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Best Famous Excuses Poems

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Written by Rg Gregory | Create an image from this poem

from the Ansty Experience

 (a)
they seek to celebrate the word
not to bring their knives out on a poem
dissecting it to find a heart
whose beat lies naked on a table
not to score in triumph on a line
no sensitive would put a nostril to
but simply to receive it as an
offering glimpsing the sacred there

poem probes the poet's once-intention
but each time said budges its truth
afresh (leaving the poet's self
estranged from the once-intending man)
and six ears in the room have tuned
objectives sifting the coloured strands
the words have hidden from the poet
asking what world has come to light

people measured by their heartbeats
language can't flout that come-and-go
to touch the heartbeat in a poem
calls for the brain's surrender
a warm diffusion of the mind
a listening to an eery silence
the words both mimic and destroy
(no excuses slipping off the tongue)

and when a poem works the unknown
opens a timid shutter on a world
so familiar it's not been seen
before - and then it's gone bringing
a frisson to an altered room
and in a stuttering frenzy dusty
attributes are tried to resurrect
a glimpse of what it's like inside

a truth (the glow a glow-worm makes)
this is not (not much) what happens
there's serious concern and banter
there's opacity there's chit-chat
diversions and derailings from
a line some avalanche has blocked
(what a fine pass through the mountains)
poetry and fidgets are blood-brothers

it's within all these the cosmos calls
that makes these afternoons a rich
adventure through a common field
when three men moving towards death
(without alacrity but conscious of it)
find youth again and bubble with
its springs - opening worn valves
to give such flow their own direction

there's no need of competition
no wish to prove that one of us
holds keys the others don't to the
sacral chambers - no want to find
consensus in technique or drench 
the rites of words in orthodox 
belief - difference is essential
and delightful (integrity's all)

quality's a private quarrel
between the poem and the poet - taste
the private hang-up of receivers
mostly migrained by exposure
to opinions not their own - fed
from a culture no one bleeds in
sustained by reputations manured
by a few and spread by hearsay

(b)
these meetings are a modest vow
to let each poet speak uncluttered
from establishment's traditions
and conditions where passions rippling
from the marrow can choose a space
to innocent themselves and long-held
tastes for carlos williams gurney
poems to siva (to name a few)

can surface in a side-attempt 
to show unexpected lineage from
the source to present patterns
of the poet - but at the core
of every poem read and comment made
it's not the poem or the poet
being sifted to the seed but
poetry itself given the works

the most despised belittled
enervated creative cowcake
of them all in the public eye
prestigious when it doesn't matter
to the clapped-out powers and turned
away from when too awkward and 
impolitic to confront - ball
to be bounced from high art to low

when fights break out amongst the teachers
and shakespeare's wielded as a cane
as the rich old crusty clan reverts
to the days it hated him at school
but loved the beatings - loudhailer
broken-down old-banger any ram-it-
up-your-**** and suck-my-prick to those
who want to tear chintz curtains down

and shock the cosy populace to taste
life at its rawest (most obscene)
courtesan to fashion and today's 
ploy - advertisement's gold gimmick
slave of beat and rhythm - dead but
much loved donkey in the hearts of all
who learned di-dah di-dah at school
and have been stuck in the custard since

plaything political-tool pop-
star's goo - poetry's been made to garb
itself in all these rags and riches
this age applauds the eye - is one 
of outward exploration - the earth
(in life) and universe (in fiction)
are there for scurrying over - haste
is everything and the beat is all

fireworks feed the fancy - a great ah
rewards the enterprise that fills
night skies with flashing bountifuls
of way-out stars - poetry has to be
in service to this want (is fed
into the system gracelessly)
there can be no standing-still or
stopping-by no take a little time

and see what blossoms here - we're into
poetry in motion and all that ****
and i can accept it all - what stirs
the surface of the ocean ignores
the depths - what talks the hindlegs off
the day can't murder dreams - that's not
to say the depths and dreams aren't there
for those who need them - it's commonplace

they hold the keystones of our lives
i fear something else much deeper
the diabolical self-deceiving
(wilful destruction of the spirit)
by those loudspeaking themselves
as poetry's protectors - publishers
editors literature officers
poetry societies and centres

