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Best Famous Daemon Poems

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Written by Ralph Waldo Emerson | Create an image from this poem

Celestial Love

 Higher far,
Upward, into the pure realm,
Over sun or star,
Over the flickering Dæmon film,
Thou must mount for love,—
Into vision which all form
In one only form dissolves;
In a region where the wheel,
On which all beings ride,
Visibly revolves;
Where the starred eternal worm
Girds the world with bound and term;
Where unlike things are like,
When good and ill,
And joy and moan,
Melt into one.
There Past, Present, Future, shoot Triple blossoms from one root Substances at base divided In their summits are united, There the holy Essence rolls, One through separated souls, And the sunny &Aelig;on sleeps Folding nature in its deeps, And every fair and every good Known in part or known impure To men below, In their archetypes endure.
The race of gods, Or those we erring own, Are shadows flitting up and down In the still abodes.
The circles of that sea are laws, Which publish and which hide the Cause.
Pray for a beam Out of that sphere Thee to guide and to redeem.
O what a load Of care and toil By lying Use bestowed, From his shoulders falls, who sees The true astronomy, The period of peace! Counsel which the ages kept, Shall the well-born soul accept.
As the overhanging trees Fill the lake with images, As garment draws the garment's hem Men their fortunes bring with them; By right or wrong, Lands and goods go to the strong; Property will brutely draw Still to the proprietor, Silver to silver creep and wind, And kind to kind, Nor less the eternal poles Of tendency distribute souls.
There need no vows to bind Whom not each other seek but find.
They give and take no pledge or oath, Nature is the bond of both.
No prayer persuades, no flattery fawns, Their noble meanings are their pawns.
Plain and cold is their address, Power have they for tenderness, And so thoroughly is known Each others' purpose by his own, They can parley without meeting, Need is none of forms of greeting, They can well communicate In their innermost estate; When each the other shall avoid, Shall each by each be most enjoyed.
Not with scarfs or perfumed gloves Do these celebrate their loves, Not by jewels, feasts, and savors, Not by ribbons or by favors, But by the sun-spark on the sea, And the cloud-shadow on the lea, The soothing lapse of morn to mirk, And the cheerful round of work.
Their cords of love so public are, They intertwine the farthest star.
The throbbing sea, the quaking earth, Yield sympathy and signs of mirth; Is none so high, so mean is none, But feels and seals this union.
Even the tell Furies are appeased, The good applaud, the lost are eased.
Love's hearts are faithful, but not fond, Bound for the just, but not beyond; Not glad, as the low-loving herd, Of self in others still preferred, But they have heartily designed The benefit of broad mankind.
And they serve men austerely, After their own genius, clearly, Without a false humility; For this is love's nobility, Not to scatter bread and gold, Goods and raiment bought and sold, But to hold fast his simple sense, And speak the speech of innocence, And with hand, and body, and blood, To make his bosom-counsel good: For he that feeds men, serveth few, He serves all, who dares be true.


