Written by
William Butler Yeats |
I. Ancestral Houses
Surely among a rich man's flowering lawns,
Amid the rustle of his planted hills,
Life overflows without ambitious pains;
And rains down life until the basin spills,
And mounts more dizzy high the more it rains
As though to choose whatever shape it wills
And never stoop to a mechanical
Or servile shape, at others' beck and call.
Mere dreams, mere dreams! Yet Homer had not Sung
Had he not found it certain beyond dreams
That out of life's own self-delight had sprung
The abounding glittering jet; though now it seems
As if some marvellous empty sea-shell flung
Out of the obscure dark of the rich streams,
And not a fountain, were the symbol which
Shadows the inherited glory of the rich.
Some violent bitter man, some powerful man
Called architect and artist in, that they,
Bitter and violent men, might rear in stone
The sweetness that all longed for night and day,
The gentleness none there had ever known;
But when the master's buried mice can play.
And maybe the great-grandson of that house,
For all its bronze and marble, 's but a mouse.
O what if gardens where the peacock strays
With delicate feet upon old terraces,
Or else all Juno from an urn displays
Before the indifferent garden deities;
O what if levelled lawns and gravelled ways
Where slippered Contemplation finds his ease
And Childhood a delight for every sense,
But take our greatness with our violence?
What if the glory of escutcheoned doors,
And buildings that a haughtier age designed,
The pacing to and fro on polished floors
Amid great chambers and long galleries, lined
With famous portraits of our ancestors;
What if those things the greatest of mankind
Consider most to magnify, or to bless,
But take our greatness with our bitterness?
II. My House
An ancient bridge, and a more ancient tower,
A farmhouse that is sheltered by its wall,
An acre of stony ground,
Where the symbolic rose can break in flower,
Old ragged elms, old thorns innumerable,
The sound of the rain or sound
Of every wind that blows;
The stilted water-hen
Crossing Stream again
Scared by the splashing of a dozen cows;
A winding stair, a chamber arched with stone,
A grey stone fireplace with an open hearth,
A candle and written page.
Il Penseroso's Platonist toiled on
In some like chamber, shadowing forth
How the daemonic rage
Imagined everything.
Benighted travellers
From markets and from fairs
Have seen his midnight candle glimmering.
Two men have founded here. A man-at-arms
Gathered a score of horse and spent his days
In this tumultuous spot,
Where through long wars and sudden night alarms
His dwinding score and he seemed castaways
Forgetting and forgot;
And I, that after me
My bodily heirs may find,
To exalt a lonely mind,
Befitting emblems of adversity.
III. My Table
Two heavy trestles, and a board
Where Sato's gift, a changeless sword,
By pen and paper lies,
That it may moralise
My days out of their aimlessness.
A bit of an embroidered dress
Covers its wooden sheath.
Chaucer had not drawn breath
When it was forged. In Sato's house,
Curved like new moon, moon-luminous
It lay five hundred years.
Yet if no change appears
No moon; only an aching heart
Conceives a changeless work of art.
Our learned men have urged
That when and where 'twas forged
A marvellous accomplishment,
In painting or in pottery, went
From father unto son
And through the centuries ran
And seemed unchanging like the sword.
Soul's beauty being most adored,
Men and their business took
Me soul's unchanging look;
For the most rich inheritor,
Knowing that none could pass Heaven's door,
That loved inferior art,
Had such an aching heart
That he, although a country's talk
For silken clothes and stately walk.
Had waking wits; it seemed
Juno's peacock screamed.
IV. My Descendants
Having inherited a vigorous mind
From my old fathers, I must nourish dreams
And leave a woman and a man behind
As vigorous of mind, and yet it seems
Life scarce can cast a fragrance on the wind,
Scarce spread a glory to the morning beams,
But the torn petals strew the garden plot;
And there's but common greenness after that.
And what if my descendants lose the flower
Through natural declension of the soul,
Through too much business with the passing hour,
Through too much play, or marriage with a fool?
May this laborious stair and this stark tower
Become a roofless min that the owl
May build in the cracked masonry and cry
Her desolation to the desolate sky.
The primum Mobile that fashioned us
Has made the very owls in circles move;
And I, that count myself most prosperous,
Seeing that love and friendship are enough,
For an old neighbour's friendship chose the house
And decked and altered it for a girl's love,
And know whatever flourish and decline
These stones remain their monument and mine.
V. The Road at My Door
An affable Irregular,
A heavily-built Falstaffian man,
Comes cracking jokes of civil war
As though to die by gunshot were
The finest play under the sun.
A brown Lieutenant and his men,
Half dressed in national uniform,
Stand at my door, and I complain
Of the foul weather, hail and rain,
A pear-tree broken by the storm.
I count those feathered balls of soot
The moor-hen guides upon the stream.
To silence the envy in my thought;
And turn towards my chamber, caught
In the cold snows of a dream.
VI. The Stare's Nest by My Window
The bees build in the crevices
Of loosening masonry, and there
The mother birds bring grubs and flies.