all all jumping on the flagship
competition's crock of gold
find the winners pick the famous
all the hopefuls cry please name us
aspiring poets search their wardrobes
for the wordy swimsuit likely
to catch the eyeful of the judges
(winners too in previous contests

inured to the needle of success
but this time though now they are tops
totally pissed-off with the process
only here because the money's good)
winners' middle name is wordsworth
losers swallow a dose of shame
organisers rub their golden hands
pride themselves on their discernment

these jacks have found the beanstalk
castle harp and the golden egg
the stupid giant and his frightened wife
who let them steal their best possessions
whose ear for poetry's so poor
they think fum rhymes with englishman
and so of course they get no prizes
thief and trickster now come rich

poetry's purpose is to hit the jackpot
so great the lust for poetic fame
thousands without a ghost of winning
find poems like mothballs in their drawers
sprinkle them with twinkling stardust
post them off with copperplate cheques
the judges wipe their arses on them
the money's gone to a super cause

everyone knows it's just a joke
who gets taken - the foolish and vain
if they're daft enough and such bad poets
more money than sense the best advice 
is - keep it up grannies the cause
is noble and we'll take your cheque
again and again and again
it's the winners who fall in the bog

to win is to be preened - conceit
finds a little fluffy nest dear
to the feted heart and swells there
fed (for a foetal space) on all 
the praisiest worms but in the nest 
is a bloated thing that sucks (and chokes)
on hurt that has the knack of pecking
where there's malice - it grows two heads

winners by their nature soon become
winged and weighted - icarus begins
to prey upon their waking dreams 
prometheus gnawed by eagles 
the tight-shut box epimetheus
gave pandora about to burst
apart - yeats's centre cannot hold
being poets they know the references

and they learn the lesson quickly
climb upon others as they would
climb on you - in short be ruthless
or be dead they mostly fade away
being too intact or too weak-willed
to go the shining way with light-
ning bolts at every second bend 
agents breathing fire up their pants

those who withstand the course become
the poets of their day (and every one
naturally good as gold - exceptions
to the rule - out of the hearing
and the judgment of their rivals)
the media covet the heartache
and the bile - love the new meteor
can't wait to blast it from the heavens

universities will start the cult
with-it secondary teachers catch
the name on fast - magazines begin
to taste the honey on the plate
and soon another name is buzzing 
round the bars where literary pass-
ons meet to dole out bits of hem
i accept it all - it's not for me

above it all the literary lions
(jackals to each other) stand posed
upon their polystyrene mountains
constructed by their fans and foes
alike (they have such need of them)
disdaining what they see but terror-
stricken when newcomers climb up 
waving their thin bright books

for so long they've dubbed themselves
the intellectual cream - deigning
to hand out poems when they're asked
(for proper recompense in cash
or fawning) - but well beyond the risk
of letting others turn the bleeders
down so sure they are they're halfway
to the gods (yet still need preening)

a poem from one of them is like 
the loaves and fishes jesus touched
and rendered food for the five thousand
they too can walk on water in
their home - or so the reviewers say
poetry from their mouths is such a gift
if you don't read or understand it
you'll be damned - i accept all that

but what i can't accept is (all 
this while) the source and bed of what
is poetry to me as cracked and parched -
condemned ignored made mock of 
shoved in wilderness by those 
who've gone the gilded route (mapped out 
by ego and a driving need to claim
best prick with a capital pee)

it's being roomed with the said poem
coming back and back to the same
felt heartbeat having its way with words
absorbing the strains and promises
that make the language opt for paths
no other voice would go - shifting
a dull stone and knowing what bright
creature this instinct has bred there

it's trusting the poet with his own map
not wanting to tear it up before
the ink is dry because the symbols
he's been using don't suit your own
conception of terrain you've not
been born to - it's being pleased
to have connections made in ways
you couldn't dream of (wouldn't want to)


Written by Rudyard Kipling | Create an image from this poem

A School Song

 "Let us now praise famous men"--
 Men of little showing-- 
For their work continueth, 
And their work continueth, 
Broad and deep continues,
 Greater then their knowing!

