10 Best Famous Envied Poems

Here is a collection of the top 10 all-time best famous Envied poems. This is a select list of the best famous Envied poetry. Reading, writing, and enjoying famous Envied poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of envied poems.

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Written by Pablo Neruda | Create an image from this poem

A Dog Has Died

 My dog has died.
I buried him in the garden
next to a rusted old machine.

Some day I'll join him right there,
but now he's gone with his shaggy coat,
his bad manners and his cold nose,
and I, the materialist, who never believed
in any promised heaven in the sky
for any human being,
I believe in a heaven I'll never enter.
Yes, I believe in a heaven for all dogdom
where my dog waits for my arrival
waving his fan-like tail in friendship.

Ai, I'll not speak of sadness here on earth,
of having lost a companion
who was never servile.
His friendship for me, like that of a porcupine
withholding its authority,
was the friendship of a star, aloof,
with no more intimacy than was called for,
with no exaggerations:
he never climbed all over my clothes
filling me full of his hair or his mange,
he never rubbed up against my knee
like other dogs obsessed with sex.

No, my dog used to gaze at me,
paying me the attention I need,
the attention required
to make a vain person like me understand
that, being a dog, he was wasting time,
but, with those eyes so much purer than mine,
he'd keep on gazing at me
with a look that reserved for me alone
all his sweet and shaggy life,
always near me, never troubling me,
and asking nothing.

Ai, how many times have I envied his tail
as we walked together on the shores of the sea
in the lonely winter of Isla Negra
where the wintering birds filled the sky
and my hairy dog was jumping about
full of the voltage of the sea's movement:
my wandering dog, sniffing away
with his golden tail held high,
face to face with the ocean's spray.

Joyful, joyful, joyful,
as only dogs know how to be happy
with only the autonomy
of their shameless spirit.

There are no good-byes for my dog who has died,
and we don't now and never did lie to each other.

So now he's gone and I buried him,
and that's all there is to it.

Written by Thomas Gray | Create an image from this poem

Elegy Written In A Country Churchyard

 The curfew tolls the knell of parting day,
The lowing herd wind slowly o'er the lea,
The ploughman homeward plods his weary way,
And leaves the world to darkness and to me.

Now fades the glimmering landscape on the sight,
And all the air a solemn stillness holds,
Save where the beetle wheels his droning flight,
And drowsy tinklings lull the distant folds;

Save that from yonder ivy-mantled tower
The moping owl does to the moon complain
Of such as, wandering near her secret bower,
Molest her ancient solitary reign.

Beneath those rugged elms, that yew-tree's shade,
Where heaves the turf in many a mould'ring heap,
Each in his narrow cell for ever laid,
The rude forefathers of the hamlet sleep.

The breezy call of incense-breathing morn,
The swallow twittering from the straw-built shed,
The cock's shrill clarion, or the echoing horn,
No more shall rouse them from their lowly bed.

For them no more the blazing hearth shall burn,
Or busy housewife ply her evening-care;
No children run to lisp their sire's return,
Or climb his knees the envied kiss to share.

Oft did the harvest to their sickle yield,
Their furrow oft the stubborn glebe has broke:
How jocund did they drive their team afield!
How bowed the woods beneath their sturdy stroke!

Let not Ambition mock their useful toil,
Their homely joys and destiny obscure;
Nor Grandeur hear with a disdainful smile
The short and simple annals of the poor.

The boast of heraldry, the pomp of pow'r,
And all that beauty, all that wealth e'er gave,
Awaits alike th' inevitable hour.
The paths of glory lead but to the grave.

Nor you, ye proud, impute to these the fault,
If Memory o'er their tomb no trophies raise,
Where through the long-drawn aisle, and fretted vault,
The pealing anthem swells the note of praise.

Can storied urn, or animated bust,
Back to its mansion call the fleeting breath?
Can Honour's voice provoke the silent dust,
Or Flattery soothe the dull cold ear of Death?

Perhaps in this neglected spot is laid
Some heart once pregnant with celestial fire;
Hands, that the rod of empire might have swayed,
Or waked to ecstasy the living lyre;

But Knowledge to their eyes her ample page,
Rich with the spoils of Time, did ne'er unroll;
Chill Penury repressed their noble rage,
And froze the genial current of the soul.

Full many a gem of purest ray serene
The dark unfathomed caves of ocean bear;
Full many a flower is born to blush unseen,
And waste its sweetness on the desert air.

