Written by
Rudyard Kipling |
Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God's great Judgment Seat;
But there is neither East nor West, Border, nor Breed, nor Birth,
When two strong men stand face to face, tho' they come from the ends of the earth!
Kamal is out with twenty men to raise the Border-side,
And he has lifted the Colonel's mare that is the Colonel's pride:
He has lifted her out of the stable-door between the dawn and the day,
And turned the calkins upon her feet, and ridden her far away.
Then up and spoke the Colonel's son that led a troop of the Guides:
"Is there never a man of all my men can say where Kamal hides?"
Then up and spoke Mahommed Khan, the son of the Ressaldar:
"If ye know the track of the morning-mist, ye know where his pickets are.
At dusk he harries the Abazai -- at dawn he is into Bonair,
But he must go by Fort Bukloh to his own place to fare,
So if ye gallop to Fort Bukloh as fast as a bird can fly,
By the favour of God ye may cut him off ere he win to the Tongue of Jagai.
But if he be past the Tongue of Jagai, right swiftly turn ye then,
For the length and the breadth of that grisly plain is sown with Kamal's men.
There is rock to the left, and rock to the right, and low lean thorn between,
And ye may hear a breech-bolt snick where never a man is seen."
The Colonel's son has taken a horse, and a raw rough dun was he,
With the mouth of a bell and the heart of Hell
and the head of the gallows-tree.
The Colonel's son to the Fort has won, they bid him stay to eat --
Who rides at the tail of a Border thief, he sits not long at his meat.
He's up and away from Fort Bukloh as fast as he can fly,
Till he was aware of his father's mare in the gut of the Tongue of Jagai,
Till he was aware of his father's mare with Kamal upon her back,
And when he could spy the white of her eye, he made the pistol crack.
He has fired once, he has fired twice, but the whistling ball went wide.
"Ye shoot like a soldier," Kamal said. "Show now if ye can ride."
It's up and over the Tongue of Jagai, as blown dustdevils go,
The dun he fled like a stag of ten, but the mare like a barren doe.
The dun he leaned against the bit and slugged his head above,
But the red mare played with the snaffle-bars, as a maiden plays with a glove.
There was rock to the left and rock to the right, and low lean thorn between,
And thrice he heard a breech-bolt snick tho' never a man was seen.
They have ridden the low moon out of the sky, their hoofs drum up the dawn,
The dun he went like a wounded bull, but the mare like a new-roused fawn.
The dun he fell at a water-course -- in a woful heap fell he,
And Kamal has turned the red mare back, and pulled the rider free.
He has knocked the pistol out of his hand -- small room was there to strive,
"'Twas only by favour of mine," quoth he, "ye rode so long alive:
There was not a rock for twenty mile, there was not a clump of tree,
But covered a man of my own men with his rifle cocked on his knee.
If I had raised my bridle-hand, as I have held it low,
The little jackals that flee so fast were feasting all in a row:
If I had bowed my head on my breast, as I have held it high,
The kite that whistles above us now were gorged till she could not fly."
Lightly answered the Colonel's son: "Do good to bird and beast,
But count who come for the broken meats before thou makest a feast.
If there should follow a thousand swords to carry my bones away,
Belike the price of a jackal's meal were more than a thief could pay.
They will feed their horse on the standing crop,
their men on the garnered grain,
The thatch of the byres will serve their fires when all the cattle are slain.
But if thou thinkest the price be fair, -- thy brethren wait to sup,
The hound is kin to the jackal-spawn, -- howl, dog, and call them up!
And if thou thinkest the price be high, in steer and gear and stack,
Give me my father's mare again, and I'll fight my own way back!"
Kamal has gripped him by the hand and set him upon his feet.
"No talk shall be of dogs," said he, "when wolf and gray wolf meet.
May I eat dirt if thou hast hurt of me in deed or breath;
What dam of lances brought thee forth to jest at the dawn with Death?"
Lightly answered the Colonel's son: "I hold by the blood of my clan:
Take up the mare for my father's gift -- by God, she has carried a man!"
The red mare ran to the Colonel's son, and nuzzled against his breast;
"We be two strong men," said Kamal then, "but she loveth the younger best.
So she shall go with a lifter's dower, my turquoise-studded rein,
My broidered saddle and saddle-cloth, and silver stirrups twain."
The Colonel's son a pistol drew and held it muzzle-end,
"Ye have taken the one from a foe," said he;
"will ye take the mate from a friend?"
