by
Paul Laurence Dunbar
WHO dat knockin' at de do'?
Why, Ike Johnson, -- yes, fu' sho!
Come in, Ike. I's mighty glad
You come down. I t'ought you's
mad
At me 'bout de othah night,
An' was stayin' 'way fu' spite.
Say, now, was you mad fu' true
W'en I kin' o' laughed at you?
Speak up, Ike, an' 'spress yo'se'f.
'T ain't no use a-lookin' sad,
An' a-mekin' out you's mad;
Ef you's gwine to be so glum,
Wondah why you evah come.
I don't lak nobody 'roun'
Dat jes' shet dey mouf an' frown,--
Oh, now, man, don't act a dunce!
Cain't you talk? I tol' you once,
Speak up, Ike, an' 'spress yo'se'f.
Wha'd you come hyeah fu' to-night?
Body'd t'ink yo' haid ain't right.
I's done all dat I kin do,--
Dressed perticler, jes' fu' you;
Reckon I'd 'a' bettah wo'
My ol' ragged calico.
Aftah all de pains I's took,
Cain't you tell me how I look?
Speak up, Ike, an' 'spress yo'se'f.
Bless my soul! I 'mos' fu'got
Tellin' you 'bout Tildy Scott.
Don't you know, come Thu'sday
night,
She gwine ma'y Lucius White?
Miss Lize say I allus wuh
Heap sight laklier 'n huh;
An' she'll git me somep'n new,
Ef I wants to ma'y too.
Speak up, Ike, an' 'spress yo'se'f.
I could ma'y in a week,
Ef de man I wants 'ud speak.
Tildy's presents'll be fine,
But dey would n't ekal mine.
Him whut gits me fu' a wife
'Ll be proud, you bet yo' life.
I's had offers; some ain't quit;
But I has n't ma'ied yit!
Speak up, Ike, an' 'spress yo'se'f.
Ike, I loves you,--yes, I does;
You's my choice, and allus was.
Laffin' at you ain't no harm.--
Go 'way, dahky, whaih's yo' arm?
Hug me closer--dah, dat's right!
Was n't you a awful sight,
Havin' me to baig you so?
Now ax whut you want to know,--
Speak up, Ike, an' 'spress yo'se'f!
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by
Paul Laurence Dunbar
FOLKS ain't got no right to censuah othah folks about dey habits;
Him dat giv' de squir'ls de bushtails made de bobtails fu' de rabbits.
Him dat built de gread big mountains hollered out de little valleys,
Him dat made de streets an' driveways wasn't shamed to make de alleys.
We is all constructed diff'ent, d'ain't no two of us de same;
We cain't he'p ouah likes an' dislikes, ef we'se bad we ain't to blame.
Ef we'se good, we need n't show off, case you bet it ain't ouah doin'
We gits into su'ttain channels dat we jes' cain't he'p pu'suin'.
But we all fits into places dat no othah ones could fill,
An' we does the things we has to, big er little, good er ill.
John cain't tek de place o' Henry, Su an' Sally ain't alike;
Bass ain't nuthin' like a suckah, chub ain't nuthin' like a pike.
When you come to think about it, how it's all planned out it's splendid.
Nuthin's done er evah happens, 'dout hit's somefin' dat's intended;
Don't keer whut you does, you has to, an' hit sholy beats de dickens,--
Viney, go put on de kittle, I got one o' mastah's chickens.
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by
Paul Laurence Dunbar
'Lias! 'Lias! Bless de Lawd!
Don' you know de day's erbroad?
Ef you don' git up, you scamp,
Dey 'll be trouble in dis camp.
T'ink I gwine to let you sleep
W'ile I meks yo' boa'd an' keep?
Dat's a putty howdy-do—
Don' you hyeah me, 'Lias—you?
Bet ef I come crost dis flo'
You won' fin' no time to sno'.
Daylight all a-shinin' in
Wile you sleep—w'y hit's a sin!
Ain't de can'le-light enough
To bu'n out widout a snuff,
But you go de mo'nin' thoo
Bu'nin' up de daylight too?
'Lias, don' you hyeah me call?
No use tu'nin' to'ds de wall;[Pg 191]
I kin hyeah dat mattuss squeak;
Don' you hyeah me w'en I speak?
Dis hyeah clock done struck off six—
Ca'line, bring me dem ah sticks!
Oh, you down, suh; huh, you down—
Look hyeah, don' you daih to frown.
Ma'ch yo'se'f an' wash yo' face,
Don' you splattah all de place;
I got somep'n else to do,
'Sides jes' cleanin' aftah you.
Tek dat comb ah' fix yo' haid—
Looks jes' lak a feddah baid.
