10 Best Famous Denials Poems

Here is a collection of the top 10 all-time best famous Denials poems. This is a select list of the best famous Denials poetry. Reading, writing, and enjoying famous Denials poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of denials poems.

• All Famous Denials Poems

 The bows glided down, and the coast
Blackened with birds took a last look
At his thrashing hair and whale-blue eye;
The trodden town rang its cobbles for luck.

Then good-bye to the fishermanned
Boat with its anchor free and fast
As a bird hooking over the sea,
High and dry by the top of the mast,

Whispered the affectionate sand
And the bulwarks of the dazzled quay.
For my sake sail, and never look back,
Said the looking land.

Sails drank the wind, and white as milk
He sped into the drinking dark;
The sun shipwrecked west on a pearl
And the moon swam out of its hulk.

Funnels and masts went by in a whirl.
Good-bye to the man on the sea-legged deck
To the gold gut that sings on his reel
To the bait that stalked out of the sack,

For we saw him throw to the swift flood
A girl alive with his hooks through her lips;
All the fishes were rayed in blood,
Said the dwindling ships.

Good-bye to chimneys and funnels,
Old wives that spin in the smoke,
He was blind to the eyes of candles
In the praying windows of waves

But heard his bait buck in the wake
And tussle in a shoal of loves.
Now cast down your rod, for the whole
Of the sea is hilly with whales,

She longs among horses and angels,
The rainbow-fish bend in her joys,
Floated the lost cathedral
Chimes of the rocked buoys.

Where the anchor rode like a gull
Miles over the moonstruck boat
A squall of birds bellowed and fell,
A cloud blew the rain from its throat;

He saw the storm smoke out to kill
With fuming bows and ram of ice,
Fire on starlight, rake Jesu's stream;
And nothing shone on the water's face

But the oil and bubble of the moon,
Plunging and piercing in his course
The lured fish under the foam
Witnessed with a kiss.

Whales in the wake like capes and Alps
Quaked the sick sea and snouted deep,
Deep the great bushed bait with raining lips
Slipped the fins of those humpbacked tons

And fled their love in a weaving dip.
Oh, Jericho was falling in their lungs!
She nipped and dived in the nick of love,
Spun on a spout like a long-legged ball

Till every beast blared down in a swerve
Till every turtle crushed from his shell
Till every bone in the rushing grave
Rose and crowed and fell!

Good luck to the hand on the rod,
There is thunder under its thumbs;
Gold gut is a lightning thread,
His fiery reel sings off its flames,

The whirled boat in the burn of his blood
Is crying from nets to knives,
Oh the shearwater birds and their boatsized brood
Oh the bulls of Biscay and their calves

Are making under the green, laid veil
The long-legged beautiful bait their wives.
Break the black news and paint on a sail
Huge weddings in the waves,

Over the wakeward-flashing spray
Over the gardens of the floor
Clash out the mounting dolphin's day,
My mast is a bell-spire,

Strike and smoothe, for my decks are drums,
Sing through the water-spoken prow
The octopus walking into her limbs
The polar eagle with his tread of snow.

From salt-lipped beak to the kick of the stern
Sing how the seal has kissed her dead!
The long, laid minute's bride drifts on
Old in her cruel bed.

Over the graveyard in the water
Mountains and galleries beneath
Nightingale and hyena
Rejoicing for that drifting death

Sing and howl through sand and anemone
Valley and sahara in a shell,
Oh all the wanting flesh his enemy
Thrown to the sea in the shell of a girl


Is old as water and plain as an eel;
Always good-bye to the long-legged bread
Scattered in the paths of his heels
For the salty birds fluttered and fed

And the tall grains foamed in their bills;
Always good-bye to the fires of the face,
For the crab-backed dead on the sea-bed rose
And scuttled over her eyes,

The blind, clawed stare is cold as sleet.
The tempter under the eyelid
Who shows to the selves asleep
Mast-high moon-white women naked

Walking in wishes and lovely for shame
Is dumb and gone with his flame of brides.
Susannah's drowned in the bearded stream
And no-one stirs at Sheba's side

But the hungry kings of the tides;
Sin who had a woman's shape
Sleeps till Silence blows on a cloud
And all the lifted waters walk and leap.

Lucifer that bird's dropping
Out of the sides of the north
Has melted away and is lost
Is always lost in her vaulted breath,

Venus lies star-struck in her wound
And the sensual ruins make
Seasons over the liquid world,
White springs in the dark.

Always good-bye, cried the voices through the shell,
Good-bye always, for the flesh is cast
And the fisherman winds his reel
With no more desire than a ghost.

Always good luck, praised the finned in the feather
Bird after dark and the laughing fish
As the sails drank up the hail of thunder
And the long-tailed lightning lit his catch.