Some village-Hampden that with dauntless breast
The little tyrant of his fields withstood,
Some mute inglorious Milton here may rest,
Some Cromwell, guiltless of his country's blood.

Th' applause of list'ning senates to command,
The threats of pain and ruin to despise,
To scatter plenty o'er a smiling land,
And read their history in a nation's eyes,

Their lot forbad: nor circumscribed alone
Their growing virtues, but their crimes confined;
Forbad to wade through slaughter to a throne,
And shut the Gates of Mercy on mankind,

The struggling pangs of conscious truth to hide,
To quench the blushes of ingenuous shame,
Or heap the shrine of Luxury and Pride
With incense kindled at the Muse's flame.

Far from the madding crowd's ignoble strife
Their sober wishes never learned to stray;
Along the cool sequestered vale of life
They kept the noiseless tenor of their way.

Yet ev'n these bones from insult to protect
Some frail memorial still erected nigh,
With uncouth rhymes and shapeless sculpture decked,
Implores the passing tribute of a sigh.

Their name, their years, spelt by th' unlettered Muse,
The place of fame and elegy supply:
And many a holy text around she strews,
That teach the rustic moralist to die.

For who, to dumb Forgetfulness a prey,
This pleasing anxious being e'er resigned,
Left the warm precincts of the cheerful day,
Nor cast one longing ling'ring look behind?

On some fond breast the parting soul relies,
Some pious drops the closing eye requires;
Ev'n from the tomb the voice of Nature cries,
Ev'n in our ashes live their wonted fires.

For thee, who, mindful of th' unhonoured dead,
Dost in these lines their artless tale relate;
If chance, by lonely Contemplation led,
Some kindred spirit shall enquire thy fate,— 

Haply some hoary-headed swain may say
"Oft have we seen him at the peep of dawn
Brushing with hasty steps the dews away
To meet the sun upon the upland lawn;

"There at the foot of yonder nodding beech,
That wreathes its old fantastic roots so high,
His listless length at noon-tide would he stretch,
And pore upon the brook that babbles by.

"Hard by yon wood, now smiling as in scorn,
Mutt'ring his wayward fancies would he rove;
Now drooping, woeful-wan, like one forlorn,
Or crazed with care, or crossed in hopeless love.

"One morn I missed him from the customed hill,
Along the heath, and near his fav'rite tree;
Another came; nor yet beside the rill,
Nor up the lawn, nor at the wood was he:

"The next, with dirges due in sad array
Slow through the church-way path we saw him borne,— 
Approach and read, for thou can'st read, the lay
Graved on the stone beneath yon aged thorn."

THE EPITAPH

Here rests his head upon the lap of earth
A Youth, to Fortune and to Fame unknown:
Fair Science frowned not on his humble birth,
And Melancholy marked him for her own.

Large was his bounty, and his soul sincere,
Heaven did a recompense as largely send:
He gave to Misery (all he had) a tear,
He gained from Heaven ('twas all he wished) a friend.

No farther seek his merits to disclose,
Or draw his frailties from their dread abode,
(There they alike in trembling hope repose,)
The bosom of his Father and his God.
Written by Alfred Lord Tennyson | Create an image from this poem

Demeter And Persephone

 Faint as a climate-changing bird that flies
All night across the darkness, and at dawn
Falls on the threshold of her native land,
And can no more, thou camest, O my child,
Led upward by the God of ghosts and dreams,
Who laid thee at Eleusis, dazed and dumb,
With passing thro' at once from state to state,
Until I brought thee hither, that the day,
When here thy hands let fall the gather'd flower,
Might break thro' clouded memories once again
On thy lost self. A sudden nightingale
Saw thee, and flash'd into a frolic of song
And welcome; and a gleam as of the moon,
When first she peers along the tremulous deep,
Fled wavering o'er thy face, and chased away
That shadow of a likeness to the king
Of shadows, thy dark mate. Persephone!
Queen of the dead no more -- my child! Thine eyes
Again were human-godlike, and the Sun
Burst from a swimming fleece of winter gray,
And robed thee in his day from head to feet --
"Mother!" and I was folded in thine arms.

Child, those imperial, disimpassion'd eyes
Awed even me at first, thy mother -- eyes
That oft had seen the serpent-wanded power
Draw downward into Hades with his drift
Of fickering spectres, lighted from below
By the red race of fiery Phlegethon;
But when before have Gods or men beheld
The Life that had descended re-arise,
And lighted from above him by the Sun?
So mighty was the mother's childless cry,
A cry that ran thro' Hades, Earth, and Heaven!