"A gift for a gift," said Kamal straight; "a limb for the risk of a limb.
Thy father has sent his son to me, I'll send my son to him!"
With that he whistled his only son, that dropped from a mountain-crest --
He trod the ling like a buck in spring, and he looked like a lance in rest.
"Now here is thy master," Kamal said, "who leads a troop of the Guides,
And thou must ride at his left side as shield on shoulder rides.
Till Death or I cut loose the tie, at camp and board and bed,
Thy life is his -- thy fate it is to guard him with thy head.
So, thou must eat the White Queen's meat, and all her foes are thine,
And thou must harry thy father's hold for the peace of the Border-line,
And thou must make a trooper tough and hack thy way to power --
Belike they will raise thee to Ressaldar when I am hanged in Peshawur."
They have looked each other between the eyes, and there they found no fault,
They have taken the Oath of the Brother-in-Blood on leavened bread and salt:
They have taken the Oath of the Brother-in-Blood on fire and fresh-cut sod,
On the hilt and the haft of the Khyber knife, and the Wondrous Names of God.
The Colonel's son he rides the mare and Kamal's boy the dun,
And two have come back to Fort Bukloh where there went forth but one.
And when they drew to the Quarter-Guard, full twenty swords flew clear --
There was not a man but carried his feud with the blood of the mountaineer.
"Ha' done! ha' done!" said the Colonel's son.
"Put up the steel at your sides!
Last night ye had struck at a Border thief --
to-night 'tis a man of the Guides!"
Oh, East is East, and West is West, and never the twain shall meet,
Till Earth and Sky stand presently at God's great Judgment Seat;
But there is neither East nor West, Border, nor Breed, nor Birth,
When two strong men stand face to face, tho' they come from the ends of the earth!
|
Written by
Wendell Berry |
I.
I dream of you walking at night along the streams
of the country of my birth, warm blooms and the nightsongs
of birds opening around you as you walk.
You are holding in your body the dark seed of my sleep.
II.
This comes after silence. Was it something I said
that bound me to you, some mere promise
or, worse, the fear of loneliness and death?
A man lost in the woods in the dark, I stood
still and said nothing. And then there rose in me,
like the earth's empowering brew rising
in root and branch, the words of a dream of you
I did not know I had dreamed. I was a wanderer
who feels the solace of his native land
under his feet again and moving in his blood.
I went on, blind and faithful. Where I stepped
my track was there to steady me. It was no abyss
that lay before me, but only the level ground.
III.
Sometimes our life reminds me
of a forest in which there is a graceful clearing
and in that opening a house,
an orchard and garden,
comfortable shades, and flowers
red and yellow in the sun, a pattern
made in the light for the light to return to.
The forest is mostly dark, its ways
to be made anew day after day, the dark
richer than the light and more blessed,
provided we stay brave
enough to keep on going in.
IV.
How many times have I come to you out of my head
with joy, if ever a man was,
for to approach you I have given up the light
and all directions. I come to you
lost, wholly trusting as a man who goes
into the forest unarmed. It is as though I descend
slowly earthward out of the air. I rest in peace
in you, when I arrive at last.
V.
Our bond is no little economy based on the exchange
of my love and work for yours, so much for so much
of an expendable fund. We don't know what its limits are--
that puts us in the dark. We are more together
than we know, how else could we keep on discovering
we are more together than we thought?
You are the known way leading always to the unknown,
and you are the known place to which the unknown is always
leading me back. More blessed in you than I know,
I possess nothing worthy to give you, nothing
not belittled by my saying that I possess it.
Even an hour of love is a moral predicament, a blessing
a man may be hard up to be worthy of. He can only
accept it, as a plant accepts from all the bounty of the light
enough to live, and then accepts the dark,
passing unencumbered back to the earth, as I
have fallen tine and again from the great strength
of my desire, helpless, into your arms.
VI.
What I am learning to give you is my death
to set you free of me, and me from myself
into the dark and the new light. Like the water
of a deep stream, love is always too much. We
did not make it. Though we drink till we burst
we cannot have it all, or want it all.
In its abundance it survives our thirst.
In the evening we come down to the shore
to drink our fill, and sleep, while it
flows through the regions of the dark.
It does not hold us, except we keep returning
to its rich waters thirsty. We enter,
willing to die, into the commonwealth of its joy.
VII.