Written by Ralph Waldo Emerson | Create an image from this poem

Dæmonic Love

 Man was made of social earth,
Child and brother from his birth;
Tethered by a liquid cord
Of blood through veins of kindred poured,
Next his heart the fireside band
Of mother, father, sister, stand;
Names from awful childhood heard,
Throbs of a wild religion stirred,
Their good was heaven, their harm was vice,
Till Beauty came to snap all ties,
The maid, abolishing the past,
With lotus-wine obliterates
Dear memory's stone-incarved traits,
And by herself supplants alone
Friends year by year more inly known.
When her calm eyes opened bright, All were foreign in their light.
It was ever the self-same tale, The old experience will not fail,— Only two in the garden walked, And with snake and seraph talked.
But God said; I will have a purer gift, There is smoke in the flame; New flowerets bring, new prayers uplift, And love without a name.
Fond children, ye desire To please each other well; Another round, a higher, Ye shall climb on the heavenly stair, And selfish preference forbear; And in right deserving, And without a swerving Each from your proper state, Weave roses for your mate.
Deep, deep are loving eyes, Flowed with naphtha fiery sweet, And the point is Paradise Where their glances meet: Their reach shall yet be more profound, And a vision without bound: The axis of those eyes sun-clear Be the axis of the sphere; Then shall the lights ye pour amain Go without check or intervals, Through from the empyrean walls, Unto the same again.
Close, close to men, Like undulating layer of air, Right above their heads, The potent plain of Dæmons spreads.
Stands to each human soul its own, For watch, and ward, and furtherance In the snares of nature's dance; And the lustre and the grace Which fascinate each human heart, Beaming from another part, Translucent through the mortal covers, Is the Dæmon's form and face.
To and fro the Genius hies, A gleam which plays and hovers Over the maiden's head, And dips sometimes as low as to her eyes.
Unknown, — albeit lying near, — To men the path to the Dæmon sphere, And they that swiftly come and go, Leave no track on the heavenly snow.
Sometimes the airy synod bends, And the mighty choir descends, And the brains of men thenceforth, In crowded and in still resorts, Teem with unwonted thoughts.
As when a shower of meteors Cross the orbit of the earth, And, lit by fringent air, Blaze near and far.
Mortals deem the planets bright Have slipped their sacred bars, And the lone seaman all the night Sails astonished amid stars.
Beauty of a richer vein, Graces of a subtler strain, Unto men these moon-men lend, And our shrinking sky extend.
So is man's narrow path By strength and terror skirted, Also (from the song the wrath Of the Genii be averted! The Muse the truth uncolored speaking), The Dæmons are self-seeking; Their fierce and limitary will Draws men to their likeness still.
The erring painter made Love blind, Highest Love who shines on all; Him radiant, sharpest-sighted god None can bewilder; Whose eyes pierce The Universe, Path-finder, road-builder, Mediator, royal giver, Rightly-seeing, rightly-seen, Of joyful and transparent mien.
'Tis a sparkle passing From each to each, from me to thee, Perpetually, Sharing all, daring all, Levelling, misplacing Each obstruction, it unites Equals remote, and seeming opposites.
And ever and forever Love Delights to build a road; Unheeded Danger near him strides, Love laughs, and on a lion rides.
But Cupid wears another face Born into Dæmons less divine, His roses bleach apace, His nectar smacks of wine.
The Dæmon ever builds a wall, Himself incloses and includes, Solitude in solitudes: In like sort his love doth fall.
He is an oligarch, He prizes wonder, fame, and mark, He loveth crowns, He scorneth drones; He doth elect The beautiful and fortunate, And the sons of intellect, And the souls of ample fate, Who the Future's gates unbar, Minions of the Morning Star.
In his prowess he exults, And the multitude insults.
His impatient looks devour Oft the humble and the poor, And, seeing his eye glare, They drop their few pale flowers Gathered with hope to please Along the mountain towers, Lose courage, and despair.
He will never be gainsaid, Pitiless, will not be stayed.
His hot tyranny Burns up every other tie; Therefore comes an hour from Jove Which his ruthless will defies, And the dogs of Fate unties.
Shiver the palaces of glass, Shrivel the rainbow-colored walls Where in bright art each god and sibyl dwelt Secure as in the Zodiack's belt; And the galleries and halls Wherein every Siren sung, Like a meteor pass.
For this fortune wanted root In the core of God's abysm, Was a weed of self and schism: And ever the Dæmonic Love Is the ancestor of wars, And the parent of remorse.
Written by Delmore Schwartz | Create an image from this poem