So in this pleasant vale we stand again,
The field of Enna, now once more ablaze
With flowers that brighten as thy footstep falls,
All flowers -- but for one black blur of earth
Left by that closing chasm, thro' which the car
Of dark Aidoneus rising rapt thee hence.
And here, my child, tho' folded in thine arms,
I feel the deathless heart of motherhood
Within me shudder, lest the naked glebe
Should yawn once more into the gulf, and thence
The shrilly whinnyings of the team of Hell,
Ascending, pierce the glad and songful air,
And all at once their arch'd necks, midnight-maned,
Jet upward thro' the mid-day blossom. No!
For, see, thy foot has touch'd it; all the space
Of blank earth-baldness clothes itself afresh,
And breaks into the crocus-purple hour
That saw thee vanish.

Child, when thou wert gone,
I envied human wives, and nested birds,
Yea, the cubb'd lioness; went in search of thee
Thro' many a palace, many a cot, and gave
Thy breast to ailing infants in the night,
And set the mother waking in amaze
To find her sick one whole; and forth again
Among the wail of midnight winds, and cried,
"Where is my loved one? Wherefore do ye wail?"
And out from all the night an answer shrill'd,
"We know not, and we know not why we wail."
I climb'd on all the cliffs of all the seas,
And ask'd the waves that moan about the world
"Where? do ye make your moaning for my child?"
And round from all the world the voices came
"We know not, and we know not why we moan."
"Where?" and I stared from every eagle-peak,
I thridded the black heart of all the woods,
I peer'd thro' tomb and cave, and in the storms
Of Autumn swept across the city, and heard
The murmur of their temples chanting me,
Me, me, the desolate Mother! "Where"? -- and turn'd,
And fled by many a waste, forlorn of man,
And grieved for man thro' all my grief for thee, --
The jungle rooted in his shatter'd hearth,
The serpent coil'd about his broken shaft,
The scorpion crawling over naked skulls; --
I saw the tiger in the ruin'd fane
Spring from his fallen God, but trace of thee
I saw not; and far on, and, following out
A league of labyrinthine darkness, came
On three gray heads beneath a gleaming rift.
"Where"? and I heard one voice from all the three
"We know not, for we spin the lives of men,
And not of Gods, and know not why we spin!
There is a Fate beyond us." Nothing knew.

Last as the likeness of a dying man,
Without his knowledge, from him flits to warn
A far-off friendship that he comes no more,
So he, the God of dreams, who heard my cry,
Drew from thyself the likeness of thyself
Without thy knowledge, and thy shadow past
Before me, crying "The Bright one in the highest
Is brother of the Dark one in the lowest,
And Bright and Dark have sworn that I, the child
Of thee, the great Earth-Mother, thee, the Power
That lifts her buried life from loom to bloom,
Should be for ever and for evermore
The Bride of Darkness."

So the Shadow wail'd.
Then I, Earth-Goddess, cursed the Gods of Heaven.
I would not mingle with their feasts; to me
Their nectar smack'd of hemlock on the lips,
Their rich ambrosia tasted aconite.
The man, that only lives and loves an hour,
Seem'd nobler than their hard Eternities.
My quick tears kill'd the flower, my ravings hush'd
The bird, and lost in utter grief I fail'd
To send my life thro' olive-yard and vine
And golden grain, my gift to helpless man.
Rain-rotten died the wheat, the barley-spears
Were hollow-husk'd, the leaf fell, and the sun,
Pale at my grief, drew down before his time
Sickening, and Aetna kept her winter snow.
Then He, the brother of this Darkness, He
Who still is highest, glancing from his height
On earth a fruitless fallow, when he miss'd
The wonted steam of sacrifice, the praise
And prayer of men, decreed that thou should'st dwell
For nine white moons of each whole year with me,
Three dark ones in the shadow with thy King.

Once more the reaper in the gleam of dawn
Will see me by the landmark far away,
Blessing his field, or seated in the dusk
Of even, by the lonely threshing-floor,
Rejoicing in the harvest and the grange.
Yet I, Earth-Goddess, am but ill-content
With them, who still are highest. Those gray heads,
What meant they by their "Fate beyond the Fates"
But younger kindlier Gods to bear us down,
As we bore down the Gods before us? Gods,
To quench, not hurl the thunderbolt, to stay,
Not spread the plague, the famine; Gods indeed,
To send the noon into the night and break
The sunless halls of Hades into Heaven?
Till thy dark lord accept and love the Sun,
And all the Shadow die into the Light,
When thou shalt dwell the whole bright year with me,
And souls of men, who grew beyond their race,
And made themselves as Gods against the fear
Of Death and Hell; and thou that hast from men,
As Queen of Death, that worship which is Fear,
Henceforth, as having risen from out the dead,
Shalt ever send thy life along with mine
From buried grain thro' springing blade, and bless
Their garner'd Autumn also, reap with me,
Earth-mother, in the harvest hymns of Earth
The worship which is Love, and see no more
The Stone, the Wheel, the dimly-glimmering lawns
Of that Elysium, all the hateful fires
Of torment, and the shadowy warrior glide
Along the silent field of Asphodel.
Written by Kahlil Gibran | Create an image from this poem

