Get Your Premium Membership

Best Famous Eyrie Poems

Here is a collection of the all-time best famous Eyrie poems. This is a select list of the best famous Eyrie poetry. Reading, writing, and enjoying famous Eyrie poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of eyrie poems.

Search and read the best famous Eyrie poems, articles about Eyrie poems, poetry blogs, or anything else Eyrie poem related using the PoetrySoup search engine at the top of the page.

See Also:
Written by Barry Tebb | Create an image from this poem

Apologies For Absence

 Sorry, Neil Oram (with an orange in my pocket)

I can’t make ,your loch-side commune by bonny Drummadrochit.



Sorry Brenda Williams, I can’t share your park bench protest near the Royal Free

At sixty I need a fire and slippers, -4 outside just isn’t me.



Sorry, Chris Torrance, I can’t make your Welsh eyrie

Just spelling Gymmercher Isaf Pontneathvaughan quite fazes me.



Sorry, Seamus Famous, your hide away in Dublin Bay

No doubt is bloody grand but I can’t face the journey to a far off foreign land.



Sorry James Kirkup, your Andorran niche

Is just too complicated for me to ever reach.

Apologies especially to Emily Bronte’s ghost -

You are the mostest hostess that I could ever boast

Your heather moor and cobbled street’s allure

Are something I’ve put off until the braw New Year.


Written by Christina Rossetti | Create an image from this poem

At Home

 When I was dead, my spirit turned
To seek the much-frequented house:
I passed the door, and saw my friends
Feasting beneath green orange boughs;
From hand to hand they pushed the wine,
They sucked the pulp of plum and peach;
They sang, they jested, and they laughed,
For each was loved of each.

I listened to thier honest chat:
Said one: "To-morrow we shall be
Plod plod along the featureless sands,
And coasting miles and miles of sea."
Said one: "Before the turn of tide
We will achieve the eyrie-seat."
Said one: "To-morrow shall be like
To-day, but much more sweet."

"To-morrow," said they, strong with hope,
And dwelt upon the pleasant way:
"To-morrow," cried they, one and all,
While no one spoke of yesterday.
Their life stood full at blessed noon;
I, only I, had passed away:
"To-morrow and to-day," they cried;
I was of yesterday.

I shivered comfortless, but cast
No chill across the table-cloth;
I, all-forgotten, shivered, sad
To stay, and yet to part how loth:
I passed from the familiar room,
I who from love had passed away,
Like the remembrance of a guest
That tarrieth but a day.
Written by Barry Tebb | Create an image from this poem

To Four Psychoanalysts

 Richard Chessick, John Gedo, James Grotstein and Vamik Voltan



What darknesses have you lit up for me

What depths of infinite space plumbed

With your finely honed probes

What days of unending distress lightened 

With your wisdom, skills and jouissance?

Conquistadores of the unconscious

For three decades how often have I come to you

And from your teachings gathered the manna

Of meaning eluding me alone in my northern eyrie?

Chance or God’s guidance – being a poet I chose the latter – 

Brought me to dip my ankle like an amah’s blessing

Into the Holy Ganges of prelude and grosse fuge 

Of ego and unconscious, wandering alone

In uncharted waters and faltering

Until I raised my hand and found it grasped

By your firm fingers pulling inexorably shoreward.

Did I know, how could I know, madness 

Would descend on my family, first a sad grandfather

Who had wrought destruction on three generations

Including our children’s?


I locked with the horns of madness,

Trusted my learning, won from you at whose feet I sat

Alone and in spirit; yet not once did you let me down,

In ward rounds, staying on after the other visitors –

How few and lost – had gone, chatting to a charge nurse

While together we made our case

To the well meaning but unenlightened psychiatrist,

Chair of the department no less, grumbling good-naturedly

At our fumbling formulations of splitting as a diagnostic aid.

When Cyril’s nightmare vision of me in a white coat

Leading a posse of nurses chasing him round his flat

With a flotilla of ambulances on witches’ brooms

Bringing his psychotic core to the fore and 

The departmental chairman finally signing the form.