Prothalamion

 "little soul, little flirting,
 little perverse one
 where are you off to now?
 little wan one, firm one
 little exposed one.
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and never make fun of me again.
" Now I must betray myself.
The feast of bondage and unity is near, And none engaged in that great piety When each bows to the other, kneels, and takes Hand in hand, glance and glance, care and care, None may wear masks or enigmatic clothes, For weakness blinds the wounded face enough.
In sense, see my shocking nakedness.
I gave a girl an apple when five years old, Saying, Will you be sorry when I am gone? Ravenous for such courtesies, my name Is fed like a raving fire, insatiate still.
But do not be afraid.
For I forget myself.
I do indeed Before each genuine beauty, and I will Forget myself before your unknown heart.
I will forget the speech my mother made In a restaurant, trapping my father there At dinner with his whore.
Her spoken rage Struck down the child of seven years With shame for all three, with pity for The helpless harried waiter, with anger for The diners gazing, avid, and contempt And great disgust for every human being.
I will remember this.
My mother's rhetoric Has charmed my various tongue, but now I know Love's metric seeks a rhyme more pure and sure.
For thus it is that I betray myself, Passing the terror of childhood at second hand Through nervous, learned fingertips.
At thirteen when a little girl died, I walked for three weeks neither alive nor dead, And could not understand and still cannot The adult blind to the nearness of the dead, Or carefully ignorant of their own death.
--This sense could shadow all the time's curving fruits, But we will taste of them the whole night long, Forgetting no twelfth night, no fete of June, But in the daylight knowing our nothingness.
Let Freud and Marx be wedding guests indeed! Let them mark out masks that face us there, For of all anguish, weakness, loss and failure, No form is cruel as self-deception, none Shows day-by-day a bad dream long lived And unbroken like the lies We tell each other because we are rich or poor.
Though from the general guilt not free We can keep honor by being poor.
The waste, the evil, the abomination Is interrupted.
the perfect stars persist Small in the guilty night, and Mozart shows The irreducible incorruptible good Risen past birth and death, though he is dead.
Hope, like a face reflected on the windowpane, Remote and dim, fosters a myth or dream, And in that dream, I speak, I summon all Who are our friends somehow and thus I say: "Bid the jewellers come with monocles, Exclaiming, Pure! Intrinsic! Final! Summon the children eating ice cream To speak the chill thrill of immediacy.
Call for the acrobats who tumble The ecstasy of the somersault.
Bid the self-sufficient stars be piercing In the sublime and inexhaustible blue.
"Bring a mathematician, there is much to count, The unending continuum of my attention: Infinity will hurry his multiplied voice! Bring the poised impeccable diver, Summon the skater, precise in figure, He knows the peril of circumstance, The risk of movement and the hard ground.
Summon the florist! And the tobacconist! All who have known a plant-like beauty: Summon the charming bird for ignorant song.
"You, Athena, with your tired beauty, Will you give me away? For you must come In a bathing suit with that white owl Whom, as I walk, I will hold in my hand.
You too, Crusoe, to utter the emotion Of finding Friday, no longer alone; You too, Chaplin, muse of the curbstone, Mummer of hope, you understand!" But this is fantastic and pitiful, And no one comes, none will, we are alone, And what is possible is my own voice, Speaking its wish, despite its lasting fear; Speaking of its hope, its promise and its fear, The voice drunk with itself and rapt in fear, Exaggeration, braggadocio, Rhetoric and hope, and always fear: "For fifty-six or for a thousand years, I will live with you and be your friend, And what your body and what your spirit bears I will like my own body cure and tend.
But you are heavy and my body's weight Is great and heavy: when I carry you I lift upon my back time like a fate Near as my heart, dark when I marry you.
"The voice's promise is easy, and hope Is drunk, and wanton, and unwilled; In time's quicksilver, where our desires grope, The dream is warped or monstrously fulfilled, In this sense, listen, listen, and draw near: Love is inexhaustible and full of fear.
" This life is endless and my eyes are tired, So that, again and again, I touch a chair, Or go to the window, press my face Against it, hoping with substantial touch, Colorful sight, or turning things to gain once more The look of actuality, the certainty Of those who run down stairs and drive a car.
Then let us be each other's truth, let us Affirm the other's self, and be The other's audience, the other's state, Each to the other his sonorous fame.
Now you will be afraid, when, waking up, Before familiar morning, by my mute side Wan and abandoned then, when, waking up, You see the lion or lamb upon my face Or see the daemon breathing heavily His sense of ignorance, his wish to die, For I am nothing because my circus self Divides its love a million times.
