Written by
Edna St. Vincent Millay |
Aye, but she?
Your other sister and my other soul
Grave Silence, lovelier
Than the three loveliest maidens, what of her?
Clio, not you,
Not you, Calliope,
Nor all your wanton line,
Not Beauty's perfect self shall comfort me
For Silence once departed,
For her the cool-tongued, her the tranquil-hearted,
Whom evermore I follow wistfully,
Wandering Heaven and Earth and Hell and the four seasons through;
Thalia, not you,
Not you, Melpomene,
Not your incomparable feet, O thin Terpsichore, I seek in this great hall,
But one more pale, more pensive, most beloved of you all.
I seek her from afar,
I come from temples where her altars are,
From groves that bear her name,
Noisy with stricken victims now and sacrificial flame,
And cymbals struck on high and strident faces
Obstreperous in her praise
They neither love nor know,
A goddess of gone days,
Departed long ago,
Abandoning the invaded shrines and fanes
Of her old sanctuary,
A deity obscure and legendary,
Of whom there now remains,
For sages to decipher and priests to garble,
Only and for a little while her letters wedged in marble,
Which even now, behold, the friendly mumbling rain erases,
And the inarticulate snow,
Leaving at last of her least signs and traces
None whatsoever, nor whither she is vanished from these places.
"She will love well," I said,
"If love be of that heart inhabiter,
The flowers of the dead;
The red anemone that with no sound
Moves in the wind, and from another wound
That sprang, the heavily-sweet blue hyacinth,
That blossoms underground,
And sallow poppies, will be dear to her.
And will not Silence know
In the black shade of what obsidian steep
Stiffens the white narcissus numb with sleep?
(Seed which Demeter's daughter bore from home,
Uptorn by desperate fingers long ago,
Reluctant even as she,
Undone Persephone,
And even as she set out again to grow
In twilight, in perdition's lean and inauspicious loam).
She will love well," I said,
"The flowers of the dead;
Where dark Persephone the winter round,
Uncomforted for home, uncomforted,
Lacking a sunny southern slope in northern Sicily,
With sullen pupils focussed on a dream,
Stares on the stagnant stream
That moats the unequivocable battlements of Hell,
There, there will she be found,
She that is Beauty veiled from men and Music in a swound."
"I long for Silence as they long for breath
Whose helpless nostrils drink the bitter sea;
What thing can be
So stout, what so redoubtable, in Death
What fury, what considerable rage, if only she,
Upon whose icy breast,
Unquestioned, uncaressed,
One time I lay,
And whom always I lack,
Even to this day,
Being by no means from that frigid bosom weaned away,
If only she therewith be given me back?"
I sought her down that dolorous labyrinth,
Wherein no shaft of sunlight ever fell,
And in among the bloodless everywhere
I sought her, but the air,
Breathed many times and spent,
Was fretful with a whispering discontent,
And questioning me, importuning me to tell
Some slightest tidings of the light of day they know no more,
Plucking my sleeve, the eager shades were with me where I went.
I paused at every grievous door,
And harked a moment, holding up my hand,—and for a space
A hush was on them, while they watched my face;
And then they fell a-whispering as before;
So that I smiled at them and left them, seeing she was not there.
I sought her, too,
Among the upper gods, although I knew
She was not like to be where feasting is,
Nor near to Heaven's lord,
Being a thing abhorred
And shunned of him, although a child of his,
(Not yours, not yours; to you she owes not breath,
Mother of Song, being sown of Zeus upon a dream of Death).
Fearing to pass unvisited some place
And later learn, too late, how all the while,
With her still face,
She had been standing there and seen me pass, without a smile,
I sought her even to the sagging board whereat
The stout immortals sat;
But such a laughter shook the mighty hall
No one could hear me say:
Had she been seen upon the Hill that day?
And no one knew at all
How long I stood, or when at last I sighed and went away.
There is a garden lying in a lull
Between the mountains and the mountainous sea,
I know not where, but which a dream diurnal
Paints on my lids a moment till the hull
Be lifted from the kernel
And Slumber fed to me.
Your foot-print is not there, Mnemosene,
Though it would seem a ruined place and after
Your lichenous heart, being full
Of broken columns, caryatides
Thrown to the earth and fallen forward on their jointless knees,
And urns funereal altered into dust
Minuter than the ashes of the dead,
And Psyche's lamp out of the earth up-thrust,
Dripping itself in marble wax on what was once the bed
Of Love, and his young body asleep, but now is dust instead.
There twists the bitter-sweet, the white wisteria Fastens its fingers in the strangling wall,
And the wide crannies quicken with bright weeds;
There dumbly like a worm all day the still white orchid feeds;
But never an echo of your daughters' laughter
Is there, nor any sign of you at all
Swells fungous from the rotten bough, grey mother of Pieria!
Only her shadow once upon a stone
I saw,—and, lo, the shadow and the garden, too, were gone.
I tell you you have done her body an ill,
You chatterers, you noisy crew!
She is not anywhere!
I sought her in deep Hell;
And through the world as well;
I thought of Heaven and I sought her there;
Above nor under ground
Is Silence to be found,
That was the very warp and woof of you,
Lovely before your songs began and after they were through!
Oh, say if on this hill
Somewhere your sister's body lies in death,
So I may follow there, and make a wreath
Of my locked hands, that on her quiet breast
Shall lie till age has withered them!
(Ah, sweetly from the rest
I see
Turn and consider me
Compassionate Euterpe!)
"There is a gate beyond the gate of Death,
Beyond the gate of everlasting Life,
Beyond the gates of Heaven and Hell," she saith,
"Whereon but to believe is horror!
Whereon to meditate engendereth
Even in deathless spirits such as I
A tumult in the breath,
A chilling of the inexhaustible blood
Even in my veins that never will be dry,
And in the austere, divine monotony
That is my being, the madness of an unaccustomed mood.
This is her province whom you lack and seek;
And seek her not elsewhere.
Hell is a thoroughfare
For pilgrims,—Herakles,
And he that loved Euridice too well,
Have walked therein; and many more than these;
And witnessed the desire and the despair
Of souls that passed reluctantly and sicken for the air;
You, too, have entered Hell,
And issued thence; but thence whereof I speak
None has returned;—for thither fury brings
Only the driven ghosts of them that flee before all things.