Western wind and open surge
 Took us from our mothers--
Flung us on a naked shore
(Twelve bleak houses by the shore.
Seven summers by the shore! ) 'Mid two hundred brothers.
There we met with famous men Set in office o'er us; And they beat on us with rods-- Faithfully with many rods-- Daily beat us on with rods, For the love they bore us! Out of Egypt unto Troy-- Over Himalaya-- Far and sure our bands have gone-- Hy-Brazil or Babylon, Islands of the Southern Run, And Cities of Cathaia! And we all praise famous men-- Ancients of the College; For they taught us common sense-- Tried to teach us common sense-- Truth and God's Own Common Sense, Which is more than knowledge! Each degree of Latitude Strung about Creation Seeth one or more of us (Of one muster each of us), Diligent in that he does, Keen in his vocation.
This we learned from famous men, Knowing not its uses, When they showed, in daily work-- Man must finish off his work-- Right or wrong, his daily work-- And without excuses.
Servant of the Staff and chain, Mine and fuse and grapnel-- Some, before the face of Kings, Stand before the face of Kings; Bearing gifts to divers Kings-- Gifts of case and shrapnel.
This we learned from famous men Teaching in our borders, Who declared it was best, Safest, easiest, and best-- Expeditious, wise, and best-- To obey your orders.
Some beneath the further stars Bear the greater burden: Set to serve the lands they rule, (Save he serve no man may rule ), Serve and love the lands they rule; Seeking praise nor guerdon.
This we learned from famous men, Knowing not we learned it.
Only, as the years went by-- Lonely, as the years went by-- Far from help as years went by, Plainer we discerned it.
Wherefore praise we famous men From whose bays we borrow-- They that put aside To-day-- All the joys of their To-day-- And with toil of their To-day Bought for us To-morrow! Bless and praise we famous men-- Men of little showing-- For their work continueth, And their work continueth, Broad and deep continueth, Great beyond their knowing!
Written by Marilyn Hacker | Create an image from this poem

Morning News

 Spring wafts up the smell of bus exhaust, of bread
and fried potatoes, tips green on the branches,
repeats old news: arrogance, ignorance, war.
A cinder-block wall shared by two houses is new rubble.
On one side was a kitchen sink and a cupboard, on the other was a bed, a bookshelf, three framed photographs.
Glass is shattered across the photographs; two half-circles of hardened pocket bread sit on the cupboard.
There provisionally was shelter, a plastic truck under the branches of a fig tree.
A knife flashed in the kitchen, merely dicing garlic.
Engines of war move inexorably toward certain houses while citizens sit safe in other houses reading the newspaper, whose photographs make sanitized excuses for the war.
There are innumerable kinds of bread brought up from bakeries, baked in the kitchen: the date, the latitude, tell which one was dropped by a child beneath the bloodied branches.
The uncontrolled and multifurcate branches of possibility infiltrate houses' walls, windowframes, ceilings.
Where there was a tower, a town: ash and burnt wires, a graph on a distant computer screen.
Elsewhere, a kitchen table's setting gapes, where children bred to branch into new lives were culled for war.
Who wore this starched smocked cotton dress? Who wore this jersey blazoned for the local branch of the district soccer team? Who left this black bread and this flat gold bread in their abandoned houses? Whose father begged for mercy in the kitchen? Whose memory will frame the photograph and use the memory for what it was never meant for by this girl, that old man, who was caught on a ball field, near a window: war, exhorted through the grief a photograph revives.
(Or was the team a covert branch of a banned group; were maps drawn in the kitchen, a bomb thrust in a hollowed loaf of bread?) What did the old men pray for in their houses of prayer, the teachers teach in schoolhouses between blackouts and blasts, when each word was flensed by new censure, books exchanged for bread, both hostage to the happenstance of war? Sometimes the only schoolroom is a kitchen.
Outside the window, black strokes on a graph of broken glass, birds line up on bare branches.
"This letter curves, this one spreads its branches like friends holding hands outside their houses.
" Was the lesson stopped by gunfire? Was there panic, silence? Does a torn photograph still gather children in the teacher's kitchen? Are they there meticulously learning war- time lessons with the signs for house, book, bread?
Written by Barry Tebb | Create an image from this poem

