Written by
David St John |
It was in the old days,
When she used to hang out at a place
Called Club Zombie,
A black cabaret that the police liked
To raid now and then. As she
Stepped through the door, the light
Would hit her platinum hair,
And believe me, heads would turn. Maestro
Loved it; he'd have her by
The arm as he led us through the packed crowd
To a private corner
Where her secluded oak table always waited.
She'd say, Jordan. . .
And I'd order her usual,
A champagne cocktail with a tall shot of bourbon
On the side. She'd let her eyes
Trail the length of the sleek neck
Of the old stand-up bass, as
The bass player knocked out the bottom line,
His forehead glowing, glossy
With sweat in the blue lights;
Her own face, smooth and shining, as
The liquor slowly blanketed the pills
She'd slipped beneath her tongue.
Maestro'd kick the **** out of anybody
Who tried to sneak up for an autograph;
He'd say, Jordan, just let me know if
Somebody gets too close. . . .
Then he'd turn to her and whisper, Here's
Where you get to be Miss Nobody. . .
And she'd smile as she let him
Kiss her hand. For a while, there was a singer
At the club, a guy named Louis--
But Maestro'd change his name to "Michael Champion";
Well, when this guy leaned forward,
Cradling the microphone in his huge hands,
All the legs went weak
Underneath the ladies.
He'd look over at her, letting his eyelids
Droop real low, singing, Oh Baby I. . .
Oh Baby I Love. . . I Love You. . .
And she'd be gone, those little mermaid tears
Running down her cheeks. Maestro
Was always cool. He'd let them use his room upstairs,
Sometimes, because they couldn't go out--
Black and white couldn't mix like that then.
I mean, think about it--
This kid star and a cool beauty who made King Cole
Sound raw? No, they had to keep it
To the club; though sometimes,
Near the end, he'd come out to her place
At the beach, always taking the iced whisky
I brought to him with a sly, sweet smile.
Once, sweeping his arm out in a slow
Half-circle, the way at the club he'd
Show the audience how far his endless love
Had grown, he marked
The circumference of the glare whitening the patio
Where her friends all sat, sunglasses
Masking their eyes. . .
And he said to me, Jordan, why do
White people love the sun so?--
God's spotlight, my man?
Leaning back, he looked over to where she
Stood at one end of the patio, watching
The breakers flatten along the beach below,
Her body reflected and mirrored
Perfectly in the bedroom's sliding black glass
Door. He stared at her
Reflection for a while, then looked up at me
And said, Jordan, I think that I must be
Like a pool of water in a cave that sometimes
She steps into. . .
Later, as I drove him back into the city,
He hummed a Bessie Smith tune he'd sing
For her, but he didn't say a word until
We stopped at last back at the club. He stepped
slowly out of the back
Of the Cadillac, and reaching to shake my hand
Through the open driver's window, said,
My man, Jordan. . . Goodbye.
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Written by
Charles Bukowski |
I cut the middle fingernail of the middle
finger
right hand
real short
and I began rubbing along her ****
as she sat upright in bed
spreading lotion over her arms
face
and breasts
after bathing.
then she lit a cigarette:
"don't let this put you off,"
an smoked and continued to rub
the lotion on.
I continued to rub the ****.
"You want an apple?" I asked.
"sure, she said, "you got one?"
but I got to her-
she began to twist
then she rolled on her side,
she was getting wet and open
like a flower in the rain.
then she rolled on her stomach
and her most beautiful ass
looked up at me
and I reached under and got the
**** again.
she reached around and got my
cock, she rolled and twisted,
I mounted
my face falling into the mass
of red hair that overflowed
from her head
and my flattened cock entered
into the miracle.
later we joked about the lotion
and the cigarette and the apple.
then I went out and got some chicken
and shrimp and french fries and buns
and mashed potatoes and gravy and
cole slaw,and we ate. she told me
how good she felt and I told her
how good I felt and we
ate the chicken and the shrimp and the
french fries and the buns and the
mashed potatoes and the gravy and
the cole slaw too.
|
Written by
John Greenleaf Whittier |
FOR the fairest maid in Hampton
They needed not to search,
Who saw young Anna favor
Come walking into church,--
Or bringing from the meadows,
At set of harvest-day,
The frolic of the blackbirds,
The sweetness of the hay.