Oblivion is the name of this abode: and she is there."
Oh, radiant Song! Oh, gracious Memory!
Be long upon this height
I shall not climb again!
I know the way you mean,—the little night,
And the long empty day,—never to see
Again the angry light,
Or hear the hungry noises cry my brain!
Ah, but she,
Your other sister and my other soul,
She shall again be mine;
And I shall drink her from a silver bowl,
A chilly thin green wine,
Not bitter to the taste,
Not sweet,
Not of your press, oh, restless, clamorous nine,—
To foam beneath the frantic hoofs of mirth—
But savoring faintly of the acid earth,
And trod by pensive feet
From perfect clusters ripened without haste
Out of the urgent heat
In some clear glimmering vaulted twilight under the odorous vine
. Lift up your lyres! Sing on!
But as for me, I seek your sister whither she is gone.
|
Written by
Alfred Lord Tennyson |
ON either side the river lie
Long fields of barley and of rye,
That clothe the wold and meet the sky;
And thro' the field the road runs by
To many-tower'd Camelot; 5
And up and down the people go,
Gazing where the lilies blow
Round an island there below,
The island of Shalott.
Willows whiten, aspens quiver, 10
Little breezes dusk and shiver
Thro' the wave that runs for ever
By the island in the river
Flowing down to Camelot.
Four gray walls, and four gray towers, 15
Overlook a space of flowers,
And the silent isle imbowers
The Lady of Shalott.
By the margin, willow-veil'd,
Slide the heavy barges trail'd 20
By slow horses; and unhail'd
The shallop flitteth silken-sail'd
Skimming down to Camelot:
But who hath seen her wave her hand?
Or at the casement seen her stand? 25
Or is she known in all the land,
The Lady of Shalott?
Only reapers, reaping early
In among the bearded barley,
Hear a song that echoes cheerly 30
From the river winding clearly,
Down to tower'd Camelot:
And by the moon the reaper weary,
Piling sheaves in uplands airy,
Listening, whispers ''Tis the fairy 35
Lady of Shalott.'
PART II
There she weaves by night and day
A magic web with colours gay.
She has heard a whisper say,
A curse is on her if she stay 40
To look down to Camelot.
She knows not what the curse may be,
And so she weaveth steadily,
And little other care hath she,
The Lady of Shalott. 45
And moving thro' a mirror clear
That hangs before her all the year,
Shadows of the world appear.
There she sees the highway near
Winding down to Camelot: 50
There the river eddy whirls,
And there the surly village-churls,
And the red cloaks of market girls,
Pass onward from Shalott.
Sometimes a troop of damsels glad, 55
An abbot on an ambling pad,
Sometimes a curly shepherd-lad,
Or long-hair'd page in crimson clad,
Goes by to tower'd Camelot;
And sometimes thro' the mirror blue 60
The knights come riding two and two:
She hath no loyal knight and true,
The Lady of Shalott.
But in her web she still delights
To weave the mirror's magic sights, 65
For often thro' the silent nights
A funeral, with plumes and lights,
And music, went to Camelot:
Or when the moon was overhead,
Came two young lovers lately wed; 70
'I am half sick of shadows,' said
The Lady of Shalott.
PART III
A bow-shot from her bower-eaves,
He rode between the barley-sheaves,
The sun came dazzling thro' the leaves, 75
And flamed upon the brazen greaves
Of bold Sir Lancelot.
A red-cross knight for ever kneel'd
To a lady in his shield,
That sparkled on the yellow field, 80
Beside remote Shalott.
The gemmy bridle glitter'd free,
Like to some branch of stars we see
Hung in the golden Galaxy.
The bridle bells rang merrily 85
As he rode down to Camelot:
And from his blazon'd baldric slung
A mighty silver bugle hung,
And as he rode his armour rung,
Beside remote Shalott. 90
All in the blue unclouded weather
Thick-jewell'd shone the saddle-leather,
The helmet and the helmet-feather
Burn'd like one burning flame together,
As he rode down to Camelot. 95
As often thro' the purple night,
Below the starry clusters bright,
Some bearded meteor, trailing light,
Moves over still Shalott.
His broad clear brow in sunlight glow'd; 100
On burnish'd hooves his war-horse trode;
From underneath his helmet flow'd
His coal-black curls as on he rode,
As he rode down to Camelot.
From the bank and from the river 105
He flash'd into the crystal mirror,
'Tirra lirra,' by the river
Sang Sir Lancelot.
She left the web, she left the loom,
She made three paces thro' the room, 110
She saw the water-lily bloom,
She saw the helmet and the plume,
She look'd down to Camelot.
Out flew the web and floated wide;
The mirror crack'd from side to side; 115
'The curse is come upon me!' cried
The Lady of Shalott.
PART IV
In the stormy east-wind straining,
The pale yellow woods were waning,
The broad stream in his banks complaining, 120
Heavily the low sky raining
Over tower'd Camelot;
Down she came and found a boat
Beneath a willow left afloat,
And round about the prow she wrote 125
The Lady of Shalott.
And down the river's dim expanse¡ª
Like some bold seer in a trance,
Seeing all his own mischance¡ª
With a glassy countenance 130
Did she look to Camelot.
And at the closing of the day
She loosed the chain, and down she lay;
The broad stream bore her far away,
The Lady of Shalott. 135
Lying, robed in snowy white
That loosely flew to left and right¡ª
The leaves upon her falling light¡ª
Thro' the noises of the night
She floated down to Camelot: 140
And as the boat-head wound along
The willowy hills and fields among,
They heard her singing her last song,
The Lady of Shalott.
Heard a carol, mournful, holy, 145
Chanted loudly, chanted lowly,
Till her blood was frozen slowly,
And her eyes were darken'd wholly,
Turn'd to tower'd Camelot;
For ere she reach'd upon the tide 150
The first house by the water-side,
Singing in her song she died,
The Lady of Shalott.
Under tower and balcony,
By garden-wall and gallery, 155
A gleaming shape she floated by,
Dead-pale between the houses high,
Silent into Camelot.
Out upon the wharfs they came,
Knight and burgher, lord and dame, 160
And round the prow they read her name,
The Lady of Shalott.
Who is this? and what is here?
