10 Best Famous Dungeons Poems

Here is a collection of the top 10 all-time best famous Dungeons poems. This is a select list of the best famous Dungeons poetry. Reading, writing, and enjoying famous Dungeons poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of dungeons poems.

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Ghana Calls

by W. E. B. Du Bois
I was a little boy, at home with strangers.   
I liked my playmates, and knew well,   
Whence all their parents came; 
From England, Scotland, royal France   
From Germany and oft by chance 
The humble Emerald Isle. 

But my brown skin and close-curled hair 
Was alien, and how it grew, none knew; 
Few tried to say, some dropped a wonderful word or stray; 
Some laughed and stared. 

And then it came: I dreamed.   
I placed together all I knew 
All hints and slurs together drew.   
I dreamed. 

I made one picture of what nothing seemed   
I shuddered in dumb terror 
In silence screamed, 
For now it seemed this I had dreamed; 

How up from Hell, a land had leaped 
A wretched land, all scorched and seamed   
Covered with ashes, chained with pain   
Streaming with blood, in horror lain   
Its very air a shriek of death 
And agony of hurt. 

Anon I woke, but in one corner of my soul   
I stayed asleep. 
Forget I could not, 
But never would I remember   
That hell-hoist ghost   
Of slavery and woe. 

I lived and grew, I worked and hoped 
I planned and wandered, gripped and coped   
With every doubt but one that slept   
Yet clamoured to awaken. 
I became old; old, worn and gray;   
Along my hard and weary way 
Rolled war and pestilence, war again;   
I looked on Poverty and foul Disease   
I walked with Death and yet I knew 
There stirred a doubt: Were all dreams true?   
And what in truth was Africa? 

One cloud-swept day a Seer appeared,   
All closed and veiled as me he hailed 
And bid me make three journeys to the world   
Seeking all through their lengthened links   
The endless Riddle of the Sphinx. 

I went to Moscow; Ignorance grown wise taught me Wisdom; 
I went to Peking: Poverty grown rich 
Showed me the wealth of Work 
I came to Accra. 

Here at last, I looked back on my Dream;   
I heard the Voice that loosed 
The Long-looked dungeons of my soul 
I sensed that Africa had come 
Not up from Hell, but from the sum of Heaven’s glory. 

I lifted up mine eyes to Ghana 
And swept the hills with high Hosanna; 
Above the sun my sight took flight   
Till from that pinnacle of light 
I saw dropped down this earth of crimson, green and gold 
Roaring with color, drums and song. 

Happy with dreams and deeds worth more than doing   
Around me velvet faces loomed   
Burnt by the kiss of everlasting suns 
Under great stars of midnight glory   
Trees danced, and foliage sang; 

The lilies hallelujah rang 
Where robed with rule on Golden Stool   
The gold-crowned Priests with duty done   
Pour high libations to the sun 
And danced to gods. 

Red blood flowed rare ’neath close-clung hair   
While subtle perfume filled the air   
And whirls and whirls of tiny curls   
Crowned heads. 

Yet Ghana shows its might and power   
Not in its color nor its flower   
But in its wondrous breadth of soul   
Its Joy of Life 
Its selfless role 
Of giving. 
School and clinic, home and hall   
Road and garden bloom and call   
Socialism blossoms bold 
On Communism centuries old. 

I lifted my last voice and cried   
I cried to heaven as I died: 
O turn me to the Golden Horde   
Summon all western nations   
Toward the Rising Sun. 

From reeking West whose day is done,   
Who stink and stagger in their dung   
Toward Africa, China, India’s strand   
Where Kenya and Himalaya stand   
And Nile and Yang-tze roll: 
Turn every yearning face of man. 

Come with us, dark America: 
The scum of Europe battened here   
And drowned a dream 
Made fetid swamp a refuge seem: 

Enslaved the Black and killed the Red   
And armed the Rich to loot the Dead;   
Worshipped the whores of Hollywood   
Where once the Virgin Mary stood 
And lynched the Christ. 

Awake, awake, O sleeping world   
Honor the sun; 

Worship the stars, those vaster suns   
Who rule the night 
Where black is bright 
And all unselfish work is right   
And Greed is Sin. 

