10 Best Famous Duration Poems

Here is a collection of the top 10 all-time best famous Duration poems. This is a select list of the best famous Duration poetry. Reading, writing, and enjoying famous Duration poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of duration poems.

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Travels With John Hunter

by Les Murray
 We who travel between worlds 
lose our muscle and bone. 
I was wheeling a barrow of earth 
when agony bayoneted me. 

I could not sit, or lie down, 
or stand, in Casualty. 
Stomach-calming clay caked my lips, 
I turned yellow as the moon 

and slid inside a CAT-scan wheel 
in a hospital where I met no one 
so much was my liver now my dire 
preoccupation. I was sped down a road. 

of treetops and fishing-rod lightpoles 
towards the three persons of God 
and the three persons of John Hunter 
Hospital. Who said We might lose this one. 

Twenty days or to the heat-death 
of the Universe have the same duration: 
vaguely half a hour. I awoke 
giggling over a joke 

about Paul Kruger in Johannesburg 
and missed the white court stockings 
I half remembered from my prone 
still voyage beyond flesh and bone. 

I asked my friend who got new lungs 
How long were you crazy, coming back? 
Five days, he said. Violent and mad. 
Fictive Afrikaner police were at him, 

not unworldly Oom Paul Kruger. 
Valerie, who had sat the twenty days 
beside me, now gently told me tales 
of my time-warp. The operative canyon 

stretched, stapled, with dry roseate walls 
down my belly. Seaweed gel 
plugged views of my pluck and offal. 
The only poet whose liver 

damage hadn't been self-inflicted, 
grinned my agent. A momentarily 
holed bowel had released flora 
who live in us and will eat us 

when we stop feeding them the earth. 
I had, it did seem, rehearsed 
the private office of the grave, 
ceased excreting, made corpse gases 

all while liana'd in tubes 
and overseen by cockpit instruments 
that beeped or struck up Beethoven's 
Fifth at behests of fluid. 

I also hear when I lay lipless 
and far away I was anointed 
first by a mild metaphoric church 
then by the Church of no metaphors. 

Now I said, signing a Dutch contract 
in a hand I couldn't recognise, 
let's go and eat Chinese soup 
and drive to Lake Macquarie. Was I 

not renewed as we are in Heaven? 
In fact I could hardly endure 
Earth gravity, and stayed weak and cranky 
till the soup came, squid and vegetables, 

pure Yang. And was sane thereafter. 
It seemed I'd also travelled 
in a Spring-in-Winter love-barque of cards, 
of flowers and phone calls and letters, 

concern I'd never dreamed was there 
when black kelp boiled in my head. 
I'd awoken amid my State funeral, 
nevermore to eat my liver 

or feed it to the Black Dog, depression 
which the three Johns Hunter seem 
to have killed with their scalpels: 
it hasn't found its way home, 

where I now dodder and mend 
in thanks for devotion, for the ambulance 
this time, for the hospital fork lift, 
for pethidine, and this face of deity: 

not the foreknowledge of death 
but the project of seeing conscious life 
rescued from death defines and will 
atone for the human.

Duino Elegies: The Tenth Elegy

by Rainer Maria Rilke
 That some day, emerging at last from the terrifying vision
I may burst into jubilant praise to assenting angels!
That of the clear-struck keys of the heart not one may fail
to sound because of a loose, doubtful or broken string!
That my streaming countenance may make me more resplendent
That my humble weeping change into blossoms.
Oh, how will you then, nights of suffering, be remembered
with love. Why did I not kneel more fervently, disconsolate
sisters, more bendingly kneel to receive you, more loosely
surrender myself to your loosened hair? We, squanderers of
gazing beyond them to judge the end of their duration.
They are only our winter's foliage, our sombre evergreen,
one of the seasons of our interior year, -not only season,
but place, settlement, camp, soil and dwelling.