And in the lighted palace near
Died the sound of royal cheer; 165
And they cross'd themselves for fear,
All the knights at Camelot:
But Lancelot mused a little space;
He said, 'She has a lovely face;
God in His mercy lend her grace, 170
The Lady of Shalott.'
|
Written by
Walt Whitman |
1
A SONG of the good green grass!
A song no more of the city streets;
A song of farms—a song of the soil of fields.
A song with the smell of sun-dried hay, where the nimble pitchers handle the pitch-fork;
A song tasting of new wheat, and of fresh-husk’d maize.
2
For the lands, and for these passionate days, and for myself,
Now I awhile return to thee, O soil of Autumn fields,
Reclining on thy breast, giving myself to thee,
Answering the pulses of thy sane and equable heart,
Tuning a verse for thee.
O Earth, that hast no voice, confide to me a voice!
O harvest of my lands! O boundless summer growths!
O lavish, brown, parturient earth! O infinite, teeming womb!
A verse to seek, to see, to narrate thee.
3
Ever upon this stage,
Is acted God’s calm, annual drama,
Gorgeous processions, songs of birds,
Sunrise, that fullest feeds and freshens most the soul,
The heaving sea, the waves upon the shore, the musical, strong waves,
The woods, the stalwart trees, the slender, tapering trees,
The flowers, the grass, the lilliput, countless armies of the grass,
The heat, the showers, the measureless pasturages,
The scenery of the snows, the winds’ free orchestra,
The stretching, light-hung roof of clouds—the clear cerulean, and the bulging,
silvery
fringes,
The high dilating stars, the placid, beckoning stars,
The moving flocks and herds, the plains and emerald meadows,
The shows of all the varied lands, and all the growths and products.
4
Fecund America! To-day,
Thou art all over set in births and joys!
Thou groan’st with riches! thy wealth clothes thee as with a swathing garment!
Thou laughest loud with ache of great possessions!
A myriad-twining life, like interlacing vines, binds all thy vast demesne!
As some huge ship, freighted to water’s edge, thou ridest into port!
As rain falls from the heaven, and vapors rise from earth, so have the precious values
fallen
upon thee, and risen out of thee!
Thou envy of the globe! thou miracle!
Thou, bathed, choked, swimming in plenty!
Thou lucky Mistress of the tranquil barns!
Thou Prairie Dame that sittest in the middle, and lookest out upon thy world, and lookest
East,
and lookest West!
Dispensatress, that by a word givest a thousand miles—that giv’st a million
farms,
and missest nothing!
Thou All-Acceptress—thou Hospitable—(thou only art hospitable, as God is
hospitable.)
5
When late I sang, sad was my voice;
Sad were the shows around me, with deafening noises of hatred, and smoke of conflict;
In the midst of the armies, the Heroes, I stood,
Or pass’d with slow step through the wounded and dying.
But now I sing not War,
Nor the measur’d march of soldiers, nor the tents of camps,
Nor the regiments hastily coming up, deploying in line of battle.
No more the dead and wounded;
No more the sad, unnatural shows of War.
Ask’d room those flush’d immortal ranks? the first forth-stepping armies?
Ask room, alas, the ghastly ranks—the armies dread that follow’d.
6
(Pass—pass, ye proud brigades!
So handsome, dress’d in blue—with your tramping, sinewy legs;
With your shoulders young and strong—with your knapsacks and your muskets;
—How elate I stood and watch’d you, where, starting off, you march’d!
Pass;—then rattle, drums, again!
Scream, you steamers on the river, out of whistles loud and shrill, your salutes!
For an army heaves in sight—O another gathering army!
Swarming, trailing on the rear—O you dread, accruing army!
O you regiments so piteous, with your mortal diarrhoea! with your fever!
O my land’s maimed darlings! with the plenteous bloody bandage and the crutch!
Lo! your pallid army follow’d!)
7
But on these days of brightness,
On the far-stretching beauteous landscape, the roads and lanes, the high-piled
farm-wagons, and
the fruits and barns,
Shall the dead intrude?
Ah, the dead to me mar not—they fit well in Nature;
They fit very well in the landscape, under the trees and grass,
And along the edge of the sky, in the horizon’s far margin.
Nor do I forget you, departed;
Nor in winter or summer, my lost ones;
But most, in the open air, as now, when my soul is rapt and at peace—like pleasing
phantoms,
Your dear memories, rising, glide silently by me.
8
I saw the day, the return of the Heroes;
(Yet the Heroes never surpass’d, shall never return;
Them, that day, I saw not.)
I saw the interminable Corps—I saw the processions of armies,
I saw them approaching, defiling by, with divisions,
Streaming northward, their work done, camping awhile in clusters of mighty camps.
No holiday soldiers!—youthful, yet veterans;
Worn, swart, handsome, strong, of the stock of homestead and workshop,
Harden’d of many a long campaign and sweaty march,
Inured on many a hard-fought, bloody field.
9
A pause—the armies wait;
A million flush’d, embattled conquerors wait;
The world, too, waits—then, soft as breaking night, and sure as dawn,
They melt—they disappear.
Exult, indeed, O lands! victorious lands!
Not there your victory, on those red, shuddering fields;
But here and hence your victory.
Melt, melt away, ye armies! disperse, ye blue-clad soldiers!
Resolve ye back again—give up, for good, your deadly arms;
Other the arms, the fields henceforth for you, or South or North, or East or West,
With saner wars—sweet wars—life-giving wars.
10
Loud, O my throat, and clear, O soul!
The season of thanks, and the voice of full-yielding;
The chant of joy and power for boundless fertility.
All till’d and untill’d fields expand before me;
I see the true arenas of my race—or first, or last,
Man’s innocent and strong arenas.
I see the Heroes at other toils;
I see, well-wielded in their hands, the better weapons.
11
I see where America, Mother of All,
Well-pleased, with full-spanning eye, gazes forth, dwells long,
And counts the varied gathering of the products.
Busy the far, the sunlit panorama;
Prairie, orchard, and yellow grain of the North,
Cotton and rice of the South, and Louisianian cane;
Open, unseeded fallows, rich fields of clover and timothy,
Kine and horses feeding, and droves of sheep and swine,
And many a stately river flowing, and many a jocund brook,
And healthy uplands with their herby-perfumed breezes,
And the good green grass—that delicate miracle, the ever-recurring grass.