And Africa leads on:   
Pan Africa!

Shake The Superflux!

by David Lehman
 I like walking on streets as black and wet as this one
now, at two in the solemnly musical morning, when everyone else
in this town emptied of Lestrygonians and Lotus-eaters
is asleep or trying or worrying why
they aren't asleep, while unknown to them Ulysses walks
into the shabby apartment I live in, humming and feeling
happy with the avant-garde weather we're having,
the winds (a fugue for flute and oboe) pouring
into the windows which I left open although
I live on the ground floor and there have been
two burglaries on my block already this week,
do I quickly take a look to see
if the valuables are missing? No, that is I can't,
it's an epistemological quandary: what I consider
valuable, would they? Who are they, anyway? I'd answer that
with speculations based on newspaper accounts if I were
Donald E. Westlake, whose novels I'm hooked on, but
this first cigarette after twenty-four hours
of abstinence tastes so good it makes me want
to include it in my catalogue of pleasures
designed to hide the ugliness or sweep it away
the way the violent overflow of rain over cliffs
cleans the sewers and drains of Ithaca
whose waterfalls head my list, followed by
crudites of carrots and beets, roots and all,
with rained-on radishes, too beautiful to eat,
and the pure pleasure of talking, talking and not knowing
where the talk will lead, but willing to take my chances.
Furthermore I shall enumerate some varieties of tulips
(Bacchus, Tantalus, Dardanelles) and other flowers
with names that have a life of their own (Love Lies Bleeding,
Dwarf Blue Bedding, Burning Bush, Torch Lily, Narcissus).
Mostly, as I've implied, it's the names of things
that count; still, sometimes I wonder and, wondering, find
the path of least resistance, the earth's orbit
around the sun's delirious clarity. Once you sniff
the aphrodisiac of disaster, you know: there's no reason
for the anxiety--or for expecting to be free of it;
try telling Franz Kafka he has no reason to feel guilty;
or so I say to well-meaning mongers of common sense.
They way I figure, you start with the names
which are keys and then you throw them away
and learn to love the locked rooms, with or without
corpses inside, riddles to unravel, emptiness to possess,
a woman to wake up with a kiss (who is she?
no one knows) who begs your forgiveness (for what?
you cannot know) and then, in the authoritative tone
of one who has weathered the storm of his exile, orders you
to put up your hands and beg the rain to continue
as if it were in your power. And it is,
I feel it with each drop. I am standing
outside at the window, looking in on myself
writing these words, feeling what wretches feel, just
as the doctor ordered. And that's what I plan to do,
what the storm I was caught in reminded me to do,
to shake the superflux, distribute my appetite, fast
without so much as a glass of water, and love
each bite I haven't taken. I shall become the romantic poet
whose coat of many colors smeared
with blood, like a butcher's apron, left
in the sacred pit or brought back to my father
to confirm my death, confirms my new life
instead, an alien prince of dungeons and dreams
who sheds the disguise people recognize him by
to reveal himself to his true brothers at last
in the silence that stuns before joy descends, like rain.

Yesterday and Today XII

by Kahlil Gibran
 The gold-hoarder walked in his palace park and with him walked his troubles. And over his head hovered worries as a vulture hovers over a carcass, until he reached a beautiful lake surrounded by magnificent marble statuary. 

He sat there pondering the water which poured from the mouths of the statues like thoughts flowing freely from a lover's imagination, and contemplating heavily his palace which stood upon a knoll like a birth-mark upon the cheek of a maiden. His fancy revealed to him the pages of his life's drama which he read with falling tears that veiled his eyes and prevented him from viewing man's feeble additions to Nature. 

He looked back with piercing regret to the images of his early life, woven into pattern by the gods, until he could no longer control his anguish. He said aloud, "Yesterday I was grazing my sheep in the green valley, enjoying my existence, sounding my flute, and holding my head high. Today I am a prisoner of greed. Gold leads into gold, then into restlessness and finally into crushing misery. 

"Yesterday I was like a singing bird, soaring freely here and there in the fields. Today I am a slave to fickle wealth, society's rules, and city's customs, and purchased friends, pleasing the people by conforming to the strange and narrow laws of man. I was born to be free and enjoy the bounty of life, but I find myself like a beast of burden so heavily laden with gold that his back is breaking. 

