by
Dylan Thomas
In the mustardseed sun,
By full tilt river and switchback sea
Where the cormorants scud,
In his house on stilts high among beaks
And palavers of birds
This sandgrain day in the bent bay's grave
He celebrates and spurns
His driftwood thirty-fifth wind turned age;
Herons spire and spear.
Under and round him go
Flounders, gulls, on their cold, dying trails,
Doing what they are told,
Curlews aloud in the congered waves
Work at their ways to death,
And the rhymer in the long tongued room,
Who tolls his birthday bell,
Toils towards the ambush of his wounds;
Herons, steeple stemmed, bless.
In the thistledown fall,
He sings towards anguish; finches fly
In the claw tracks of hawks
On a seizing sky; small fishes glide
Through wynds and shells of drowned
Ship towns to pastures of otters. He
In his slant, racking house
And the hewn coils of his trade perceives
Herons walk in their shroud,
The livelong river's robe
Of minnows wreathing around their prayer;
And far at sea he knows,
Who slaves to his crouched, eternal end
Under a serpent cloud,
Dolphins dive in their turnturtle dust,
The rippled seals streak down
To kill and their own tide daubing blood
Slides good in the sleek mouth.
In a cavernous, swung
Wave's silence, wept white angelus knells.
Thirty-five bells sing struck
On skull and scar where his loves lie wrecked,
Steered by the falling stars.
And to-morrow weeps in a blind cage
Terror will rage apart
Before chains break to a hammer flame
And love unbolts the dark
And freely he goes lost
In the unknown, famous light of great
And fabulous, dear God.
Dark is a way and light is a place,
Heaven that never was
Nor will be ever is always true,
And, in that brambled void,
Plenty as blackberries in the woods
The dead grow for His joy.
There he might wander bare
With the spirits of the horseshoe bay
Or the stars' seashore dead,
Marrow of eagles, the roots of whales
And wishbones of wild geese,
With blessed, unborn God and His Ghost,
And every soul His priest,
Gulled and chanter in young Heaven's fold
Be at cloud quaking peace,
But dark is a long way.
He, on the earth of the night, alone
With all the living, prays,
Who knows the rocketing wind will blow
The bones out of the hills,
And the scythed boulders bleed, and the last
Rage shattered waters kick
Masts and fishes to the still quick starts,
Faithlessly unto Him
Who is the light of old
And air shaped Heaven where souls grow wild
As horses in the foam:
Oh, let me midlife mourn by the shrined
And druid herons' vows
The voyage to ruin I must run,
Dawn ships clouted aground,
Yet, though I cry with tumbledown tongue,
Count my blessings aloud:
Four elements and five
Senses, and man a spirit in love
Tangling through this spun slime
To his nimbus bell cool kingdom come
And the lost, moonshine domes,
And the sea that hides his secret selves
Deep in its black, base bones,
Lulling of spheres in the seashell flesh,
And this last blessing most,
That the closer I move
To death, one man through his sundered hulks,
The louder the sun blooms
And the tusked, ramshackling sea exults;
And every wave of the way
And gale I tackle, the whole world then,
With more triumphant faith
That ever was since the world was said,
Spins its morning of praise,
I hear the bouncing hills
Grow larked and greener at berry brown
Fall and the dew larks sing
Taller this thunderclap spring, and how
More spanned with angles ride
The mansouled fiery islands! Oh,
Holier then their eyes,
And my shining men no more alone
As I sail out to die.
|
by
Dylan Thomas
The bows glided down, and the coast
Blackened with birds took a last look
At his thrashing hair and whale-blue eye;
The trodden town rang its cobbles for luck.
Then good-bye to the fishermanned
Boat with its anchor free and fast
As a bird hooking over the sea,
High and dry by the top of the mast,
Whispered the affectionate sand
And the bulwarks of the dazzled quay.
For my sake sail, and never look back,
Said the looking land.
Sails drank the wind, and white as milk
He sped into the drinking dark;
The sun shipwrecked west on a pearl
And the moon swam out of its hulk.
Funnels and masts went by in a whirl.
Good-bye to the man on the sea-legged deck
To the gold gut that sings on his reel
To the bait that stalked out of the sack,
For we saw him throw to the swift flood
A girl alive with his hooks through her lips;
All the fishes were rayed in blood,
Said the dwindling ships.
Good-bye to chimneys and funnels,
Old wives that spin in the smoke,
He was blind to the eyes of candles
In the praying windows of waves
But heard his bait buck in the wake
And tussle in a shoal of loves.
Now cast down your rod, for the whole
Of the sea is hilly with whales,
She longs among horses and angels,
The rainbow-fish bend in her joys,
Floated the lost cathedral
Chimes of the rocked buoys.
Where the anchor rode like a gull
Miles over the moonstruck boat
A squall of birds bellowed and fell,
A cloud blew the rain from its throat;
He saw the storm smoke out to kill
With fuming bows and ram of ice,
Fire on starlight, rake Jesu's stream;
And nothing shone on the water's face
But the oil and bubble of the moon,
Plunging and piercing in his course
The lured fish under the foam
Witnessed with a kiss.
Whales in the wake like capes and Alps
Quaked the sick sea and snouted deep,
Deep the great bushed bait with raining lips
Slipped the fins of those humpbacked tons
And fled their love in a weaving dip.
Oh, Jericho was falling in their lungs!
She nipped and dived in the nick of love,
Spun on a spout like a long-legged ball
Till every beast blared down in a swerve
Till every turtle crushed from his shell
Till every bone in the rushing grave
Rose and crowed and fell!