How woeful, strange, are the alleys of the City of Pain,
where in the false silence created from too much noise,
a thing cast out from the mold of emptiness
swaggers that gilded hubbub, the bursting memorial.
Oh, how completely an angel would stamp out their market
of solace, bounded by the church, bought ready for use:
as clean, disappointing and closed as a post office on Sunday.
Farther out, though, there are always the rippling edges
of the fair. Seasaws of freedom! High-divers and jugglers of zeal!
And the shooting-gallery's targets of bedizened happiness:
targets tumbling in tinny contortions whenever some better
marksman happens to hit one. From cheers to chance he goes
staggering on, as booths that can please the most curious tastes
are drumming and bawling. For adults ony there is something
special to see: how money multiplies. Anatomy made amusing!
Money's organs on view! Nothing concealed! Instructive,
and guaranteed to increase fertility!...

 Oh, and then outside,
behind the farthest billboard, pasted with posters for 'Deathless,'
that bitter beer tasting quite sweet to drinkers,
if they chew fresh diversions with it..
Behind the billboard, just in back of it, life is real.
Children play, and lovers hold each other, -aside,
earnestly, in the trampled grass, and dogs respond to nature.
The youth continues onward; perhaps he is in love with
a young Lament....he follows her into the meadows.
She says: the way is long. We live out there....
 Where? And the youth
follows. He is touched by her gentle bearing. The shoulders,
the neck, -perhaps she is of noble ancestry? 
Yet he leaves her, turns around, looks back and waves...
What could come of it? She is a Lament.

Only those who died young, in their first state of
timeless serenity, while they are being weaned,
follow her lovingly. She waits for girls
and befriends them. Gently she shows them
what she is wearing. Pearls of grief
and the fine-spun veils of patience.-
With youths she walks in silence.

But there, where they live, in the valley,
an elderly Lament responds to the youth as he asks:-
We were once, she says, a great race, we Laments.
Our fathers worked the mines up there in the mountains;
sometimes among men you will find a piece of polished
primeval pain, or a petrified slag from an ancient volcano.
Yes, that came from there. Once we were rich.-

And she leads him gently through the vast landscape
of Lamentation, shows him the columns of temples,
the ruins of strongholds from which long ago
the princes of Lament wisely governed the country.
Shows him the tall trees of tears,
the fields of flowering sadness,
(the living know them only as softest foliage);
show him the beasts of mourning, grazing-
and sometimes a startled bird, flying straight through
their field of vision, far away traces the image of its
solitary cry.-
At evening she leads him to the graves of elders
of the race of Lamentation, the sybils and prophets.
With night approaching, they move more softly,
and soon there looms ahead, bathed in moonlight,
the sepulcher, that all-guarding ancient stone,
Twin-brother to that on the Nile, the lofty Sphinx-:
the silent chamber's countenance.
They marvel at the regal head that has, forever silent,
laid the features of manking upon the scales of the stars.
His sight, still blinded by his early death,
cannot grasp it. But the Sphinx's gaze
frightens an owl from the rim of the double-crown.
The bird, with slow down-strokes, brushes
along the cheek, that with the roundest curve, 
and faintly inscribes on the new death-born hearing,
as though on the double page of an opened book,
the indescribable outline.

And higher up, the stars. New ones. Stars
of the land of pain. Slowly she names them:
"There, look: the Rider ,the Staff,and that 
crowded constellation they call the the Garland of Fruit.
Then farther up toward the Pole:
Cradle, Way, the Burning Book, Doll, Window.
And in the Southern sky, pure as lines
on the palm of a blessed hand, the clear sparkling M,
standing for Mothers....."

Yet the dead youth must go on alone.
In silence the elder Lament brings him
as far as the gorge where it shimmers in the moonlight:
The Foutainhead of Joy. With reverance she names it,
saying: "In the world of mankind it is a life-bearing stream."

They reach the foothills of the mountain,
and there she embraces him, weeping.

Alone, he climbs the mountains of primeval pain.
Not even his footsteps ring from this soundless fate.

But were these timeless dead to awaken an image for us,
see, they might be pointing to th catkins, hanging
from the leafless hazels, or else they might mean
the rain that falls upon the dark earth in early Spring.

And we, who always think
of happiness as rising feel the emotion
that almost overwhelms us
whenever a happy thing falls.

The Wild Honey-Suckle

by Philip Freneau
 Fair flower, that dost so comely grow,
Hid in this silent, dull retreat,
Untouched thy honied blossoms blow,
Unseen thy little branches greet;
...No roving foot shall crush thee here,
...No busy hand provoke a tear.