"Where are the spacious plains, the singing brooks, the pure breeze, the closeness of Nature? Where is my deity? I have lost all! Naught remains save loneliness that saddens me, gold that ridicules me, slaves who curse to my back, and a palace that I have erected as a tomb for my happiness, and in whose greatness I have lost my heart. 

"Yesterday I roamed the prairies and the hills together with the Bedouin's daughter; Virtue was our companion, Love our delight, and the moon our guardian. Today I am among women with shallow beauty who sell themselves for gold and diamonds. 

"Yesterday I was carefree, sharing with the shepherds all the joy of life; eating, playing, working, singing, and dancing together to the music of the heart's truth. Today I find myself among the people like a frightened lamb among the wolves. As I walk in the roads, they gaze at me with hateful eyes and point at me with scorn and jealousy, and as I steal through the park I see frowning faces all about me. 

"Yesterday I was rich in happiness and today I am poor in gold. 

"Yesterday I was a happy shepherd looking upon his head as a merciful king looks with pleasure upon his contented subjects. Today I am a slave standing before my wealth, my wealth which robbed me of the beauty of life I once knew. 

"Forgive me, my Judge! I did not know that riches would put my life in fragments and lead me into the dungeons of harshness and stupidity. What I thought was glory is naught but an eternal inferno." 

He gathered himself wearily and walked slowly toward the palace, sighing and repeating, "Is this what people call wealth? Is this the god I am serving and worshipping? Is this what I seek of the earth? Why can I not trade it for one particle of contentment? Who would sell me one beautiful thought for a ton of gold? Who would give me one moment of love for a handful of gems? Who would grant me an eye that can see others' hearts, and take all my coffers in barter?" 

As he reached the palace gates he turned and looked toward the city as Jeremiah gazed toward Jerusalem. He raised his arms in woeful lament and shouted, "Oh people of the noisome city, who are living in darkness, hastening toward misery, preaching falsehood, and speaking with stupidity...until when shall you remain ignorant? Unit when shall you abide in the filth of life and continue to desert its gardens? Why wear you tattered robes of narrowness while the silk raiment of Nature's beauty is fashioned for you? The lamp of wisdom is dimming; it is time to furnish it with oil. The house of true fortune is being destroyed; it is time to rebuild it and guard it. The thieves of ignorance have stolen the treasure of your peace; it is time to retake it!" 

At that moment a poor man stood before him and stretched forth his hand for alms. As he looked at the beggar, his lips parted, his eyes brightened with a softness, and his face radiated kindness. It was as if the yesterday he had lamented by the lake had come to greet him. He embraced the pauper with affection and filled his hands with gold, and with a voice sincere with the sweetness of love he said, "Come back tomorrow and bring with you your fellow sufferers. All your possessions will be restored." 

He entered his palace saying, "Everything in life is good; even gold, for it teaches a lesson. Money is like a stringed instrument; he who does not know how to use it properly will hear only discordant music. Money is like love; it kills slowly and painfully the one who withholds it, and it enlivens the other who turns it upon his fellow man."

Over the Misty Mountains Cold

by J R R Tolkien
 Far over the Misty Mountains cold,
To dungeons deep and caverns old,
We must away, ere break of day,
To seek our pale enchanted gold.

The dwarves of yore made mighty spells,
While hammers fell like ringing bells,
In places deep, where dark things sleep,
In hollow halls beneath the fells.

For ancient king and elvish lord
There many a gleaming golden hoard
They shaped and wrought, and light they caught,
To hide in gems on hilt of sword.

On silver necklaces they strung
The flowering stars, on crowns they hung
The dragon-fire, on twisted wire
They meshed the light of moon and sun.

Far over the Misty Mountains cold,
To dungeons deep and caverns old,
We must away, ere break of day,
To claim our long-forgotten gold.

Goblets they carved there for themselves,
And harps of gold, where no man delves
There lay they long, and many a song
Was sung unheard by men or elves.

The pines were roaring on the heights,
The wind was moaning in the night,
The fire was red, it flaming spread,
The trees like torches blazed with light.