My wall is loosening; honey-bees,
Come build in the empty house of the state.
We are closed in, and the key is turned
On our uncertainty; somewhere
A man is killed, or a house burned,
Yet no clear fact to be discerned:
Come build in he empty house of the stare.
A barricade of stone or of wood;
Some fourteen days of civil war;
Last night they trundled down the road
That dead young soldier in his blood:
Come build in the empty house of the stare.
We had fed the heart on fantasies,
The heart's grown brutal from the fare;
More Substance in our enmities
Than in our love; O honey-bees,
Come build in the empty house of the stare.
VII. I see Phantoms of Hatred and of the Heart's
Fullness and of the Coming Emptiness
I climb to the tower-top and lean upon broken stone,
A mist that is like blown snow is sweeping over all,
Valley, river, and elms, under the light of a moon
That seems unlike itself, that seems unchangeable,
A glittering sword out of the east. A puff of wind
And those white glimmering fragments of the mist sweep by.
Frenzies bewilder, reveries perturb the mind;
Monstrous familiar images swim to the mind's eye.
'Vengeance upon the murderers,' the cry goes up,
'Vengeance for Jacques Molay.' In cloud-pale rags, or in lace,
The rage-driven, rage-tormented, and rage-hungry troop,
Trooper belabouring trooper, biting at arm or at face,
Plunges towards nothing, arms and fingers spreading wide
For the embrace of nothing; and I, my wits astray
Because of all that senseless tumult, all but cried
For vengeance on the murderers of Jacques Molay.
Their legs long, delicate and slender, aquamarine their eyes,
Magical unicorns bear ladies on their backs.
The ladies close their musing eyes. No prophecies,
Remembered out of Babylonian almanacs,
Have closed the ladies' eyes, their minds are but a pool
Where even longing drowns under its own excess;
Nothing but stillness can remain when hearts are full
Of their own sweetness, bodies of their loveliness.
The cloud-pale unicorns, the eyes of aquamarine,
The quivering half-closed eyelids, the rags of cloud or of lace,
Or eyes that rage has brightened, arms it has made lean,
Give place to an indifferent multitude, give place
To brazen hawks. Nor self-delighting reverie,
Nor hate of what's to come, nor pity for what's gone,
Nothing but grip of claw, and the eye's complacency,
The innumerable clanging wings that have put out the moon.
I turn away and shut the door, and on the stair
Wonder how many times I could have proved my worth
In something that all others understand or share;
But O! ambitious heart, had such a proof drawn forth
A company of friends, a conscience set at ease,
It had but made us pine the more. The abstract joy,
The half-read wisdom of daemonic images,
Suffice the ageing man as once the growing boy.
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Written by
Dylan Thomas |
From love's first fever to her plague, from the soft second
And to the hollow minute of the womb,
From the unfolding to the scissored caul,
The time for breast and the green apron age
When no mouth stirred about the hanging famine,
All world was one, one windy nothing,
My world was christened in a stream of milk.
And earth and sky were as one airy hill.
The sun and mood shed one white light.
From the first print of the unshodden foot, the lifting
Hand, the breaking of the hair,
From the first scent of the heart, the warning ghost,
And to the first dumb wonder at the flesh,
The sun was red, the moon was grey,
The earth and sky were as two mountains meeting.
The body prospered, teeth in the marrowed gums,
The growing bones, the rumour of the manseed
Within the hallowed gland, blood blessed the heart,
And the four winds, that had long blown as one,
Shone in my ears the light of sound,
Called in my eyes the sound of light.
And yellow was the multiplying sand,
Each golden grain spat life into its fellow,
Green was the singing house.
The plum my mother picked matured slowly,
The boy she dropped from darkness at her side
Into the sided lap of light grew strong,
Was muscled, matted, wise to the crying thigh,
And to the voice that, like a voice of hunger,
Itched in the noise of wind and sun.
And from the first declension of the flesh
I learnt man's tongue, to twist the shapes of thoughts
Into the stony idiom of the brain,
To shade and knit anew the patch of words
Left by the dead who, in their moonless acre,
Need no word's warmth.
The root of tongues ends in a spentout cancer,
That but a name, where maggots have their X.
I learnt the verbs of will, and had my secret;
The code of night tapped on my tongue;
What had been one was many sounding minded.
One wound, one mind, spewed out the matter,
One breast gave suck the fever's issue;
From the divorcing sky I learnt the double,
The two-framed globe that spun into a score;
A million minds gave suck to such a bud
As forks my eye;
Youth did condense; the tears of spring
Dissolved in summer and the hundred seasons;
One sun, one manna, warmed and fed.
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Written by
Thomas Chatterton |
On Tiber's banks, Tiber, whose waters glide
In slow meanders down to Gaigra's side;
And circling all the horrid mountain round,
Rushes impetuous to the deep profound;
Rolls o'er the ragged rocks with hideous yell;
Collects its waves beneath the earth's vast shell;
There for a while in loud confusion hurl'd,
It crumbles mountains down and shakes the world.