Cyril discharged on Largactil survived two years

To die on a dual carriageway ‘high on morphine’

And I learned healing is caring as much as knowing,

The slow hard lesson of a lifetime, the concentration

Of a chess master, the footwork of a dancer,

The patience of a scholar and a saint’s humility,

While I have only a poet’s quickness, a journalist’s 

Ability to speed-read and the clumsiness 

Of a circus clown.
Written by Countee Cullen | Create an image from this poem

That Bright Chimeric Beast

 That bright chimeric beast
Conceived yet never born,
Save in the poet's breast,
The white-flanked unicorn,
Never may be shaken
From his solitude;
Never may be taken
In any earthly wood. 

That bird forever feathered,
Of its new self the sire,
After aeons weathered,
Reincarnate by fire,
Falcon may not nor eagle
Swerve from his eyrie,
Nor any crumb inveigle
Down to an earthly tree.

That fish of the dread regime
Invented to become
The fable and the dream
Of the Lord's aquarium,
Leviathan, the jointed
Harpoon was never wrought
By which the Lord's anointed
Will suffer to be caught.

Bird of the deathless breast,
Fish of the frantic fin,
That bright chimeric beast
Flashing the argent skin,--
If beasts like these you'd harry,
Plumb then the poet's dream;
Make it your aviary,
Make it your wood and stream.

There only shall the swish
Be heard of the regal fish;
There like a golden knife
Dart the feet of the unicorn,
And there, death brought to life,
The dead bird be reborn.
Written by Les Murray | Create an image from this poem

Bats Ultrasound

 Sleeping-bagged in a duplex wing
with fleas, in rock-cleft or building
radar bats are darkness in miniature,
their whole face one tufty crinkled ear 
with weak eyes, fine teeth bared to sing. 

Few are vampires. None flit through the mirror. 
Where they flutter at evening's a ***** 
tonal hunting zone above highest C. 
Insect prey at the peak of our hearing 
drone re to their detailing tee: 

ah, eyrie-ire; aero hour, eh?
O'er our ur-area (our era aye
ere your raw row) we air our array
err, yaw, row wry - aura our orrery,
our eerie ü our ray, our arrow.

A rare ear, our aery Yahweh.


Written by Algernon Charles Swinburne | Create an image from this poem

Ode On The Insurrection In Candia

 STR. 1

I laid my laurel-leaf
At the white feet of grief,
Seeing how with covered face and plumeless wings,
With unreverted head
Veiled, as who mourns his dead,
Lay Freedom couched between the thrones of kings,
A wearied lion without lair,
And bleeding from base wounds, and vexed with alien air.

STR. 2

Who was it, who, put poison to thy mouth,
Who lulled with craft or chant thy vigilant eyes,
O light of all men, lamp to north and south,
Eastward and westward, under all men's skies?
For if thou sleep, we perish, and thy name
Dies with the dying of our ephemeral breath;
And if the dust of death o'ergrows thy flame,
Heaven also is darkened with the dust of death.
If thou be mortal, if thou change or cease,
If thine hand fail, or thine eyes turn from Greece,
Thy firstborn, and the firstfruits of thy fame,
God is no God, and man is moulded out of shame.

STR. 3

Is there change in the secret skies,
In the sacred places that see
The divine beginning of things,
The weft of the web of the world?
Is Freedom a worm that dies,
And God no God of the free?
Is heaven like as earth with her kings
And time as a serpent curled
Round life as a tree?

From the steel-bound snows of the north,
From the mystic mother, the east,
From the sands of the fiery south,
From the low-lit clouds of the west,
A sound of a cry is gone forth;
Arise, stand up from the feast,
Let wine be far from the mouth,
Let no man sleep or take rest,
Till the plague hath ceased.

Let none rejoice or make mirth
Till the evil thing be stayed,
Nor grief be lulled in the lute,
Nor hope be loud on the lyre;
Let none be glad upon earth.
O music of young man and maid,
O songs of the bride, be mute.
For the light of her eyes, her desire,
Is the soul dismayed.

It is not a land new-born
That is scourged of a stranger's hand,
That is rent and consumed with flame.
We have known it of old, this face,
With the cheeks and the tresses torn,
With shame on the brow as a brand.
We have named it of old by name,
The land of the royallest race,
The most holy land.

