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Best Famous Fluids Poems

Here is a collection of the all-time best famous Fluids poems. This is a select list of the best famous Fluids poetry. Reading, writing, and enjoying famous Fluids poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of fluids poems.

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Written by Walt Whitman | Create an image from this poem

To Think of Time

 1
TO think of time—of all that retrospection! 
To think of to-day, and the ages continued henceforward! 

Have you guess’d you yourself would not continue? 
Have you dreaded these earth-beetles? 
Have you fear’d the future would be nothing to you?

Is to-day nothing? Is the beginningless past nothing? 
If the future is nothing, they are just as surely nothing.
To think that the sun rose in the east! that men and women were flexible, real, alive! that everything was alive! To think that you and I did not see, feel, think, nor bear our part! To think that we are now here, and bear our part! 2 Not a day passes—not a minute or second, without an accouchement! Not a day passes—not a minute or second, without a corpse! The dull nights go over, and the dull days also, The soreness of lying so much in bed goes over, The physician, after long putting off, gives the silent and terrible look for an answer, The children come hurried and weeping, and the brothers and sisters are sent for, Medicines stand unused on the shelf—(the camphor-smell has long pervaded the rooms,) The faithful hand of the living does not desert the hand of the dying, The twitching lips press lightly on the forehead of the dying, The breath ceases, and the pulse of the heart ceases, The corpse stretches on the bed, and the living look upon it, It is palpable as the living are palpable.
The living look upon the corpse with their eye-sight, But without eye-sight lingers a different living, and looks curiously on the corpse.
3 To think the thought of Death, merged in the thought of materials! To think that the rivers will flow, and the snow fall, and fruits ripen, and act upon others as upon us now—yet not act upon us! To think of all these wonders of city and country, and others taking great interest in them—and we taking no interest in them! To think how eager we are in building our houses! To think others shall be just as eager, and we quite indifferent! (I see one building the house that serves him a few years, or seventy or eighty years at most, I see one building the house that serves him longer than that.
) Slow-moving and black lines creep over the whole earth—they never cease—they are the burial lines, He that was President was buried, and he that is now President shall surely be buried.
4 A reminiscence of the vulgar fate, A frequent sample of the life and death of workmen, Each after his kind: Cold dash of waves at the ferry-wharf—posh and ice in the river, half-frozen mud in the streets, a gray, discouraged sky overhead, the short, last daylight of Twelfth-month, A hearse and stages—other vehicles give place—the funeral of an old Broadway stage-driver, the cortege mostly drivers.
Steady the trot to the cemetery, duly rattles the death-bell, the gate is pass’d, the new-dug grave is halted at, the living alight, the hearse uncloses, The coffin is pass’d out, lower’d and settled, the whip is laid on the coffin, the earth is swiftly shovel’d in, The mound above is flatted with the spades—silence, A minute—no one moves or speaks—it is done, He is decently put away—is there anything more? He was a good fellow, free-mouth’d, quick-temper’d, not bad-looking, able to take his own part, witty, sensitive to a slight, ready with life or death for a friend, fond of women, gambled, ate hearty, drank hearty, had known what it was to be flush, grew low-spirited toward the last, sicken’d, was help’d by a contribution, died, aged forty-one years—and that was his funeral.
Thumb extended, finger uplifted, apron, cape, gloves, strap, wet-weather clothes, whip carefully chosen, boss, spotter, starter, hostler, somebody loafing on you, you loafing on somebody, headway, man before and man behind, good day’s work, bad day’s work, pet stock, mean stock, first out, last out, turning-in at night; To think that these are so much and so nigh to other drivers—and he there takes no interest in them! 5 The markets, the government, the working-man’s wages—to think what account they are through our nights and days! To think that other working-men will make just as great account of them—yet we make little or no account! The vulgar and the refined—what you call sin, and what you call goodness—to think how wide a difference! To think the difference will still continue to others, yet we lie beyond the difference.
To think how much pleasure there is! Have you pleasure from looking at the sky? have you pleasure from poems? Do you enjoy yourself in the city? or engaged in business? or planning a nomination and election? or with your wife and family? Or with your mother and sisters? or in womanly housework? or the beautiful maternal cares? —These also flow onward to others—you and I flow onward, But in due time, you and I shall take less interest in them.
Your farm, profits, crops,—to think how engross’d you are! To think there will still be farms, profits, crops—yet for you, of what avail? 6 What will be, will be well—for what is, is well, To take interest is well, and not to take interest shall be well.
The sky continues beautiful, The pleasure of men with women shall never be sated, nor the pleasure of women with men, nor the pleasure from poems, The domestic joys, the daily housework or business, the building of houses—these are not phantasms—they have weight, form, location; Farms, profits, crops, markets, wages, government, are none of them phantasms, The difference between sin and goodness is no delusion, The earth is not an echo—man and his life, and all the things of his life, are well-consider’d.
You are not thrown to the winds—you gather certainly and safely around yourself; Yourself! Yourself! Yourself, forever and ever! 7 It is not to diffuse you that you were born of your mother and father—it is to identify you; It is not that you should be undecided, but that you should be decided; Something long preparing and formless is arrived and form’d in you, You are henceforth secure, whatever comes or goes.
The threads that were spun are gather’d, the weft crosses the warp, the pattern is systematic.
The preparations have every one been justified, The orchestra have sufficiently tuned their instruments—the baton has given the signal.
The guest that was coming—he waited long, for reasons—he is now housed, He is one of those who are beautiful and happy—he is one of those that to look upon and be with is enough.
The law of the past cannot be eluded, The law of the present and future cannot be eluded, The law of the living cannot be eluded—it is eternal, The law of promotion and transformation cannot be eluded, The law of heroes and good-doers cannot be eluded, The law of drunkards, informers, mean persons—not one iota thereof can be eluded.
8 Slow moving and black lines go ceaselessly over the earth, Northerner goes carried, and Southerner goes carried, and they on the Atlantic side, and they on the Pacific, and they between, and all through the Mississippi country, and all over the earth.
The great masters and kosmos are well as they go—the heroes and good-doers are well, The known leaders and inventors, and the rich owners and pious and distinguish’d, may be well, But there is more account than that—there is strict account of all.
The interminable hordes of the ignorant and wicked are not nothing, The barbarians of Africa and Asia are not nothing, The common people of Europe are not nothing—the American aborigines are not nothing, The infected in the immigrant hospital are not nothing—the murderer or mean person is not nothing, The perpetual successions of shallow people are not nothing as they go, The lowest prostitute is not nothing—the mocker of religion is not nothing as he goes.
9 Of and in all these things, I have dream’d that we are not to be changed so much, nor the law of us changed, I have dream’d that heroes and good-doers shall be under the present and past law, And that murderers, drunkards, liars, shall be under the present and past law, For I have dream’d that the law they are under now is enough.
If otherwise, all came but to ashes of dung, If maggots and rats ended us, then Alarum! for we are betray’d! Then indeed suspicion of death.
Do you suspect death? If I were to suspect death, I should die now, Do you think I could walk pleasantly and well-suited toward annihilation? 10 Pleasantly and well-suited I walk, Whither I walk I cannot define, but I know it is good, The whole universe indicates that it is good, The past and the present indicate that it is good.
How beautiful and perfect are the animals! How perfect the earth, and the minutest thing upon it! What is called good is perfect, and what is called bad is just as perfect, The vegetables and minerals are all perfect, and the imponderable fluids are perfect; Slowly and surely they have pass’d on to this, and slowly and surely they yet pass on.
11 I swear I think now that everything without exception has an eternal Soul! The trees have, rooted in the ground! the weeds of the sea have! the animals! I swear I think there is nothing but immortality! That the exquisite scheme is for it, and the nebulous float is for it, and the cohering is for it; And all preparation is for it! and identity is for it! and life and materials are altogether for it