I give you what is unbounded, passing from dark to dark,
containing darkness: a night of rain, an early morning.
I give you the life I have let live for the love of you:
a clump of orange-blooming weeds beside the road,
the young orchard waiting in the snow, our own life
that we have planted in the ground, as I
have planted mine in you. I give you my love for all
beautiful and honest women that you gather to yourself
again and again, and satisfy--and this poem,
no more mine than any man's who has loved a woman.
|
Written by
John Clare |
Up this green woodland-ride let's softly rove,
And list the nightingale— she dwells just here.
Hush ! let the wood-gate softly clap, for fear
The noise might drive her from her home of love ;
For here I've heard her many a merry year—
At morn, at eve, nay, all the live-long day,
As though she lived on song. This very spot,
Just where that old-man's-beard all wildly trails
Rude arbours o'er the road, and stops the way—
And where that child its blue-bell flowers hath got,
Laughing and creeping through the mossy rails—
There have I hunted like a very boy,
Creeping on hands and knees through matted thorn
To find her nest, and see her feed her young.
And vainly did I many hours employ :
All seemed as hidden as a thought unborn.
And where those crimping fern-leaves ramp among
The hazel's under boughs, I've nestled down,
And watched her while she sung ; and her renown
Hath made me marvel that so famed a bird
Should have no better dress than russet brown.
Her wings would tremble in her ecstasy,
And feathers stand on end, as 'twere with joy,
And mouth wide open to release her heart
Of its out-sobbing songs. The happiest part
Of summer's fame she shared, for so to me
Did happy fancies shapen her employ ;
But if I touched a bush, or scarcely stirred,
All in a moment stopt. I watched in vain :
The timid bird had left the hazel bush,
And at a distance hid to sing again.
Lost in a wilderness of listening leaves,
Rich Ecstasy would pour its luscious strain,
Till envy spurred the emulating thrush
To start less wild and scarce inferior songs ;
For while of half the year Care him bereaves,
To damp the ardour of his speckled breast ;
The nightingale to summer's life belongs,
And naked trees, and winter's nipping wrongs,
Are strangers to her music and her rest.
Her joys are evergreen, her world is wide—
Hark! there she is as usual— let's be hush—
For in this black-thorn clump, if rightly guest,
Her curious house is hidden. Part aside
These hazel branches in a gentle way,
And stoop right cautious 'neath the rustling boughs,
For we will have another search to day,
And hunt this fern-strewn thorn-clump round and round ;
And where this reeded wood-grass idly bows,
We'll wade right through, it is a likely nook :
In such like spots, and often on the ground,
They'll build, where rude boys never think to look—
Aye, as I live ! her secret nest is here,
Upon this white-thorn stump ! I've searched about
For hours in vain. There! put that bramble by—
Nay, trample on its branches and get near.
How subtle is the bird ! she started out,
And raised a plaintive note of danger nigh,
Ere we were past the brambles ; and now, near
Her nest, she sudden stops— as choking fear,
That might betray her home. So even now
We'll leave it as we found it : safety's guard
Of pathless solitudes shall keep it still.
See there! she's sitting on the old oak bough,
Mute in her fears ; our presence doth retard
Her joys, and doubt turns every rapture chill.
Sing on, sweet bird! may no worse hap befall
Thy visions, than the fear that now deceives.
We will not plunder music of its dower,
Nor turn this spot of happiness to thrall ;
For melody seems hid in every flower,
That blossoms near thy home. These harebells all
Seem bowing with the beautiful in song ;
And gaping cuckoo-flower, with spotted leaves,
Seems blushing of the singing it has heard.
How curious is the nest ; no other bird
Uses such loose materials, or weaves
Its dwelling in such spots : dead oaken leaves
Are placed without, and velvet moss within,
And little scraps of grass, and, scant and spare,
What scarcely seem materials, down and hair ;
For from men's haunts she nothing seems to win.
Yet Nature is the builder, and contrives
Homes for her children's comfort, even here ;
Where Solitude's disciples spend their lives
Unseen, save when a wanderer passes near
That loves such pleasant places. Deep adown,
The nest is made a hermit's mossy cell.
Snug lie her curious eggs in number five,
Of deadened green, or rather olive brown ;
And the old prickly thorn-bush guards them well.
So here we'll leave them, still unknown to wrong,
As the old woodland's legacy of song.
|
Written by
Ted Hughes |
Freezing dusk is closing
Like a slow trap of steel
On trees and roads and hills and all
That can no longer feel.
