10 Best Famous Forty One Poems

Here is a collection of the top 10 all-time best famous Forty One poems. This is a select list of the best famous Forty One poetry. Reading, writing, and enjoying famous Forty One poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of forty one poems.

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To Think of Time

by Walt Whitman
 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing. 

To think that the sun rose in the east! that men and women were flexible, real, alive!
 that
 everything was alive! 
To think that you and I did not see, feel, think, nor bear our part! 
To think that we are now here, and bear our part!

2
Not a day passes—not a minute or second, without an accouchement! 
Not a day passes—not a minute or second, without a corpse! 

The dull nights go over, and the dull days also, 
The soreness of lying so much in bed goes over, 
The physician, after long putting off, gives the silent and terrible look for an answer,
The children come hurried and weeping, and the brothers and sisters are sent for, 
Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) 
The faithful hand of the living does not desert the hand of the dying, 
The twitching lips press lightly on the forehead of the dying, 
The breath ceases, and the pulse of the heart ceases,
The corpse stretches on the bed, and the living look upon it, 
It is palpable as the living are palpable. 

The living look upon the corpse with their eye-sight, 
But without eye-sight lingers a different living, and looks curiously on the corpse. 

3
To think the thought of Death, merged in the thought of materials!
To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon
 others as
 upon us now—yet not act upon us! 
To think of all these wonders of city and country, and others taking great interest in
 them—and we taking no interest in them! 

To think how eager we are in building our houses! 
To think others shall be just as eager, and we quite indifferent! 

(I see one building the house that serves him a few years, or seventy or eighty years at
 most,
I see one building the house that serves him longer than that.) 

Slow-moving and black lines creep over the whole earth—they never cease—they are
 the
 burial lines, 
He that was President was buried, and he that is now President shall surely be buried. 

4
A reminiscence of the vulgar fate, 
A frequent sample of the life and death of workmen,
Each after his kind: 
Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in
 the
 streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, 
A hearse and stages—other vehicles give place—the funeral of an old Broadway
 stage-driver, the cortege mostly drivers. 

Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the
 new-dug grave is halted at, the living alight, the hearse uncloses, 
The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin,
 the
 earth is swiftly shovel’d in,
The mound above is flatted with the spades—silence, 
A minute—no one moves or speaks—it is done, 
He is decently put away—is there anything more? 

He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to
 take his
 own part, witty, sensitive to a slight, ready with life or death for a friend, fond of
 women,
 gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited
 toward
 the last, sicken’d, was help’d by a contribution, died, aged forty-one
 years—and
 that was his funeral. 

Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip
 carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing
 on
 somebody, headway, man before and man behind, good day’s work, bad day’s work,
 pet
 stock, mean stock, first out, last out, turning-in at night;
To think that these are so much and so nigh to other drivers—and he there takes no
 interest in them! 

5
The markets, the government, the working-man’s wages—to think what account they
 are
 through our nights and days! 
To think that other working-men will make just as great account of them—yet we make
 little
 or no account! 

The vulgar and the refined—what you call sin, and what you call goodness—to
 think how
 wide a difference! 
To think the difference will still continue to others, yet we lie beyond the difference.

To think how much pleasure there is! 
Have you pleasure from looking at the sky? have you pleasure from poems? 
Do you enjoy yourself in the city? or engaged in business? or planning a nomination and
 election? or with your wife and family? 
Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares?

—These also flow onward to others—you and I flow onward,
But in due time, you and I shall take less interest in them. 

Your farm, profits, crops,—to think how engross’d you are! 
To think there will still be farms, profits, crops—yet for you, of what avail? 

6
What will be, will be well—for what is, is well, 
To take interest is well, and not to take interest shall be well.

The sky continues beautiful, 
The pleasure of men with women shall never be sated, nor the pleasure of women with men,
 nor
 the pleasure from poems, 
The domestic joys, the daily housework or business, the building of houses—these are
 not
 phantasms—they have weight, form, location; 
Farms, profits, crops, markets, wages, government, are none of them phantasms, 
The difference between sin and goodness is no delusion,
The earth is not an echo—man and his life, and all the things of his life, are
 well-consider’d. 