12
Toil on, Heroes! harvest the products!
Not alone on those warlike fields, the Mother of All,
With dilated form and lambent eyes, watch’d you.
Toil on, Heroes! toil well! Handle the weapons well!
The Mother of All—yet here, as ever, she watches you.
Well-pleased, America, thou beholdest,
Over the fields of the West, those crawling monsters,
The human-divine inventions, the labor-saving implements:
Beholdest, moving in every direction, imbued as with life, the revolving hay-rakes,
The steam-power reaping-machines, and the horse-power machines,
The engines, thrashers of grain, and cleaners of grain, well separating the straw—the
nimble work of the patent pitch-fork;
Beholdest the newer saw-mill, the southern cotton-gin, and the rice-cleanser.
Beneath thy look, O Maternal,
With these, and else, and with their own strong hands, the Heroes harvest.
All gather, and all harvest;
(Yet but for thee, O Powerful! not a scythe might swing, as now, in security;
Not a maize-stalk dangle, as now, its silken tassels in peace.)
13
Under Thee only they harvest—even but a wisp of hay, under thy great face, only;
Harvest the wheat of Ohio, Illinois, Wisconsin—every barbed spear, under thee;
Harvest the maize of Missouri, Kentucky, Tennessee—each ear in its light-green
sheath,
Gather the hay to its myriad mows, in the odorous, tranquil barns,
Oats to their bins—the white potato, the buckwheat of Michigan, to theirs;
Gather the cotton in Mississippi or Alabama—dig and hoard the golden, the sweet
potato of
Georgia and the Carolinas,
Clip the wool of California or Pennsylvania,
Cut the flax in the Middle States, or hemp, or tobacco in the Borders,
Pick the pea and the bean, or pull apples from the trees, or bunches of grapes from the
vines,
Or aught that ripens in all These States, or North or South,
Under the beaming sun, and under Thee.
|
Written by
John Greenleaf Whittier |
Blessings on thee, little man,
Barefoot boy, with cheek of tan!
With thy turned-up pantaloons,
And thy merry whistled tunes;
With thy red lip, redder still
Kissed by strawberries on the hill;
With the sunshine on thy face,
Through thy torn brim's jaunty grace;
From my heart I give thee joy, -
I was once a barefoot boy!
Prince thou art, - the grown-up man
Only is republican.
Let the million-dollared ride!
Barefoot, trudging at his side,
Thou hast more than he can buy
In the reach of ear and eye, -
Outward sunshine, inward joy:
Blessings on thee, barefoot boy!
Oh for boyhood's painless play,
Sleep that wakes in laughing day,
Health that mocks the doctor's rules,
Knowledge never learned of schools,
Of the wild bee's morning chase,
Of the wild-flower's time and place,
Flight of fowl and habitude
Of the tenants of the wood;
How the tortoise bears his shell,
How the woodchuck digs his cell,
And the ground-mole sinks his well;
How the robin feeds her young,
How the oriole's nest is hung;
Where the whitest lilies blow,
Where the freshest berries grow,
Where the ground-nut trails its vine,
Where the wood-grape's clusters shine;
Of the black wasp's cunning way,
Mason of his walls of clay,
And the architectural plans
Of gray hornet artisans!
For, eschewing books and tasks,
Nature answers all he asks;
Hand in hand with her he walks,
Face to face with her he talks,
Part and parcel of her joy, -
Blessings on the barefoot boy!
Oh for boyhood's time of June,
Crowding years in one brief moon,
When all things I heard or saw,
Me, their master, waited for.
I was rich in flowers and trees,
Humming-birds and honey-bees;
For my sport the squirrel played,
Plied the snouted mole his spade;
For my taste the blackberry cone
Purpled over hedge and stone;
Laughed the brook for my delight
Through the day and through the night,
Whispering at the garden wall,
Talked with me from fall to fall;
Mine the sand-rimmed pickerel pond,
Mine the walnut slopes beyond,
Mine, on bending orchard trees,
Apples of Hesperides!
Still as my horizon grew,
Larger grew my riches too;
All the world I saw or knew
Seemed a complex Chinese toy,
Fashioned for a barefoot boy!
Oh for festal dainties spread,
Like my bowl of milk and bread;
Pewter spoon and bowl of wood,
On the door-stone, gray and rude!
O'er me, like a regal tent,
Cloudy-ribbed, the sunset bent,
Purple-curtained, fringed with gold,
Looped in many a wind-swung fold;
While for music came the play
Of the pied frogs' orchestra;
And, to light the noisy choir,
Lit the fly his lamp of fire.
I was monarch: pomp and joy
Waited on the barefoot boy!
Cheerily, then, my little man,
Live and laugh, as boyhood can!
Though the flinty slopes be hard,
Stubble-speared the new-mown sward,
Every morn shall lead thee through
Fresh baptisms of the dew;
Every evening from thy feet
Shall the cool wind kiss the heat:
All too soon these feet must hide
In the prison cells of pride,
Lose the freedom of the sod,
Like a colt's for work be shod,
Made to tread the mills of toil,
Up and down in ceaseless moil:
Happy if their track be found
Never on forbidden ground;
Happy if they sink not in
Quick and treacherous sands of sin.
Ah! that thou couldst know thy joy,
Ere it passes, barefoot boy!
|
Written by
Hilaire Belloc |
To exalt, enthrone, establish and defend,
To welcome home mankind's mysterious friend
Wine, true begetter of all arts that be;
Wine, privilege of the completely free;
Wine the recorder; wine the sagely strong;
Wine, bright avenger of sly-dealing wrong,
Awake, Ausonian Muse, and sing the vineyard song!
Sing how the Charioteer from Asia came,
And on his front the little dancing flame
Which marked the God-head. Sing the Panther-team,
The gilded Thrysus twirling, and the gleam
Of cymbals through the darkness. Sing the drums.
He comes; the young renewer of Hellas comes!
The Seas await him. Those Aegean Seas
Roll from the dawning, ponderous, ill at ease,
In lifts of lead, whose cresting hardly breaks
To ghostly foam, when suddenly there awakes
A mountain glory inland. All the skies
Are luminous; and amid the sea bird cries
The mariner hears a morning breeze arise.