The boat swims into the six-year weather,
A wind throws a shadow and it freezes fast.
See what the gold gut drags from under
Mountains and galleries to the crest!

See what clings to hair and skull
As the boat skims on with drinking wings!
The statues of great rain stand still,
And the flakes fall like hills.

Sing and strike his heavy haul
Toppling up the boatside in a snow of light!
His decks are drenched with miracles.
Oh miracle of fishes! The long dead bite!

Out of the urn a size of a man
Out of the room the weight of his trouble
Out of the house that holds a town
In the continent of a fossil

One by one in dust and shawl,
Dry as echoes and insect-faced,
His fathers cling to the hand of the girl
And the dead hand leads the past,

Leads them as children and as air
On to the blindly tossing tops;
The centuries throw back their hair
And the old men sing from newborn lips:

Time is bearing another son.
Kill Time! She turns in her pain!
The oak is felled in the acorn
And the hawk in the egg kills the wren.

He who blew the great fire in
And died on a hiss of flames
Or walked the earth in the evening
Counting the denials of the grains

Clings to her drifting hair, and climbs;
And he who taught their lips to sing
Weeps like the risen sun among
The liquid choirs of his tribes.

The rod bends low, divining land,
And through the sundered water crawls
A garden holding to her hand
With birds and animals

With men and women and waterfalls
Trees cool and dry in the whirlpool of ships
And stunned and still on the green, laid veil
Sand with legends in its virgin laps

And prophets loud on the burned dunes;
Insects and valleys hold her thighs hard,
Times and places grip her breast bone,
She is breaking with seasons and clouds;

Round her trailed wrist fresh water weaves,
with moving fish and rounded stones
Up and down the greater waves
A separate river breathes and runs;

Strike and sing his catch of fields
For the surge is sown with barley,
The cattle graze on the covered foam,
The hills have footed the waves away,

With wild sea fillies and soaking bridles
With salty colts and gales in their limbs
All the horses of his haul of miracles
Gallop through the arched, green farms,

Trot and gallop with gulls upon them
And thunderbolts in their manes.
O Rome and Sodom To-morrow and London
The country tide is cobbled with towns

And steeples pierce the cloud on her shoulder
And the streets that the fisherman combed
When his long-legged flesh was a wind on fire
And his loin was a hunting flame

Coil from the thoroughfares of her hair
And terribly lead him home alive
Lead her prodigal home to his terror,
The furious ox-killing house of love.

Down, down, down, under the ground,
Under the floating villages,
Turns the moon-chained and water-wound
Metropolis of fishes,

There is nothing left of the sea but its sound,
Under the earth the loud sea walks,
In deathbeds of orchards the boat dies down
And the bait is drowned among hayricks,

Land, land, land, nothing remains
Of the pacing, famous sea but its speech,
And into its talkative seven tombs
The anchor dives through the floors of a church.

Good-bye, good luck, struck the sun and the moon,
To the fisherman lost on the land.
He stands alone in the door of his home,
With his long-legged heart in his hand.

 Flesh is heretic.
My body is a witch.
I am burning it.

Yes I am torching
ber curves and paps and wiles.
They scorch in my self denials.

How she meshed my head
in the half-truths
of her fevers

till I renounced
milk and honey
and the taste of lunch.

I vomited
her hungers.
Now the ***** is burning.

I am starved and curveless.
I am skin and bone.
She has learned her lesson.

Thin as a rib
I turn in sleep.
My dreams probe

a claustrophobia
a sensuous enclosure.
How warm it was and wide

once by a warm drum,
once by the song of his breath
and in his sleeping side.

Only a little more, 
only a few more days
sinless, foodless,

I will slip
back into him again
as if I had never been away.

Caged so
I will grow
angular and holy

past pain,
keeping his heart
such company

as will make me forget
in a small space
the fall

into forked dark,
into python needs
heaving to hips and breasts
and lips and heat
and sweat and fat and greed.

In the garden yonder of yews and death,
There sojourneth
A man who toils, and has toiled for aye.
Digging the dried-up ground all day.


Some willows, surviving their own dead selves.
Weep there around him as he delves.
And a few poor flowers, disconsolate
Because the tempest and wind and wet
Vex them with ceaseless scourge and fret.


The ground is nothing but pits and cones,
Deep graves in every corner yawn;
The frost in the winter cracks the stones,
And when the summer in June is born
One hears, 'mid the silence that pants for breath,
The germinating and life of Death
Below, among the lifeless bones.


Since ages longer than he can know,
The grave-digger brings his human woe,
That never wears out, and lays its head
Slowly down in that earthy bed.