Good luck to the hand on the rod,
There is thunder under its thumbs;
Gold gut is a lightning thread,
His fiery reel sings off its flames,
The whirled boat in the burn of his blood
Is crying from nets to knives,
Oh the shearwater birds and their boatsized brood
Oh the bulls of Biscay and their calves
Are making under the green, laid veil
The long-legged beautiful bait their wives.
Break the black news and paint on a sail
Huge weddings in the waves,
Over the wakeward-flashing spray
Over the gardens of the floor
Clash out the mounting dolphin's day,
My mast is a bell-spire,
Strike and smoothe, for my decks are drums,
Sing through the water-spoken prow
The octopus walking into her limbs
The polar eagle with his tread of snow.
From salt-lipped beak to the kick of the stern
Sing how the seal has kissed her dead!
The long, laid minute's bride drifts on
Old in her cruel bed.
Over the graveyard in the water
Mountains and galleries beneath
Nightingale and hyena
Rejoicing for that drifting death
Sing and howl through sand and anemone
Valley and sahara in a shell,
Oh all the wanting flesh his enemy
Thrown to the sea in the shell of a girl
Is old as water and plain as an eel;
Always good-bye to the long-legged bread
Scattered in the paths of his heels
For the salty birds fluttered and fed
And the tall grains foamed in their bills;
Always good-bye to the fires of the face,
For the crab-backed dead on the sea-bed rose
And scuttled over her eyes,
The blind, clawed stare is cold as sleet.
The tempter under the eyelid
Who shows to the selves asleep
Mast-high moon-white women naked
Walking in wishes and lovely for shame
Is dumb and gone with his flame of brides.
Susannah's drowned in the bearded stream
And no-one stirs at Sheba's side
But the hungry kings of the tides;
Sin who had a woman's shape
Sleeps till Silence blows on a cloud
And all the lifted waters walk and leap.
Lucifer that bird's dropping
Out of the sides of the north
Has melted away and is lost
Is always lost in her vaulted breath,
Venus lies star-struck in her wound
And the sensual ruins make
Seasons over the liquid world,
White springs in the dark.
Always good-bye, cried the voices through the shell,
Good-bye always, for the flesh is cast
And the fisherman winds his reel
With no more desire than a ghost.
Always good luck, praised the finned in the feather
Bird after dark and the laughing fish
As the sails drank up the hail of thunder
And the long-tailed lightning lit his catch.
The boat swims into the six-year weather,
A wind throws a shadow and it freezes fast.
See what the gold gut drags from under
Mountains and galleries to the crest!
See what clings to hair and skull
As the boat skims on with drinking wings!
The statues of great rain stand still,
And the flakes fall like hills.
Sing and strike his heavy haul
Toppling up the boatside in a snow of light!
His decks are drenched with miracles.
Oh miracle of fishes! The long dead bite!
Out of the urn a size of a man
Out of the room the weight of his trouble
Out of the house that holds a town
In the continent of a fossil
One by one in dust and shawl,
Dry as echoes and insect-faced,
His fathers cling to the hand of the girl
And the dead hand leads the past,
Leads them as children and as air
On to the blindly tossing tops;
The centuries throw back their hair
And the old men sing from newborn lips:
Time is bearing another son.
Kill Time! She turns in her pain!
The oak is felled in the acorn
And the hawk in the egg kills the wren.
He who blew the great fire in
And died on a hiss of flames
Or walked the earth in the evening
Counting the denials of the grains
Clings to her drifting hair, and climbs;
And he who taught their lips to sing
Weeps like the risen sun among
The liquid choirs of his tribes.
The rod bends low, divining land,
And through the sundered water crawls
A garden holding to her hand
With birds and animals
With men and women and waterfalls
Trees cool and dry in the whirlpool of ships
And stunned and still on the green, laid veil
Sand with legends in its virgin laps
And prophets loud on the burned dunes;
Insects and valleys hold her thighs hard,
Times and places grip her breast bone,
She is breaking with seasons and clouds;
Round her trailed wrist fresh water weaves,
with moving fish and rounded stones
Up and down the greater waves
A separate river breathes and runs;
Strike and sing his catch of fields
For the surge is sown with barley,
The cattle graze on the covered foam,
The hills have footed the waves away,
With wild sea fillies and soaking bridles
With salty colts and gales in their limbs
All the horses of his haul of miracles
Gallop through the arched, green farms,
Trot and gallop with gulls upon them
And thunderbolts in their manes.
O Rome and Sodom To-morrow and London
The country tide is cobbled with towns
And steeples pierce the cloud on her shoulder
And the streets that the fisherman combed
When his long-legged flesh was a wind on fire
And his loin was a hunting flame
Coil from the thoroughfares of her hair
And terribly lead him home alive
Lead her prodigal home to his terror,
The furious ox-killing house of love.
Down, down, down, under the ground,
Under the floating villages,
Turns the moon-chained and water-wound
Metropolis of fishes,
There is nothing left of the sea but its sound,
Under the earth the loud sea walks,
In deathbeds of orchards the boat dies down
And the bait is drowned among hayricks,
Land, land, land, nothing remains
Of the pacing, famous sea but its speech,
And into its talkative seven tombs
The anchor dives through the floors of a church.
Good-bye, good luck, struck the sun and the moon,
To the fisherman lost on the land.
He stands alone in the door of his home,
With his long-legged heart in his hand.
|
by
Emma Lazarus
Prelude
Blue storm-clouds in hot heavens of mid-July
Hung heavy, brooding over land and sea:
Our hearts, a-tremble, throbbed in harmony
With the wild, restless tone of air and sky.