I am the octopus in love with God, For thus is my desire inconclusible, Until my mind, deranged in swimming tubes, Issues its own darkness, clutching seas ---O God of my perfect ignorance, Bring the New Year to my only sister soon, Take from me strength and power to bless her head, Give her the magnitude of secular trust, Until she turns to me in her troubled sleep, Seeing me in my wish, free from self-wrongs.
Written by Robert Southey | Create an image from this poem

Donica - A Ballad

 Author Note: In Finland there is a Castle which is called the New Rock, moated about with a river of unfounded depth, the water black and the fish therein
very distateful to the palate.
In this are spectres often seen, which foreshew either the death of the Governor, or some prime officer belonging to the place; and most commonly it appeareth in the shape of an harper, sweetly singing and dallying and playing under the water.
It is reported of one Donica, that after she was dead, the Devil walked in her body for the space of two years, so that none suspected but that she was still alive; for she did both speak and eat, though very sparingly; only she had a deep paleness on her countenance, which was the only sign of death.
At length a Magician coming by where she was then in the company of many other virgins, as soon as he beheld her he said, "fair Maids, why keep you company with the dead Virgin whom you suppose to be alive?" when taking away the magic charm which was tied under her arm, the body fell down lifeless and without motion.
The following Ballad is founded on these stories.
They are to be found in the notes to The Hierarchies of the blessed Angels; a Poem by Thomas Heywood, printed in folio by Adam Islip, 1635.
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High on a rock, whose castled shade Darken'd the lake below, In ancient strength majestic stood The towers of Arlinkow.
The fisher in the lake below Durst never cast his net, Nor ever swallow in its waves Her passing wings would wet.
The cattle from its ominous banks In wild alarm would run, Tho' parched with thirst and faint beneath The summer's scorching sun.
For sometimes when no passing breeze The long lank sedges waved, All white with foam and heaving high Its deafening billows raved; And when the tempest from its base The rooted pine would shake, The powerless storm unruffling swept Across the calm dead lake.
And ever then when Death drew near The house of Arlinkow, Its dark unfathom'd depths did send Strange music from below.
The Lord of Arlinkow was old, One only child had he, Donica was the Maiden's name As fair as fair might be.
A bloom as bright as opening morn Flush'd o'er her clear white cheek, The music of her voice was mild, Her full dark eyes were meek.
Far was her beauty known, for none So fair could Finland boast, Her parents loved the Maiden much, Young EBERHARD loved her most.
Together did they hope to tread The pleasant path of life, For now the day drew near to make Donica Eberhard's wife.
The eve was fair and mild the air, Along the lake they stray; The eastern hill reflected bright The fading tints of day.
And brightly o'er the water stream'd The liquid radiance wide; Donica's little dog ran on And gambol'd at her side.
Youth, Health, and Love bloom'd on her cheek, Her full dark eyes express In many a glance to Eberhard Her soul's meek tenderness.
Nor sound was heard, nor passing gale Sigh'd thro' the long lank sedge, The air was hushed, no little wave Dimpled the water's edge.
Sudden the unfathom'd lake sent forth Strange music from beneath, And slowly o'er the waters sail'd The solemn sounds of Death.
As the deep sounds of Death arose, Donica's cheek grew pale, And in the arms of Eberhard The senseless Maiden fell.
Loudly the youth in terror shriek'd, And loud he call'd for aid, And with a wild and eager look Gaz'd on the death-pale Maid.
But soon again did better thoughts In Eberhard arise, And he with trembling hope beheld The Maiden raise her eyes.
And on his arm reclin'd she moved With feeble pace and slow, And soon with strength recover'd reach'd Yet never to Donica's cheek Return'd the lively hue, Her cheeks were deathy, white, and wan, Her lips a livid blue.
Her eyes so bright and black of yore Were now more black and bright, And beam'd strange lustre in her face So deadly wan and white.
The dog that gambol'd by her side, And lov'd with her to stray, Now at his alter'd mistress howl'd And fled in fear away.
Yet did the faithful Eberhard Not love the Maid the less; He gaz'd with sorrow, but he gaz'd With deeper tenderness.
And when he found her health unharm'd He would not brook delay, But press'd the not unwilling Maid To fix the bridal day.
And when at length it came, with joy They hail'd the bridal day, And onward to the house of God They went their willing way.
And as they at the altar stood And heard the sacred rite, The hallowed tapers dimly stream'd A pale sulphureous light.
And as the Youth with holy warmth Her hand in his did hold, Sudden he felt Donica's hand Grow deadly damp and cold.
And loudly did he shriek, for lo! A Spirit met his view, And Eberhard in the angel form His own Donica knew.
That instant from her earthly frame Howling the Daemon fled, And at the side of Eberhard The livid form fell dead.
Written by Pythagoras | Create an image from this poem