The bells were ringing in the dale,
And men looked up with faces pale.
The dragon's ire, more fierce than fire,
Laid low their towers and houses frail.

The mountain smoked beneath the moon.
The dwarves, they heard the tramp of doom.
They fled the hall to dying fall
Beneath his feet, beneath the moon.

Far over the Misty Mountains grim,
To dungeons deep and caverns dim,
We must away, ere break of day,
To win our harps and gold from him!

The wind was on the withered heath,
But in the forest stirred no leaf:
There shadows lay be night or day,
And dark things silent crept beneath.

The wind came down from mountains cold,
And like a tide it roared and rolled.
The branches groaned, the forest moaned,
And leaves were laid upon the mould.

The wind went on from West to East;
All movement in the forest ceased.
But shrill and harsh across the marsh,
Its whistling voices were released.

The grasses hissed, their tassels bent,
The reeds were rattling--on it went.
O'er shaken pool under heavens cool,
Where racing clouds were torn and rent.

It passed the Lonely Mountain bare,
And swept above the dragon's lair:
There black and dark lay boulders stark,
And flying smoke was in the air.

It left the world and took its flight
Over the wide seas of the night.
The moon set sale upon the gale,
And stars were fanned to leaping light.

Under the Mountain dark and tall,
The King has come unto his hall!
His foe is dead, the Worm of Dread,
And ever so his foes shall fall!

The sword is sharp, the spear is long,
The arrow swift, the Gate is strong.
The heart is bold that looks on gold;
The dwarves no more shall suffer wrong.

The dwarves of yore made mighty spells,
While hammers fell like ringing bells
In places deep, where dark things sleep,
In hollow halls beneath the fells.

On silver necklaces they strung
The light of stars, on crowns they hung
The dragon-fire, from twisted wire
The melody of harps they wrung.

The mountain throne once more is freed!
O! Wandering folk, the summons heed!
Come haste! Come haste! Across the waste!
The king of freind and kin has need.

Now call we over the mountains cold,
'Come back unto the caverns old!'
Here at the gates the king awaits,
His hands are rich with gems and gold.

The king has come unto his hall
Under the Mountain dark and tall.
The Worm of Dread is slain and dead,
And ever so our foes shall fall!

Farewell we call to hearth and hall!
Though wind may blow and rain may fall,
We must away, ere break of day
Far over the wood and mountain tall.

To Rivendell, where Elves yet dwell
In glades beneath the misty fell.
Through moor and waste we ride in haste,
And whither then we cannot tell.

With foes ahead, behind us dread,
Beneath the sky shall be our bed,
Until at last our toil be passed,
Our journey done, our errand sped.

We must away! We must away!
We ride before the break of day!

144. A Winter Night

by Robert Burns
 WHEN biting Boreas, fell and dour,
Sharp shivers thro’ the leafless bow’r;
When Phoebus gies a short-liv’d glow’r,
 Far south the lift,
Dim-dark’ning thro’ the flaky show’r,
 Or whirling drift:


Ae night the storm the steeples rocked,
Poor Labour sweet in sleep was locked,
While burns, wi’ snawy wreaths up-choked,
 Wild-eddying swirl;
Or, thro’ the mining outlet bocked,
 Down headlong hurl:


List’ning the doors an’ winnocks rattle,
I thought me on the ourie cattle,
Or silly sheep, wha bide this brattle
 O’ winter war,
And thro’ the drift, deep-lairing, sprattle
 Beneath a scar.


Ilk happing bird,—wee, helpless thing!
That, in the merry months o’ spring,
Delighted me to hear thee sing,
 What comes o’ thee?
Whare wilt thou cow’r thy chittering wing,
 An’ close thy e’e?


Ev’n you, on murdering errands toil’d,
Lone from your savage homes exil’d,
The blood-stain’d roost, and sheep-cote spoil’d
 My heart forgets,
While pityless the tempest wild
 Sore on you beats!