Till borne upon the pinions of the air,
Through the rent earth the bursting waves appear;
Fiercely propell'd the whiten'd billows rise,
Break from the cavern, and ascend the skies;
Then lost and conquered by superior force,
Through hot Arabia holds its rapid coursel
On Tiber's banks where scarlet jas'mines bloom,
And purple aloes shed a rich perfume;
Where, when the sun is melting in his heat,
The reeking tygers find a cool retreat;
Bask in the sedges, lose the sultry beam,
And wanton with their shadows in the stream;
On Tiber's banks, by sacred priests rever'd,
Where in the days of old a god appear'd;
'Twas in the dead of night, at Chalma's feast,
The tribe of Alra slept around the priest.
He spoke; as evening thunders bursting near,
His horrid accents broke upon the ear;
Attend, Alraddas, with your sacred priest!
This day the sun is rising in the east;
The sun, which shall illumine all the earth,
Now, now is rising, in a mortal birth.
He vanish'd like a vapour of the night,
And sunk away in a faint blaze of light.
Swift from the branches of the holy oak,
Horror, confusion, fear, and torment brake;
And still when midnight trims her mazy lamp,
They take their way through Tiber's wat'ry swamp.
On Tiber's banks, close ranked, a warring train,
Stretch'd to the distant edge of Galca's plain;
So when arrived at Gaigra's highest steep,
We view the wide expansion of the deep;
See in the gilding of her wat'ry robe,
The quick declension of the circling globe;
From the blue sea a chain of mountains rise,
Blended at once with water and with skies;
Beyond our sight in vast extension curl'd,
The check of waves, the guardians of the world.
Strong were the warriors, as the ghost of Cawn,
Who threw the Hill-of-archers to the lawn;
When the soft earth at his appearance fled;
And rising billows play'd around his head;
When a strong tempest rising from the main,
Dashed the full clouds, unbroken on the plain.
Nicou, immortal in the sacred song,
Held the red sword of war, and led the strong;
From his own tribe the sable warriors came,
Well try'd in battle, and well known in fame.
Nicou, descended from the god of war,
Who lived coeval with the morning star;
Narada was his name; who cannot tell
How all the world through great Narada fell!
Vichon, the god who ruled above the skies,
Look'd, on Narada, but with envious eyes;
The warrior dared him, ridiculed his might,
Bent his white bow, and summon'd him to fight.
Vichon, disdainful, bade his lightnings fly,
And scatter'd burning arrows in the sky;
Threw down a star the armour of his feet,
To burn the air with supernat'ral heat;
Bid a loud tempes roar beneath the ground;
Lifted him up, and bore him thro' the sea.
The waters still ascending fierce and high,
He tower'd into the chambers of the sky;
There Vichon sat, his armour on his bed,
He thought Narada with the mighty dead.
Before his seat the heavenly warrior stands,
The lightning quiv'ring in his yellow hands.
The god astonish'd dropt; hurl'd from the shore,
He dropt to torments, and to rise no more.
Head-long he falls; 'tis his own arms compel.
Condemn'd in ever-burning fires to dwell.
From this Narada, mighty Nicou sprung;
The mighty Nicou, furious, wild and young.
Who led th'embattled archers to the field,
And more a thunderbolt upon his shield;
That shield his glorious father died to gain,
When the white warriors fled along the plain,
When the full sails could not provoke the flood,
Till Nicou came and swell'd the seas with blood.
Slow at the end of his robust array,
The mighty warrior pensive took his way;
Against the son of Nair, the young Rorest,
Once the companion of his youthful breast.
Strong were the passions of the son of Nair,
Strong, as the tempest of the evening air.
Insatiate in desire; fierce as the boar;
Firm in resolve as Cannie's rocky shore.
Long had the gods endeavour'd to destroy,
All Nicou's friendship, happiness, and joy:
They sought in vain, 'till Vicat, Vichon's son,
Never in feats of wickedness outdone,
Saw Nica, sister to the Mountain king,
Drest beautiful, with all the flow'rs of spring;
He saw, and scatter'd poison in her eyes;
From limb to limb in varied forms he flies;
Dwelt on her crimson lip, and added grace
To every glossy feature of her face.
Rorest was fir'd with passion at the sight.
Friendship and honor, sunk to Vicat's right;
He saw, he lov'd, and burning with desire,
Bore the soft maid from brother, sister, sire.
Pining with sorrow, Nica faded, died,
Like a fair alow, in its morning pride.
This brought the warrior to the bloody mead,
And sent to young Rorest the threat'ning reed.
He drew his army forth: Oh, need I tell!
That Nicou conquer'd, and the lover fell;
His breathless army mantled all the plain;
And Death sat smiling on the heaps of slain.
The battle ended, with his reeking dart,
The pensive Nicou pierc'd his beating heart;
And to his mourning valiant warriors cry'd,
I, and my sister's ghost are satisfy'd.
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