by
James Tate
Jim just loves to garden, yes he does.
He likes nothing better than to put on
his little overalls and his straw hat.
He says, "Let's go get those tools, Jim."
But then doubt begins to set in.
He says, "What is a garden, anyway?"
And thoughts about a "modernistic" garden
begin to trouble him, eat away at his resolve.
He stands in the driveway a long time.
"Horticulture is a groping in the dark
into the obscure and unfamiliar,
kneeling before a disinterested secret,
slapping it, punching it like a Chinese puzzle,
birdbrained babbling gibberish, dig and
destroy, pull out and apply salt,
hoe and spray, before it spreads, burn roots,
where not desired, with gloved hands, poisonous,
the self-sacrifice of it, the self-love,
into the interior, thunderclap, excruciating,
through the nose, the earsplitting necrology
of it, the withering, shrivelling,
the handy hose holder and Persian insect powder
and smut fungi, the enemies of the iris,
wireworms are worse than their parents,
there is no way out, flowers as big as heads,
pock-marked, disfigured, blinking insolently
at me, the me who so loves to garden
because it prevents the heaving of the ground
and the untimely death of porch furniture,
and dark, murky days in a large city
and the dream home under a permanent storm
is also a factor to keep in mind."
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by
Wystan Hugh (W H) Auden
Perfectly happy now, he looked at his estate.
An exile making watches glanced up as he passed
And went on working; where a hospital was rising fast,
A joiner touched his cap; an agent came to tell
Some of the trees he'd planted were progressing well.
The white alps glittered. It was summer. He was very great.
Far off in Paris where his enemies
Whsipered that he was wicked, in an upright chair
A blind old woman longed for death and letters. He would write,
"Nothing is better than life." But was it? Yes, the fight
Against the false and the unfair
Was always worth it. So was gardening. Civilize.
Cajoling, scolding, screaming, cleverest of them all,
He'd had the other children in a holy war
Against the infamous grown-ups; and, like a child, been sly
And humble, when there was occassion for
The two-faced answer or the plain protective lie,
But, patient like a peasant, waited for their fall.
And never doubted, like D'Alembert, he would win:
Only Pascal was a great enemy, the rest
Were rats already poisoned; there was much, though, to be done,
And only himself to count upon.
Dear Diderot was dull but did his best;
Rousseau, he'd always known, would blubber and give in.
Night fell and made him think of women: Lust
Was one of the great teachers; Pascal was a fool.
How Emilie had loved astronomy and bed;
Pimpette had loved him too, like scandal; he was glad.
He'd done his share of weeping for Jerusalem: As a rule,
It was the pleasure-haters who became unjust.
Yet, like a sentinel, he could not sleep. The night was full of wrong,
Earthquakes and executions: soon he would be dead,
And still all over Europe stood the horrible nurses
Itching to boil their children. Only his verses
Perhaps could stop them: He must go on working: Overhead,
The uncomplaining stars composed their lucid song.
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by
Alfred Lord Tennyson
MY father left a park to me,
But it is wild and barren,
A garden too with scarce a tree,
And waster than a warren:
Yet say the neighbours when they call,
It is not bad but good land,
And in it is the germ of all
That grows within the woodland.
O had I lived when song was great
In days of old Amphion,
And ta'en my fiddle to the gate,
Nor cared for seed or scion!
And had I lived when song was great,
And legs of trees were limber,
And ta'en my fiddle to the gate,
And fiddled in the timber!
'Tis said he had a tuneful tongue,
Such happy intonation,
Wherever he sat down and sung
He left a small plantation;
Wherever in a lonely grove
He set up his forlorn pipes,
The gouty oak began to move,
And flounder into hornpipes.
The mountain stirr'd its bushy crown,
And, as tradition teaches,
Young ashes pirouetted down
Coquetting with young beeches;
And briony-vine and ivy-wreath
Ran forward to his rhyming,
And from the valleys underneath
Came little copses climbing.
The linden broke her ranks and rent
The woodbine wreaths that bind her,
And down the middle, buzz! she went
With all her bees behind her:
The poplars, in long order due,
With cypress promenaded,
The shock-head willows two and two
By rivers gallopaded.
Came wet-shod alder from the wave,
Came yews, a dismal coterie;
Each pluck'd his one foot from the grave,
Poussetting with a sloe-tree:
Old elms came breaking from the vine,
The vine stream'd out to follow,
And, sweating rosin, plump'd the pine
From many a cloudy hollow.
And wasn't it a sight to see,
When, ere his song was ended,
Like some great landslip, tree by tree,
The country-side descended;
And shepherds from the mountain-eaves
Look'd down, half-pleased, half-frighten'd,
As dash'd about the drunken leaves
The random sunshine lighten'd!
Oh, nature first was fresh to men,
And wanton without measure;
So youthful and so flexile then,
You moved her at your pleasure.
Twang out, my fiddle! shake the twigs'
And make her dance attendance;
Blow, flute, and stir the stiff-set sprigs,
And scirrhous roots and tendons.
'Tis vain ! in such a brassy age
I could not move a thistle;
The very sparrows in the hedge
Scarce answer to my whistle;
'Or at the most, when three-parts-sick
With strumming and with scraping,
A jackass heehaws from the rick,
The passive oxen gaping.
But what is that I hear ? a sound
Like sleepy counsel pleading;
O Lord !--'tis in my neighbour's ground,
The modern Muses reading.
They read Botanic Treatises,
And Works on Gardening thro' there,
And Methods of transplanting trees
To look as if they grew there.