Then goes the Pageant forward. The sea-way
Silvers the feet of that august array
Trailing above the waters, through the airs;
And as they pass a wind before them bears
The quickening word, the influence magical.
The Islands have received it, marble-tall;
The long shores of the mainland. Something fills
The warm Euboean combes, the sacred hills
Of Aulis and of Argos. Still they move
Touching the City walls, the Temple grove,
Till, far upon the horizon-glint, a gleam
Of light, of trembling light, revealed they seem
Turned to a cloud, but to a cloud that shines,
And everywhere as they pass, the Vines! The Vines!
The Vines, the conquering Vines! And the Vine
breaths
Her savour through the upland, empty heaths
Of treeless wastes; the Vines have come to where
The dark Pelasgian steep defends the lair
Of the wolf's hiding; to the empty fields
By Aufidus, the dry campaign that yields
No harvest for the husbandman, but now
Shall bear a nobler foison than the plough;
To where, festooned along the tall elm trees,
Tendrils are mirrored in Tyrrhenian seas;
To where the South awaits them; even to where
Stark, African informed of burning air,
Upturned to Heaven the broad Hipponian plain
Extends luxurious and invites the main.
Guelma's a mother: barren Thaspsa breeds;
And northward in the valleys, next the meads
That sleep by misty river banks, the Vines
Have struck to spread below the solemn pines.
The Vines are on the roof-trees. All the Shrines
And Homes of men are consecrate with Vines.
And now the task of that triumphant day
Has reached to victory. In the reddening ray
With all his train, from hard Iberian lands
Fulfilled, apparent, that Creator stands
Halted on Atlas. Far Beneath him, far,
The strength of Ocean darkening and the star
Beyond all shores. There is a silence made.
It glorifies: and the gigantic shade
Of Hercules adores him from the West.
Dead Lucre: burnt Ambition: Wine is best.
But what are these that from the outer murk
Of dense mephitic vapours creeping lurk
To breathe foul airs from that corrupted well
Which oozes slime along the floor of Hell?
These are the stricken palsied brood of sin
In whose vile veins, poor, poisonous and thin,
Decoctions of embittered hatreds crawl:
These are the Water-Drinkers, cursed all!
On what gin-sodden Hags, what flaccid sires
Bred these White Slugs from what exhaust desires?
In what close prison's horror were their wiles
Watched by what tyrant power with evil smiles;
Or in what caverns, blocked from grace and air
Received they, then, the mandates of despair?
What! Must our race, our tragic race, that roam
All exiled from our first, and final, home:
That in one moment of temptation lost
Our heritage, and now wander, hunger-tost
Beyond the Gates (still speaking with our eyes
For ever of remembered Paradise),
Must we with every gift accepted, still,
With every joy, receive attendant ill?
Must some lewd evil follow all our good
And muttering dog our brief beatitude?
A primal doom, inexorable, wise,
Permitted, ordered, even these to rise.
Even in the shadow of so bright a Lord
Must swarm and propagate the filthy horde
Debased, accursed I say, abhorrent and abhorred.
Accursed and curse-bestowing. For whosoe'er
Shall suffer their contagion, everywhere
Falls from the estate of man and finds his end
To the mere beverage of the beast condemned.
For such as these in vain the Rhine has rolled
Imperial centuries by hills of gold;
For such as these the flashing Rhone shall rage
In vain its lightning through the Hermitage
Or level-browed divine Touraine receive
The tribute of her vintages at eve.
For such as these Burgundian heats in vain
Swell the rich slope or load the empurpled plain.
Bootless for such as these the mighty task
Of bottling God the Father in a flask
And leading all Creation down distilled
To one small ardent sphere immensely filled.
With memories empty, with experience null,
With vapid eye-balls meaningless and dull
They pass unblest through the unfruitful light;
And when we open the bronze doors of Night,
When we in high carousal, we reclined,
Spur up to Heaven the still ascending mind,
Pass with the all inspiring, to and fro,
The torch of genius and the Muse's glow,
They, lifeless, stare at vacancy alone
Or plan mean traffic, or repeat their moan.
We, when repose demands us, welcomed are
In young white arms, like our great Exemplar
Who, wearied with creation, takes his rest
And sinks to sleep on Ariadne's breast.
They through the darkness into darkness press
Despised, abandoned and companionless.
And when the course of either's sleep has run
We leap to life like heralds of the sun;
We from the couch in roseate mornings gay
Salute as equals the exultant day
While they, the unworthy, unrewarded, they
The dank despisers of the Vine, arise
To watch grey dawns and mourn indifferent skies.
Forget them! Form the Dionysian ring
And pulse the ground, and Io, Io, sing.
Father Lenaean, to whom our strength belongs,
Our loves, our wars, our laughter and our songs,
Remember our inheritance, who praise
Your glory in these last unhappy days
When beauty sickens and a muddied robe
Of baseness fouls the universal globe.
Though all the Gods indignant and their train
Abandon ruined man, do thou remain!
By thee the vesture of our life was made,
The Embattled Gate, the lordly Colonnade,
The woven fabric's gracious hues, the sound
Of trumpets, and the quivering fountain-round,
And, indestructible, the Arch, and, high,
The Shaft of Stone that stands against the sky,
And, last, the guardian-genius of them, Rhyme,
Come from beyond the world to conquer time:
All these are thine, Lenaean.
By thee do seers the inward light discern;
By thee the statue lives, the Gods return;
By thee the thunder and the falling foam
Of loud Acquoria's torrent call to Rome;
Alba rejoices in a thousand springs,
Gensano laughs, and Orvieto sings...
But, Ah! With Orvieto, with that name
Of dark, Eturian, subterranean flame
The years dissolve. I am standing in that hour
Of majesty Septembral, and the power
Which swells the clusters when the nights are still
With autumn stars on Orvieto hill.
Had these been mine, Ausonian Muse, to know
The large contented oxen heaving slow;
To count my sheaves at harvest; so to spend
Perfected days in peace until the end;
With every evening's dust of gold to hear
The bells upon the pasture height, the clear
Full horn of herdsmen gathering in the kine
To ancient byres in hamlets Appenine,
And crown abundant age with generous ease:
Had these, Ausonian Muse, had these, had these.....