INFAMOUS POET

 I never did fit in – at six or sixty one –

I stand out in a crowd, too young or old

And gather pity like a shroud.
"Is that real silk?" A teenager inquired.
"As real as Oxfam ever is For one pound fifty.
" The vast ballroom was growing misty And blurred with alcohol I’ve never had the taste for.
"**** off" a forty-plus dyed blonde said half in jest.
So I chose the only Asian girl in Squares with hair like jet And danced with her five minutes centre stage – I’ve lost all inhibitions in old age.
A Malaysian architecture Student invited me to sit and get my breath back "Le Corbusier described a house as a machine for living in," I quipped; she slipped a smile and sipped her drink and said "I love Leeds and its people; in seven years I’ve never Heard a single racist comment, whatever the papers say" Malaysian girls are rightly known for their sensual beauty But I made my pitiful excuses and slipped away.
I knew I couldn’t make it, couldn’t even fake it With all this damned depression in the way.
Leeds boys are always friendlier than the girls, They see themselves grown older in my years And push the girls towards me with a glance "Go and give the poor old man a dance!" And dance I do and show my poems around Like calling cards and jot lines on my palms.
Reading Lacan into the night I thought things through But somehow none of them was half as good as you.
Written by Wystan Hugh (W H) Auden | Create an image from this poem

In Memory of Sigmund Freud


When there are so many we shall have to mourn,
when grief has been made so public, and exposed
to the critique of a whole epoch
the frailty of our conscience and anguish,
of whom shall we speak? For every day they die
among us, those who were doing us some good,
who knew it was never enough but
hoped to improve a little by living.
Such was this doctor: still at eighty he wished
to think of our life from whose unruliness
so many plausible young futures
with threats or flattery ask obedience,
but his wish was denied him: he closed his eyes
upon that last picture, common to us all,
of problems like relatives gathered
puzzled and jealous about our dying.
For about him till the very end were still
those he had studied, the fauna of the night,
and shades that still waited to enter
the bright circle of his recognition
turned elsewhere with their disappointment as he
was taken away from his life interest
to go back to the earth in London,
an important Jew who died in exile.
Only Hate was happy, hoping to augment
his practice now, and his dingy clientele
who think they can be cured by killing
and covering the garden with ashes.
They are still alive, but in a world he changed
simply by looking back with no false regrets;
all he did was to remember
like the old and be honest like children.
He wasn't clever at all: he merely told
the unhappy Present to recite the Past
like a poetry lesson till sooner
or later it faltered at the line where
long ago the accusations had begun,
and suddenly knew by whom it had been judged,
how rich life had been and how silly,
and was life-forgiven and more humble,
able to approach the Future as a friend
without a wardrobe of excuses, without
a set mask of rectitude or an
embarrassing over-familiar gesture.
No wonder the ancient cultures of conceit
in his technique of unsettlement foresaw
the fall of princes, the collapse of
their lucrative patterns of frustration:
if he succeeded, why, the Generalised Life
would become impossible, the monolith
of State be broken and prevented
the co-operation of avengers.
Of course they called on God, but he went his way
down among the lost people like Dante, down
to the stinking fosse where the injured
lead the ugly life of the rejected,
and showed us what evil is, not, as we thought,
deeds that must be punished, but our lack of faith,
our dishonest mood of denial,
the concupiscence of the oppressor.
If some traces of the autocratic pose,
the paternal strictness he distrusted, still
clung to his utterance and features,
it was a protective coloration
for one who'd lived among enemies so long:
if often he was wrong and, at times, absurd,
to us he is no more a person
now but a whole climate of opinion
under whom we conduct our different lives:
Like weather he can only hinder or help,
the proud can still be proud but find it
a little harder, the tyrant tries to
make do with him but doesn't care for him much:
he quietly surrounds all our habits of growth
and extends, till the tired in even
the remotest miserable duchy
have felt the change in their bones and are cheered
till the child, unlucky in his little State,
some hearth where freedom is excluded,
a hive whose honey is fear and worry,
feels calmer now and somehow assured of escape,
while, as they lie in the grass of our neglect,
so many long-forgotten objects
revealed by his undiscouraged shining
are returned to us and made precious again;
games we had thought we must drop as we grew up,
little noises we dared not laugh at,
faces we made when no one was looking.
But he wishes us more than this.
To be free
is often to be lonely.
He would unite
the unequal moieties fractured
by our own well-meaning sense of justice,
would restore to the larger the wit and will
the smaller possesses but can only use
for arid disputes, would give back to
the son the mother's richness of feeling:
but he would have us remember most of all
to be enthusiastic over the night,
not only for the sense of wonder
it alone has to offer, but also
because it needs our love.
With large sad eyes
its delectable creatures look up and beg
us dumbly to ask them to follow:
they are exiles who long for the future
that lives in our power, they too would rejoice
if allowed to serve enlightenment like him,
even to bear our cry of 'Judas',
as he did and all must bear who serve it.
One rational voice is dumb.
Over his grave
the household of Impulse mourns one dearly loved:
sad is Eros, builder of cities,
and weeping anarchic Aphrodite.