The Golden Verses of Pythagoras

1.
First worship the Immortal Gods, as they are established and ordained by the Law.
2.
Reverence the Oath, and next the Heroes, full of goodness and light.
3.
Honour likewise the Terrestrial Daemons by rendering them the worship lawfully due to them.
4.
Honour likewise your parents, and those most nearly related to you.
5.
Of all the rest of mankind, make him your friend who distinguishes himself by his virtue.
6.
Always give ear to his mild exhortations, and take example from his virtuous and useful actions.
7.
Avoid as much as possible hating your friend for a slight fault.
8.
Power is a near neighbour to necessity.
9.
Know that all these things are just as what I have told you; and accustom yourself to overcome and vanquish these passions:-- 10.
First gluttony, sloth, sensuality, and anger.
11.
Do nothing evil, neither in the presence of others, nor privately; 12.
But above all things respect yourself.
13.
In the next place, observe justice in your actions and in your words.
14.
And do not accustom yourself to behave yourself in any thing without rule, and without reason.
15.
But always make this reflection, that it is ordained by destiny that all men shall die.
16.
And that the goods of fortune are uncertain; and that just as they may be acquired, they may likewise be lost.
17.
Concerning all the calamities that men suffer by divine fortune, 18.
Support your lot with patience, it is what it may be, and never complain at it.
19.
But endeavour what you can to remedy it.
20.
And consider that fate does not send the greatest portion of these misfortunes to good men.
21.
There are many sorts of reasonings among men, good and bad; 22.
Do not admire them too easily, nor reject them.
23.
But if falsehoods are advanced, hear them with mildness, and arm yourself with patience.
24.
Observe well, on every occasion, what I am going to tell you:-- 25.
Do not let any man either by his words, or by his deeds, ever seduce you.
26.
Nor lure you to say or to do what is not profitable for yourself.
27.
Consult and deliberate before you act, that you may not commit foolish actions.
28.
For it is the part of a miserable man to speak and to act without reflection.
29.
But do the thing which will not afflict you afterwards, nor oblige you to repentance.
30.
Never do anything which you do not understand.
31.
But learn all you ought to know, and by that means you will lead a very pleasant life.
32.
in no way neglect the health of your body; 33.
But give it drink and meat in due measure, and also the exercise of which it needs.
34.
Now by measure I mean what will not discomfort you.
35.
Accustom yourself to a way of living that is neat and decent without luxury.
36.
Avoid all things that will occasion envy.
37.
And do not be prodigal out of season, like someone who does not know what is decent and honourable.
38.
Neither be covetous nor stingy; a due measure is excellent in these things.
39.
Only do the things that cannot hurt you, and deliberate before you do them.
40.
Never allow sleep to close your eyelids, after you went to bed, 41.
Until you have examined all your actions of the day by your reason.
42.
In what have I done wrong? What have I done? What have I omitted that I ought to have done? 43.
If in this examination you find that you have done wrong, reprove yourself severely for it; 44.
And if you have done any good, rejoice.
45.
Practise thoroughly all these things; meditate on them well; you ought to love them with all your heart.
46.
It is those that will put you in the way of divine virtue.
47.
I swear it by he who has transmitted into our souls the Sacred Quaternion, the source of nature, whose cause is eternal.
48.
But never begin to set your hand to any work, until you have first prayed the gods to accomplish what you are going to begin.
49.
When you have made this habit familiar to you, 50.
You will know the constitution of the Immortal Gods and of men.
51.
Even how far the different beings extend, and what contains and binds them together.
52.
You shall likewise know that according to Law, the nature of this universe is in all things alike, 53.
So that you shall not hope what you ought not to hope; and nothing in this world shall be hidden from you.
54.
You will likewise know, that men draw upon themselves their own misfortunes voluntarily, and of their own free choice.
55.
Unhappy they are! They neither see nor understand that their good is near them.
56.
Few know how to deliver themselves out of their misfortunes.
57.
Such is the fate that blinds humankind, and takes away his senses.
58.
Like huge cylinders they roll back and forth, and always oppressed with innumerable ills.
59.
For fatal strife, natural, pursues them everywhere, tossing them up and down; nor do they perceive it.
60.
Instead of provoking and stirring it up, they ought to avoid it by yielding.
61.
Oh! Jupiter, our Father! If you would deliver men from all the evils that oppress them, 62.
Show them of what daemon they make use.
63.
But take courage; the race of humans is divine.
64.
Sacred nature reveals to them the most hidden mysteries.
65.
If she impart to you her secrets, you will easily perform all the things which I have ordained thee.
66.
And by the healing of your soul, you wilt deliver it from all evils, from all afflictions.
67.
But you should abstain from the meats, which we have forbidden in the purifications and in the deliverance of the soul; 68.
Make a just distinction of them, and examine all things well.
69.
Leave yourself always to be guided and directed by the understanding that comes from above, and that ought to hold the reins.
70.
And when, after having deprived yourself of your mortal body, you arrived at the most pure Aither, 71.
You shall be a God, immortal, incorruptible, and Death shall have no more dominion over you.