But since I would not, since I could not stay,
Let me remember even in this my day
How, when the ephemeral vision's lure is past
All, all, must face their Passion at the last
Was there not one that did to Heaven complain
How, driving through the midnight and the rain,
He struck, the Atlantic seethe and surge before,
Wrecked in the North along a lonely shore
To make the lights of home and hear his name no
more.
Was there not one that from a desperate field
Rode with no guerdon but a rifted shield;
A name disherited; a broken sword;
Wounds unrenowned; battle beneath no Lord;
Strong blows, but on the void, and toil without
reward.
When from the waste of such long labour done
I too must leave the grape-ennobling sun
And like the vineyard worker take my way
Down the long shadows of declining day,
Bend on the sombre plain my clouded sight
And leave the mountain to the advancing night,
Come to the term of all that was mine own
With nothingness before me, and alone;
Then to what hope of answer shall I turn?
Comrade-Commander whom I dared not earn,
What said You then to trembling friends and
few?
"A moment, and I drink it with you new:
But in my Father's Kingdom." So, my Friend,
Let not Your cup desert me in the end.
But when the hour of mine adventure's near
Just and benignant, let my youth appear
Bearing a Chalice, open, golden, wide,
With benediction graven on its side.
So touch my dying lip: so bridge that deep:
So pledge my waking from the gift of sleep,
And, sacramental, raise me the Divine:
Strong brother in God and last companion, Wine.
|
Written by
Louise Gluck |
How vainly men themselves amaze
To win the Palm, the Oke, or Bayes;
And their uncessant Labours see
Crown'd from some single Herb or Tree,
Whose short and narrow verged Shade
Does prudently their Toyles upbraid;
While all Flow'rs and all Trees do close
To weave the Garlands of repose.
Fair quiet, have I found thee here,
And Innocence thy Sister dear!
Mistaken long, I sought you then
In busie Companies of Men.
Your sacred Plants, if here below,
Only among the Plants will grow.
Society is all but rude,
To this delicious Solitude.
No white nor red was ever seen
So am'rous as this lovely green.
Fond Lovers, cruel as their Flame,
Cut in these Trees their Mistress name.
Little, Alas, they know, or heed,
How far these Beauties Hers exceed!
Fair Trees! where s'eer you barkes I wound,
No Name shall but your own be found.
When we have run our Passions heat,
Love hither makes his best retreat.
The Gods, that mortal Beauty chase,
The Gods, that mortal Beauty chase,
Apollo hunted Daphne so,
Only that She might Laurel grow.
And Pan did after Syrinx speed,
Not as a Nymph, but for a Reed.
What wond'rous Life in this I lead!
Ripe Apples drop about my head;
The Luscious Clusters of the Vine
Upon my Mouth do crush their Wine;
The Nectaren, and curious Peach,
Into my hands themselves do reach;
Stumbling on Melons, as I pass,
Insnar'd with Flow'rs, I fall on Grass.
Mean while the Mind, from pleasure less,
Withdraws into its happiness:
The Mind, that Ocean where each kind
Does streight its own resemblance find;
Yet it creates, transcending these,
Far other Worlds, and other Seas;
Annihilating all that's made
To a green Thought in a green Shade.
Here at the Fountains sliding foot,
Or at some Fruit-tress mossy root,
Casting the Bodies Vest aside,
My Soul into the boughs does glide:
There like a Bird it sits, and sings,
Then whets, and combs its silver Wings;
And, till prepar'd for longer flight,
Waves in its Plumes the various Light.
Such was that happy Garden-state,
While Man there walk'd without a Mate:
After a Place so pure, and sweet,
What other Help could yet be meet!
But 'twas beyond a Mortal's share
To wander solitary there:
Two Paradises 'twere in one
To live in Paradise alone.
How well the skilful Gardner drew
Of flow'rs and herbes this Dial new;
Where from above the milder Sun
Does through a fragrant Zodiack run;
And, as it works, th' industrious Bee
Computes its time as well as we.
How could such sweet and wholsome Hours
Be reckon'd but with herbs and flow'rs!
|
Written by
Elizabeth Bishop |
The state with the prettiest name,
the state that floats in brackish water,
held together by mangrave roots
that bear while living oysters in clusters,
and when dead strew white swamps with skeletons,
dotted as if bombarded, with green hummocks
like ancient cannon-balls sprouting grass.
The state full of long S-shaped birds, blue and white,
and unseen hysterical birds who rush up the scale
every time in a tantrum.
Tanagers embarrassed by their flashiness,
and pelicans whose delight it is to clown;
who coast for fun on the strong tidal currents
in and out among the mangrove islands
and stand on the sand-bars drying their damp gold wings
on sun-lit evenings.
Enormous turtles, helpless and mild,
die and leave their barnacled shells on the beaches,
and their large white skulls with round eye-sockets
twice the size of a man's.
The palm trees clatter in the stiff breeze
like the bills of the pelicans. The tropical rain comes down
to freshen the tide-looped strings of fading shells:
Job's Tear, the Chinese Alphabet, the scarce Junonia,
parti-colored pectins and Ladies' Ears,
arranged as on a gray rag of rotted calico,
the buried Indian Princess's skirt;
with these the monotonous, endless, sagging coast-line
is delicately ornamented.
Thirty or more buzzards are drifting down, down, down,
over something they have spotted in the swamp,
in circles like stirred-up flakes of sediment
sinking through water.
Smoke from woods-fires filters fine blue solvents.
On stumps and dead trees the charring is like black velvet.
The mosquitoes
go hunting to the tune of their ferocious obbligatos.
After dark, the fireflies map the heavens in the marsh
until the moon rises.
Cold white, not bright, the moonlight is coarse-meshed,
and the careless, corrupt state is all black specks
too far apart, and ugly whites; the poorest
post-card of itself.
After dark, the pools seem to have slipped away.
The alligator, who has five distinct calls:
friendliness, love, mating, war, and a warning--
whimpers and speaks in the throat
of the Indian Princess.
|
Written by
Carl Sandburg |
I spot the hills
With yellow balls in autumn.
I light the prairie cornfields
Orange and tawny gold clusters
And I am called pumpkins.