Now Phoebe in her midnight reign,
Dark-****’d, view’d the dreary plain;
Still crowding thoughts, a pensive train,
 Rose in my soul,
When on my ear this plantive strain,
 Slow, solemn, stole:—


“Blow, blow, ye winds, with heavier gust!
And freeze, thou bitter-biting frost!
Descend, ye chilly, smothering snows!
Not all your rage, as now united, shows
 More hard unkindness unrelenting,
 Vengeful malice unrepenting.
Than heaven-illumin’d Man on brother Man bestows!


“See stern Oppression’s iron grip,
 Or mad Ambition’s gory hand,
Sending, like blood-hounds from the slip,
 Woe, Want, and Murder o’er a land!
 Ev’n in the peaceful rural vale,
 Truth, weeping, tells the mournful tale,
How pamper’d Luxury, Flatt’ry by her side,
 The parasite empoisoning her ear,
 With all the servile wretches in the rear,
Looks o’er proud Property, extended wide;
 And eyes the simple, rustic hind,
 Whose toil upholds the glitt’ring show—
 A creature of another kind,
 Some coarser substance, unrefin’d—
Plac’d for her lordly use thus far, thus vile, below!


“Where, where is Love’s fond, tender throe,
 With lordly Honour’s lofty brow,
 The pow’rs you proudly own?
 Is there, beneath Love’s noble name,
 Can harbour, dark, the selfish aim,
 To bless himself alone?
 Mark maiden-innocence a prey
 To love-pretending snares:
 This boasted Honour turns away,
 Shunning soft Pity’s rising sway,
Regardless of the tears and unavailing pray’rs!
 Perhaps this hour, in Misery’s squalid nest,
 She strains your infant to her joyless breast,
And with a mother’s fears shrinks at the rocking blast!


“Oh ye! who, sunk in beds of down,
 Feel not a want but what yourselves create,
 Think, for a moment, on his wretched fate,
 Whom friends and fortune quite disown!
Ill-satisfy’d keen nature’s clamorous call,
 Stretch’d on his straw, he lays himself to sleep;
While through the ragged roof and chinky wall,
 Chill, o’er his slumbers, piles the drifty heap!
 Think on the dungeon’s grim confine,
 Where Guilt and poor Misfortune pine!
 Guilt, erring man, relenting view,
 But shall thy legal rage pursue
 The wretch, already crushed low
 By cruel Fortune’s undeserved blow?
Affliction’s sons are brothers in distress;
A brother to relieve, how exquisite the bliss!”


 I heard nae mair, for Chanticleer
 Shook off the pouthery snaw,
 And hail’d the morning with a cheer,
 A cottage-rousing craw.
 But deep this truth impress’d my mind—
 Thro’ all His works abroad,
 The heart benevolent and kind
 The most resembles God.

On Chillon

by George (Lord) Byron
 Eternal Spirit of the chainless Mind!
Brightest in dungeons, Liberty, thou art;
For there thy habitation is the heart— 
The heart which love of thee alone can bind;
And when thy sons to fetters are consigned,
- To fetters, and the damp vault's dayless gloom— 
Their country conquers with their martyrdom,
And Freedom's fame finds wings on every wind.
Chillon! thy prison is a holy place,
And thy sad floor and altar, for 'twas trod,
Until his very steps have left a trace,
Worn, as if thy cold pavement were a sod,
By Bonnivard.—May none those marks efface!
For they appeal from tyranny to God.

Let Us play Yesterday --

by Emily Dickinson
 Let Us play Yesterday --
I -- the Girl at school --
You -- and Eternity -- the
Untold Tale --

Easing my famine
At my Lexicon --
Logarithm -- had I -- for Drink --
'Twas a dry Wine --

Somewhat different -- must be --
Dreams tint the Sleep --
Cunning Reds of Morning
Make the Blind -- leap --

Still at the Egg-life --
Chafing the Shell --
When you troubled the Ellipse --
And the Bird fell --

Manacles be dim -- they say --
To the new Free --
Liberty -- Commoner --
Never could -- to me --

'Twas my last gratitude
When I slept -- at night --
'Twas the first Miracle
Let in -- with Light --

Can the Lark resume the Shell --
Easier -- for the Sky --
Wouldn't Bonds hurt more
Than Yesterday?