Written by Robinson Jeffers | Create an image from this poem

The Bed By The Window

 I chose the bed downstairs by the sea-window for a good death-bed
When we built the house, it is ready waiting,
Unused unless by some guest in a twelvemonth, who hardly suspects
Its latter purpose.
I often regard it, With neither dislike nor desire; rather with both, so equalled That they kill each other and a crystalline interest Remains alone.
We are safe to finish what we have to finish; And then it will sound rather like music When the patient daemon behind the screen of sea-rock and sky Thumps with his staff, and calls thrice: "Come, Jeffers.
"
Written by Robert Southey | Create an image from this poem

Poems On The Slave Trade - Sonnet I

 Hold your mad hands! for ever on your plain
Must the gorged vulture clog his beak with blood?
For ever must your Nigers tainted flood
Roll to the ravenous shark his banquet slain?
Hold your mad hands! what daemon prompts to rear
The arm of Slaughter? on your savage shore
Can hell-sprung Glory claim the feast of gore,
With laurels water'd by the widow's tear
Wreathing his helmet crown? lift high the spear!
And like the desolating whirlwinds sweep,
Plunge ye yon bark of anguish in the deep;
For the pale fiend, cold-hearted Commerce there
Breathes his gold-gender'd pestilence afar,
And calls to share the prey his kindred Daemon War.
Written by Andrei Voznesensky | Create an image from this poem

THE ANTIWORLDS

 There is Bukashkin, our neighbor, 
 in underpants of blotting paper, 
 and, like balloons, the Antiworlds 
 hang up above him in the vaults.
Up there, like a magic daemon, he smartly rules the Universe, Antibukashkin lies there giving Lollobrigida a caress.
The Anti-great-academician has got a blotting paper vision.
Long live creative Antiworlds, great fantasy amidst daft words! There are wise men and stupid peasants, there are no trees without deserts.
There're Antimen and Antilorries, Antimachines in woods and forests.
There's salt of earth, and there's a fake.
A falcon dies without a snake.
I like my dear critics best.
The greatest of them beats the rest for on his shoulders there's no head, he's got an Antihead instead.
At night I sleep with windows open and hear the rings of falling stars, From up above skyscrapers drop and, like stalactites, look down on us.
High up above me upside down, stuck like a fork into the ground, my nice light-hearted butterfly, my Antiworld, is getting by.
I wonder if it's wrong or right that Antiworlds should date at night.
Why should they sit there side by side watching TV all through the night? They do not understand a word.
It's their last date in this world.
They sit and chat for hours, and they will regret it in the end! The two have burning ears and eyes, resembling purple butterflies.
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A lecturer once said to me: "An Antiworld? It's loonacy!" I'm half asleep, and I would sooner believe than doubt the man's word.
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My green-eyed kitty, like a tuner, receives the signals of the world.
© Copyright Alec Vagapov's translation
Written by Percy Bysshe Shelley | Create an image from this poem