The Criminal V

 A young man of strong body, weakened by hunger, sat on the walker's portion of the street stretching his hand toward all who passed, begging and repeating his hand toward all who passed, begging and repeating the sad song of his defeat in life, while suffering from hunger and from humiliation. 

When night came, his lips and tongue were parched, while his hand was still as empty as his stomach. 

He gathered himself and went out from the city, where he sat under a tree and wept bitterly. Then he lifted his puzzled eyes to heaven while hunger was eating his inside, and he said, "Oh Lord, I went to the rich man and asked for employment, but he turned me away because of my shabbiness; I knocked at the school door, but was forbidden solace because I was empty- handed; I sought any occupation that would give me bread, but all to no avail. In desperation I asked alms, but They worshippers saw me and said "He is strong and lazy, and he should not beg." 

"Oh Lord, it is Thy will that my mother gave birth unto me, and now the earth offers me back to You before the Ending." 

His expression then changed. He arose and his eyes now glittered in determination. He fashioned a thick and heavy stick from the branch of the tree, and pointed it toward the city, shouting, "I asked for bread with all the strength of my voice, and was refused. Not I shall obtain it by the strength of my muscles! I asked for bread in the name of mercy and love, but humanity did not heed. I shall take it now in the name of evil!" 

The passing years rendered the youth a robber, killer and destroyer of souls; he crushed all who opposed him; he amassed fabulous wealth with which he won himself over to those in power. He was admired by colleagues, envied by other thieves, and feared by the multitudes. 

His riches and false position prevailed upon the Emir to appoint him deputy in that city - the sad process pursued by unwise governors. Thefts were then legalized; oppression was supported by authority; crushing of the weak became commonplace; the throngs curried and praised. 

Thus does the first touch of humanity's selfishness make criminals of the humble, and make killers of the sons of peace; thus does the early greed of humanity grow and strike back at humanity a thousand fold!
Written by Mary Darby Robinson | Create an image from this poem

The Mistletoe (A Christmas Tale)

 A farmer's wife, both young and gay,
And fresh as op'ning buds of May;
Had taken to herself, a Spouse,
And plighted many solemn vows,
That she a faithful mate would prove,
In meekness, duty, and in love!
That she, despising joy and wealth,
Would be, in sickness and in health,
His only comfort and his Friend--
But, mark the sequel,--and attend!

This Farmer, as the tale is told--
Was somewhat cross, and somewhat old!
His, was the wintry hour of life,
While summer smiled before his wife;
A contrast, rather form'd to cloy
The zest of matrimonial joy!

'Twas Christmas time, the peasant throng
Assembled gay, with dance and Song:
The Farmer's Kitchen long had been
Of annual sports the busy scene;
The wood-fire blaz'd, the chimney wide
Presented seats, on either side;
Long rows of wooden Trenchers, clean,
Bedeck'd with holly-boughs, were seen;
The shining Tankard's foamy ale
Gave spirits to the Goblin tale,
And many a rosy cheek--grew pale.

It happen'd, that some sport to shew
The ceiling held a MISTLETOE.
A magic bough, and well design'd
To prove the coyest Maiden, kind.
A magic bough, which DRUIDS old
Its sacred mysteries enroll'd;
And which, or gossip Fame's a liar,
Still warms the soul with vivid fire;
Still promises a store of bliss
While bigots snatch their Idol's kiss.

This MISTLETOE was doom'd to be
The talisman of Destiny;
Beneath its ample boughs we're told
Full many a timid Swain grew bold;
Full many a roguish eye askance
Beheld it with impatient glance,
And many a ruddy cheek confest,
The triumphs of the beating breast;
And many a rustic rover sigh'd
Who ask'd the kiss, and was denied.