But the carp is in its depth
Like a planet in its heaven.
And the badger in its bedding
Like a loaf in the oven.
And the butterfly in its mummy
Like a viol in its case.
And the owl in its feathers
Like a doll in its lace.
Freezing dusk has tightened
Like a nut screwed tight
On the starry aeroplane
Of the soaring night.
But the trout is in its hole
Like a chuckle in a sleeper.
The hare strays down the highway
Like a root going deeper.
The snail is dry in the outhouse
Like a seed in a sunflower.
The owl is pale on the gatepost
Like a clock on its tower.
Moonlight freezes the shaggy world
Like a mammoth of ice -
The past and the future
Are the jaws of a steel vice.
But the cod is in the tide-rip
Like a key in a purse.
The deer are on the bare-blown hill
Like smiles on a nurse.
The flies are behind the plaster
Like the lost score of a jig.
Sparrows are in the ivy-clump
Like money in a pig.
Such a frost
The flimsy moon
Has lost her wits.
A star falls.
The sweating farmers
Turn in their sleep
Like oxen on spits.
|
Written by
Charles Bukowski |
and the sun weilds mercy
but like a jet torch carried to high,
and the jets whip across its sight
and rockets leap like toads,
and the boys get out the maps
and pin-cuishon the moon,
old green cheese,
no life there but too much on earth:
our unwashed India boys
crosssing their legs,playing pipes,
starving with sucked in bellies,
watching the snakes volute
like beautiful women in the hungry air;
the rockets leap,
the rockets leap like hares,
clearing clump and dog
replacing out-dated bullets;
the Chineses still carve
in jade,quietly stuffing rice
into their hunger, a hunger
a thousand years old,
their muddy rivers moving with fire
and song, barges, houseboats
pushed by drifting poles
of waiting without wanting;
in Turkey they face the East
on their carpets
praying to a purple god
who smokes and laughs
and sticks fingers in their eyes
blinding them, as gods will do;
but the rockets are ready: peace is no longer,
for some reason,precious;
madness drifts like lily pads
on a pond circling senselessly;
the painters paint dipping
their reds and greens and yellows,
poets rhyme their lonliness,
musicians starve as always
and the novelists miss the mark,
but not the pelican , the gull;
pelicans dip and dive, rise,
shaking shocked half-dead
radioactive fish from their beaks;
indeed, indeed, the waters wash
the rocks with slime; and on wall st.
the market staggers like a lost drunk
looking for his key; ah,
this will be a good one,by God:
it will take us back to the
sabre-teeth, the winged monkey
scrabbling in pits over bits
of helmet, instrument and glass;
a lightning crashes across
the window and in a million rooms
lovers lie entwined and lost
and sick as peace;
the sky still breaks red and orange for the
painters-and for the lovers,
flowers open as they always have
opened but covered with thin dust
of rocket fuel and mushrooms,
poison mushrooms; it's a bad time,
a dog-sick time-curtain
act 3, standing room only,
SOLD OUT, SOLD OUT, SOLD OUT again,
by god,by somebody and something,
by rockets and generals and
leaders, by poets , doctors, comedians,
by manufacturers of soup
and biscuits, Janus-faced hucksters
of their own indexerity;
I can now see now the coal-slick
contanminated fields, a snail or 2,
bile, obsidian, a fish or 3
in the shallows, an obloquy of our
source and our sight.....
has this happend before? is history
a circle that catches itself by the tail,
a dream, a nightmare,
a general's dream, a presidents dream,
a dictators dream...
can't we awaken?
or are the forces of life greater than we are?
can't we awaken? must we foever,
dear freinds, die in our sleep?
|
Written by
Percy Bysshe Shelley |
I rode one evening with Count Maddalo
Upon the bank of land which breaks the flow
Of Adria towards Venice: a bare strand
Of hillocks, heap'd from ever-shifting sand,
Matted with thistles and amphibious weeds,
Such as from earth's embrace the salt ooze breeds,
Is this; an uninhabited sea-side,
Which the lone fisher, when his nets are dried,
Abandons; and no other object breaks
The waste, but one dwarf tree and some few stakes
Broken and unrepair'd, and the tide makes
A narrow space of level sand thereon,
Where 'twas our wont to ride while day went down.