Wouldn't Dungeons sorer frate
On the Man -- free --
Just long enough to taste --
Then -- doomed new --

God of the Manacle
As of the Free --
Take not my Liberty
Away from Me --

The Beauteous Flower

by Johann Wolfgang von Goethe
 SONG OF THE IMPRISONED COUNT.

COUNT.

I KNOW a flower of beauty rare,

Ah, how I hold it dear!
To seek it I would fain repair,

Were I not prison'd here.
My sorrow sore oppresses me,
For when I was at liberty,

I had it close beside me.

Though from this castle's walls so steep

I cast mine eyes around,
And gaze oft from the lofty keep,

The flower can not be found.
Whoe'er would bring it to my sight,
Whether a vassal he, or knight,

My dearest friend I'd deem him.

THE ROSE.

I blossom fair,--thy tale of woes

I hear from 'neath thy grate.
Thou doubtless meanest me, the rose.

Poor knight of high estate!
Thou hast in truth a lofty mind;
The queen of flowers is then enshrin'd,

I doubt not, in thy bosom.

COUNT.

Thy red, in dress of green array'd,

As worth all praise I hold;
And so thou'rt treasured by each maid

Like precious stones or gold.
Thy wreath adorns the fairest face
But still thou'rt not the flower whose grace

I honour here in silence.

THE LILY.

The rose is wont with pride to swell,

And ever seeks to rise;
But gentle sweethearts love full well

The lily's charms to prize,
The heart that fills a bosom true,
That is, like me, unsullied too,

My merit values duly.

COUNT.

In truth, I hope myself unstain'd,

And free from grievous crime;
Yet I am here a prisoner chain'd,

And pass in grief my time,
To me thou art an image sure
Of many a maiden, mild and pure,

And yet I know a dearer.

THE PINK.

That must be me, the pink, who scent

The warder's garden here;
Or wherefore is he so intent

My charms with care to rear?
My petals stand in beauteous ring,
Sweet incense all around I fling,

And boast a thousand colours.

COUNT.

The pink in truth we should not slight,

It is the gardener's pride
It now must stand exposed to light,

Now in the shade abide.
Yet what can make the Count's heart glow
Is no mere pomp of outward show;

It is a silent flower.

THE VIOLET.

Here stand I, modestly half hid,

And fain would silence keep;
Yet since to speak I now am bid,

I'll break my silence deep.
If, worthy Knight, I am that flower,
It grieves me that I have not power

To breathe forth all my sweetness.

COUNT.

The violet's charms I prize indeed,

So modest 'tis, and fair,
And smells so sweet; yet more I need

To ease my heavy care.
The truth I'll whisper in thine ear:
Upon these rocky heights so drear,

I cannot find the loved one.

The truest maiden 'neath the sky

Roams near the stream below,
And breathes forth many a gentle sigh,

Till I from hence can go.
And when she plucks a flow'ret blue,
And says "Forget-me-not!"--I, too,

Though far away, can feel it.

Ay, distance only swells love's might,

When fondly love a pair;
Though prison'd in the dungeon's night,

In life I linger there
And when my heart is breaking nigh,
"Forget-me-not!" is all I cry,

And straightway life returneth.

1798.

Phantasmagoria CANTO IV ( Hys Nouryture )

by Lewis Carroll
 "OH, when I was a little Ghost, 
A merry time had we! 
Each seated on his favourite post, 
We chumped and chawed the buttered toast 
They gave us for our tea." 

"That story is in print!" I cried. 
"Don't say it's not, because 
It's known as well as Bradshaw's Guide!" 
(The Ghost uneasily replied 
He hardly thought it was). 

"It's not in Nursery Rhymes? And yet 
I almost think it is - 
'Three little Ghosteses' were set 
'On posteses,' you know, and ate 
Their 'buttered toasteses.' 

"I have the book; so if you doubt it - " 
I turned to search the shelf. 
"Don't stir!" he cried. "We'll do without it: 
I now remember all about it; 
I wrote the thing myself. 

"It came out in a 'Monthly,' or 
At least my agent said it did: 
Some literary swell, who saw 
It, thought it seemed adapted for 
The Magazine he edited. 

"My father was a Brownie, Sir; 
My mother was a Fairy. 
The notion had occurred to her, 
The children would be happier, 
If they were taught to vary. 