By Nature's self in white arrayed,
She bade thee shun the vulgar eye,
And planted here the gaurdian shade,
And sent soft waters murmuring by;
...Thus quietly thy summer goes,
...Thy days declinging to repose.

Smit with those charms, that must decay,
I grieve to see your future doom;
They died--nor were those flowers more gay,
The flowers that did in Eden bloom;
...Unpitying frosts, and Autumn's power
...Shall leave no vestige of this flower.

From morning suns and evenign dews
At first thy little being came:
If nothing once, you nothing lose,
For when you die you are the same;
...The space between, is but an hour,
...The frail duration of a flower.

The Second Elegy

by Rainer Maria Rilke
Every angel is terrifying. And yet alas
I invoked you almost deadly birds of the soul
knowing about you. Where are the days of Tobias
when one of you veiling his radiance stood at the front door  
slightly disguised for the journey no longer appalling;
(a young man like the one who curiously peeked through the window).
But if the archangel now perilous from behind the stars
took even one step down toward us: our own heart beating
higher and higher would bear us to death. Who are you?

Early successes Creation's pampered favorites
mountain-ranges peaks growing red in the dawn
of all Beginning -pollen of the flowering godhead
joints of pure light corridors stairways thrones
space formed from essence shields made of ecstasy storms
of emotion whirled into rapture and suddenly alone:
mirrors which scoop up the beauty that has streamed from their face
and gather it back into themselves entire.

But we when moved by deep feeling evaporate; we
breathe ourselves out and away; from moment to moment
our emotion grows fainter like a perfume. Though someone may tell us:
Yes, you've entered my bloodstream, the room, the whole springtime
is filled with you¡­ -what does it matter? he can't contain us
we vanish inside him and around him. And those who are beautiful
oh who can retain them? Appearance ceaselessly rises
in their face and is gone. Like dew from the morning grass
what is ours floats into the air like steam from a dish
of hot food. O smile where are you going? O upturned glance:
new warm receding wave on the sea of the heart¡­
alas but that is what we are. Does the infinite space
we dissolve into taste of us then? Do the angels really
reabsorb only the radiance that streamed out from themselves or
sometimes as if by an oversight is there a trace
of our essence in it as well? Are we mixed in with their
features even as slightly as that vague look
in the faces of pregnant women? They do not notice it
(how could they notice) in their swirling return to themselves.

Lovers if they knew how might utter strange marvelous
Words in the night air. For it seems that everything
hides us. Look: trees do exist; the houses
that we live in still stand. We alone
fly past all things as fugitive as the wind.
And all things conspire to keep silent about us half
out of shame perhaps half as unutterable hope.

Lovers gratified in each other I am asking you
about us. You hold each other. Where is your proof?
Look sometimes I find that my hands have become aware
of each other or that my time-worn face
shelters itself inside them. That gives me a slight
sensation. But who would dare to exist just for that?
You though who in the other's passion
grow until overwhelmed he begs you:
No more¡­ ; you who beneath his hands
swell with abundance like autumn grapes;
you who may disappear because the other has wholly
emerged: I am asking you about us. I know
you touch so blissfully because the caress preserves
because the place you so tenderly cover
does not vanish; because underneath it 
you feel pure duration. So you promise eternity almost
from the embrace. And yet when you have survived
the terror of the first glances the longing at the window
and the first walk together once only through the garden:
lovers are you the same? When you lift yourselves up
to each other's mouth and your lips join drink against drink:
oh how strangely each drinker seeps away from his action.

Weren't you astonished by the caution of human gestures
on Attic gravestones? Wasn't love and departure
placed so gently on shoulders that is seemed to be made
of a different substance than in our world? Remember the hands
how weightlessly they rest though there is power in the torsos.
These self-mastered figures know: "We can go this far
This is ours to touch one another this lightly; the gods
Can press down harder upon us. But that is the gods' affair."

If only we too could discover a pure contained
human place our own strip of fruit-bearing soil
between river and rock. For our own heart always exceeds us
as theirs did. And we can no longer follow it gazing
into images that soothe it into the godlike bodies
where measured more greatly if achieves a greater repose.