Shall we not call im Prospero who held
In his enchanted hands the fateful key
Of that tempestuous hour's mystery,
And with controlling wand our spirits spelled,
With him to wander by a sun-bright shore,
To hear fine, fairy voices, and to fly
With disembodied Ariel once more
Above earth's wrack and ruin? Far and nigh
The laughter of the thunder echoed loud,
And harmless lightnings leapt from cloud to cloud.
I
Floating upon a swelling wave of sound,
We seemed to overlook an endless sea:
Poised 'twixt clear heavens and glittering surf were we.
We drank the air in flight: we knew no bound
To the audacious ventures of desire.
Nigh us the sun was dropping, drowned in gold;
Deep, deep below the burning billows rolled;
And all the sea sang like a smitten lyre.
Oh, the wild voices of those chanting waves!
The human faces glimpsed beneath the tide!
Familiar eyes gazed from profound sea-caves,
And we, exalted, were as we had died.
We knew the sea was Life, the harmonious cry
The blended discords of humanity.
II
Look deeper yet: mark 'midst the wave-blurred mass,
In lines distinct, in colors clear defined,
The typic groups and figures of mankind.
Behold within the cool and liquid glass
Bright child-folk sporting with smooth yellow shells,
Astride of dolphins, leaping up to kiss
Fair mother-faces. From the vast abyss
How joyously their thought-free laughter wells!
Some slumber in grim caverns unafraid,
Lulled by the overwhelming water's sound,
And some make mouths at dragons, undismayed.
Oh dauntless innocence! The gulfs profound
Reëcho strangely with their ringing glee,
And with wise mermaids' plaintive melody.
III
What do the sea-nymphs in that coral cave?
With wondering eyes their supple forms they bend
O'er something rarely beautiful. They lend
Their lithe white arms, and through the golden wave
They lift it tenderly. Oh blinding sight!
A naked, radiant goddess, tranced in sleep,
Full-limbed, voluptuous, 'neath the mantling sweep
Of auburn locks that kiss her ankles white!
Upward they bear her, chanting low and sweet:
The clinging waters part before their way,
Jewels of flame are dancing 'neath their feet.
Up in the sunshine, on soft foam, they lay
Their precious burden, and return forlorn.
Oh, bliss! oh, anguish! Mortals, Love is born!
IV
Hark! from unfathomable deeps a dirge
Swells sobbing through the melancholy air:
Where love has entered, Death is also there.
The wail outrings the chafed, tumultuous surge;
Ocean and earth, the illimitable skies,
Prolong one note, a mourning for the dead,
The cry of souls not to be comforted.
What piercing music! Funeral visions rise,
And send the hot tears raining down our cheek.
We see the silent grave upon the hill
With its lone lilac-bush. O heart, be still!
She will not rise, she will not stir nor speak.
Surely, the unreturning dead are blest.
Ring on, sweet dirge, and knell us to our rest!
V
Upon the silver beach the undines dance
With interlinking arms and flying hair;
Like polished marble gleam their limbs left bare;
Upon their virgin rites pale moonbeams glance.
Softer the music! for their foam-bright feet
Print not the moist floor where they trip their round:
Affrighted they will scatter at a sound,
Leap in their cool sea-chambers, nibly fleet,
And we shall doubt that we have ever seen,
While our sane eyes behold stray wreaths of mist,
Shot with faint colors by the moon-rays kissed,
Floating snow-soft, snow-white, where these had been.
Already, look! the wave-washed sands are bare,
And mocking laughter ripples through the air.
VI
Divided 'twixt the dream-world and the real,
We heard the waxing passion of the song
Soar as to scale the heavens on pinions strong.
Amidst the long-reverberant thunder-peal,
Against the rain-blurred square of light, the head
Of the pale poet at the lyric keys
Stood boldly cut, absorbed in reveries,
While over it keen-bladed lightnings played.
"Rage on, wild storm!" the music seemed to sing:
"Not all the thunders of thy wrath can move
The soul that's dedicate to worshipping
Eternal Beauty, everlasting Love."
No more! the song was ended, and behold,
A rainbow trembling on a sky of gold!
Epilogue
Forth in the sunlit, rain-bathed air we stepped,
Sweet with the dripping grass and flowering vine,
And saw through irised clouds the pale sun shine.
Back o'er the hills the rain-mist slowly crept
Like a transparent curtain's silvery sheen;
And fronting us the painted bow was arched,
Whereunder the majestic cloud-shapes marched:
In the wet, yellow light the dazzling green
Of lawn and bush and tree seemed stained with blue.
Our hearts o'erflowed with peace. With smiles we spake
Of partings in the past, of courage new,
Of high achievement, of the dreams that make
A wonder and a glory of our days,
And all life's music but a hymn of praise.
|
by
Allen Ginsberg
I -- A Pleasant Afternoon
for Michael Brownstein and Dick Gallup
One day 3 poets and 60 ears sat under a green-striped Chau-
tauqua tent in Aurora
listening to Black spirituals, tapping their feet, appreciating
words singing by in mountain winds
on a pleasant sunny day of rest -- the wild wind blew thru
blue Heavens
filled with fluffy clouds stretched from Central City to Rocky
Flats, Plutonium sizzled in its secret bed,
hot dogs sizzled in the Lion's Club lunchwagon microwave
mouth, orangeade bubbled over in waxen cups
Traffic moved along Colefax, meditators silent in the Diamond
Castle shrine-room at Boulder followed the breath going
out of their nostrils,
Nobody could remember anything, spirits flew out of mouths
& noses, out of the sky, across Colorado plains & the
tent flapped happily open spacious & didn't fall down.