"The notion soon became a craze; 
And, when it once began, she 
Brought us all out in different ways - 
One was a Pixy, two were Fays, 
Another was a Banshee; 

"The Fetch and Kelpie went to school 
And gave a lot of trouble; 
Next came a Poltergeist and Ghoul, 
And then two Trolls (which broke the rule), 
A Goblin, and a Double - 

"(If that's a snuff-box on the shelf," 
He added with a yawn, 
"I'll take a pinch) - next came an Elf, 
And then a Phantom (that's myself), 
And last, a Leprechaun. 

"One day, some Spectres chanced to call, 
Dressed in the usual white: 
I stood and watched them in the hall, 
And couldn't make them out at all, 
They seemed so strange a sight. 

"I wondered what on earth they were, 
That looked all head and sack; 
But Mother told me not to stare, 
And then she twitched me by the hair, 
And punched me in the back. 

"Since then I've often wished that I 
Had been a Spectre born. 
But what's the use?" (He heaved a sigh.) 
"THEY are the ghost-nobility, 
And look on US with scorn. 

"My phantom-life was soon begun: 
When I was barely six, 
I went out with an older one - 
And just at first I thought it fun, 
And learned a lot of tricks. 

"I've haunted dungeons, castles, towers - 
Wherever I was sent: 
I've often sat and howled for hours, 
Drenched to the skin with driving showers, 
Upon a battlement. 

"It's quite old-fashioned now to groan 
When you begin to speak: 
This is the newest thing in tone - " 
And here (it chilled me to the bone) 
He gave an AWFUL squeak. 

"Perhaps," he added, "to YOUR ear 
That sounds an easy thing? 
Try it yourself, my little dear! 
It took ME something like a year, 
With constant practising. 

"And when you've learned to squeak, my man, 
And caught the double sob, 
You're pretty much where you began: 
Just try and gibber if you can! 
That's something LIKE a job! 

"I'VE tried it, and can only say 
I'm sure you couldn't do it, e- 
ven if you practised night and day, 
Unless you have a turn that way, 
And natural ingenuity. 

"Shakspeare I think it is who treats 
Of Ghosts, in days of old, 
Who 'gibbered in the Roman streets,' 
Dressed, if you recollect, in sheets - 
They must have found it cold. 

"I've often spent ten pounds on stuff, 
In dressing as a Double; 
But, though it answers as a puff, 
It never has effect enough 
To make it worth the trouble. 

"Long bills soon quenched the little thirst 
I had for being funny. 
The setting-up is always worst: 
Such heaps of things you want at first, 
One must be made of money! 

"For instance, take a Haunted Tower, 
With skull, cross-bones, and sheet; 
Blue lights to burn (say) two an hour, 
Condensing lens of extra power, 
And set of chains complete: 

"What with the things you have to hire - 
The fitting on the robe - 
And testing all the coloured fire - 
The outfit of itself would tire 
The patience of a Job! 

"And then they're so fastidious, 
The Haunted-House Committee: 
I've often known them make a fuss 
Because a Ghost was French, or Russ, 
Or even from the City! 

"Some dialects are objected to - 
For one, the IRISH brogue is: 
And then, for all you have to do, 
One pound a week they offer you, 
And find yourself in Bogies!

Exeat

by Stevie Smith
 I remember the Roman Emperor, one of the cruellest of them,
Who used to visit for pleasure his poor prisoners cramped in dungeons,
So then they would beg him for death, and then he would say:
Oh no, oh no, we are not yet friends enough.
He meant they were not yet friends enough for him to give them death.
So I fancy my Muse says, when I wish to die:
Oh no, Oh no, we are not yet friends enough,

And Virtue also says:
We are not yet friends enough.

How can a poet commit suicide
When he is still not listening properly to his Muse,
Or a lover of Virtue when
He is always putting her off until tomorrow?

Yet a time may come when a poet or any person
Having a long life behind him, pleasure and sorrow,
But feeble now and expensive to his country
And on the point of no longer being able to make a decision
May fancy Life comes to him with love and says:
We are friends enough now for me to give you death;
Then he may commit suicide, then
He may go.
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Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace