed and slept as sound
As if I'd paid a note.
"Now on that very night a squall,
Cum up from some'eres -- some bad place!
An' blowed an' tore an' reared an' pitched an' all,
-- I had to run a race
"Right out o' bed from that hotel
An' git to yonder risin' ground,
For, 'twixt the sea that riz and rain that fell,
I pooty nigh was drowned!
"An' thar I stood till mornin' cum,
Right on yon little knoll of sand,
FreQUENTly wishin' I had stayed to hum
Fur from this tarnal land.
"When mornin' cum, I took a good
Long look, and -- well, sir, sure's I'm ME --
That boat laid right whar that hotel had stood,
And HIT sailed out to sea!
"No: I'll not keep you: good-bye, friend.
Don't think about it much, -- preehaps
Your brain might git see-sawin', end for end,
Like them asylum chaps,
"For here *I* walk, forevermore,
A-tryin' to make it gee,
How one same wind could blow my ship to shore
And my hotel to sea!"
|
Written by
Paul Laurence Dunbar |
Uncle John, he makes me tired;
Thinks 'at he's jest so all-fired
Smart, 'at he kin pick up, so,
Ever'thing he wants to know.
Tried to ketch me up last night,
But you bet I would n't bite.
I jest kep' the smoothes' face,
But I led him sich a chase,
Could n't corner me, you bet—
I skipped all the traps he set.
Makin' out he wan'ed to know
Who was this an' that girl's beau;
So 's he 'd find out, don't you see,
Who was goin' 'long with me.
But I answers jest ez sly,
An' I never winks my eye,
Tell he hollers with a whirl,
"Look here, ain't you got a girl?"
Y' ought 'o seen me spread my eyes,
Like he 'd took me by surprise,
An' I said, "Oh, Uncle John,
Never thought o' havin' one."
An' somehow that seemed to tickle
Him an' he shelled out a nickel.
Then you ought to seen me leave
Jest a-laffin' in my sleeve.
Fool him—well, I guess I did;
He ain't on to this here kid.
Got a girl! well, I guess yes,
Got a dozen more or less,
But I got one reely one,[Pg 74]
Not no foolin' ner no fun;
Fur I 'm sweet on her, you see,
An' I ruther guess 'at she
Must be kinder sweet on me,
So we 're keepin' company.
Honest Injun! this is true,
Ever' word I 'm tellin' you!
But you won't be sich a scab
Ez to run aroun' an' blab.
Mebbe 't ain't the way with you,
But you know some fellers do.
Spoils a girl to let her know
'At you talk about her so.
Don't you know her? her name 's Liz,
Nicest girl in town she is.
Purty? ah, git out, you gilly—
Liz 'ud purt 'nigh knock you silly.
Y' ought 'o see her when she 's dressed
All up in her Sunday best,
All the fellers nudgin' me,
An' a-whisperin', gemunee!
Betcher life 'at I feel proud
When she passes by the crowd.
'T 's kinder nice to be a-goin'
With a girl 'at makes some showin'—
One you know 'at hain't no snide,
Makes you feel so satisfied.
An' I 'll tell you she 's a trump,
Never even seen her jump
Like some silly girls 'ud do,
When I 'd hide and holler "Boo!"
She 'd jest laff an' say "Git out!
What you hollerin' about?"
When some girls 'ud have a fit
That 'un don't git skeered a bit,
Never makes a bit o' row
When she sees a worm er cow.
Them kind 's few an' far between;
Bravest girl I ever seen.
Tell you 'nuther thing she 'll do,
Mebbe you won't think it 's true,
But if she 's jest got a dime
She 'll go halvers ever' time.
Ah, you goose, you need n't laff;
That's the kinder girl to have.
If you knowed her like I do,
Guess you 'd kinder like her too.
Tell you somep'n' if you 'll swear
You won't tell it anywhere.
Oh, you got to cross yer heart
Earnest, truly, 'fore I start.
Well, one day I kissed her cheek;
Gee, but I felt cheap an' weak,
'Cause at first she kinder flared,
'N', gracious goodness! I was scared.
But I need n't been, fer la!
Why, she never told her ma.
That's what I call grit, don't you?
Sich a girl's worth stickin' to.
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