Mont Blanc: Lines Written in the Vale of Chamouni

 I
The everlasting universe of things 
Flows through the mind, and rolls its rapid waves,
Now dark--now glittering--now reflecting gloom--
Now lending splendour, where from secret springs
The source of human thought its tribute brings
Of waters--with a sound but half its own,
Such as a feeble brook will oft assume,
In the wild woods, among the mountains lone,
Where waterfalls around it leap for ever,
Where woods and winds contend, and a vast river
Over its rocks ceaselessly bursts and raves.
II Thus thou, Ravine of Arve--dark, deep Ravine-- Thou many-colour'd, many-voiced vale, Over whose pines, and crags, and caverns sail Fast cloud-shadows and sunbeams: awful scene, Where Power in likeness of the Arve comes down From the ice-gulfs that gird his secret throne, Bursting through these dark mountains like the flame Of lightning through the tempest;--thou dost lie, Thy giant brood of pines around thee clinging, Children of elder time, in whose devotion The chainless winds still come and ever came To drink their odours, and their mighty swinging To hear--an old and solemn harmony; Thine earthly rainbows stretch'd across the sweep Of the aethereal waterfall, whose veil Robes some unsculptur'd image; the strange sleep Which when the voices of the desert fail Wraps all in its own deep eternity; Thy caverns echoing to the Arve's commotion, A loud, lone sound no other sound can tame; Thou art pervaded with that ceaseless motion, Thou art the path of that unresting sound-- Dizzy Ravine! and when I gaze on thee I seem as in a trance sublime and strange To muse on my own separate fantasy, My own, my human mind, which passively Now renders and receives fast influencings, Holding an unremitting interchange With the clear universe of things around; One legion of wild thoughts, whose wandering wings Now float above thy darkness, and now rest Where that or thou art no unbidden guest, In the still cave of the witch Poesy, Seeking among the shadows that pass by Ghosts of all things that are, some shade of thee, Some phantom, some faint image; till the breast From which they fled recalls them, thou art there! III Some say that gleams of a remoter world Visit the soul in sleep, that death is slumber, And that its shapes the busy thoughts outnumber Of those who wake and live.
--I look on high; Has some unknown omnipotence unfurl'd The veil of life and death? or do I lie In dream, and does the mightier world of sleep Spread far around and inaccessibly Its circles? For the very spirit fails, Driven like a homeless cloud from steep to steep That vanishes among the viewless gales! Far, far above, piercing the infinite sky, Mont Blanc appears--still, snowy, and serene; Its subject mountains their unearthly forms Pile around it, ice and rock; broad vales between Of frozen floods, unfathomable deeps, Blue as the overhanging heaven, that spread And wind among the accumulated steeps; A desert peopled by the storms alone, Save when the eagle brings some hunter's bone, And the wolf tracks her there--how hideously Its shapes are heap'd around! rude, bare, and high, Ghastly, and scarr'd, and riven.
--Is this the scene Where the old Earthquake-daemon taught her young Ruin? Were these their toys? or did a sea Of fire envelop once this silent snow? None can reply--all seems eternal now.
The wilderness has a mysterious tongue Which teaches awful doubt, or faith so mild, So solemn, so serene, that man may be, But for such faith, with Nature reconcil'd; Thou hast a voice, great Mountain, to repeal Large codes of fraud and woe; not understood By all, but which the wise, and great, and good Interpret, or make felt, or deeply feel.
IV The fields, the lakes, the forests, and the streams, Ocean, and all the living things that dwell Within the daedal earth; lightning, and rain, Earthquake, and fiery flood, and hurricane, The torpor of the year when feeble dreams Visit the hidden buds, or dreamless sleep Holds every future leaf and flower; the bound With which from that detested trance they leap; The works and ways of man, their death and birth, And that of him and all that his may be; All things that move and breathe with toil and sound Are born and die; revolve, subside, and swell.
Power dwells apart in its tranquillity, Remote, serene, and inaccessible: And this, the naked countenance of earth, On which I gaze, even these primeval mountains Teach the adverting mind.
The glaciers creep Like snakes that watch their prey, from their far fountains, Slow rolling on; there, many a precipice Frost and the Sun in scorn of mortal power Have pil'd: dome, pyramid, and pinnacle, A city of death, distinct with many a tower And wall impregnable of beaming ice.
Yet not a city, but a flood of ruin Is there, that from the boundaries of the sky Rolls its perpetual stream; vast pines are strewing Its destin'd path, or in the mangled soil Branchless and shatter'd stand; the rocks, drawn down From yon remotest waste, have overthrown The limits of the dead and living world, Never to be reclaim'd.
The dwelling-place Of insects, beasts, and birds, becomes its spoil; Their food and their retreat for ever gone, So much of life and joy is lost.
The race Of man flies far in dread; his work and dwelling Vanish, like smoke before the tempest's stream, And their place is not known.
Below, vast caves Shine in the rushing torrents' restless gleam, Which from those secret chasms in tumult welling Meet in the vale, and one majestic River, The breath and blood of distant lands, for ever Rolls its loud waters to the ocean-waves, Breathes its swift vapours to the circling air.
V Mont Blanc yet gleams on high:--the power is there, The still and solemn power of many sights, And many sounds, and much of life and death.
In the calm darkness of the moonless nights, In the lone glare of day, the snows descend Upon that Mountain; none beholds them there, Nor when the flakes burn in the sinking sun, Or the star-beams dart through them.
Winds contend Silently there, and heap the snow with breath Rapid and strong, but silently! Its home The voiceless lightning in these solitudes Keeps innocently, and like vapour broods Over the snow.
The secret Strength of things Which governs thought, and to the infinite dome Of Heaven is as a law, inhabits thee! And what were thou, and earth, and stars, and sea, If to the human mind's imaginings Silence and solitude were vacancy?
Written by Alexander Pope | Create an image from this poem