June 18, 1978
II -- Peace Protest
Cumulus clouds float across blue sky
over the white-walled Rockwell Corporation factory
-- am I going to stop that?
*
Rocky Mountains rising behind us
Denver shining in morning light
-- Led away from the crowd by police and photographers
*
Middleaged Ginsberg and Ellsberg taken down the road
to the greyhaired Sheriff's van --
But what about Einstein? What about Einstein? Hey, Einstein
Come back!
III -- Golden Courthouse
Waiting for the Judge, breathing silent
Prisoners, witnesses, Police --
the stenographer yawns into her palms.
August 9, 1978
IV -- Everybody's Fantasy
I walked outside & the bomb'd
dropped lots of plutonium
all over the Lower East Side
There weren't any buildings left just
iron skeletons
groceries burned, potholes open to
stinking sewer waters
There were people starving and crawling
across the desert
the Martian UFOs with blue
Light destroyer rays
passed over and dried up all the
waters
Charred Amazon palmtrees for
hundreds of miles on both sides
of the river
August 10, 1978
V -- Waiting Room at the Rocky Flats Plutonium Plant
"Give us the weapons we need to protect ourselves!"
the bareheaded guard lifts his flyswatter above the desk
-- whap!
*
A green-letter'd shield on the pressboard wall!
"Life is fragile. Handle with care" --
My Goodness! here's where they make the nuclear bomb
triggers.
August 17, 1978
VI -- Numbers in Red Notebook
2,000,000 killed in Vietnam
13,000,000 refugees in Indochina 1972
200,000,000 years for the Galaxy to revolve on its core
24,000 the Babylonian Great Year
24,000 half life of plutonium
2,000 the most I ever got for a poetry reading
80,000 dolphins killed in the dragnet
4,000,000,000 years earth been born
Summer 1978
|
by
John Keats
Full many a dreary hour have I past,
My brain bewildered, and my mind o'ercast
With heaviness; in seasons when I've thought
No spherey strains by me could e'er be caught
From the blue dome, though I to dimness gaze
On the far depth where sheeted lightning plays;
Or, on the wavy grass outstretched supinely,
Pry 'mong the stars, to strive to think divinely:
That I should never hear Apollo's song,
Though feathery clouds were floating all along
The purple west, and, two bright streaks between,
The golden lyre itself were dimly seen:
That the still murmur of the honey bee
Would never teach a rural song to me:
That the bright glance from beauty's eyelids slanting
Would never make a lay of mine enchanting,
Or warm my breast with ardour to unfold
Some tale of love and arms in time of old.
But there are times, when those that love the bay,
Fly from all sorrowing far, far away;
A sudden glow comes on them, nought they see
In water, earth, or air, but poesy.
It has been said, dear George, and true I hold it,
(For knightly Spenser to Libertas told it,)
That when a Poet is in such a trance,
In air her sees white coursers paw, and prance,
Bestridden of gay knights, in gay apparel,
Who at each other tilt in playful quarrel,
And what we, ignorantly, sheet-lightning call,
Is the swift opening of their wide portal,
When the bright warder blows his trumpet clear,
Whose tones reach nought on earth but Poet's ear.
When these enchanted portals open wide,
And through the light the horsemen swiftly glide,
The Poet's eye can reach those golden halls,
And view the glory of their festivals:
Their ladies fair, that in the distance seem
Fit for the silv'ring of a seraph's dream;
Their rich brimmed goblets, that incessant run
Like the bright spots that move about the sun;
And, when upheld, the wine from each bright jar
Pours with the lustre of a falling star.
Yet further off, are dimly seen their bowers,
Of which, no mortal eye can reach the flowers;
And 'tis right just, for well Apollo knows
'Twould make the Poet quarrel with the rose.
All that's revealed from that far seat of blisses
Is the clear fountains' interchanging kisses,
As gracefully descending, light and thin,
Like silver streaks across a dolphin's fin,
When he upswimmeth from the coral caves,
And sports with half his tail above the waves.
These wonders strange he sees, and many more,
Whose head is pregnant with poetic lore.
Should he upon an evening ramble fare
With forehead to the soothing breezes bare,
Would he nought see but the dark, silent blue
With all its diamonds trembling through and through?
Or the coy moon, when in the waviness
Of whitest clouds she does her beauty dress,
And staidly paces higher up, and higher,
Like a sweet nun in holy-day attire?
Ah, yes! much more would start into his sight—
The revelries and mysteries of night:
And should I ever see them, I will tell you
Such tales as needs must with amazement spell you.
These are the living pleasures of the bard:
But richer far posterity's reward.
What does he murmur with his latest breath,
While his proud eye looks though the film of death?
"What though I leave this dull and earthly mould,
Yet shall my spirit lofty converse hold
With after times.—The patriot shall feel
My stern alarum, and unsheath his steel;
Or, in the senate thunder out my numbers
To startle princes from their easy slumbers.
The sage will mingle with each moral theme
My happy thoughts sententious; he will teem
With lofty periods when my verses fire him,
And then I'll stoop from heaven to inspire him.
Lays have I left of such a dear delight
That maids will sing them on their bridal night.
Gay villagers, upon a morn of May,
When they have tired their gentle limbs with play
And formed a snowy circle on the grass,
And placed in midst of all that lovely lass
Who chosen is their queen,—with her fine head
Crowned with flowers purple, white, and red:
For there the lily, and the musk-rose, sighing,
Are emblems true of hapless lovers dying:
Between her breasts, that never yet felt trouble,
A bunch of violets full blown, and double,
Serenely sleep:—she from a casket takes
A little book,—and then a joy awakes
About each youthful heart,—with stifled cries,
And rubbing of white hands, and sparkling eyes:
For she's to read a tale of hopes, and fears;
One that I fostered in my youthful years:
The pearls, that on each glist'ning circlet sleep,
Must ever and anon with silent creep,
Lured by the innocent dimples. To sweet rest
Shall the dear babe, upon its mother's breast,
Be lulled with songs of mine. Fair world, adieu!