First MARG'RY smil'd and gave her Lover
A Kiss; then thank'd her stars, 'twas over! 
Next, KATE, with a reluctant pace,
Was tempted to the mystic place;
Then SUE, a merry laughing jade
A dimpled yielding blush betray'd;
While JOAN her chastity to shew
Wish'd "the bold knaves would serve her so,"
She'd "teach the rogues such wanton play!"
And well she could, she knew the way.

The FARMER, mute with jealous care,
Sat sullen, in his wicker chair;
Hating the noisy gamesome host
Yet, fearful to resign his post;
He envied all their sportive strife
But most he watch'd his blooming wife,
And trembled, lest her steps should go,
Incautious, near the MISTLETOE.

Now HODGE, a youth of rustic grace
With form athletic; manly face;
On MISTRESS HOMESPUN turn'd his eye
And breath'd a soul-declaring sigh!
Old HOMESPUN, mark'd his list'ning Fair
And nestled in his wicker chair;
HODGE swore, she might his heart command--
The pipe was dropp'd from HOMESPUN'S hand!

HODGE prest her slender waist around;
The FARMER check'd his draught, and frown'd!
And now beneath the MISTLETOE
'Twas MISTRESS HOMESPUN'S turn to go;
Old Surly shook his wicker chair,
And sternly utter'd--"Let her dare!"

HODGE, to the FARMER'S wife declar'd
Such husbands never should be spar'd;
Swore, they deserv'd the worst disgrace,
That lights upon the wedded race;
And vow'd--that night he would not go
Unblest, beneath the MISTLETOE.

The merry group all recommend
An harmless Kiss, the strife to end:
"Why not ?" says MARG'RY, "who would fear,
"A dang'rous moment, once a year?"
SUSAN observ'd, that "ancient folks
"Were seldom pleas'd with youthful jokes;"
But KATE, who, till that fatal hour,
Had held, o'er HODGE, unrivall'd pow'r,
With curving lip and head aside
Look'd down and smil'd in conscious pride,
Then, anxious to conceal her care,
She humm'd--"what fools some women are!"

Now, MISTRESS HOMESPUN, sorely vex'd,
By pride and jealous rage perplex'd,
And angry, that her peevish spouse
Should doubt her matrimonial vows,
But, most of all, resolved to make
An envious rival's bosom ache;
Commanded Hodge to let her go,
Nor lead her to the Mistletoe;

"Why should you ask it o'er and o'er?"
Cried she, "we've been there twice before!"
'Tis thus, to check a rival's sway,
That Women oft themselves betray;
While VANITY, alone, pursuing,
They rashly prove, their own undoing.

Written by Henry Van Dyke | Create an image from this poem

The Foolish Fir-Tree

 A tale that the poet Rückert told
To German children, in days of old;
Disguised in a random, rollicking rhyme
Like a merry mummer of ancient time,
And sent, in its English dress, to please
The little folk of the Christmas trees. 

A little fir grew in the midst of the wood 
Contented and happy, as young trees should. 
His body was straight and his boughs were clean; 
And summer and winter the bountiful sheen 
Of his needles bedecked him, from top to root, 
In a beautiful, all-the-year, evergreen suit. 

But a trouble came into his heart one day, 
When he saw that the other trees were gay 
In the wonderful raiment that summer weaves 
Of manifold shapes and kinds of leaves: 
He looked at his needles so stiff and small, 
And thought that his dress was the poorest of all. 
Then jealousy clouded the little tree's mind, 
And he said to himself, "It was not very kind 
"To give such an ugly old dress to a tree! 
"If the fays of the forest would only ask me, 
"I'd tell them how I should like to be dressed,— 
"In a garment of gold, to bedazzle the rest!" 
So he fell asleep, but his dreams were bad. 
When he woke in the morning, his heart was glad; 
For every leaf that his boughs could hold 
Was made of the brightest beaten gold. 
I tell you, children, the tree was proud; 
He was something above the common crowd; 
And he tinkled his leaves, as if he would say 
To a pedlar who happened to pass that way, 
"Just look at me! don't you think I am fine? 
"And wouldn't you like such a dress as mine?" 
"Oh, yes!" said the man, "and I really guess 
I must fill my pack with your beautiful dress." 
So he picked the golden leaves with care, 
And left the little tree shivering there. 