By all the surrounding roads, each day
They come towards him, the coffins white,
They come in processions infinite;
They come from the distances far away.
From corners obscure and out-of-the-way.
From the heart of the towns—and the wide-spreading
plain.
The limitless plain, swallows up their track;
They come with their escort of people in black.
At every hour, till the day doth wane;
And at early dawn the long trains forlorn
Begin again.


The grave-digger hears far off the knell,
Beneath weary skies, of the passing bell,
Since ages longer than he can tell.


Some grief of his each coffin carrieth—
His wild desires toward evenings dark with death
Are here: his mournings for he knows not what:
Here are his tears, for ever on this spot
Motionless in their shrouds: his memories.
With gaze worn-out from travelling through the years
So far, to bid him call to mind the fears
Of which their souls are dying—and with these
Lies side by side
The shattered body of his broken pride.
His heroism, to which nought replied,
Is here all unavailing;
His courage, 'neath its heavy armour failing.
And his poor valour, gashed upon the brow.
Silent, and crumbling in corruption now.
The grave-digger watches them come into sight,
The long, slow roads.
Marching towards him, with all their loads
Of coffins white.


Here are his keenest thoughts, that one by one
His lukewarm soul hath tainted and undone;
And his white loves of simple days of yore,
in lewd and tempting mirrors sullied o'er;
The proud, mute vows that to himself he made
Are here—for he hath scored and cancelled them,
As one may cut and notch a diadem;
And here, inert and prone, his will is laid,
Whose gestures flashed like lightning keen before.
But that he now can raise in strength no more.


The grave-digger digs to the sound of the knell
'Mid the yews and the deaths in yonder dell.
Since ages longer than he can tell.


Here is his dream—born in the radiant glow.
Of joy and young oblivion, long ago—
That in black fields of science he let go,
That he hath clothed with flame and embers bright,
—Red wings plucked off from Folly in her flight—
That he hath launched toward inaccessible
Spaces afar, toward the distance there,
The golden conquest of the Impossible,
And that the limitless, refractory sky,
Sends back to him again, or it has ere
So much as touched the immobile mystery.


The grave-digger turneth it round and round—
With arms by toil so weary made,
With arms so thin, and strokes of spade—
Since what long times?—the dried-up ground.
Here, for his anguish and remorse, there throng
Pardons denied to creatures in the wrong;
And here, the tears, the prayers, the silent cries,
He would not list to in his brothers' eyes.
The insults to the gentle, and the jeer
What time the humble bent their knees, are here;
Gloomy denials, and a bitter store
Of arid sarcasms, oft poured out before
Devotedness that in the shadow stands
With outstretched hands.


The grave-digger, weary, yet eager as well.
Hiding his pain to the sound of the knell,
With strokes of the spade turns round and round
The weary sods of the dried-up ground.


Then—fear-struck dallyings with suicide;
Delays, that conquer hours that would decide:
Again—the terrors of dark crime and sin
Furtively felt with frenzied fingers thin:
The fierce craze and the fervent rage to be
The man who lives of the extremity
Of his own fear:
And then, too, doubt immense and wild affright.
And madness, with its eyes of marble white,
These all are here.


His head a prey to the dull knell's sound,
In terror the grave-digger turns the ground
With strokes of the spade, and doth ceaseless cast
The dried-up earth upon his past.


The slain days, and the present, he doth see,
Quelling each quivering thrill of life to be.
And drop by drop, through fists whose fingers start.
Pressing the future blood of his red heart;
Chewing with teeth that grind and crush, each part
Of that his future's body, limb by limb,
Till there is but a carcase left to him;
And shewing him, in coffins prisoned,
Or ever they be born, his longings dead.


The grave-digger yonder doth hear the knell,
More heavy yet, of the passing bell.
That up through the mourning horizons doth swell
What if the bells, with their haunting swing,
Would stop on a day that heart-breaking ring!
And the endless procession of corse after corse.
Choke the highways no more of his long remorse
But the biers, with the prayers and the tears,
Immensely yet follow the biers;
They halt by crucifix now, and by shrine,
Then take up once more their mournful line;
On the backs of men, upon trestles borne.
They follow their uniform march forlorn;
Skirting each field and each garden-wall.
Passing beneath the sign-posts tall,
Skirting along by the vast Unknown,
Where terror points horns from the corner-stone.


The old man, broken and propless quite.
Watches them still from the infinite
Coming towards him—and hath beside
Nothing to do, but in earth to hide
His multiple death, thus bit by bit,
And, with fingers irresolute, plant on it
Crosses so hastily, day by day,
Since what long times—he cannot say.