Thy dales, and hills, are fading from my view:
Swiftly I mount, upon wide spreading pinions,
Far from the narrow bound of thy dominions.
Full joy I feel, while thus I cleave the air,
That my soft verse will charm thy daughters fair,
And warm thy sons!" Ah, my dear friend and brother,
Could I, at once, my mad ambition smother,
For tasting joys like these, sure I should be
Happier, and dearer to society.
At times, 'tis true, I've felt relief from pain
When some bright thought has darted through my brain:
Through all that day I've felt a greater pleasure
Than if I'd brought to light a hidden treasure.
As to my sonnets, though none else should heed them,
I feel delighted, still, that you should read them.
Of late, too, I have had much calm enjoyment,
Stretched on the grass at my best loved employment
Of scribbling lines for you. These things I thought
While, in my face, the freshest breeze I caught.
E'en now I'm pillowed on a bed of flowers
That crowns a lofty clift, which proudly towers
Above the ocean-waves, The stalks, and blades,
Chequer my tablet with their quivering shades.
On one side is a field of drooping oats,
Through which the poppies show their scarlet coats;
So pert and useless, that they bring to mind
The scarlet coats that pester human-kind.
And on the other side, outspread, is seen
Ocean's blue mantle streaked with purple, and green.
Now 'tis I see a canvassed ship, and now
Mark the bright silver curling round her prow.
I see the lark dowm-dropping to his nest,
And the broad winged sea-gull never at rest;
For when no more he spreads his feathers free,
His breast is dancing on the restless sea.
Now I direct my eyes into the west,
Which at this moment is in sunbeams drest:
Why westward turn? 'Twas but to say adieu!
'Twas but to kiss my hand, dear George, to you!
|
by
John Milton
In this Monody the author bewails a learned Friend, unfortunately
drowned in his passage from Chester on the Irish Seas, 1637;
and, by occasion, foretells the ruin of our corrupted Clergy,
then in their height.
YET once more, O ye laurels, and once more,
Ye myrtles brown, with ivy never sere,
I come to pluck your berries harsh and crude,
And with forced fingers rude
Shatter your leaves before the mellowing year.
Bitter constraint and sad occasion dear
Compels me to disturb your season due;
For Lycidas is dead, dead ere his prime,
Young Lycidas, and hath not left his peer.
Who would not sing for Lycidas? he knew
Himself to sing, and build the lofty rhyme.
He must not float upon his watery bier
Unwept, and welter to the parching wind,
Without the meed of some melodious tear.
Begin, then, Sisters of the sacred well
That from beneath the seat of Jove doth spring;
Begin, and somewhat loudly sweep the string.
Hence with denial vain and coy excuse:
So may some gentle Muse
With lucky words favour my destined urn,
And as he passes turn,
And bid fair peace be to my sable shroud!
For we were nursed upon the self-same hill,
Fed the same flock, by fountain, shade, and rill;
Together both, ere the high lawns appeared
Under the opening eyelids of the Morn,
We drove a-field, and both together heard
What time the grey-fly winds her sultry horn,
Battening our flocks with the fresh dews of night,
Oft till the star that rose at evening bright
Toward heaven's descent had sloped his westering wheel.
Meanwhile the rural ditties were not mute;
Tempered to the oaten flute,
Rough Satyrs danced, and Fauns with cloven heel
From the glad sound would not be absent long;
And old Damoetas loved to hear our song.
But, oh! the heavy change, now thou art gone,
Now thou art gone and never must return!
Thee, Shepherd, thee the woods and desert caves,
With wild thyme and the gadding vine o'ergrown,
And all their echoes, mourn.
The willows, and the hazel copses green,
Shall now no more be seen
Fanning their joyous leaves to thy soft lays.
As killing as the canker to the rose,
Or taint-worm to the weanling herds that graze,
Or frost to flowers, that their gay wardrobe wear,
When first the white-thorn blows;
Such, Lycidas, thy loss to shepherd's ear.
Where were ye, Nymphs, when the remorseless deep
Closed o'er the head of your loved Lycidas?
For neither were ye playing on the steep
Where your old bards, the famous Druids, lie,
Nor on the shaggy top of Mona high,
Nor yet where Deva spreads her wizard stream.
Ay me! I fondly dream
RHad ye been there,S . . . for what could that have done?
What could the Muse herself that Orpheus bore,
The Muse herself, for her enchanting son,
Whom universal nature did lament,
When, by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?
Alas! what boots it with uncessant care
To tend the homely, slighted, shepherd's trade,
And strictly meditate the thankless Muse?
Were it not better done, as others use,
To sport with Amaryllis in the shade,
Or with the tangles of Neaera's hair?
Fame is the spur that the clear spirit doth raise
(That last infirmity of noble mind)
To scorn delights and live laborious days;
But, the fair guerdon when we hope to find,
And think to burst out into sudden blaze,
Comes the blind Fury with the abhorred shears,
And slits the thin-spun life. RBut not the praise,"
Phoebus replied, and touched my trembling ears:
RFame is no plant that grows on mortal soil,
Nor in the glistering foil
Set off to the world, nor in broad rumour lies,
But lives and spreads aloft by those pure eyes
And perfect witness of all-judging Jove;
As he pronounces lastly on each deed,
Of so much fame in heaven expect thy meed."