"Oh, why did I wish for golden leaves?" 
The fir-tree said, "I forgot that thieves 
"Would be sure to rob me in passing by. 
"If the fairies would give me another try, 
"I'd wish for something that cost much less, 
"And be satisfied with glass for my dress!" 
Then he fell asleep; and, just as before, 
The fairies granted his wish once more. 
When the night was gone, and the sun rose clear, 
The tree was a crystal chandelier; 
And it seemed, as he stood in the morning light, 
That his branches were covered with jewels bright. 
"Aha!" said the tree. "This is something great!" 
And he held himself up, very proud and straight; 
But a rude young wind through the forest dashed, 
In a reckless temper, and quickly smashed 
The delicate leaves. With a clashing sound 
They broke into pieces and fell on the ground, 
Like a silvery, shimmering shower of hail, 
And the tree stood naked and bare to the gale. 

Then his heart was sad; and he cried, "Alas 
"For my beautiful leaves of shining glass! 
"Perhaps I have made another mistake 
"In choosing a dress so easy to break. 
"If the fairies only would hear me again 
"I'd ask them for something both pretty and plain: 
"It wouldn't cost much to grant my request,— 
"In leaves of green lettuce I'd like to be dressed!" 
By this time the fairies were laughing, I know; 
But they gave him his wish in a second; and so 
With leaves of green lettuce, all tender and sweet, 
The tree was arrayed, from his head to his feet. 
"I knew it!" he cried, "I was sure I could find 
"The sort of a suit that would be to my mind. 
"There's none of the trees has a prettier dress, 
"And none as attractive as I am, I guess." 
But a goat, who was taking an afternoon walk, 
By chance overheard the fir-tree's talk. 
So he came up close for a nearer view;— 
"My salad!" he bleated, "I think so too! 
"You're the most attractive kind of a tree, 
"And I want your leaves for my five-o'clock tea." 
So he ate them all without saying grace, 
And walked away with a grin on his face; 
While the little tree stood in the twilight dim, 
With never a leaf on a single limb. 

Then he sighed and groaned; but his voice was weak— 
He was so ashamed that he could not speak. 
He knew at last that he had been a fool, 
To think of breaking the forest rule, 
And choosing a dress himself to please, 
Because he envied the other trees. 
But it couldn't be helped, it was now too late, 
He must make up his mind to a leafless fate! 
So he let himself sink in a slumber deep, 
But he moaned and he tossed in his troubled sleep, 
Till the morning touched him with joyful beam, 
And he woke to find it was all a dream. 
For there in his evergreen dress he stood, 
A pointed fir in the midst of the wood! 
His branches were sweet with the balsam smell, 
His needles were green when the white snow fell. 
And always contented and happy was he,— 
The very best kind of a Christmas tree.
Written by Oliver Wendell Holmes | Create an image from this poem

The Flaâneur

 I love all sights of earth and skies, 
From flowers that glow to stars that shine; 
The comet and the penny show, 
All curious things, above, below, 
Hold each in turn my wandering eyes: 
I claim the Christian Pagan's line, 
Humani nihil, -- even so, -- 
And is not human life divine? 
When soft the western breezes blow, 
And strolling youths meet sauntering maids, 
I love to watch the stirring trades 
Beneath the Vallombrosa shades 
Our much-enduring elms bestow; 
The vender and his rhetoric's flow, 
That lambent stream of liquid lies; 
The bait he dangles from his line, 
The gudgeon and his gold-washed prize. 
I halt before the blazoned sign 
That bids me linger to admire 
The drama time can never tire, 
The little hero of the hunch, 
With iron arm and soul of fire, 
And will that works his fierce desire, -- 
Untamed, unscared, unconquered Punch! 
My ear a pleasing torture finds 
In tones the withered sibyl grinds, -- 
The dame sans merci's broken strain, 
Whom I erewhile, perchance, have known, 
When Orleans filled the Bourbon throne, 
A siren singing by the Seine. 

But most I love the tube that spies 
The orbs celestial in their march; 
That shows the comet as it whisks 
Its tail across the planets' disks, 
As if to blind their blood-shot eyes; 
Or wheels so close against the sun 
We tremble at the thought of risks 
Our little spinning ball may run, 
To pop like corn that children parch, 
From summer something overdone, 
And roll, a cinder, through the skies. 

Grudge not to-day the scanty fee 
To him who farms the firmament, 
To whom the Milky Way is free; 
Who holds the wondrous crystal key, 
The silent Open Sesame 
That Science to her sons has lent; 
Who takes his toll, and lifts the bar 
That shuts the road to sun and star. 
If Venus only comes to time, 
(And prophets say she must and shall,) 
To-day will hear the tinkling chime 
Of many a ringing silver dime, 
For him whose optic glass supplies 
The crowd with astronomic eyes, -- 
The Galileo of the Mall. 