Now the weariest of all mothers,
The saddest two years' bride,
She scowls in the face of her husband,
And spurns her child aside.
"Rake out the red coals, goodman,--
For there the child shall lie,
Till the black witch comes to fetch her
And both up chimney fly.
"It's never my own little daughter,
It's never my own," she said;
"The witches have stolen my Anna,
And left me an imp instead.
"Oh, fair and sweet was my baby,
Blue eyes, and hair of gold;
But this is ugly and wrinkled,
Cross, and cunning, and old.
"I hate the touch of her fingers,
I hate the feel of her skin;
It's not the milk from my bosom,
But my blood, that she sucks in.
"My face grows sharp with the torment;
Look! my arms are skin and bone!
Rake open the red coals, goodman,
And the witch shall have her own.
"She'll come when she hears it crying,
In the shape of an owl or bat,
And she'll bring us our darling Anna
In place of her screeching brat. "
Then the goodman, Ezra Dalton,
Laid his hand upon her head:
Thy sorrow is great, O woman!
I sorrow with thee," he said.
"The paths to trouble are many
And never but one sure way
Leads out to the light beyond it:
My poor wife, let us pray. "
Then he said to the great All-Father,
"Thy daughter is weak and blind;
Let her sight come back, and clothe her
Once more in her right mind.
"Lead her out of this evil shadow,
Out of these fancies wild;
Let the holy love of the mother
Turn again to her child.
"Make her lips like the lips of Mary
Kissing her blessed Son;
Let her hands, like the hands of Jesus,
Rest on her little one.
"Comfort the soul of thy handmaid,
Open her prison-door,
And thine shall be all the glory
And praise forevermore. "
Then into the face of its mother
The baby looked up and smiled;
And the cloud of her soul was lifted,
And she knew her little child.
A beam of the slant west sunshine
Made the wan face almost fair,
Lit the blue eyes' patient wonder
And the rings of pale gold hair.
She kissed it on lip and forehead,
She kissed it on cheek and chink
And she bared her snow-white bosom
To the lips so pale and thin.
Oh, fair on her bridal morning
Was the maid who blushed and smiled,
But fairer to Ezra Dalton
Looked the mother of his child.
With more than a lover's fondness
He stooped to her worn young face,
And the nursing child and the mother
He folded in one embrace.
"Blessed be God!" he murmured.
"Blessed be God!" she said;
"For I see, who once was blinded,--
I live, who once was dead.
"Now mount and ride, my goodman,
As thou lovest thy own soul!
Woe's me, if my wicked fancies
Be the death of Goody Cole!"
His horse he saddled and bridled,
And into the night rode he,
Now through the great black woodland,
Now by the white-beached sea.
He rode through the silent clearings,
He came to the ferry wide,
And thrice he called to the boatman
Asleep on the other side.
He set his horse to the river,
He swam to Newbury town,
And he called up Justice Sewall
In his nightcap and his gown.
And the grave and worshipful justice
(Upon whose soul be peace!)
Set his name to the jailer's warrant
For Goodwife Cole's release.
Then through the night the hoof-beats
Went sounding like a flail;
And Goody Cole at cockcrow
Came forth from Ipswich jail.
|
Written by
G K Chesterton |
Old King Cole
Was a merry old soul
And a merry old soul was he
He called for his pipe
and he called for his bowl
and he called for his fiddlers three
after Lord Tennyson
Cole, that unwearied prince of Colchester,
Growing more gay with age and with long days
Deeper in laughter and desire of life
As that Virginian climber on our walls
Flames scarlet with the fading of the year;
Called for his wassail and that other weed
Virginian also, from the western woods
Where English Raleigh checked the boast of Spain,
And lighting joy with joy, and piling up
Pleasure as crown for pleasure, bade me bring
Those three, the minstrels whose emblazoned coats
Shone with the oyster-shells of Colchester;
And these three played, and playing grew more fain
Of mirth and music; till the heathen came
And the King slept beside the northern sea.
after W. B. Yeats
Of an old King in a story
From the grey sea-folk I have heard
Whose heart was no more broken
Than the wings of a bird.