STR. 4

Had I words of fire,
Whose words are weak as snow;
Were my heart a lyre
Whence all its love might flow
In the mighty modulations of desire,
In the notes wherewith man's passion worships woe;

Could my song release
The thought weak words confine,
And my grief, O Greece,
Prove how it worships thine;
It would move with pulse of war the limbs of peace,
Till she flushed and trembled and became divine.

(Once she held for true
This truth of sacred strain;
Though blood drip like dew
And life run down like rain,
It is better that war spare but one or two
Than that many live, and liberty be slain.)

Then with fierce increase
And bitter mother's mirth,
From the womb of peace,
A womb that yearns for birth,
As a man-child should deliverance come to Greece,
As a saviour should the child be born on earth.

STR. 5

O that these my days had been
Ere white peace and shame were wed
Without torch or dancers' din
Round the unsacred marriage-bed!
For of old the sweet-tongued law,
Freedom, clothed with all men's love,
Girt about with all men's awe,
With the wild war-eagle mated
The white breast of peace the dove,
And his ravenous heart abated
And his windy wings were furled
In an eyrie consecrated
Where the snakes of strife uncurled,
And her soul was soothed and sated
With the welfare of the world.

ANT. 1

But now, close-clad with peace,
While war lays hand on Greece,
The kingdoms and their kings stand by to see;
"Aha, we are strong," they say,
"We are sure, we are well," even they;
"And if we serve, what ails ye to be free?
We are warm, clothed round with peace and shame;
But ye lie dead and naked, dying for a name."

ANT. 2

O kings and queens and nations miserable,
O fools and blind, and full of sins and fears,
With these it is, with you it is not well;
Ye have one hour, but these the immortal years.
These for a pang, a breath, a pulse of pain,
Have honour, while that honour on earth shall be:
Ye for a little sleep and sloth shall gain
Scorn, while one man of all men born is free.
Even as the depth more deep than night or day,
The sovereign heaven that keeps its eldest way,
So without chance or change, so without stain,
The heaven of their high memories shall nor wax nor wane.

ANT. 3

As the soul on the lips of the dead
Stands poising her wings for flight,
A bird scarce quit of her prison,
But fair without form or flesh,
So stands over each man's head
A splendour of imminent light,
A glory of fame rearisen,
Of day rearisen afresh
From the hells of night.

In the hundred cities of Crete
Such glory was not of old,
Though her name was great upon earth
And her face was fair on the sea.
The words of her lips were sweet,
Her days were woven with gold,
Her fruits came timely to birth;
So fair she was, being free,
Who is bought and sold.

So fair, who is fairer now
With her children dead at her side,
Unsceptred, unconsecrated,
Unapparelled, unhelped, unpitied,
With blood for gold on her brow,
Where the towery tresses divide;
The goodly, the golden-gated,
Many-crowned, many-named, many-citied,
Made like as a bride.

And these are the bridegroom's gifts;
Anguish that straitens the breath,
Shame, and the weeping of mothers,
And the suckling dead at the breast,
White breast that a long sob lifts;
And the dumb dead mouth, which saith,
How long, and how long, my brothers?"
And wrath which endures not rest,
And the pains of death.

ANT. 4

Ah, but would that men,
With eyelids purged by tears,
Saw, and heard again
With consecrated ears,
All the clamour, all the splendour, all the slain,
All the lights and sounds of war, the fates and fears;

Saw far off aspire,
With crash of mine and gate,
From a single pyre
The myriad flames of fate,
Soul by soul transfigured in funereal fire,
Hate made weak by love, and love made strong by hate.

Children without speech,
And many a nursing breast;
Old men in the breach,
Where death sat down a guest;
With triumphant lamentation made for each,
Let the world salute their ruin and their rest.

In one iron hour
The crescent flared and waned,
As from tower to tower,
Fire-scathed and sanguine-stained,
Death, with flame in hand, an open bloodred flower,
Passed, and where it bloomed no bloom of life remained.

ANT. 5

Hear, thou earth, the heavy-hearted
Weary nurse of waning races;
From the dust of years departed,
From obscure funereal places,
Raise again thy sacred head,
Lift the light up of thine eyes
Where are they of all thy dead
That did more than these men dying
In their godlike Grecian wise?
Not with garments rent and sighing,
Neither gifts of myrrh and gold,
Shall their sons lament them lying,
Lest the fame of them wax cold;
But with lives to lives replying,
And a worship from of old.