Written by Ruth Padel | Create an image from this poem

NIGHT

 (published on BLINKING EYE, http://www.
blinking-eye.
co.
uk/writer/padel2.
html ) Then spoke the thunder, shattering the looming blackness of our national life.
The rumble that breaks a spell of the dry season – Saro-Wiwa, "The Storm Breaks" Does a zebra foal dream? Head lower, lower under lenticular dark cloud, he drags harlequin fetlocks, porcelain quails' egg hooflets through pimpling dust, slower, slower through the silver rainbow night, this soot and fester cellar-lighting, electricity of the blue and evil eye.
Night ringed with eyes, gutter-glow of new-soused theatre, hyena, leopard, caracal (that caramel cat with ear tufts, anxious to feed her cubs) watching the lame foal weakened by drought.
All you know is, that you don't know, and are afraid.
Moonshadow where the big rocks laugh apart.
Predator-senses.
Cilia.
Heat detectors crowd this long auditorium, segment after segment of the midnight shuffle-plains.
They radar in on bodies, fluids, molecules of flesh that do not know they glow, they draw.
Let's give him one dream-memory, a zebra wish fulfilled in dazing plod, some sheer green wall of sugarcane.
And look - he's made it through into the bleach and blaze, rose curdling over indigo and lard, this granult scar of dawn.
One more dawn nearer the water.
Sky blood-taggled, blood-tufted, rushes over him like a white bowl at the end of things, the little safe horizon of a pilot's dial, an inventory of therapeutic gems.
Written by Erin Belieu | Create an image from this poem