You are not thrown to the winds—you gather certainly and safely around yourself; 
Yourself! Yourself! Yourself, forever and ever! 

7
It is not to diffuse you that you were born of your mother and father—it is to
 identify
 you; 
It is not that you should be undecided, but that you should be decided;
Something long preparing and formless is arrived and form’d in you, 
You are henceforth secure, whatever comes or goes. 

The threads that were spun are gather’d, the weft crosses the warp, the pattern is
 systematic. 

The preparations have every one been justified, 
The orchestra have sufficiently tuned their instruments—the baton has given the
 signal.

The guest that was coming—he waited long, for reasons—he is now housed, 
He is one of those who are beautiful and happy—he is one of those that to look upon
 and be
 with is enough. 

The law of the past cannot be eluded, 
The law of the present and future cannot be eluded, 
The law of the living cannot be eluded—it is eternal,
The law of promotion and transformation cannot be eluded, 
The law of heroes and good-doers cannot be eluded, 
The law of drunkards, informers, mean persons—not one iota thereof can be eluded. 

8
Slow moving and black lines go ceaselessly over the earth, 
Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and
 they
 on the Pacific, and they between, and all through the Mississippi country, and all over
 the
 earth.

The great masters and kosmos are well as they go—the heroes and good-doers are well, 
The known leaders and inventors, and the rich owners and pious and distinguish’d, may
 be
 well, 
But there is more account than that—there is strict account of all. 

The interminable hordes of the ignorant and wicked are not nothing, 
The barbarians of Africa and Asia are not nothing,
The common people of Europe are not nothing—the American aborigines are not nothing, 
The infected in the immigrant hospital are not nothing—the murderer or mean person is
 not
 nothing, 
The perpetual successions of shallow people are not nothing as they go, 
The lowest prostitute is not nothing—the mocker of religion is not nothing as he
 goes. 

9
Of and in all these things,
I have dream’d that we are not to be changed so much, nor the law of us changed, 
I have dream’d that heroes and good-doers shall be under the present and past law, 
And that murderers, drunkards, liars, shall be under the present and past law, 
For I have dream’d that the law they are under now is enough. 

If otherwise, all came but to ashes of dung,
If maggots and rats ended us, then Alarum! for we are betray’d! 
Then indeed suspicion of death. 

Do you suspect death? If I were to suspect death, I should die now, 
Do you think I could walk pleasantly and well-suited toward annihilation? 

10
Pleasantly and well-suited I walk,
Whither I walk I cannot define, but I know it is good, 
The whole universe indicates that it is good, 
The past and the present indicate that it is good. 

How beautiful and perfect are the animals! 
How perfect the earth, and the minutest thing upon it!

What is called good is perfect, and what is called bad is just as perfect, 
The vegetables and minerals are all perfect, and the imponderable fluids are perfect; 
Slowly and surely they have pass’d on to this, and slowly and surely they yet pass
 on. 

11
I swear I think now that everything without exception has an eternal Soul! 
The trees have, rooted in the ground! the weeds of the sea have! the animals!

I swear I think there is nothing but immortality! 
That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is
 for
 it; 
And all preparation is for it! and identity is for it! and life and materials are
 altogether
 for it

December 7

by David Lehman
 As I sit at my desk wishing
I did not have to edit a book
on poetry and painting a
subject that fascinates me
usually, but today is not as
usual, being today, white sky,
decent amount of sunlight,
forty one degrees in Central Park,
and it makes sense to dream of
Chicago, another big city
with two major league ballclubs,
and the pleasure of seeing Paul
and you, too, Elaine, whom
I never get to see often enough
in our own city of the subway series
the champagne gallery and
the tech wreck on wall street,
and as I look out the window
almost any minute I expect
the brokers to fall from the sky
like Icarus in Brughel's painting in
Auden's "Musee des Beaux Arts"
(and so back to work)

Home After Three Months Away

by Robert Lowell
 Gone now the baby's nurse,
a lioness who ruled the roost
and made the Mother cry.
She used to tie
gobbets of porkrind to bowknots of gauze—
three months they hung like soggy toast
on our eight foot magnolia tree,
and helped the English sparrows
weather a Boston winter.