EPODE

O sombre heart of earth and swoln with grief,
That in thy time wast as a bird for mirth,
Dim womb of life and many a seed and sheaf,
And full of changes, ancient heart of earth,
From grain and flower, from grass and every leaf,
Thy mysteries and thy multitudes of birth,
From hollow and hill, from vales and all thy springs,
From all shapes born and breath of all lips made,
From thunders, and the sound of winds and wings,
From light, and from the solemn sleep of shade,
From the full fountains of all living things,
Speak, that this plague be stayed.
Bear witness all the ways of death and life
If thou be with us in the world's old strife,
If thou be mother indeed,
And from these wounds that bleed
Gather in thy great breast the dews that fall,
And on thy sacred knees
Lull with mute melodies,
Mother, thy sleeping sons in death's dim hall.
For these thy sons, behold,
Sons of thy sons of old,
Bear witness if these be not as they were;
If that high name of Greece
Depart, dissolve, decease
From mouths of men and memories like as air.
By the last milk that drips
Dead on the child's dead lips,
By old men's white unviolated hair,
By sweet unburied faces
That fill those red high places
Where death and freedom found one lion's lair,
By all the bloodred tears
That fill the chaliced years,
The vessels of the sacrament of time,
Wherewith, O thou most holy,
O Freedom, sure and slowly
Thy ministrant white hands cleanse earth of crime;
Though we stand off afar
Where slaves and slaveries are,
Among the chains and crowns of poisonous peace;
Though not the beams that shone
From rent Arcadion
Can melt her mists and bid her snows decrease;
Do thou with sudden wings
Darken the face of kings,
But turn again the beauty of thy brows on Greece;
Thy white and woundless brows,
Whereto her great heart bows;
Give her the glories of thine eyes to see;
Turn thee, O holiest head,
Toward all thy quick and dead,
For love's sake of the souls that cry for thee;
O love, O light, O flame,
By thine own Grecian name,
We call thee and we charge thee that all these be free.
Written by Algernon Charles Swinburne | Create an image from this poem

In Guernsey - To Theodore Watts

 The heavenly bay, ringed round with cliffs and moors,
Storm-stained ravines, and crags that lawns inlay,
Soothes as with love the rocks whose guard secures
The heavenly bay.

O friend, shall time take ever this away,
This blessing given of beauty that endures,
This glory shown us, not to pass but stay?

Though sight be changed for memory, love ensures
What memory, changed by love to sight, would say -
The word that seals for ever mine and yours
The heavenly bay.

II.

My mother sea, my fostress, what new strand,
What new delight of waters, may this be,
The fairest found since time's first breezes fanned
My mother sea?

Once more I give me body and soul to thee,
Who hast my soul for ever: cliff and sand
Recede, and heart to heart once more are we.

My heart springs first and plunges, ere my hand
Strike out from shore: more close it brings to me,
More near and dear than seems my fatherland,
My mother sea.

III.

Across and along, as the bay's breadth opens, and o'er us
Wild autumn exults in the wind, swift rapture and strong
Impels us, and broader the wide waves brighten before us
Across and along.

The whole world's heart is uplifted, and knows not wrong;
The whole world's life is a chant to the sea-tide's chorus;
Are we not as waves of the water, as notes of the song?

Like children unworn of the passions and toils that wore us,
We breast for a season the breadth of the seas that throng,
Rejoicing as they, to be borne as of old they bore us
Across and along.

IV.

On Dante's track by some funereal spell
Drawn down through desperate ways that lead not back
We seem to move, bound forth past flood and fell
On Dante's track.

The grey path ends: the gaunt rocks gape: the black
Deep hollow tortuous night, a soundless shell,
Glares darkness: are the fires of old grown slack?

Nay, then, what flames are these that leap and swell
As 'twere to show, where earth's foundations crack,
The secrets of the sepulchres of hell
On Dante's track?

V.