The Hideous Chair

 This hideous,
upholstered in gift-wrap fabric, chromed
in places, design possibility

for the future canned ham.
Its genius wonderful, circa I993.
I've assumed a great many things: the perversity of choices, affairs I did or did not have.
But let the record show that I was happy.
O let the hideous chair stand! For the Chinese apothecary with his roots and fluids; for Paoul at the bank; for the young woman in Bailey's Drug, expert on henna; and Warren Beatty, tough, sleek stray.
For Fluff and Flo, drunk at noon, and the Am Vets lady reading her Vogue, the cholos on the corner where the 57 bus comes by, for their gratifying, cool appraisal and courtly manner when I pass.
Let the seat be comfortable but let the chair be hideous and stand against the correct, hygienic, completely proper subdued in taxidermied elegance.
Let me have in any future some hideous thing to love, here Boston, MA, 8 Farrington Ave.
Written by Dylan Thomas | Create an image from this poem

When Once The Twilight Locks No Longer

 When once the twilight locks no longer
Locked in the long worm of my finger
Nor damned the sea that sped about my fist,
The mouth of time sucked, like a sponge,
The milky acid on each hinge,
And swallowed dry the waters of the breast.
When the galactic sea was sucked And all the dry seabed unlocked, I sent my creature scouting on the globe, That globe itself of hair and bone That, sewn to me by nerve and brain, Had stringed my flask of matter to his rib.
My fuses are timed to charge his heart, He blew like powder to the light And held a little sabbath with the sun, But when the stars, assuming shape, Drew in his eyes the straws of sleep He drowned his father's magics in a dream.
All issue armoured, of the grave, The redhaired cancer still alive, The cataracted eyes that filmed their cloth; Some dead undid their bushy jaws, And bags of blood let out their flies; He had by heart the Christ-cross-row of death.
Sleep navigates the tides of time; The dry Sargasso of the tomb Gives up its dead to such a working sea; And sleep rolls mute above the beds Where fishes' food is fed the shades Who periscope through flowers to the sky.
When once the twilight screws were turned, And mother milk was stiff as sand, I sent my own ambassador to light; By trick or chance he fell asleep And conjured up a carcass shape To rob me of my fluids in his heart.
Awake, my sleeper, to the sun, A worker in the morning town, And leave the poppied pickthank where he lies; The fences of the light are down, All but the briskest riders thrown And worlds hang on the trees.
Written by Les Murray | Create an image from this poem

Shower

 From the metal poppy
this good blast of trance
arriving as shock, private cloudburst blazing down,
worst in a boarding-house greased tub, or a barrack with competitions,
best in a stall, this enveloping passion of Australians:
tropics that sweat for you, torrent that braces with its heat,
inflames you with its chill, action sauna, inverse bidet,
sleek vertical coruscating ghost of your inner river,
reminding all your fluids, streaming off your points, awakening
the tacky soap to blossom and ripe autumn, releasing the squeezed gardens,
smoky valet smoothing your impalpable overnight pyjamas off,
pillar you can step through, force-field absolving love's efforts,
nicest yard of the jogging track, speeding aeroplane minutely
steered with two controls, or trimmed with a knurled wheel.
Some people like to still this energy and lie in it, stirring circles with their pleasure in it, but my delight's that toga worn on either or both shoulders, fluted drapery, silk whispering to the tiles, with its spiralling, frothy hem continuous round the gurgle-hole' this ecstatic partner, dreamy to dance in slow embrace with after factory-floor rock, or even to meet as Lot's abstracted merciful wife on a rusty ship in dog latitudes, sweetest dressing of the day in the dusty bush, this persistent, time-capsule of unwinding, this nimble straight well-wisher.
Only in England is its name an unkind word; only in Europe is it enjoyed by telephone.


Written by Denise Duhamel | Create an image from this poem

Buying Stock

 ".
.
.
The use of condoms offers substantial protection, but does not guarantee total protection and that while there is no evidence that deep kissing has resulted in transfer of the virus, no one can say that such transmission would be absolutely impossible.
" --The Surgeon General, 1987 I know you won't mind if I ask you to put this on.
It's for your protection as well as mine--Wait.
Wait.
Here, before we rush into anything I've bought a condom for each one of your fingers.
And here-- just a minute--Open up.
I'll help you put this one on, over your tongue.
I was thinking: If we leave these two rolled, you can wear them as patches over your eyes.
Partners have been known to cry, shed tears, bodily fluids, at all this trust, at even the thought of this closeness.
Written by Edgar Lee Masters | Create an image from this poem

Trainor the Druggist

 Only the chemist can tell, and not always the chemist,
What will result from compounding
Fluids or solids.
And who can tell How men and women will interact On each other, or what children will result? There were Benjamin Pantier and his wife, Good in themselves, but evil toward each other: He oxygen, she hydrogen, Their son, a devastating fire.
I Trainor, the druggist, a mixer of chemicals, Killed while making an experiment, Lived unwedded.

Book: Shattered Sighs