This ride was my delight. I love all waste
And solitary places; where we taste
The pleasure of believing what we see
Is boundless, as we wish our souls to be:
And such was this wide ocean, and this shore
More barren than its billows; and yet more
Than all, with a remember'd friend I love
To ride as then I rode; for the winds drove
The living spray along the sunny air
Into our faces; the blue heavens were bare,
Stripp'd to their depths by the awakening north;
And, from the waves, sound like delight broke forth
Harmonizing with solitude, and sent
Into our hearts aëreal merriment.
So, as we rode, we talk'd; and the swift thought,
Winging itself with laughter, linger'd not,
But flew from brain to brain--such glee was ours,
Charg'd with light memories of remember'd hours,
None slow enough for sadness: till we came
Homeward, which always makes the spirit tame.
This day had been cheerful but cold, and now
The sun was sinking, and the wind also.
Our talk grew somewhat serious, as may be
Talk interrupted with such raillery
As mocks itself, because it cannot scorn
The thoughts it would extinguish: 'twas forlorn,
Yet pleasing, such as once, so poets tell,
The devils held within the dales of Hell
Concerning God, freewill and destiny:
Of all that earth has been or yet may be,
All that vain men imagine or believe,
Or hope can paint or suffering may achieve,
We descanted, and I (for ever still
Is it not wise to make the best of ill?)
Argu'd against despondency, but pride
Made my companion take the darker side.
The sense that he was greater than his kind
Had struck, methinks, his eagle spirit blind
By gazing on its own exceeding light.
Meanwhile the sun paus'd ere it should alight,
Over the horizon of the mountains--Oh,
How beautiful is sunset, when the glow
Of Heaven descends upon a land like thee,
Thou Paradise of exiles, Italy!
Thy mountains, seas, and vineyards, and the towers
Of cities they encircle! It was ours
To stand on thee, beholding it: and then,
Just where we had dismounted, the Count's men
Were waiting for us with the gondola.
As those who pause on some delightful way
Though bent on pleasant pilgrimage, we stood
Looking upon the evening, and the flood
Which lay between the city and the shore,
Pav'd with the image of the sky.... The hoar
And aëry Alps towards the North appear'd
Through mist, an heaven-sustaining bulwark rear'd
Between the East and West; and half the sky
Was roof'd with clouds of rich emblazonry
Dark purple at the zenith, which still grew
Down the steep West into a wondrous hue
Brighter than burning gold, even to the rent
Where the swift sun yet paus'd in his descent
Among the many-folded hills: they were
Those famous Euganean hills, which bear,
As seen from Lido thro' the harbour piles,
The likeness of a clump of peakèd isles--
And then--as if the Earth and Sea had been
Dissolv'd into one lake of fire, were seen
Those mountains towering as from waves of flame
Around the vaporous sun, from which there came
The inmost purple spirit of light, and made
Their very peaks transparent. "Ere it fade,"
Said my companion, "I will show you soon
A better station"--so, o'er the lagune
We glided; and from that funereal bark
I lean'd, and saw the city, and could mark
How from their many isles, in evening's gleam,
Its temples and its palaces did seem
Like fabrics of enchantment pil'd to Heaven.
I was about to speak, when--"We are even
Now at the point I meant," said Maddalo,
And bade the gondolieri cease to row.
"Look, Julian, on the west, and listen well
If you hear not a deep and heavy bell."
I look'd, and saw between us and the sun
A building on an island; such a one
As age to age might add, for uses vile,
A windowless, deform'd and dreary pile;
And on the top an open tower, where hung
A bell, which in the radiance sway'd and swung;
We could just hear its hoarse and iron tongue:
The broad sun sunk behind it, and it toll'd
In strong and black relief. "What we behold
Shall be the madhouse and its belfry tower,"
Said Maddalo, "and ever at this hour
Those who may cross the water, hear that bell
Which calls the maniacs, each one from his cell,
To vespers." "As much skill as need to pray
In thanks or hope for their dark lot have they
To their stern Maker," I replied. "O ho!
You talk as in years past," said Maddalo.
" 'Tis strange men change not. You were ever still
Among Christ's flock a perilous infidel,
A wolf for the meek lambs--if you can't swim
Beware of Providence." I look'd on him,
But the gay smile had faded in his eye.
"And such," he cried, "is our mortality,
And this must be the emblem and the sign
Of what should be eternal and divine!