O fountain Arethuse, and thou honoured flood,
Smooth-sliding Mincius, crowned with vocal reeds,
That strain I heard was of a higher mood.
But now my oat proceeds,
And listens to the Herald of the Sea,
That came in Neptune's plea.
He asked the waves, and asked the felon winds,
What hard mishap hath doomed this gentle swain?
And questioned every gust of rugged wings
That blows from off each beaked promontory.
They knew not of his story;
And sage Hippotades their answer brings,
That not a blast was from his dungeon strayed:
The air was calm, and on the level brine
Sleek Panope with all her sisters played.
It was that fatal and perfidious bark,
Built in the eclipse, and rigged with curses dark,
That sunk so low that sacred head of thine.
Next, Camus, reverend sire, went footing slow,
His mantle hairy, and his bonnet sedge,
Inwrought with figures dim, and on the edge
Like to that sanguine flower inscribed with woe.
Ah! who hath reft," quoth he, Rmy dearest pledge?"
Last came, and last did go,
The Pilot of the Galilean Lake;
Two massy keys he bore of metals twain.
(The golden opes, the iron shuts amain).
He shook his mitred locks, and stern bespake:--
RHow well could I have spared for thee, young swain,
Enow of such as, for their bellies' sake,
Creep, and intrude, and climb into the fold!
Of other care they little reckoning make
Than how to scramble at the shearers' feast,
And shove away the worthy bidden guest.
Blind mouths! that scarce themselves know how to hold
A sheep-hook, or have learnt aught else the least
That to the faithful herdman's art belongs!
What recks it them? What need they? They are sped:
And, when they list, their lean and flashy songs
Grate on their scrannel pipes of wretched straw;
The hungry sheep look up, and are not fed,
But, swoln with wind and the rank mist they draw,
Rot inwardly, and foul contagion spread;
Besides what the grim wolf with privy paw
Daily devours apace, and nothing said.
But that two-handed engine at the door
Stands ready to smite once, and smite no more."
Return, Alpheus; the dread voice is past
That shrunk thy streams; return Sicilian Muse,
And call the vales, and bid them hither cast
Their bells and flowerets of a thousand hues.
Ye valleys low, where the mild whispers use
Of shades, and wanton winds, and gushing brooks,
On whose fresh lap the swart star sparely looks,
Throw hither all your quaint enamelled eyes,
That on the green turf suck the honeyed showers,
And purple all the ground with vernal flowers.
Bring the rathe primrose that forsaken dies,
The tufted crow-toe, and pale jessamine,
The white pink, and the pansy freaked with jet,
The glowing violet,
The musk-rose, and the well-attired woodbine,
With cowslips wan that hang the pensive head,
And every flower that sad embroidery wears;
Bid amaranthus all his beauty shed,
And daffadillies fill their cups with tears,
To strew the laureate hearse where Lycid lies.
For so, to interpose a little ease,
Let our frail thoughts dally with false surmise,
Ay me! whilst thee the shores and sounding seas
Wash far away, where'er thy bones are hurled;
Whether beyond the stormy Hebrides,
Where thou perhaps under the whelming tide
Visit'st the bottom of the monstrous world;
Or whether thou, to our moist vows denied,
Sleep'st by the fable of Bellerus old,
Where the great Vision of the guarded mount
Looks toward Namancos and Bayona's hold.
Look homeward, Angel, now, and melt with ruth:
And, O ye dolphins, waft the hapless youth.
Weep no more, woeful shepherds, weep no more,
For Lycidas, your sorrow, is not dead,
Sunk though he be beneath the watery floor.
So sinks the day-star in the ocean bed,
And yet anon repairs his drooping head,
And tricks his beams, and with new-spangled ore
Flames in the forehead of the morning sky:
So Lycidas sunk low, but mounted high,
Through the dear might of Him that walked the waves,
Where, other groves and other streams along,
With nectar pure his oozy locks he laves,
And hears the unexpressive nuptial song,
In the blest kingdoms meek of joy and love.
There entertain him all the Saints above,
In solemn troops, and sweet societies,
That Sing, and singing in their glory move,
And wipe the tears for ever from his eyes.
Now, Lycidas, the shepherds weep no more;
Henceforth thou art the Genius of the shore,
In thy large recompense, and shalt be good
To all that wander in that perilous flood.
Thus sang the uncouth swain to the oaks and rills,
While the still morn went out with sandals grey:
He touched the tender stops of various quills,
With eager thought warbling his Doric lay:
And now the sun had stretched out all the hills,
And now was dropt into the western bay.
At last he rose, and twitched his mantle blue:
Tomorrow to fresh woods, and pastures new.
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by
Robinson Jeffers
The Atlantic is a stormy moat; and the Mediterranean,
The blue pool in the old garden,
More than five thousand years has drunk sacrifice
Of ships and blood, and shines in the sun; but here the Pacific--
Our ships, planes, wars are perfectly irrelevant.
Neither our present blood-feud with the brave dwarfs
Nor any future world-quarrel of westering
And eastering man, the bloody migrations, greed of power, clash of
faiths--
Is a speck of dust on the great scale-pan.
Here from this mountain shore, headland beyond stormy headland
plunging like dolphins through the blue sea-smoke
Into pale sea--look west at the hill of water: it is half the
planet:
this dome, this half-globe, this bulging
Eyeball of water, arched over to Asia,
Australia and white Antartica: those are the eyelids that never
close;
this is the staring unsleeping
Eye of the earth; and what it watches is not our wars.