Look hyeah, boy, I let you see
You sha' n't roll yo' eyes at me.
Come hyeah; bring me dat ah strap!
Boy, I'll whup you 'twell you drap;
You done felt yo'se'f too strong,
An' you sholy got me wrong.
Set down at dat table thaih;
Jes' you whimpah ef you daih!
Evah mo'nin' on dis place,
Seem lak I mus' lose my grace.
Fol' yo' han's an' bow yo' haid—
Wait ontwell de blessin' 's said;
"Lawd, have mussy on ouah souls—"
(Don' you daih to tech dem rolls—)
"Bless de food we gwine to eat—"
(You set still-I see yo' feet;
You jes' try dat trick agin!)
"Gin us peace an' joy. Amen!"
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by
Paul Laurence Dunbar
Little brown baby wif spa'klin' eyes,
Come to yo' pappy an' set on his knee.
What you been doin', suh -- makin' san' pies?
Look at dat bib -- you's es du'ty ez me.
Look at dat mouf -- dat's merlasses, I bet;
Come hyeah, Maria, an' wipe off his han's.
Bees gwine to ketch you an' eat you up yit,
Bein' so sticky an sweet -- goodness lan's!
Little brown baby wif spa'klin' eyes,
Who's pappy's darlin' an' who's pappy's chile?
Who is it all de day nevah once tries
Fu' to be cross, er once loses dat smile?
Whah did you git dem teef? My, you's a scamp!
Whah did dat dimple come f'om in yo' chin?
Pappy do' know you -- I b'lieves you's a tramp;
Mammy, dis hyeah's some ol' straggler got in!
Let's th'ow him outen de do' in de san',
We do' want stragglers a-layin' 'roun' hyeah;
Let's gin him 'way to de big buggah-man;
I know he's hidin' erroun' hyeah right neah.
Buggah-man, buggah-man, come in de do',
Hyeah's a bad boy you kin have fu' to eat.
Mammy an' pappy do' want him no mo',
Swaller him down f'om his haid to his feet!
Dah, now, I t'ought dat you'd hug me up close.
Go back, ol' buggah, you sha'n't have dis boy.
He ain't no tramp, ner no straggler, of co'se;
He's pappy's pa'dner an' play-mate an' joy.
Come to you' pallet now -- go to yo' res';
Wisht you could allus know ease an' cleah skies;
Wisht you could stay jes' a chile on my breas'--
Little brown baby wif spa'klin' eyes!
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by
Robert Frost
I've known ere now an interfering branch
Of alder catch my lifted ax behind me.
But that was in the woods, to hold my hand
From striking at another alder's roots,
And that was, as I say, an alder branch.
This was a man, Baptiste, who stole one day
Behind me on the snow in my own yard
Where I was working at the chopping block,
And cutting nothing not cut down already.
He caught my ax expertly on the rise,
When all my strength put forth was in his favor,
Held it a moment where it was, to calm me,
Then took it from me — and I let him take it.
I didn't know him well enough to know
What it was all about. There might be something
He had in mind to say to a bad neighbor
He might prefer to say to him disarmed.
But all he had to tell me in French-English
Was what he thought of— not me, but my ax;
Me only as I took my ax to heart.
It was the bad ax-helve some one had sold me —
“Made on machine,' he said, plowing the grain
With a thick thumbnail to show how it ran
Across the handle's long-drawn serpentine,
Like the two strokes across a dollar sign.
“You give her 'one good crack, she's snap raght off.
Den where's your hax-ead flying t'rough de hair?”
Admitted; and yet, what was that to him?
“Come on my house and I put you one in
What's las' awhile — good hick'ry what's grow crooked,
De second growt' I cut myself—tough, tough!”
Something to sell? That wasn't how it sounded.
“Den when you say you come? It's cost you nothing.
To-naght?”
As well to-night as any night.
Beyond an over-warmth of kitchen stove
My welcome differed from no other welcome.
Baptiste knew best why I was where I was.
So long as he would leave enough unsaid,
I shouldn't mind his being overjoyed
(If overjoyed he was) at having got me
Where I must judge if what he knew about an ax
That not everybody else knew was to count
For nothing in the measure of a neighbor.
Hard if, though cast away for life with Yankees,
A Frenchman couldn't get his human rating!
Mrs. Baptiste came in and rocked a chair
That had as many motions as the world:
One back and forward, in and out of shadow,
That got her nowhere; one more gradual,
Sideways, that would have run her on the stove
In time, had she not realized her danger
And caught herself up bodily, chair and all,
And set herself back where she ,started from.
“She ain't spick too much Henglish— dat's too bad.”