Written by Ben Jonson | Create an image from this poem

To the Memory of My Beloved the Author, Mr. William Shakespeare

 MASTER WILLIAM SHAKESPEARE,
AND WHAT HE HATH LEFT US
by Ben Jonson


To draw no envy, SHAKSPEARE, on thy name,
Am I thus ample to thy book and fame ;
While I confess thy writings to be such,
As neither Man nor Muse can praise too much.
'Tis true, and all men's suffrage.
But these ways
Were not the paths I meant unto thy praise ;
For seeliest ignorance on these may light,
Which, when it sounds at best, but echoes right ;
Or blind affection, which doth ne'er advance
The truth, but gropes, and urgeth all by chance ;
Or crafty malice might pretend this praise,
And think to ruin where it seemed to raise.
These are, as some infamous bawd or whore
Should praise a matron ; what could hurt her more ?
But thou art proof against them, and, indeed,
Above the ill fortune of them, or the need.
I therefore will begin: Soul of the age!
The applause ! delight ! the wonder of our stage!
My SHAKSPEARE rise ! I will not lodge thee by
Chaucer, or Spenser, or bid Beaumont lie
A little further, to make thee a room :
Thou art a monument without a tomb,
And art alive still while thy book doth live
And we have wits to read, and praise to give.
That I not mix thee so my brain excuses,
I mean with great, but disproportioned Muses :
For if I thought my judgment were of years,
I should commit thee surely with thy peers,
And tell how far thou didst our Lyly outshine,
Or sporting Kyd, or Marlowe's mighty line.
And though thou hadst small Latin and less Greek,
From thence to honour thee, I would not seek
For names : but call forth thund'ring Aeschylus,
Euripides, and Sophocles to us,
Pacuvius, Accius, him of Cordova dead,
To life again, to hear thy buskin tread
And shake a stage : or when thy socks were on,
Leave thee alone for the comparison
Of all that insolent Greece or haughty Rome
Sent forth, or since did from their ashes come.
Triumph, my Britain, thou hast one to show
To whom all Scenes of Europe homage owe.
He was not of an age, but for all time !
And all the Muses still were in their prime,
When, like Apollo, he came forth to warm
Our ears, or like a Mercury to charm !
Nature herself was proud of his designs,
And joyed to wear the dressing of his lines !
Which were so richly spun, and woven so fit,
As, since, she will vouchsafe no other wit.
The merry Greek, tart Aristophanes,
Neat Terence, witty Plautus, now not please ;
But antiquated and deserted lie,
As they were not of Nature's family.
Yet must I not give Nature all ; thy art,
My gentle Shakspeare, must enjoy a part.
For though the poet's matter nature be,
His art doth give the fashion : and, that he
Who casts to write a living line, must sweat,
(Such as thine are) and strike the second heat
Upon the Muses' anvil ; turn the same,
And himself with it, that he thinks to frame ;
Or for the laurel he may gain a scorn ;
For a good poet's made, as well as born.
And such wert thou ! Look how the father's face
Lives in his issue, even so the race
Of Shakspeare's mind and manners brightly shines
In his well torned and true filed lines;
In each of which he seems to shake a lance,
As brandisht at the eyes of ignorance.
Sweet Swan of Avon ! what a sight it were
To see thee in our waters yet appear,
And make those flights upon the banks of Thames,
That so did take Eliza, and our James !
But stay, I see thee in the hemisphere
Advanced, and made a constellation there !
Shine forth, thou Star of Poets, and with rage
Or influence, chide or cheer the drooping stage,
Which, since thy flight from hence, hath mourned like night,
And despairs day, but for thy volume's light.



Source:
Jonson, Ben.
The Works of Ben Jonson, vol.
3.
London: Chatto & Windus, 1910.
287-9.


Written by Andrew Marvell | Create an image from this poem

Ametas And Thestylis Making Hay-Ropes

 Ametas
Think'st Thou that this Love can stand,
Whilst Thou still dost say me nay?
Love unpaid does soon disband:
Love binds Love as Hay binds Hay.
Thestylis Think'st Thou that this Rope would twine If we both should turn one way? Where both parties so combine, Neither Love will twist nor Hay.
Ametas Thus you vain Excuses find, Which your selve and us delay: And Love tyes a Womans Mind Looser then with Ropes of Hay.
Thestylis What you cannot constant hope Must be taken as you may.
Ametas Then let's both lay by our Rope, And go kiss within the Hay.
Written by Barry Tebb | Create an image from this poem

A FINE MADNESS

 Any poets about or bored muses fancying a day out?

Rainy, windy, cold Leeds City Station

Half-way through its slow chaotic transformation

Contractors’ morning break, overalls, hard hats and harness

Flood McDonalds where I sip my tea and try to translate Val?ry.
London has everything except my bardic inspiration I’ve only to step off the coach in Leeds and it whistles Its bravuras down every wind, rattles the cobbles in Kirkgate Market Hovers in the drunken brogue of a Dubliner in the chippie As we share our love of Joyce the Aire becomes the Liffey.
All my three muses have abandoned me.
Daisy in Asia, Brenda protesting outside the Royal Free, Barbara seeing clients at the C.
A.
B.
Past Saltaire’s Mill, the world’s eighth wonder, The new electric train whisperglides on wet rails Past Shipley’s fairy glen and other tourist trails Past Kirkstall’s abandoned abbey and redundant forge To Grandma Wild’s in Keighley where I sit and gorge.
I’ve travelled on the Haworth bus so often The driver chats as if I were a local But when the rainbow’s lightning flash Illumines all the valleys there’s a hush And every pensioner's rheumy eye is rooted On the gleaming horizon as its mooted The Bronte’s spirits make the thunder crack Three cloaked figures converging round the Oakworth track.
Haworth in a storm is a storm indeed The lashing and the crashing makes the gravestones bleed The mashing and the bashing makes the light recede And on the moor top I lose my way and find it Half a dozen times slipping in the mud and heather Heather than can stand the thrust of any weather.
Just as suddenly as it had come the storm abated Extremes demand those verbs so antiquated Archaic and abhorred and second-rated Yet still they stand like moorland rocks in mist And wait as I do till the storm has passed Buy postcards at the parsonage museum shop Sit half an hour in the tea room drying off And pen a word or two to my three muses Who after all presented their excuses But nonetheless the three all have their uses.
Written by Adam Lindsay Gordon | Create an image from this poem