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by
Adam Lindsay Gordon
The ocean heaves around us still
With long and measured swell,
The autumn gales our canvas fill,
Our ship rides smooth and well.
The broad Atlantic's bed of foam
Still breaks against our prow;
I shed no tears at quitting home,
Nor will I shed them now!
Against the bulwarks on the poop
I lean, and watch the sun
Behind the red horizon stoop —
His race is nearly run.
Those waves will never quench his light,
O'er which they seem to close,
To-morrow he will rise as bright
As he this morning rose.
How brightly gleams the orb of day
Across the trackless sea!
How lightly dance the waves that play
Like dolphins in our lee!
The restless waters seem to say,
In smothered tones to me,
How many thousand miles away
My native land must be!
Speak, Ocean! is my Home the same
Now all is new to me? —
The tropic sky's resplendent flame,
The vast expanse of sea?
Does all around her, yet unchanged,
The well-known aspect wear?
Oh! can the leagues that I have ranged
Have made no difference there?
How vivid Recollection's hand
Recalls the scene once more!
I see the same tall poplars stand
Beside the garden door;
I see the bird-cage hanging still;
And where my sister set
The flowers in the window-sill —
Can they be living yet?
Let woman's nature cherish grief,
I rarely heave a sigh
Before emotion takes relief
In listless apathy;
While from my pipe the vapours curl
Towards the evening sky,
And 'neath my feet the billows whirl
In dull monotony!
The sky still wears the crimson streak
Of Sol's departing ray,
Some briny drops are on my cheek,
'Tis but the salt sea spray!
Then let our barque the ocean roam,
Our keel the billows plough;
I shed no tears at quitting home,
Nor will I shed them now!
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by
William Butler Yeats
The unpurged images of day recede;
The Emperor's drunken soldiery are abed;
Night resonance recedes, night walkers' song
After great cathedral gong;
A starlit or a moonlit dome disdains
All that man is,
All mere complexities,
The fury and the mire of human veins.
Before me floats an image, man or shade,
Shade more than man, more image than a shade;
For Hades' bobbin bound in mummy-cloth
May unwind the winding path;
A mouth that has no moisture and no breath
Breathless mouths may summon;
I hail the superhuman;
I call it death-in-life and life-in-death.
Miracle, bird or golden handiwork,
More miraclc than bird or handiwork,
Planted on the star-lit golden bough,
Can like the cocks of Hades crow,
Or, by the moon embittered, scorn aloud
In glory of changeless metal
Common bird or petal
And all complexities of mire or blood.
At midnight on the Emperor's pavement flit
Flames that no ****** feeds, nor steel has lit,
Nor storm disturbs, flames begotten of flame,
Where blood-begotten spirits come
And all complexities of fury leave,
Dying into a dance,
An agony of trance,
An agony of flame that cannot singe a sleeve.
Astraddle on the dolphin's mire and blood,
Spirit after Spirit! The smithies break the flood.
The golden smithies of the Emperor!
Marbles of the dancing floor
Break bitter furies of complexity,
Those images that yet
Fresh images beget,
That dolphin-torn, that gong-tormented sea.
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by
Louis Untermeyer
"Old Jews!" Well, David, aren't we?
What news is that to make you see so red,
To swear and almost tear your beard in half?
Jeered at? Well, let them laugh.
You can laugh longer when you're dead.
What? Are you still too blind to see?
Have you forgot your Midrash!... They were right,
The little goyim, with their angry stones.
You should be buried in the desert out of sight
And not a dog should howl miscarried moans
Over your foul bones....
Have you forgotten what is promised us,
Because of stinking days and rotting nights?
Eternal feasting, drinking, blazing lights
With endless leisure, periods of play!
Supernal pleasures, myriads of gay
Discussions, great debates with prophet-kings!
And rings of riddling scholars all surrounding
God who sits in the very middle, expounding
The Torah.... Now your dull eyes glisten!
Listen:
It is the final Day.
A blast of Gabriel's horn has torn away
The last haze from our eyes, and we can see
Past the three hundred skies and gaze upon
The Ineffable Name engraved deep in the sun.
Now one by one, the pious and the just
Are seated by us, radiantly risen
From their dull prison in the dust.
And then the festival begins!
A sudden music spins great webs of sound
Spanning the ground, the stars and their companions;
While from the cliffs and cañons of blue air,
Prayers of all colors, cries of exultation
Rise into choruses of singing gold.
And at the height of this bright consecration,
The whole Creation's rolled before us.
The seven burning heavens unfold....
We see the first (the only one we know)
Dispersed and, shining through,
The other six declining: Those that hold
The stars and moons, together with all those
Containing rain and fire and sullen weather;
Cellars of dew-fall higher than the brim;
Huge arsenals with centuries of snows;
Infinite rows of storms and swarms of seraphim....
Divided now are winds and waters. Sea and land,
Tohu and Bohu, light and darkness, stand
Upright on either hand.
And down this terrible aisle,
While heaven's ranges roar aghast,
Pours a vast file of strange and hidden things:
Forbidden monsters, crocodiles with wings
And perfumed flesh that sings and glows
With more fresh colors than the rainbow knows....
The reëm, those great beasts with eighteen horns,
Who mate but once in seventy years and die
In their own tears which flow ten stadia high.
The shamir, made by God on the sixth morn,
No longer than a grain of barley corn
But stronger than the bull of Bashan and so hard
It cuts through diamonds. Meshed and starred
With precious stones, there struts the shattering ziz
Whose groans are wrinkled thunder....
For thrice three hundred years the full parade
Files past, a cavalcade of fear and wonder.
And then the vast aisle clears.