Dimly the transit morning broke; 
The sun seemed doubting what to do, 
As one who questions how to dress, 
And takes his doublets from the press, 
And halts between the old and new. 
Please Heaven he wear his suit of blue, 
Or don, at least, his ragged cloak, 
With rents that show the azure through! 

I go the patient crowd to join 
That round the tube my eyes discern, 
The last new-comer of the file, 
And wait, and wait, a weary while, 
And gape, and stretch, and shrug, and smile, 
(For each his place must fairly earn, 
Hindmost and foremost, in his turn,) 
Till hitching onward, pace by pace, 
I gain at last the envied place, 
And pay the white exiguous coin: 
The sun and I are face to face; 
He glares at me, I stare at him; 
And lo! my straining eye has found 
A little spot that, black and round, 
Lies near the crimsoned fire-orb's rim. 
O blessed, beauteous evening star, 
Well named for her whom earth adores, -- 
The Lady of the dove-drawn car, -- 
I know thee in thy white simar; 
But veiled in black, a rayless spot, 
Blank as a careless scribbler's blot, 
Stripped of thy robe of silvery flame, -- 
The stolen robe that Night restores 
When Day has shut his golden doors, -- 
I see thee, yet I know thee not; 
And canst thou call thyself the same? 

A black, round spot, -- and that is all; 
And such a speck our earth would be 
If he who looks upon the stars 
Through the red atmosphere of Mars 
Could see our little creeping ball 
Across the disk of crimson crawl 
As I our sister planet see. 

And art thou, then, a world like ours, 
Flung from the orb that whirled our own 
A molten pebble from its zone? 
How must thy burning sands absorb 
The fire-waves of the blazing orb, 
Thy chain so short, thy path so near, 
Thy flame-defying creatures hear 
The maelstroms of the photosphere! 
And is thy bosom decked with flowers 
That steal their bloom from scalding showers? 
And hast thou cities, domes, and towers, 
And life, and love that makes it dear, 
And death that fills thy tribes with fear? 


Lost in my dream, my spirit soars 
Through paths the wandering angels know; 
My all-pervading thought explores 
The azure ocean's lucent shores; 
I leave my mortal self below, 
As up the star-lit stairs I climb, 
And still the widening view reveals 
In endless rounds the circling wheels 
That build the horologe of time. 
New spheres, new suns, new systems gleam; 
The voice no earth-born echo hears 
Steals softly on my ravished ears: 
I hear them "singing as they shine" -- 
A mortal's voice dissolves my dream: 
My patient neighbor, next in line, 
Hints gently there are those who wait. 
O guardian of the starry gate, 
What coin shall pay this debt of mine? 
Too slight thy claim, too small the fee 
That bids thee turn the potent key 
The Tuscan's hand has placed in thine. 
Forgive my own the small affront, 
The insult of the proffered dime; 
Take it, O friend, since this thy wont, 
But still shall faithful memory be 
A bankrupt debtor unto thee, 
And pay thee with a grateful rhyme.
Written by Johann Wolfgang von Goethe | Create an image from this poem

Prometheus

 COVER thy spacious heavens, Zeus,
With clouds of mist,
And, like the boy who lops
The thistles' heads,
Disport with oaks and mountain-peaks,
Yet thou must leave
My earth still standing;
My cottage too, which was not raised by thee;
Leave me my hearth,
Whose kindly glow
By thee is envied.

I know nought poorer
Under the sun, than ye gods!
Ye nourish painfully,
With sacrifices
And votive prayers,
Your majesty:
Ye would e'en starve,
If children and beggars
Were not trusting fools.

While yet a child
And ignorant of life,
I turned my wandering gaze
Up tow'rd the sun, as if with him
There were an ear to hear my wailings,
A heart, like mine,
To feel compassion for distress.

Who help'd me
Against the Titans' insolence?
Who rescued me from certain death,
From slavery?
Didst thou not do all this thyself,
My sacred glowing heart?
And glowedst, young and good,
Deceived with grateful thanks
To yonder slumbering one?

I honour thee! and why?
Hast thou e'er lighten'd the sorrows
Of the heavy laden?
Hast thou e'er dried up the tears
Of the anguish-stricken?
Was I not fashion'd to be a man
By omnipotent Time,
And by eternal Fate,
Masters of me and thee?

Didst thou e'er fancy
That life I should learn to hate,
And fly to deserts,
Because not all
My blossoming dreams grew ripe?

Here sit I, forming mortals
After my image;
A race resembling me,
To suffer, to weep,
To enjoy, to be glad,
And thee to scorn,
As I!