I was afraid, in brightening first on me,
Then on Baptiste, as if she understood
What passed between us, she was only reigning.
Baptiste was anxious for her; but no more
Than for himself, so placed he couldn't hope
To keep his bargain of the morning with me
In time to keep me from suspecting him
Of really never having meant to keep it.
Needlessly soon he had his ax-helves out,
A quiverful to choose from, since he wished me
To have the best he had, or had to spare —
Not for me to ask which, when what he took
Had beauties he had to point me out at length
To ensure their not being wasted on me.
He liked to have it slender as a whipstock,
Free from the least knot, equal to the strain
Of bending like a sword across the knee.
He showed me that the lines of a good helve
Were native to the grain before the knife
Expressed them, and its curves were no false curves
Put on it from without. And there its strength lay
For the hard work. He chafed its long white body
From end to end with his rough hand shut round it.
He tried it at the eye-hold in the ax-head.
“Hahn, hahn,” he mused, “don't need much taking down.”
Baptiste knew how to make a short job long
For love of it, and yet not waste time either.
Do you know, what we talked about was knowledge?
Baptiste on his defense about the children
He kept from school, or did his best to keep —
Whatever school and children and our doubts
Of laid-on education had to do
With the curves of his ax-helves and his having
Used these unscrupulously to bring me
To see for once the inside of his house.
Was I desired in friendship, partly as someone
To leave it to, whether the right to hold
Such doubts of education should depend
Upon the education of those who held them.
But now he brushed the shavings from his knee
And stood the ax there on its horse's hoof,
Erect, but not without its waves, as when
The snake stood up for evil in the Garden—
Top-heavy with a heaviness his short,
Thick hand made light of, steel-blue chin drawn down
And in a little — a French touch in that.
Baptiste drew back and squinted at it, pleased:
“See how she's cock her head!”
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by
Paul Laurence Dunbar
Oh, I des received a letter f'om de sweetest little gal;
Oh, my; oh, my.
She's my lovely little sweetheart an' her name is Sal:
Oh, my; oh, my.
She writes me dat she loves me an' she loves me true,
She wonders ef I'll tell huh dat I loves huh, too;
An' my heaht's so full o' music dat I do' know what to do;
Oh, my; oh, my.
I got a man to read it an' he read it fine;
Oh, my; oh, my.
Dey ain' no use denying dat her love is mine;
Oh, my; oh, my.
But hyeah's de t'ing dat's puttin' me in such a awful plight,
I t'ink of huh at mornin' an' I dream of huh at night;
But how's I gwine to cou't huh w'en I do' know how to write?
Oh, my; oh, my.
My heaht is bubblin' ovah wid de t'ings I want to say;
Oh, my; oh, my.
An' dey's lots of folks to copy what I tell 'em fu' de pay;
Oh, my; oh, my.
But dey's t'ings dat I's a-t'inkin' dat is only fu' huh ears,
An' I couldn't lu'n to write 'em ef I took a dozen years;
So to go down daih an' tell huh is de only way, it 'pears;
[Pg 267]Oh, my; oh, my.
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by
Paul Laurence Dunbar
Wen de snow 's a-fallin'
An' de win' is col'.
Mammy 'mence a-callin',
Den she 'mence to scol',
"Lucius Lishy Brackett,
Don't you go out do's,
Button up yo' jacket,
Les'n you 'll git froze."
I sit at de windah
Lookin' at de groun',
Nuffin nigh to hindah,
Mammy ain' erroun';
Wish 't she would n' mek me
Set down in dis chaih;
Pshaw, it would n't tek me
Long to git some aih.
So I jump down nimble
Ez a boy kin be,
Dough I 's all a-trimble
Feahed some one 'll see;
Bet in a half a minute
I fly out de do'
An' I 's knee-deep in it,
Dat dah blessed snow.
Den I hyeah a pattah
Come acrost de flo'.
Den dey comes a clattah
At de cabin do';
An' my mammy holler
Spoilin' all my joy,
"Come in f'om dat waller,
Don't I see you, boy?"
Wen de snow 's a-sievin'
Down ez sof ez meal,
Whut 's de use o' livin'
'Cept you got de feel
Of de stuff dat's fallin'
'Roun' an' white an' damp,
'Dout some one a-callin',
"Come in hyeah, you scamp!"
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by
Paul Laurence Dunbar
Dey 's a so't o' threatenin' feelin' in de blowin' of de breeze,
An' I 's feelin' kin' o' squeamish in de night;
I 's a-walkin' 'roun' a-lookin' at de diffunt style o' trees,
An' a-measurin' dey thickness an' dey height.