The Swimmer

 With short, sharp violent lights made vivid,
To the southward far as the sight can roam,
Only the swirl of the surges livid,
The seas that climb and the surfs that comb,
Only the crag and the cliff to nor'ward,
And rocks receding, and reefs flung forward,
And waifs wreck'd seaward and wasted shoreward
On shallows sheeted with flaming foam.
A grim grey coast and a seaboard ghastly, And shores trod seldom by feet of men -- Where the batter'd hull and the broken mast lie They have lain embedded these long years ten.
Love! when we wander'd here together, Hand in hand through the sparkling weather, From the heights and hollows of fern and heather, God surely loved us a little then.
Then skies were fairer and shores were firmer -- The blue sea over the bright sand roll'd; Babble and prattle, and ripple and murmur, Sheen of silver and glamour of gold -- And the sunset bath'd in the gulf to lend her A garland of pinks and of purples tender, A tinge of the sun-god's rosy splendour, A tithe of his glories manifold.
Man's works are craven, cunning, and skillful On earth where his tabernacles are; But the sea is wanton, the sea is wilful, And who shall mend her and who shall mar? Shall we carve success or record disaster On her bosom of heaving alabaster? Will her purple pulse beat fainter or faster For fallen sparrow or fallen star? I would that with sleepy soft embraces The sea would fold me -- would find me rest In luminous shades of her secret places, In depths where her marvels are manifest, So the earth beneath her should not discover My hidden couch -- nor the heaven above her -- As a strong love shielding a weary lover, I would have her shield me with shining breast.
When light in the realms of space lay hidden, When life was yet in the womb of time, Ere flesh was fettered to fruits forbidden, And souls were wedded to care and crime, Was the course foreshaped for the future spirit -- A burden of folly, a void of merit -- That would fain the wisdom of stars inherit, And cannot fathom the seas sublime? Under the sea or the soil (what matter? The sea and the soil are under the sun), As in the former days in the latter The sleeping or waking is known of none, Surely the sleeper shall not awaken To griefs forgotten or joys forsaken, For the price of all things given and taken, The sum of all things done and undone.
Shall we count offences or coin excuses, Or weigh with scales the soul of a man, Whom a strong hand binds and a sure hand looses, Whose light is a spark and his life a span? The seed he sowed or the soil he cumber'd, The time he served or the space he slumber'd, Will it profit a man when his days are number'd, Or his deeds since the days of his life began? One, glad because of the light, saith, "Shall not The righteous judges of all the earth do right, For behold the sparrows on the house-tops fall not Save as seemeth to Him good in His sight?" And this man's joy shall have no abiding Through lights departing and lives dividing, He is soon as one in the darkness hiding, One loving darkness rather than light.
A little season of love and laughter, Of light and life, and pleasure and pain, And a horror of outer darkness after, And dust returneth to dust again; Then the lesser life shall be as the greater, And the lover of light shall join the hater, And the one thing cometh sooner or later, And no one knoweth the loss or gain.
Love of my life! we had lights in season -- Hard to part with, harder to keep -- We had strength to labour and souls to reason, And seed to scatter and fruits to reap.
Though time estranges and fate disperses, We have had our loves and loving mercies.
Though the gifts of the light in the end are curses, Yet bides the gift of darkness -- sleep! See! girt with tempest and wing'd with thunder, And clad with lightning and shod with sleet, The strong winds treading the swift waves sunder The flying rollers with frothy feet.
One gleam like a bloodshot swordblade swims on The skyline, staining the green gulf crimson A death stroke fiercely dealt by a dim sun That strikes through his stormy winding sheet.
Oh, brave white horses! you gather and gallop, The storm sprite loosens the gusty reins; Now the stoutest ship were the frailest shallop In your hollow backs, or your high arch'd manes.
I would ride as never a man has ridden In your sleepy swirling surges hidden, To gulfs foreshadow'd, through straits forbidden, Where no light wearies and no love wanes.
Written by Francois Villon | Create an image from this poem

The Debate Between Villon And His Heart

 Who's that I hear?—It's me—Who?—Your heart
Hanging on by the thinnest thread
I lose all my strength, substance, and fluid
When I see you withdrawn this way all alone
Like a whipped cur sulking in the corner
Is it due to your mad hedonism?—
What's it to you?—I have to suffer for it—
Leave me alone—Why?—I'll think about it—
When will you do that?—When I've grown up—
I've nothing more to tell you—I'll survive without it—

What's your idea?—To be a good man—
You're thirty, for a mule that's a lifetime
You call that childhood?—No—Madness
Must have hold of you—By what, the halter?—
You don't know a thing—Yes I do—What?—Flies in milk
One's white, one's black, they're opposites—
That's all?—How can I say it better?
If that doesn't suit you I'll start over—
You're lost—Well I'll go down fighting—
I've nothing more to tell you—I'll survive without it—

I get the heartache, you the injury and pain
If you were just some poor crazy idiot
I'd be able to make excuses for you
You don't even care, all's one to you, foul or fair
Either your head's harder than a rock
Or you actually prefer misery to honor
Now what do you say to that?—
Once I'm dead I'll rise above it—
God, what comfort—What wise eloquence—
I've nothing more to tell you—I'll survive without it—

Why are you miserable?—Because of my miseries
When Saturn packed my satchel I think
He put in these troubles—That's mad
You're his lord and you talk like his slave
Look what Solomon wrote in his book
"A wise man" he says "has authority
Over the planets and their influence"—
I don't believe it, as they made me I'll be—
What are you saying?—Yes that's what I think—
I've nothing more to tell you—I'll survive without it—

Want to live?—God give me the strength—
It's necessary.
.
.
—What is?—To feel remorse Lots of reading—What kind?—Read for knowledge Leave fools alone—I'll take your advice— Or will you forget?—I've got it fixed in mind— Now act before things go from bad to worse I've nothing more to tell you—I'll survive without it.

Book: Shattered Sighs