 1773.
Written by Barry Tebb | Create an image from this poem

You

 “Remember, you loved me, when we were young, one day”



The words of the song in Tauber’s mellifluous tenor

Haunt my nights and days, make me tremble when I hear

Your voice on the phone, sadden me when I can’t make into your smile

The pucker of your lips, the gleam in your eye.



The day we met is with me still, you asked directions

And on the way we chatted. You told me how you’d left

Lancashire for Leeds, went to the same TC as me, even liked poetry

Both were looking for an ‘interesting evening class’

Instead we found each other.

You took me back for tea to the flat in Headingley

You shared with two other girls. The class in Moortown

Was a disaster. Walking home in the rain I put my arm

Around you and you did not resist, we shared your umbrella

Then we kissed.



I liked the taste of your lips, the tingle of your fingertips,

Your mild perfume. When a sudden gust blew your umbrella inside out

We sheltered underneath a cobbled arch, a rainy arch, a rainbow arch.



“I’m sorry”, you said about nothing in particular, perhaps the class

Gone wrong, the weather, I’ll never know but there were tears in your eyes

But perhaps it was just the rain. We kissed again and I felt

Your soft breasts and smelt the hair on your neck and I was lost to you

And you to me perhaps, I’ll never know.



We went to plays, I read my poems aloud in quiet places,

I met your mother and you met mine. We quarrelled over stupid things.

When my best friend seduced you I blamed him and envied him

And tried to console you when you cried a whole day through.



The next weekend I had the flu and insisted you came to look after me

In my newly-rented bungalow. Out of the blue I said, “What you did for him

You can do for me”. It was not the way our first and only love-making

Should have been, you guilty and regretful, me resentful and not tender.

When I woke I saw you in the half-light naked, curled and innocent

I truly loved you If I’d proposed you might have agreed, I’ll never know.

A month later you were pregnant and I was not the father.

I wanted to help you with the baby, wanted you to stay with me

So I could look after you and be there for the birth but your mind

Was set elsewhere end I was too immature to understand or care.



When I saw you again you had Sarah and I had Brenda, my wife-to-be;

Three decades of nightmare ahead with neither of our ‘adult children’

Quite right, both drink to excess and have been on wards.

Nor has your life been a total success, full-time teaching till you retired

Then Victim Support: where’s that sharp mind, that laughter and that passion?



And what have I to show?

A few pamphlets, a small ‘Selected’, a single good review.

Sat in South Kensington on the way to the Institut I wrote this,

Too frightened even to phone you.
Written by Robert William Service | Create an image from this poem

It Is Later Than You Think

 Lone amid the cafe's cheer,
Sad of heart am I to-night;
Dolefully I drink my beer,
But no single line I write.
There's the wretched rent to pay,
Yet I glower at pen and ink:
Oh, inspire me, Muse, I pray,
It is later than you think!

Hello! there's a pregnant phrase.
Bravo! let me write it down;
Hold it with a hopeful gaze,
Gauge it with a fretful frown;
Tune it to my lyric lyre . . .
Ah! upon starvation's brink,
How the words are dark and dire:
It is later than you think.

Weigh them well. . . . Behold yon band,
Students drinking by the door,
Madly merry, bock in hand,
Saucers stacked to mark their score.
Get you gone, you jolly scamps;
Let your parting glasses clink;
Seek your long neglected lamps:
It is later than you think.

Look again: yon dainty blonde,
All allure and golden grace,
Oh so willing to respond
Should you turn a smiling face.
Play your part, poor pretty doll;
Feast and frolic, pose and prink;
There's the Morgue to end it all,
And it's later than you think.

Yon's a playwright -- mark his face,
Puffed and purple, tense and tired;
Pasha-like he holds his place,
Hated, envied and admired.
How you gobble life, my friend;
Wine, and woman soft and pink!
Well, each tether has its end:
Sir, it's later than you think.

See yon living scarecrow pass
With a wild and wolfish stare
At each empty absinthe glass,
As if he saw Heaven there.
Poor damned wretch, to end your pain
There is still the Greater Drink.
Yonder waits the sanguine Seine . . .
It is later than you think.

Lastly, you who read; aye, you
Who this very line may scan:
Think of all you planned to do . . .
Have you done the best you can?
See! the tavern lights are low;
Black's the night, and how you shrink!
God! and is it time to go?
Ah! the clock is always slow;
It is later than you think;
Sadly later than you think;
Far, far later than you think.
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