As soon as the moon was silver
And the thin stars began,
He took his pipe and his tankard,
Like an old peasant man.
And three tall shadows were with him
And came at his command;
And played before him for ever
The fiddles of fairyland.
And he died in the young summer
Of the world's desire;
Before our hearts were broken
Like sticks in a fire.
after Walt Whitman
Me clairvoyant,
Me conscious of you, old camarado,
Needing no telescope, lorgnette, field-glass, opera-glass, myopic pince-nez,
Me piercing two thousand years with eye naked and not ashamed;
The crown cannot hide you from me,
Musty old feudal-heraldic trappings cannot hide you from me,
I perceive that you drink.
(I am drinking with you. I am as drunk as you are. )
I see you are inhaling tobacco, puffing, smoking, spitting
(I do not object to your spitting),
You prophetic of American largeness,
You anticipating the broad masculine manners of these States;
I see in you also there are movements, tremors, tears, desire for the melodious,
I salute your three violinists, endlessly making vibrations,
Rigid, relentless, capable of going on for ever;
They play my accompaniment; but I shall take no notice of any accompaniment;
I myself am a complete orchestra.
So long.
|
Written by
Edwin Arlington Robinson |
In Tilbury Town did Old King Cole
A wise old age anticipate,
Desiring, with his pipe and bowl,
No Khan’s extravagant estate.
No crown annoyed his honest head,
No fiddlers three were called or needed;
For two disastrous heirs instead
Made music more than ever three did.
Bereft of her with whom his life
Was harmony without a flaw,
He took no other for a wife,
Nor sighed for any that he saw;
And if he doubted his two sons,
And heirs, Alexis and Evander,
He might have been as doubtful once
Of Robert Burns and Alexander.
Alexis, in his early youth,
Began to steal—from old and young.
Likewise Evander, and the truth
Was like a bad taste on his tongue.
Born thieves and liars, their affair
Seemed only to be tarred with evil—
The most insufferable pair
Of scamps that ever cheered the devil.
The world went on, their fame went on,
And they went on—from bad to worse;
Till, goaded hot with nothing done,
And each accoutred with a curse,
The friends of Old King Cole, by twos,
And fours, and sevens, and elevens,
Pronounced unalterable views
Of doings that were not of heaven’s.
And having learned again whereby
Their baleful zeal had come about,
King Cole met many a wrathful eye
So kindly that its wrath went out—
Or partly out. Say what they would,
He seemed the more to court their candor;
But never told what kind of good
Was in Alexis and Evander.
And Old King Cole, with many a puff
That haloed his urbanity,
Would smoke till he had smoked enough,
And listen most attentively.
He beamed as with an inward light
That had the Lord’s assurance in it;
And once a man was there all night,
Expecting something every minute.
But whether from too little thought,
Or too much fealty to the bowl,
A dim reward was all he got
For sitting up with Old King Cole.
“Though mine,” the father mused aloud,
“Are not the sons I would have chosen,
Shall I, less evilly endowed,
By their infirmity be frozen?
“They’ll have a bad end, I’ll agree,
But I was never born to groan;
For I can see what I can see,
And I’m accordingly alone.
With open heart and open door,
I love my friends, I like my neighbors;
But if I try to tell you more,
Your doubts will overmatch my labors.
“This pipe would never make me calm,
This bowl my grief would never drown.
For grief like mine there is no balm
In Gilead, or in Tilbury Town.
And if I see what I can see,
I know not any way to blind it;
Nor more if any way may be
For you to grope or fly to find it.
“There may be room for ruin yet,
And ashes for a wasted love;
Or, like One whom you may forget,
I may have meat you know not of.
And if I’d rather live than weep
Meanwhile, do you find that surprising?
Why, bless my soul, the man’s asleep!
That’s good. The sun will soon be rising. ”
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