On the last of October
When dusk is fallen
Children join hands
And circle round me
Singing ghost songs
And love to the harvest moon;
I am a jack-o'-lantern
With terrible teeth
And the children know
I am fooling.
|
Written by
Walt Whitman |
NATIONS ten thousand years before These States, and many times ten thousand years before
These
States;
Garner’d clusters of ages, that men and women like us grew up and travel’d their
course, and pass’d on;
What vast-built cities—what orderly republics—what pastoral tribes and nomads;
What histories, rulers, heroes, perhaps transcending all others;
What laws, customs, wealth, arts, traditions;
What sort of marriage—what costumes—what physiology and phrenology;
What of liberty and slavery among them—what they thought of death and the soul;
Who were witty and wise—who beautiful and poetic—who brutish and
undevelop’d;
Not a mark, not a record remains—And yet all remains.
O I know that those men and women were not for nothing, any more than we are for nothing;
I know that they belong to the scheme of the world every bit as much as we now belong to
it,
and as all will henceforth belong to it.
Afar they stand—yet near to me they stand,
Some with oval countenances, learn’d and calm,
Some naked and savage—Some like huge collections of insects,
Some in tents—herdsmen, patriarchs, tribes, horsemen,
Some prowling through woods—Some living peaceably on farms, laboring, reaping,
filling
barns,
Some traversing paved avenues, amid temples, palaces, factories, libraries, shows, courts,
theatres, wonderful monuments.
Are those billions of men really gone?
Are those women of the old experience of the earth gone?
Do their lives, cities, arts, rest only with us?
Did they achieve nothing for good, for themselves?
I believe of all those billions of men and women that fill’d the unnamed lands, every
one
exists this hour, here or elsewhere, invisible to us, in exact proportion to what he or
she
grew from in life, and out of what he or she did, felt, became, loved, sinn’d, in
life.
I believe that was not the end of those nations, or any person of them, any more than this
shall be the end of my nation, or of me;
Of their languages, governments, marriage, literature, products, games, wars, manners,
crimes,
prisons, slaves, heroes, poets, I suspect their results curiously await in the yet unseen
world—counterparts of what accrued to them in the seen world.
I suspect I shall meet them there,
I suspect I shall there find each old particular of those unnamed lands.
|
Written by
Robert Burns |
’TWAS 1 in that place o’ Scotland’s isle,
That bears the name o’ auld King Coil,
Upon a bonie day in June,
When wearin’ thro’ the afternoon,
Twa dogs, that were na thrang at hame,
Forgather’d ance upon a time.
The first I’ll name, they ca’d him Caesar,
Was keepit for His Honor’s pleasure:
His hair, his size, his mouth, his lugs,
Shew’d he was nane o’ Scotland’s dogs;
But whalpit some place far abroad,
Whare sailors gang to fish for cod.
His locked, letter’d, braw brass collar
Shew’d him the gentleman an’ scholar;
But though he was o’ high degree,
The fient a pride, nae pride had he;
But wad hae spent an hour caressin,
Ev’n wi’ al tinkler-gipsy’s messin:
At kirk or market, mill or smiddie,
Nae tawted tyke, tho’ e’er sae duddie,
But he wad stan’t, as glad to see him,
An’ stroan’t on stanes an’ hillocks wi’ him.
The tither was a ploughman’s collie—
A rhyming, ranting, raving billie,
Wha for his friend an’ comrade had him,
And in freak had Luath ca’d him,
After some dog in Highland Sang, 2
Was made lang syne,—Lord knows how lang.
He was a gash an’ faithfu’ tyke,
As ever lap a sheugh or dyke.
His honest, sonsie, baws’nt face
Aye gat him friends in ilka place;
His breast was white, his touzie back
Weel clad wi’ coat o’ glossy black;
His gawsie tail, wi’ upward curl,
Hung owre his hurdie’s wi’ a swirl.
Nae doubt but they were fain o’ ither,
And unco pack an’ thick thegither;
Wi’ social nose whiles snuff’d an’ snowkit;
Whiles mice an’ moudieworts they howkit;
Whiles scour’d awa’ in lang excursion,
An’ worry’d ither in diversion;
Until wi’ daffin’ weary grown
Upon a knowe they set them down.
An’ there began a lang digression.
About the “lords o’ the creation.”
CÆSAR I’ve aften wonder’d, honest Luath,
What sort o’ life poor dogs like you have;
An’ when the gentry’s life I saw,
What way poor bodies liv’d ava.
Our laird gets in his racked rents,
His coals, his kane, an’ a’ his stents:
He rises when he likes himsel’;
His flunkies answer at the bell;
He ca’s his coach; he ca’s his horse;
He draws a bonie silken purse,
As lang’s my tail, where, thro’ the steeks,
The yellow letter’d Geordie keeks.
Frae morn to e’en, it’s nought but toiling
At baking, roasting, frying, boiling;
An’ tho’ the gentry first are stechin,
Yet ev’n the ha’ folk fill their pechan
Wi’ sauce, ragouts, an’ sic like trashtrie,
That’s little short o’ downright wastrie.
Our whipper-in, wee, blasted wonner,
Poor, worthless elf, it eats a dinner,
Better than ony tenant-man
His Honour has in a’ the lan’:
An’ what poor cot-folk pit their painch in,
I own it’s past my comprehension.
LUATH Trowth, C&æsar, whiles they’re fash’t eneugh:
A cottar howkin in a sheugh,
Wi’ dirty stanes biggin a dyke,
Baring a quarry, an’ sic like;
Himsel’, a wife, he thus sustains,
A smytrie o’ wee duddie weans,
An’ nought but his han’-daurk, to keep
Them right an’ tight in thack an’ rape.
An’ when they meet wi’ sair disasters,
Like loss o’ health or want o’ masters,
Ye maist wad think, a wee touch langer,
An’ they maun starve o’ cauld an’ hunger:
But how it comes, I never kent yet,
They’re maistly wonderfu’ contented;
An’ buirdly chiels, an’ clever hizzies,
Are bred in sic a way as this is.
CÆSAR But then to see how ye’re negleckit,
How huff’d, an’ cuff’d, an’ disrespeckit!
Lord man, our gentry care as little
For delvers, ditchers, an’ sic cattle;
They gang as saucy by poor folk,
As I wad by a stinkin brock.