Fu' dey 's somep'n mighty 'spicious in de looks de da'kies give,
Ez dey pass me an' my fambly on de groun,'
So it 'curs to me dat lakly, ef I caihs to try an' live,
It concehns me fu' to 'mence to look erroun'.
Dey's a cu'ious kin' o' shivah runnin' up an' down my back,
An' I feel my feddahs rufflin' all de day,
An' my laigs commence to trimble evah blessid step I mek;
W'en I sees a ax, I tu'ns my head away.
Folks is go'gin' me wid goodies, an' dey 's treatin' me wid caih,
An' I 's fat in spite of all dat I kin do.
I 's mistrus'ful of de kin'ness dat's erroun' me evahwhaih,
Fu' it 's jes' too good, an' frequent, to be true.
Snow 's a-fallin' on de medders, all erroun' me now is white,
But I 's still kep' on a-roostin' on de fence;
[Pg 172]Isham comes an' feels my breas'bone, an' he hefted me las' night,
An' he 's gone erroun' a-grinnin' evah sence.
'T ain't de snow dat meks me shivah; 't ain't de col' dat meks me shake;
'T ain't de wintah-time itse'f dat's 'fectin' me;
But I t'ink de time is comin', an' I 'd bettah mek a break,
Fu' to set wid Mistah Possum in his tree.
Wen you hyeah de da'kies singin', an' de quahtahs all is gay,
'T ain't de time fu' birds lak me to be 'erroun';
Wen de hick'ry chip is flyin', an' de log 's been ca'ied erway,
Den hit's dang'ous to be roostin' nigh he groun'.
Grin on, Isham! Sing on, da'kies! But I flop my wings an' go
Fu' de sheltah of de ve'y highest tree,
Fu' dey 's too much close ertention—an' dey's too much fallin' snow—
An' it's too nigh Chris'mus mo'nin' now fu' me.
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by
Paul Laurence Dunbar
I done got 'uligion, honey, an' I 's happy ez a king;
Evahthing I see erbout me 's jes' lak sunshine in de spring;
An' it seems lak I do' want to do anothah blessid thing
But jes' run an' tell de neighbours, an' to shout an' pray an' sing.
I done shuk my fis' at Satan, an' I 's gin de worl' my back;
I do' want no hendrin' causes now a-both'rin' in my track;
Fu' I 's on my way to glory, an' I feels too sho' to miss.
Wy, dey ain't no use in sinnin' when 'uligion 's sweet ez dis.
Talk erbout a man backslidin' w'en he 's on de gospel way;
No, suh, I done beat de debbil, an' Temptation 's los' de day.
Gwine to keep my eyes right straight up, gwine to shet my eahs, an' see
Whut ole projick Mistah Satan 's gwine to try to wuk on me.
Listen, whut dat soun' I hyeah dah? 'tain't no one commence to sing;
It 's a fiddle; git erway dah! don' you hyeah dat blessid thing?
W'y, dat's sweet ez drippin' honey, 'cause, you knows, I draws de bow,
An' when music's sho' 'nough music, I 's de one dat's sho' to know.
W'y, I 's done de double shuffle, twell a body could n't res',
Jes' a-hyeahin' Sam de fiddlah play dat chune his level bes';
I could cut a mighty caper, I could gin a mighty fling
Jes' right now, I 's mo' dan suttain I could cut de pigeon wing.
Look hyeah, whut 's dis I 's been sayin'? whut on urf 's tuk holt o' me?
Dat ole music come nigh runnin' my 'uligion up a tree![Pg 147]
Cleah out wif dat dah ole fiddle, don' you try dat trick agin;
Did n't think I could be tempted, but you lak to made me sin!
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by
Paul Laurence Dunbar
Summah is de lovin' time—
Do' keer what you say.
Night is allus peart an' prime,
Bettah dan de day.
Do de day is sweet an' good,
Birds a-singin' fine,
Pines a-smellin' in de wood,—
But de night is mine.
Rivah whisperin' "howdy do,"
Ez it pass you by—
Moon a-lookin' down at you,
Winkin' on de sly.
Frogs a-croakin' f'om de pon',
Singin' bass dey fill,
An' you listen way beyon'
[Pg 263]Ol' man whippo'will.
Hush up, honey, tek my han'
Mek yo' footsteps light;
Somep'n' kin' o' hol's de lan'
On a summah night.
Somep'n' dat you nevah sees
An' you nevah hyeahs,
But you feels it in de breeze,
Somep'n' nigh to teahs.
Somep'n' nigh to teahs? dat's so;
But hit's nigh to smiles.
An' you feels it ez you go
Down de shinin' miles.
Tek my han', my little dove;
Hush an' come erway—
Summah is de time fu' love,
Night-time beats de day!
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