Benlomond

by Thomas Campbell
 Hadst thou a genius on thy peak, 
What tales, white-headed Ben, 
Could'st thou of ancient ages speak, 
That mock th' historian's pen! 

Thy long duration makes our livea 
Seem but so many hours; 
And likens, to the bees' frail hives, 
Our most stupendous towers. 

Temples and towers thou seest begun, 
New creeds, new conquerers sway; 
And, like their shadows in the sun, 
Hast seen them swept away. 

Thy steadfast summit, heaven-allied 
(Unlike life's little span), 
Looks down a mentor on the pride 
Of perishable man.

The Morrow Of Grandeur

by Victor Hugo
 ("Non, l'avenir n'est à personne!") 
 
 {V. ii., August, 1832.} 


 Sire, beware, the future's range 
 Is of God alone the power, 
 Naught below but augurs change, 
 E'en with ev'ry passing hour. 
 Future! mighty mystery! 
 All the earthly goods that be, 
 Fortune, glory, war's renown, 
 King or kaiser's sparkling crown, 
 Victory! with her burning wings, 
 Proud ambition's covetings,— 
 These may our grasp no more detain 
 Than the free bird who doth alight 
 Upon our roof, and takes its flight 
 High into air again. 
 
 Nor smile, nor tear, nor haughtiest lord's command, 
 Avails t' unclasp the cold and closèd hand. 
 Thy voice to disenthrall, 
 Dumb phantom, shadow ever at our side! 
 Veiled spectre, journeying with us stride for stride, 
 Whom men "To-morrow" call. 
 
 Oh, to-morrow! who may dare 
 Its realities to scan? 
 God to-morrow brings to bear 
 What to-day is sown by man. 
 'Tis the lightning in its shroud, 
 'Tis the star-concealing cloud, 
 Traitor, 'tis his purpose showing, 
 Engine, lofty tow'rs o'erthrowing, 
 Wand'ring star, its region changing, 
 "Lady of kingdoms," ever ranging. 
 To-morrow! 'Tis the rude display 
 Of the throne's framework, blank and cold, 
 That, rich with velvet, bright with gold, 
 Dazzles the eye to-day. 
 
 To-morrow! 'tis the foaming war-horse falling; 
 To-morrow! thy victorious march appalling, 
 'Tis the red fires from Moscow's tow'rs that wave; 
 'Tis thine Old Guard strewing the Belgian plain; 
 'Tis the lone island in th' Atlantic main: 
 To-morrow! 'tis the grave! 
 
 Into capitals subdued 
 Thou mayst ride with gallant rein, 
 Cut the knots of civil feud 
 With the trenchant steel in twain; 
 With thine edicts barricade 
 Haughty Thames' o'er-freighted trade; 
 Fickle Victory's self enthrall, 
 Captive to thy trumpet call; 
 Burst the stoutest gates asunder; 
 Leave the names of brightest wonder, 
 Pale and dim, behind thee far; 
 And to exhaustless armies yield 
 Thy glancing spur,—o'er Europe's field 
 A glory-guiding star. 
 
 God guards duration, if lends space to thee, 
 Thou mayst o'er-range mundane immensity, 
 Rise high as human head can rise sublime, 
 Snatch Europe from the stamp of Charlemagne, 
 Asia from Mahomet; but never gain 
 Power o'er the Morrow from the Lord of Time! 
 
 Fraser's Magazine. 


 




Thou canst not count to-day on seeing the day after

by Omar Khayyam
Thou canst not count to-day on seeing the day after
to-morrow; even to think of this to-morrow would be the
part of folly; if thy heart is awakened, lose not in inaction
this instant of life [which remains to thee] and for
the duration of which I see no warranty.

Restrain thy envy of the things of this world if thou

by Omar Khayyam
Restrain thy envy of the things of this world if thou
wishest to be happy; break the bonds which enchain
thee to the good and the bad here below; live contented,
for the periodic movement of the heavens takes its course,
and this life will not be of long duration.
323

Since the duration of a day is only two stages, make

by Omar Khayyam
Since the duration of a day is only two stages, make
haste to drink wine, the limpid wine; for know well
that you near the end of your vanishing existence. And,
since you know that this world drags all to decay,
be wise, and, also, day and night be drenched in wine.
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