Epistles to Several Persons: Epistle IV To Richard Boyle

 Est brevitate opus, ut currat sententia, neu se 
Impediat verbis lassas onerantibus aures: 
Et sermone opus est modo tristi, saepe jocoso, 
Defendente vicem modo Rhetoris atque Poetae, 
Interdum urbani, parcentis viribus, atque
Extenuantis eas consulto.
(Horace, Satires, I, x, 17-22) 'Tis strange, the miser should his cares employ To gain those riches he can ne'er enjoy: Is it less strange, the prodigal should waste His wealth to purchase what he ne'er can taste? Not for himself he sees, or hears, or eats; Artists must choose his pictures, music, meats: He buys for Topham, drawings and designs, For Pembroke, statues, dirty gods, and coins; Rare monkish manuscripts for Hearne alone, And books for Mead, and butterflies for Sloane.
Think we all these are for himself? no more Than his fine wife, alas! or finer whore.
For what his Virro painted, built, and planted? Only to show, how many tastes he wanted.
What brought Sir Visto's ill got wealth to waste? Some daemon whisper'd, "Visto! have a taste.
" Heav'n visits with a taste the wealthy fool, And needs no rod but Ripley with a rule.
See! sportive fate, to punish awkward pride, Bids Bubo build, and sends him such a guide: A standing sermon, at each year's expense, That never coxcomb reach'd magnificence! You show us, Rome was glorious, not profuse, And pompous buildings once were things of use.
Yet shall (my Lord) your just, your noble rules Fill half the land with imitating fools; Who random drawings from your sheets shall take, And of one beauty many blunders make; Load some vain church with old theatric state, Turn arcs of triumph to a garden gate; Reverse your ornaments, and hang them all On some patch'd dog-hole ek'd with ends of wall; Then clap four slices of pilaster on't, That lac'd with bits of rustic, makes a front.
Or call the winds through long arcades to roar, Proud to catch cold at a Venetian door; Conscious they act a true Palladian part, And, if they starve, they starve by rules of art.
Oft have you hinted to your brother peer, A certain truth, which many buy too dear: Something there is more needful than expense, And something previous ev'n to taste--'tis sense: Good sense, which only is the gift of Heav'n, And though no science, fairly worth the sev'n: A light, which in yourself you must perceive; Jones and Le Notre have it not to give.
To build, to plant, whatever you intend, To rear the column, or the arch to bend, To swell the terrace, or to sink the grot; In all, let Nature never be forgot.
But treat the goddess like a modest fair, Nor overdress, nor leave her wholly bare; Let not each beauty ev'rywhere be spied, Where half the skill is decently to hide.
He gains all points, who pleasingly confounds, Surprises, varies, and conceals the bounds.
Consult the genius of the place in all; That tells the waters or to rise, or fall; Or helps th' ambitious hill the heav'ns to scale, Or scoops in circling theatres the vale; Calls in the country, catches opening glades, Joins willing woods, and varies shades from shades, Now breaks, or now directs, th' intending lines; Paints as you plant, and, as you work, designs.
Still follow sense, of ev'ry art the soul, Parts answ'ring parts shall slide into a whole, Spontaneous beauties all around advance, Start ev'n from difficulty, strike from chance; Nature shall join you; time shall make it grow A work to wonder at--perhaps a Stowe.
Without it, proud Versailles! thy glory falls; And Nero's terraces desert their walls: The vast parterres a thousand hands shall make, Lo! Cobham comes, and floats them with a lake: Or cut wide views through mountains to the plain, You'll wish your hill or shelter'd seat again.
Ev'n in an ornament its place remark, Nor in an hermitage set Dr.
Clarke.
Behold Villario's ten years' toil complete; His quincunx darkens, his espaliers meet; The wood supports the plain, the parts unite, And strength of shade contends with strength of light; A waving glow his bloomy beds display, Blushing in bright diversities of day, With silver-quiv'ring rills meander'd o'er-- Enjoy them, you! Villario can no more; Tir'd of the scene parterres and fountains yield, He finds at last he better likes a field.
Through his young woods how pleas'd Sabinus stray'd, Or sat delighted in the thick'ning shade, With annual joy the redd'ning shoots to greet, Or see the stretching branches long to meet! His son's fine taste an op'ner vista loves, Foe to the dryads of his father's groves; One boundless green, or flourish'd carpet views, With all the mournful family of yews; The thriving plants ignoble broomsticks made, Now sweep those alleys they were born to shade.
At Timon's villa let us pass a day, Where all cry out, "What sums are thrown away!" So proud, so grand of that stupendous air, Soft and agreeable come never there.
Greatness, with Timon, dwells in such a draught As brings all Brobdingnag before your thought.
To compass this, his building is a town, His pond an ocean, his parterre a down: Who but must laugh, the master when he sees, A puny insect, shiv'ring at a breeze! Lo, what huge heaps of littleness around! The whole, a labour'd quarry above ground.
Two cupids squirt before: a lake behind Improves the keenness of the Northern wind.
His gardens next your admiration call, On ev'ry side you look, behold the wall! No pleasing intricacies intervene, No artful wildness to perplex the scene; Grove nods at grove, each alley has a brother, And half the platform just reflects the other.
The suff'ring eye inverted Nature sees, Trees cut to statues, statues thick as trees; With here a fountain, never to be play'd; And there a summerhouse, that knows no shade; Here Amphitrite sails through myrtle bow'rs; There gladiators fight, or die in flow'rs; Unwater'd see the drooping sea horse mourn, And swallows roost in Nilus' dusty urn.
My Lord advances with majestic mien, Smit with the mighty pleasure, to be seen: But soft--by regular approach--not yet-- First through the length of yon hot terrace sweat; And when up ten steep slopes you've dragg'd your thighs, Just at his study door he'll bless your eyes.
His study! with what authors is it stor'd? In books, not authors, curious is my Lord; To all their dated backs he turns you round: These Aldus printed, those Du Sueil has bound.
Lo, some are vellum, and the rest as good For all his Lordship knows, but they are wood.
For Locke or Milton 'tis in vain to look, These shelves admit not any modern book.
And now the chapel's silver bell you hear, That summons you to all the pride of pray'r: Light quirks of music, broken and uneven, Make the soul dance upon a jig to heaven.
On painted ceilings you devoutly stare, Where sprawl the saints of Verrio or Laguerre, On gilded clouds in fair expansion lie, And bring all paradise before your eye.
To rest, the cushion and soft dean invite, Who never mentions Hell to ears polite.
But hark! the chiming clocks to dinner call; A hundred footsteps scrape the marble hall: The rich buffet well-colour'd serpents grace, And gaping Tritons spew to wash your face.
Is this a dinner? this a genial room? No, 'tis a temple, and a hecatomb.
A solemn sacrifice, perform'd in state, You drink by measure, and to minutes eat.
So quick retires each flying course, you'd swear Sancho's dread doctor and his wand were there.
Between each act the trembling salvers ring, From soup to sweet wine, and God bless the King.
In plenty starving, tantaliz'd in state, And complaisantly help'd to all I hate, Treated, caress'd, and tir'd, I take my leave, Sick of his civil pride from morn to eve; I curse such lavish cost, and little skill, And swear no day was ever pass'd so ill.
Yet hence the poor are cloth'd, the hungry fed; Health to himself, and to his infants bread The lab'rer bears: What his hard heart denies, His charitable vanity supplies.
Another age shall see the golden ear Embrown the slope, and nod on the parterre, Deep harvests bury all his pride has plann'd, And laughing Ceres reassume the land.
Who then shall grace, or who improve the soil? Who plants like Bathurst, or who builds like Boyle.
'Tis use alone that sanctifies expense, And splendour borrows all her rays from sense.
His father's acres who enjoys in peace, Or makes his neighbours glad, if he increase: Whose cheerful tenants bless their yearly toil, Yet to their Lord owe more than to the soil; Whose ample lawns are not asham'd to feed The milky heifer and deserving steed; Whose rising forests, not for pride or show, But future buildings, future navies, grow: Let his plantations stretch from down to down, First shade a country, and then raise a town.
You too proceed! make falling arts your care, Erect new wonders, and the old repair; Jones and Palladio to themselves restore, And be whate'er Vitruvius was before: Till kings call forth th' ideas of your mind, Proud to accomplish what such hands design'd, Bid harbours open, public ways extend, Bid temples, worthier of the God, ascend; Bid the broad arch the dang'rous flood contain, The mole projected break the roaring main; Back to his bounds their subject sea command, And roll obedient rivers through the land; These honours, peace to happy Britain brings, These are imperial works, and worthy kings.

Book: Shattered Sighs