 Oh, you young radicals and dreamers,
You dauntless fledglings
Who pass by my headstone,
Mock not its record of my captaincy in the army
And my faith in God!
They are not denials of each other.
Go by reverently, and read with sober care
How a great people, riding with defiant shouts
The centaur of Revolution,
Spurred and whipped to frenzy,
Shook with terror, seeing the mist of the sea
Over the precipice they were nearing,
And fell from his back in precipitate awe
To celebrate the Feast of the Supreme Being.
Moved by the same sense of vast reality
Of life and death, and burdened as they were
With the fate of a race,
How was I, a little blasphemer,
Caught in the drift of a nation's unloosened flood,
To remain a blasphemer,
And a captain in the army?

 The daylight is dying 
Away in the west, 
The wild birds are flying 
in silence to rest; 
In leafage and frondage 
Where shadows are deep, 
They pass to its bondage-- 
The kingdom of sleep 
And watched in their sleeping 
By stars in the height, 
They rest in your keeping, 
O wonderful night. 
When night doth her glories 
Of starshine unfold, 
'Tis then that the stories 
Of bush-land are told. 

Unnumbered I told them 
In memories bright, 
But who could unfold them, 
Or read them aright? 
Beyond all denials 
The stars in their glories, 
The breeze in the myalls, 
Are part of these stories. 

The waving of grasses, 
The song of the river 
That sings as it passes 
For ever and ever, 
The hobble-chains' rattle, 
The calling of birds, 
The lowing of cattle 
Must blend with the words. 

Without these, indeed you 
Would find it ere long, 
As though I should read you 
The words of a song 
That lamely would linger 
When lacking the rune, 
The voice of a singer, 
The lilt of the tune. 

But as one halk-bearing 
An old-time refrain, 
With memory clearing, 
Recalls it again, 
These tales roughly wrought of 
The Bush and its ways, 
May call back a thought of 
The wandering days; 
And, blending with each 
In the memories that throng 
There haply shall reach 
You some echo of song.

 A roar of cars
seals the dawn
with short-cut answers,
with unyielding denials
that are repeated
explicitly
every sunset.

We are born at sunset and we die ere morn,

And the whole darkness of the world we know,

How can we guess its truth, to darkness born,

The obscure consequence of absent glow?

Only the stars do teach us light. We grasp

Their scattered smallnesses with thoughts that stray,

And, though their eyes look through night's complete mask,

Yet they speak not the features of the day.

Why should these small denials of the whole

More than the black whole the pleased eyes attract?

Why what it calls «worth» does the captive soul

Add to the small and from the large detract?

So, put of light's love wishing it night's stretch,

A nightly thought of day we darkly reach.

 To the little, pitiful God I make my prayer,
The God with the long grey beard
And flowing robe fastened with a hempen girdle
Who sits nodding and muttering on the all-too-big throne
of Heaven.
What a long, long time, dear God, since you set the
stars in their places,
Girded the earth with the sea, and invented the day and
night.
And longer the time since you looked through the blue
window of Heaven
To see your children at play in a garden....
Now we are all stronger than you and wiser and more
arrogant,
In swift procession we pass you by.
"Who is that marionette nodding and muttering
On the all-too-big throne of Heaven?
Come down from your place, Grey Beard,
We have had enough of your play-acting!"

It is centuries since I believed in you,
But to-day my need of you has come back.
I want no rose-coloured future,
No books of learning, no protestations and denials--
I am sick of this ugly scramble,
I am tired of being pulled about--
O God, I want to sit on your knees
On the all-too-big throne of Heaven,
And fall asleep with my hands tangled in your grey
beard.

 The daylight is dying 
Away in the west, 
The wild birds are flying 
In silence to rest; 
In leafage and frondage 
Where shadows are deep, 
They pass to its bondage— 
The kingdom of sleep. 
And watched in their sleeping 
By stars in the height, 
They rest in your keeping, 
Oh, wonderful night. 
When night doth her glories 
Of starshine unfold, 
’Tis then that the stories 
Of bush-land are told. 

Unnumbered I hold them 
In memories bright, 
But who could unfold them, 
Or read them aright? 
Beyond all denials 
The stars in their glories 
The breeze in the myalls 
Are part of these stories. 

The waving of grasses, 
The song of the river 
That sings as it passes 
For ever and ever, 
The hobble-chains’ rattle, 
The calling of birds, 
The lowing of cattle 
Must blend with the words. 

Without these, indeed, you 
Would find it ere long, 
As though I should read you 
The words of a song 
That lamely would linger 
When lacking the rune, 
The voice of the singer, 
The lilt of the tune. 

But, as one half-hearing 
An old-time refrain, 
With memory clearing, 
Recalls it again, 
These tales, roughly wrought of 
The bush and its ways, 
May call back a thought of 
The wandering days, 

And, blending with each 
In the memories that throng, 
There haply shall reach 
You some echo of song.