The wither'd Misses! how they prose
O'er books of travell'd seamen,
And show you slips of all that grows
From England to Van Diemen.
They read in arbours clipt and cut,
And alleys, faded places,
By squares of tropic summer shut
And warm'd in crystal cases.
But these, tho' fed with careful dirt,
Are neither green nor sappy;
Half-conscious of the garden-squirt,
The spindlings look unhappy.
Better to me the meanest weed
That blows upon its mountain,
The vilest herb that runs to seed
Beside its native fountain.
And I must work thro' months of toil,
And years of cultivation,
Upon my proper patch of soil
To grow my own plantation.
I'll take the showers as they fall,
I will not vex my bosom:
Enough if at the end of all
A little garden blossom.
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by
Edward Taylor
Jim just loves to garden, yes he does.
He likes nothing better than to put on
his little overalls and his straw hat.
He says, "Let's go get those tools, Jim."
But then doubt begins to set in.
He says, "What is a garden, anyway?"
And thoughts about a "modernistic" garden
begin to trouble him, eat away at his resolve.
He stands in the driveway a long time.
"Horticulture is a groping in the dark
into the obscure and unfamiliar,
kneeling before a disinterested secret,
slapping it, punching it like a Chinese puzzle,
birdbrained babbling gibberish, dig and
destroy, pull out and apply salt,
hoe and spray, before it spreads, burn roots,
where not desired, with gloved hands, poisonous,
the self-sacrifice of it, the self-love,
into the interior, thunderclap, excruciating,
through the nose, the earsplitting necrology
of it, the withering, shrivelling,
the handy hose holder and Persian insect powder
and smut fungi, the enemies of the iris,
wireworms are worse than their parents,
there is no way out, flowers as big as heads,
pock-marked, disfigured, blinking insolently
at me, the me who so loves to garden
because it prevents the heaving of the ground
and the untimely death of porch furniture,
and dark, murky days in a large city
and the dream home under a permanent storm
is also a factor to keep in mind."
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by
William Topaz McGonagall
In a little town in Devonshire, in the mellow September moonlight,
A gentleman passing along a street saw a pitiful sight,
A man bending over the form of a woman on the pavement.
He was uttering plaintive words and seemingly discontent.
"What's the matter with the woman?" asked the gentleman,
As the poor, fallen woman he did narrowly scan.
"There's something the matter, as yer honour can see,
But it's not right to prate about my wife, blame me."
"Is that really your wife?" said the gentleman.
"Yes, sor, but she looks very pale and wan."
"But surely she is much younger than you?"
"Only fourteen years, sor, that is thrue."
"It's myself that looks a deal oulder nor I really am,
Throuble have whitened my heir, my good gintleman,
Which was once as black as the wings of a crow,
And it's throuble as is dyed it as white as the snow.
Come, my dear sowl, Bridget, it's past nine o'clock,
And to see yez lying there it gives my heart a shock."
And he smoothed away the raven hair from her forehead,
And her hands hung heavily as if she had been dead.
The gentleman saw what was the matter and he sighed again,
And he said, "It's a great trial and must give you pain,
But I see you are willing to help her all you can."
But the encouraging words was not lost upon the Irishman.
"Thrial!" he echoed, "Don't mintion it, yer honour,
But the blessing of God rest upon her.
Poor crathur, she's good barrin' this one fault,
And by any one I don't like to hear her miscault."
"What was the reason of her taking to drink?"
"Bless yer honour, that's jest what I oftentimes think,
Some things is done without any rason at all,
And, sure, this one to me is a great downfall.
'Ah, Bridget, my darlin', I never dreamt ye'd come to this,"
And stooping down, her cheek he did kiss.
While a glittering tear flashed in the moonlight to the ground,
For the poor husband's grief was really profound.
"Have you any children?" asked the gentleman.
"No, yer honour, bless the Lord, contented I am,
I wouldn't have the lambs know any harm o' their mother,
Besides, sor, to me they would be a great bother."
"What is your trade, my good man?"
"Gardening, sor, and mighty fond of it I am.
Kind sor, I am out of a job and I am dying with sorrow."
"Well, you can call at my house by ten o'clock to-morrow.
"And I'll see what I can do for you.
Now, hasten home with your wife, and I bid you adieu.
But stay, my good man, I did not ask your name."
"My name is Matthew Mahoney, after Father Matthew of great fame,"
Then Mahoney stooped and lifted Bridget tenderly,
And carried her home in his arms cheerfully,
And put her to bed while he felt quite content,
Still hoping Bridget would see the folly of drinking and repent.
And at ten o'clock next morning Matthew was at Blandford Hall,
And politely for Mr Gillespie he did call,
But he was told Mrs Gillespie he would see,
And was invited into the parlour cheerfully.
And when Mrs Gillespie entered the room
She said, "Matthew Mahoney, I suppose you want to know your doom.
Well, Matthew, tell your wife to call here to-morrow."
"I'll ax her, my lady, for my heart's full of sorrow."
So Matthew got his wife to make her appearance at Blandford Hall,
And, trembling, upon Mrs Gillespie poor Bridget did call,
And had a pleasant interview with Mrs Gillespie,
And was told she was wanted for a new lodge-keeper immediately.
"But, Bridget, my dear woman, you mustn't drink any more,
For you have got a good husband you ought to adore,
And Mr Gillespie will help you, I'm sure,
Because he is very kind to deserving poor."
And Bridget's repentance was hearty and sincere,
And by the grace of God she never drank whisky, rum, or beer,
And good thoughts come into her mind of Heaven above,
And Matthew Mahoney dearly does her love.
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