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Best Famous Creative Writing Poems

Here is a collection of the all-time best famous Creative Writing poems. This is a select list of the best famous Creative Writing poetry. Reading, writing, and enjoying famous Creative Writing poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of creative writing poems.

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Written by Barry Tebb | Create an image from this poem

Sorry I Missed You

 (or ‘Huddersfield the Second Poetry Capital of England Re-visited’)



What was it Janice Simmons said to me as James lay dying in Ireland?

“Phone Peter Pegnall in Leeds, an ex-pupil of Jimmy’s. He’s organising

A benefit reading, he’d love to hear from you and have your help.”



‘Like hell he would’ I thought but I phoned him all the same

At his converted farmhouse at Barswill, a Lecturer in Creative Writing

At the uni. But what’s he written, I wondered, apart from his CV?



“Well I am organising a reading but only for the big people, you understand,

Hardman, Harrison, Doughty, Duhig, Basher O’Brien, you know the kind,

The ones that count, the ones I owe my job to.”

We nattered on and on until by way of adieu I read the final couplet

Of my Goodbye poem, the lines about ‘One Leeds Jimmy who could fix the world’s.

Duhigs once and for all/Write them into the ground and still have a hundred

Lyrics in his quiver.’



Pete Stifled a cough which dipped into a gurgle and sank into a mire

Of strangulated affect which almost became a convulsion until finally

He shrieked, “I have to go, the cat’s under the Christmas tree, ripping

Open all the presents, the central heating boiler’s on the blink,

The house is on fucking fire!”



So I was left with the offer of being raffle-ticket tout as a special favour,

Some recompense for giving over two entire newsletters to Jimmy’s work:

The words of the letter before his stroke still burned. “I don’t know why

They omitted me, Armitage and Harrison were my best mates once. You and I

Must meet.”



A whole year’s silence until the card with its cryptic message

‘Jimmy’s recovering slowly but better than expected’.



I never heard from Pegnall about the reading, the pamphlets he asked for

Went unacknowledged. Whalebone, the fellow-tutor he commended, also stayed silent.

Had the event been cancelled? Happening to be in Huddersfield on Good Friday

I staggered up three flights of stone steps in the Byram Arcade to the Poetry Business

Where, next to the ‘closed’ sign an out-of-date poster announced the reading in Leeds

At a date long gone.



I peered through the slats at empty desks, at brimming racks of books,

At overflowing bin-bags and the yellowing poster. Desperately I tried to remember

What Janice had said. “We were sat up in bed, planning to take the children

For a walk when Jimmy stopped looking at me, the pupils of his eyes rolled sideways,

His head lolled and he keeled over.”

The title of the reading was from Jimmy’s best collection

‘With Energy To Burn’

with energy to burn.


Written by Barry Tebb | Create an image from this poem

Poem To Be Placed In A Bottle And Cast Out To Sea

 for Ken Kesey and his merry pranksters in a bus called ‘Further...’





Dear _______ and here’s where the problem begins

For who shall I address this letter to?

Friends are few and very special, muses in the main

I must confess, the first I lost just fifty years ago.

Perhaps the best.



I searched for years and wrote en route

‘Bridge Over the Aire’ after that vision and that voice

“I am here. I am waiting”. I followed every lead

Margaret Gardiner last heard of in the Falmouth’s

Of Leeds 9, early fifties. Barry Tebb your friend from then

Would love to hear from you.”



The sole reply

A mis-directed estimate for papering a bungalow

In Penge. I nearly came unhinged as weeks

Ran into months of silence. Was it. I wondered.

A voice from the beyond?



The vision was given

Complete with backcloth of resplendent stars

The bridge’s grey transmuted to a sheen of pearl

The chipped steps became transparent stairs to heaven

Our worn clothes, like Cinders’ at the ball, cloaks and gowns

Of infinite splendour but only for the night, remember!

I passed the muse’s diadem to Sheila Pritchard,

My genius-child-poet of whom Redgrove said

“Of course, you are in love” and wrote for her

‘My Perfect Rose!’



Last year a poet saw it

In the British Council Reading Room in distant Kazakstan

And sent his poems to me on paper diaphanous

As angels’ wings and delicate as ash

And tinted with a splash of lemon

And a dash of mignonette.



I last saw Sheila circa nineteen sixty seven

Expelled from grammar school wearing a poncho

Hand-made from an army blanket

Working a stall in Kirkgate Market.



Brenda Williams, po?te maudit if ever,

By then installed as muse number three

Grew sadly jealous for the only time

In thirty-seven years: muse number two

Passed into the blue



There is another muse, who makes me chronologically confused.

Barbara, who overlaps both two and three

And still is there, somewhere in Leeds.

Who does remember me and who, almost alone.

Inspired my six novellas: we write and

Talk sometimes and in a crisis she is there for me,



Muse number four, though absent for a month in Indonesia.

Remains. I doubt if there will be a fifth.



There is a poet, too, who is a friend and writes to me

From Hampstead, from a caf? in South End Green.

His cursive script on rose pink paper symptomatic

Of his gift for eloquent prose and poetry sublime

His elegy on David Gascoyne’s death quite takes my breath

And the title of his novel ‘Lipstick Boys’ I'll envy always,



There are some few I talk and write to

And occasionally meet. David Lambert, poet and teacher

Of creative writing, doing it ‘my way’ in the nineties,

UEA found his services superfluous to their needs.



? ? you may **** like hell,

But I abhor your jealous narcissistic smell

And as for your much vaunted pc prose

I’d rather stick my prick inside the thorniest rose.



Jeanne Conn of ‘Connections’ your letters

are even longer than my own and Maggie Allen

Sent me the only Valentine I’ve had in sixty years

These two do know my longings and my fears,



Dear Simon Jenner, Eratica’s erratic editor, your speech

So like the staccato of a bren, yet loaded

With a lifetime’s hard-won ken of poetry’s obscurest corners.

I salute David Wright, that ‘difficult deaf son’

Of the sixties, acknowledged my own youthful spasm of enthusiasm

But Simon you must share the honour with Jimmy Keery,

Of whom I will admit I’m somewhat leery,

His critical acuity so absolute and steely.



I ask you all to stay with me

Through time into infinity

Not even death can undo

The love I have for you.

Book: Reflection on the Important Things