By mere men's hands the flame was lit, we know,
From heaps of dry waste whin and casual brands:
Yet, knowing, we scarce believe it kindled so
By mere men's hands.

Above, around, high-vaulted hell expands,
Steep, dense, a labyrinth walled and roofed with woe,
Whose mysteries even itself not understands.

The scorn in Farinata's eyes aglow
Seems visible in this flame: there Geryon stands:
No stage of earth's is here, set forth to show
By mere men's hands.

VI.

Night, in utmost noon forlorn and strong, with heart athirst and fasting,
Hungers here, barred up for ever, whence as one whom dreams affright
Day recoils before the low-browed lintel threatening doom and casting
Night.

All the reefs and islands, all the lawns and highlands, clothed with light,
Laugh for love's sake in their sleep outside: but here the night speaks, blasting 
Day with silent speech and scorn of all things known from depth to height.

Lower than dive the thoughts of spirit-stricken fear in souls forecasting
Hell, the deep void seems to yawn beyond fear's reach, and higher than sight
Rise the walls and roofs that compass it about with everlasting
Night.

VII.

The house accurst, with cursing sealed and signed,
Heeds not what storms about it burn and burst:
No fear more fearful than its own may find
The house accurst.

Barren as crime, anhungered and athirst,
Blank miles of moor sweep inland, sere and blind,
Where summer's best rebukes not winter's worst.

The low bleak tower with nought save wastes behind
Stares down the abyss whereon chance reared and nursed
This type and likeness of the accurst man's mind,
The house accurst.

VIII.

Beloved and blest, lit warm with love and fame,
The house that had the light of the earth for guest
Hears for his name's sake all men hail its name
Beloved and blest.

This eyrie was the homeless eagle's nest
When storm laid waste his eyrie: hence he came
Again, when storm smote sore his mother's breast.

Bow down men bade us, or be clothed with blame
And mocked for madness: worst, they sware, was best:
But grief shone here, while joy was one with shame,
Beloved and blest.
Written by Robert William Service | Create an image from this poem

Eyrie

 The little pink house is high on the hill
And my heart is not what it used to be;
It will kick up a fuss I know, but still
I must toil up that twisty trail to see
What that empty old house can mean to me.

For a Poet lived there for donkey's years,
A Poet of parts and founded fame.
He took to the bottle, it appears,
And hid up there to enjoy his shame . . .
Oh, no, I'll never betray his name.

Then gaily he drank himself to death,
But, oh, on the rarest of mellow wine;
An exquisite way to end one's breath -
Lachrimae Christi, I'd choose for mine,
To sip and souse in the sweet sunshine.

They say that poets are half divine;
I question if that is always true;
At least, our Poet was partly swine,
Drunk each day, with a drab or two,
Till Presto! he vanished from our view.

Maybe he was weary of woe and sin,
Or sick, and crawled like a dog to die;
Where the olives end and the pines begin,
He sought the peace of the sun and sky . . .
He would see no one, and I wonder why?

And so I must climb up, up some day
And try to picture my Poet there;
He sprawled on his rose-bowered porch, they say,
To smoke and fuddle and dream and stare
At the sapphire sea through the amber air.

He gave up the ghost with none to see;
In his bed, no doubt, though I'd fain surmise
It was yonder under the ilex tree,
Watching the sun in splendour rise,
With the glory of God-light in his eyes.

Well, he was a Lord of Radiant Rhyme;
His gift was godlike, one can't deny,
But he quit in the glory of his prime
As if he despised us - I wonder why?
As if he found, where yon mountains soar,
Far from men-folk and heaven-high,
Peace and Beauty forever more . . .
Peace and Beauty - Ah! so would I.
Written by Robert William Service | Create an image from this poem

Eyrie

 Between the mountain and the sea
 I've made a happy landing;
And here a peace has come to me
 That passeth understanding;
A shining faith and purity
 Beyond demanding.

With palm below and pine above,
 Where wings of gulls are gleaming;
By orange tree and olive grove,
 From walls of airy seeming,
My roses beg me not to rove,
 But linger dreaming.

So I'm in love with life again,
 And would with joy dissever
My days from ways of worldly men,
 And mingle with them never:
Let silken roses to my ken
 Whisper forever.

Book: Reflection on the Important Things