I’ve notic’d, on our laird’s court-day,—
An’ mony a time my heart’s been wae,—
Poor tenant bodies, scant o’cash,
How they maun thole a factor’s snash;
He’ll stamp an’ threaten, curse an’ swear
He’ll apprehend them, poind their gear;
While they maun stan’, wi’ aspect humble,
An’ hear it a’, an’ fear an’ tremble!
I see how folk live that hae riches;
But surely poor-folk maun be wretches!
LUATH They’re no sae wretched’s ane wad think.
Tho’ constantly on poortith’s brink,
They’re sae accustom’d wi’ the sight,
The view o’t gives them little fright.
Then chance and fortune are sae guided,
They’re aye in less or mair provided:
An’ tho’ fatigued wi’ close employment,
A blink o’ rest’s a sweet enjoyment.
The dearest comfort o’ their lives,
Their grushie weans an’ faithfu’ wives;
The prattling things are just their pride,
That sweetens a’ their fire-side.
An’ whiles twalpennie worth o’ nappy
Can mak the bodies unco happy:
They lay aside their private cares,
To mind the Kirk and State affairs;
They’ll talk o’ patronage an’ priests,
Wi’ kindling fury i’ their breasts,
Or tell what new taxation’s comin,
An’ ferlie at the folk in Lon’on.
As bleak-fac’d Hallowmass returns,
They get the jovial, rantin kirns,
When rural life, of ev’ry station,
Unite in common recreation;
Love blinks, Wit slaps, an’ social Mirth
Forgets there’s Care upo’ the earth.
That merry day the year begins,
They bar the door on frosty win’s;
The nappy reeks wi’ mantling ream,
An’ sheds a heart-inspiring steam;
The luntin pipe, an’ sneeshin mill,
Are handed round wi’ right guid will;
The cantie auld folks crackin crouse,
The young anes rantin thro’ the house—
My heart has been sae fain to see them,
That I for joy hae barkit wi’ them.
Still it’s owre true that ye hae said,
Sic game is now owre aften play’d;
There’s mony a creditable stock
O’ decent, honest, fawsont folk,
Are riven out baith root an’ branch,
Some rascal’s pridefu’ greed to quench,
Wha thinks to knit himsel the faster
In favour wi’ some gentle master,
Wha, aiblins, thrang a parliamentin,
For Britain’s guid his saul indentin—
CÆSAR Haith, lad, ye little ken about it:
For Britain’s guid! guid faith! I doubt it.
Say rather, gaun as Premiers lead him:
An’ saying ay or no’s they bid him:
At operas an’ plays parading,
Mortgaging, gambling, masquerading:
Or maybe, in a frolic daft,
To Hague or Calais takes a waft,
To mak a tour an’ tak a whirl,
To learn bon ton, an’ see the worl’.
There, at Vienna, or Versailles,
He rives his father’s auld entails;
Or by Madrid he takes the rout,
To thrum guitars an’ fecht wi’ nowt;
Or down Italian vista startles,
Wh-re-hunting amang groves o’ myrtles:
Then bowses drumlie German-water,
To mak himsel look fair an’ fatter,
An’ clear the consequential sorrows,
Love-gifts of Carnival signoras.
For Britain’s guid! for her destruction!
Wi’ dissipation, feud, an’ faction.
LUATH Hech, man! dear sirs! is that the gate
They waste sae mony a braw estate!
Are we sae foughten an’ harass’d
For gear to gang that gate at last?
O would they stay aback frae courts,
An’ please themsels wi’ country sports,
It wad for ev’ry ane be better,
The laird, the tenant, an’ the cotter!
For thae frank, rantin, ramblin billies,
Feint haet o’ them’s ill-hearted fellows;
Except for breakin o’ their timmer,
Or speakin lightly o’ their limmer,
Or shootin of a hare or moor-cock,
The ne’er-a-bit they’re ill to poor folk,
But will ye tell me, Master C&æsar,
Sure great folk’s life’s a life o’ pleasure?
Nae cauld nor hunger e’er can steer them,
The very thought o’t need na fear them.
CÆSAR L—d, man, were ye but whiles whare I am,
The gentles, ye wad ne’er envy them!
It’s true, they need na starve or sweat,
Thro’ winter’s cauld, or simmer’s heat:
They’ve nae sair wark to craze their banes,
An’ fill auld age wi’ grips an’ granes:
But human bodies are sic fools,
For a’ their colleges an’ schools,
That when nae real ills perplex them,
They mak enow themsel’s to vex them;
An’ aye the less they hae to sturt them,
In like proportion, less will hurt them.
A country fellow at the pleugh,
His acre’s till’d, he’s right eneugh;
A country girl at her wheel,
Her dizzen’s dune, she’s unco weel;
But gentlemen, an’ ladies warst,
Wi’ ev’n-down want o’ wark are curst.
They loiter, lounging, lank an’ lazy;
Tho’ deil-haet ails them, yet uneasy;
Their days insipid, dull, an’ tasteless;
Their nights unquiet, lang, an’ restless.
An’ev’n their sports, their balls an’ races,
Their galloping through public places,
There’s sic parade, sic pomp, an’ art,
The joy can scarcely reach the heart.
The men cast out in party-matches,
Then sowther a’ in deep debauches.
Ae night they’re mad wi’ drink an’ whoring,
Niest day their life is past enduring.
The ladies arm-in-arm in clusters,
As great an’ gracious a’ as sisters;
But hear their absent thoughts o’ ither,
They’re a’ run-deils an’ jads thegither.
Whiles, owre the wee bit cup an’ platie,
They sip the scandal-potion pretty;
Or lee-lang nights, wi’ crabbit leuks
Pore owre the devil’s pictur’d beuks;
Stake on a chance a farmer’s stackyard,
An’ cheat like ony unhanged blackguard.
There’s some exceptions, man an’ woman;
But this is gentry’s life in common.
By this, the sun was out of sight,
An’ darker gloamin brought the night;
The bum-clock humm’d wi’ lazy drone;
The kye stood rowtin i’ the loan;
When up they gat an’ shook their lugs,
Rejoic’d they werena men but dogs;
An’ each took aff his several way,
Resolv’d to meet some ither day.
Note 1. Luath was Burns’ own dog. [back]
Note 2. Cuchullin’s dog in Ossian’s “Fingal.”—R. B. [back]
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