Three months, three months!
Is Richard now himself again?
Dimpled with exaltation,
my daughter holds her levee in the tub.
Our noses rub,
each of us pats a stringy lock of hair—
they tell me nothing's gone.
Though I am forty-one,
not fourty now, the time I put away
was child's play. After thirteen weeks
my child still dabs her cheeks
to start me shaving. When
we dress her in her sky-blue corduroy,
she changes to a boy,
and floats my shaving brush
and washcloth in the flush...
Dearest I cannot loiter here
in lather like a polar bear.

Recuperating, I neither spin nor toil.
Three stories down below,
a choreman tends our coffin length of soil,
and seven horizontal tulips blow.
Just twelve months ago,
these flowers were pedigreed
imported Dutchmen, now no one need
distunguish them from weed.
Bushed by the late spring snow,
they cannot meet
another year's snowballing enervation.

I keep no rank nor station.
Cured, I am frizzled, stale and small."

The Volunteer

by Robert William Service
 Sez I: My Country calls? Well, let it call.
 I grins perlitely and declines wiv thanks.
Go, let 'em plaster every blighted wall,
 'Ere's ONE they don't stampede into the ranks.
Them politicians with their greasy ways;
 Them empire-grabbers -- fight for 'em? No fear!
I've seen this mess a-comin' from the days
 Of Algyserious and Aggydear:
 I've felt me passion rise and swell,
 But . . . wot the 'ell, Bill? Wot the 'ell?

Sez I: My Country? Mine? I likes their cheek.
 Me mud-bespattered by the cars they drive,
Wot makes my measly thirty bob a week,
 And sweats red blood to keep meself alive!
Fight for the right to slave that they may spend,
 Them in their mansions, me 'ere in my slum?
No, let 'em fight wot's something to defend:
 But me, I've nothin' -- let the Kaiser come.
 And so I cusses 'ard and well,
 But . . . wot the 'ell, Bill? Wot the 'ell?

Sez I: If they would do the decent thing,
 And shield the missis and the little 'uns,
Why, even _I_ might shout "God save the King",
 And face the chances of them 'ungry guns.
But we've got three, another on the way;
 It's that wot makes me snarl and set me jor:
The wife and nippers, wot of 'em, I say,
 If I gets knocked out in this blasted war?
 Gets proper busted by a shell,
 But . . . wot the 'ell, Bill? Wot the 'ell?

Ay, wot the 'ell's the use of all this talk?
 To-day some boys in blue was passin' me,
And some of 'em they 'ad no legs to walk,
 And some of 'em they 'ad no eyes to see.
And -- well, I couldn't look 'em in the face,
 And so I'm goin', goin' to declare
I'm under forty-one and take me place
 To face the music with the bunch out there.
 A fool, you say! Maybe you're right.
 I'll 'ave no peace unless I fight.
 I've ceased to think; I only know
 I've gotta go, Bill, gotta go.

Dream Song 40: Im scared a lonely. Never see my son

by John Berryman
 I'm scared a lonely. Never see my son,
easy be not to see anyone,
combers out to sea
know they're goin somewhere but not me.
Got a little poison, got a little gun,
I'm scared a lonely.

I'm scared a only one thing, which is me,
from othering I don't take nothin, see,
for any hound dog's sake.
But this is where I livin, where I rake
my leaves and cop my promise, this' where we
cry oursel's awake.

Wishin was dyin but I gotta make
it all this way to that bed on these feet
where peoples said to meet.
Maybe but even if I see my son
forever never, get back on the take,
free, black & forty-one.
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