Now comes our constantly increased reward.
The Lord commands that monstrous beast,
Leviathan, to be our feast.
What cheers ascend from horde on ravenous horde!
One hears the towering creature rend the seas,
Frustrated, cowering, and his pleas ignored.
In vain his great, belated tears are poured—
For this he was created, kept and nursed.
Cries burst from all the millions that attend:
"Ascend, Leviathan, it is the end!
We hunger and we thirst! Ascend!" ...
Observe him first, my friend.
God's deathless plaything rolls an eye
Five hundred thousand cubits high.
The smallest scale upon his tail
Could hide six dolphins and a whale.
His nostrils breathe—and on the spot
The churning waves turn seething hot.
If he be hungry, one huge fin
Drives seven thousand fishes in;
And when he drinks what he may need,
The rivers of the earth recede.
Yet he is more than huge and strong—
Twelve brilliant colors play along
His sides until, compared to him,
The naked, burning sun seems dim.
New scintillating rays extend
Through endless singing space and rise
Into an ecstasy that cries:
"Ascend, Leviathan, ascend!"
God now commands the multi-colored bands
Of angels to intrude and slay the beast
That His good sons may have a feast of food.
But as they come, Leviathan sneezes twice ...
And, numb with sudden pangs, each arm hangs slack.
Black terror seizes them; blood freezes into ice
And every angel flees from the attack!
God, with a look that spells eternal law,
Compels them back.
But, though they fight and smite him tail and jaw,
Nothing avails; upon his scales their swords
Break like frayed cords or, like a blade of straw,
Bend towards the hilt and wilt like faded grass.
Defeat and fresh retreat.... But once again
God's murmurs pass among them and they mass
With firmer steps upon the crowded plain.
Vast clouds of spears and stones rise from the ground;
But every dart flies past and rocks rebound
To the disheartened angels falling around.
A pause.
The angel host withdraws
With empty boasts throughout its sullen files.
Suddenly God smiles....
On the walls of heaven a tumble of light is caught.
Low thunder rumbles like an afterthought;
And God's slow laughter calls:
"Behemot!"
Behemot, sweating blood,
Uses for his daily food
All the fodder, flesh and juice
That twelve tall mountains can produce.
Jordan, flooded to the brim,
Is a single gulp to him;
Two great streams from Paradise
Cool his lips and scarce suffice.
When he shifts from side to side
Earthquakes gape and open wide;
When a nightmare makes him snore,
All the dead volcanoes roar.
In the space between each toe,
Kingdoms rise and saviours go;
Epochs fall and causes die
In the lifting of his eye.
Wars and justice, love and death,
These are but his wasted breath;
Chews a planet for his cud—
Behemot sweating blood.
Roused from his unconcern,
Behemot burns with anger.
Dripping sleep and languor from his heavy haunches,
He turns from deep disdain and launches
Himself upon the thickening air,
And, with weird cries of sickening despair,
Flies at Leviathan.
None can surmise the struggle that ensues—
The eyes lose sight of it and words refuse
To tell the story in its gory might.
Night passes after night,
And still the fight continues, still the sparks
Fly from the iron sinews,... till the marks
Of fire and belching thunder fill the dark
And, almost torn asunder, one falls stark,
Hammering upon the other!...
What clamor now is born, what crashings rise!
Hot lightnings lash the skies and frightening cries
Clash with the hymns of saints and seraphim.
The bloody limbs thrash through a ruddy dusk,
Till one great tusk of Behemot has gored
Leviathan, restored to his full strength,
Who, dealing fiercer blows in those last throes,
Closes on reeling Behemot at length—
Piercing him with steel-pointed claws,
Straight through the jaws to his disjointed head.
And both lie dead.
Then come the angels!
With hoists and levers, joists and poles,
With knives and cleavers, ropes and saws,
Down the long slopes to the gaping maws,
The angels hasten; hacking and carving,
So nought will be lacking for the starving
Chosen of God, who in frozen wonderment
Realize now what the terrible thunder meant.
How their mouths water while they are looking
At miles of slaughter and sniffing the cooking!
Whiffs of delectable fragrance swim by;
Spice-laden vagrants that float and entice,
Tickling the throat and brimming the eye.
Ah! what rejoicing and crackling and roasting!
Ah! How the boys sing as, cackling and boasting,
The angels' old wives and their nervous assistants
Run in to serve us....
And while we are toasting
The Fairest of All, they call from the distance
The rare ones of Time, they share our enjoyment;
Their only employment to bear jars of wine
And shine like the stars in a circle of glory.
Here sways Rebekah accompanied by Zilpah;
Miriam plays to the singing of Bilhah;
Hagar has tales for us, Judith her story;
Esther exhales bright romances and musk.
There, in the dusky light, Salome dances.
Sara and Rachel and Leah and Ruth,
Fairer than ever and all in their youth,
Come at our call and go by our leave.
And, from her bower of beauty, walks Eve
While, with the voice of a flower, she sings
Of Eden, young earth and the birth of all things....
Peace without end.
Peace will descend on us, discord will cease;
And we, now so wretched, will lie stretched out
Free of old doubt, on our cushions of ease.
And, like a gold canopy over our bed,
The skin of Leviathan, tail-tip to head,
Soon will be spread till it covers the skies.
Light will still rise from it; millions of bright
Facets of brilliance, shaming the white
Glass of the moon, inflaming the night.
So Time shall pass and rest and pass again,
Burn with an endless zest and then return,
Walk at our side and tide us to new joys;
God's voice to guide us, beauty as our staff.
Thus shall Life be when Death has disappeared....
Jeered at? Well, let them laugh.
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