And like that black and dreary bell, the soul,
Hung in a heaven-illumin'd tower, must toll
Our thoughts and our desires to meet below
Round the rent heart and pray--as madmen do
For what? they know not--till the night of death,
As sunset that strange vision, severeth
Our memory from itself, and us from all
We sought and yet were baffled." I recall
The sense of what he said, although I mar
The force of his expressions. The broad star
Of day meanwhile had sunk behind the hill,
And the black bell became invisible,
And the red tower look'd gray, and all between
The churches, ships and palaces were seen
Huddled in gloom;--into the purple sea
The orange hues of heaven sunk silently.
We hardly spoke, and soon the gondola
Convey'd me to my lodgings by the way.
The following morn was rainy, cold and dim:
Ere Maddalo arose, I call'd on him,
And whilst I waited with his child I play'd;
A lovelier toy sweet Nature never made,
A serious, subtle, wild, yet gentle being,
Graceful without design and unforeseeing,
With eyes--Oh speak not of her eyes!--which seem
Twin mirrors of Italian Heaven, yet gleam
With such deep meaning, as we never see
But in the human countenance: with me
She was a special favourite: I had nurs'd
Her fine and feeble limbs when she came first
To this bleak world; and she yet seem'd to know
On second sight her ancient playfellow,
Less chang'd than she was by six months or so;
For after her first shyness was worn out
We sate there, rolling billiard balls about,
When the Count enter'd. Salutations past--
"The word you spoke last night might well have cast
A darkness on my spirit--if man be
The passive thing you say, I should not see
Much harm in the religions and old saws
(Though I may never own such leaden laws)
Which break a teachless nature to the yoke:
Mine is another faith"--thus much I spoke
And noting he replied not, added: "See
This lovely child, blithe, innocent and free;
She spends a happy time with little care,
While we to such sick thoughts subjected are
As came on you last night. It is our will
That thus enchains us to permitted ill.
We might be otherwise. We might be all
We dream of happy, high, majestical.
Where is the love, beauty, and truth we seek
But in our mind? and if we were not weak
Should we be less in deed than in desire?"
"Ay, if we were not weak--and we aspire
How vainly to be strong!" said Maddalo:
"You talk Utopia." "It remains to know,"
I then rejoin'd, "and those who try may find
How strong the chains are which our spirit bind;
Brittle perchance as straw.... We are assur'd
Much may be conquer'd, much may be endur'd,
Of what degrades and crushes us. We know
That we have power over ourselves to do
And suffer--what, we know not till we try;
But something nobler than to live and die:
So taught those kings of old philosophy
Who reign'd, before Religion made men blind;
And those who suffer with their suffering kind
Yet feel their faith, religion." "My dear friend,"
Said Maddalo, "my judgement will not bend
To your opinion, though I think you might
Make such a system refutation-tight
As far as words go. I knew one like you
Who to this city came some months ago,
With whom I argu'd in this sort, and he
Is now gone mad--and so he answer'd me--
Poor fellow! but if you would like to go
We'll visit him, and his wild talk will show
How vain are such aspiring theories."
"I hope to prove the induction otherwise,
And that a want of that true theory, still,
Which seeks a 'soul of goodness' in things ill
Or in himself or others, has thus bow'd
His being. There are some by nature proud,
Who patient in all else demand but this--
To love and be belov'd with gentleness;
And being scorn'd, what wonder if they die
Some living death? this is not destiny
But man's own wilful ill."
As thus I spoke
Servants announc'd the gondola, and we
Through the fast-falling rain and high-wrought sea
Sail'd to the island where the madhouse stands.
|
Written by
Wang Wei |
Farewell to the bushy clump close to the river
And the flags where the butter-bump hides in forever;
Farewell to the weedy nook, hemmed in by waters;
Farewell to the miller's brook and his three bonny daughters;
Farewell to them all while in prison I lie—
In the prison a thrall sees naught but the sky.
Shut out are the green fields and birds in the bushes;
In the prison yard nothing builds, blackbirds or thrushes.
Farewell to the old mill and dash of waters,
To the miller and, dearer still, to his three bonny daughters.
In the nook, the larger burdock grows near the green willow;
In the flood, round the moor-cock dashes under the billow;
To the old mill farewell, to the lock, pens, and waters,
To the miller himsel', and his three bonny daughters.
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Written by
Amy Clampitt |
Nothing's certain. Crossing, on this longest day,
the low-tide-uncovered isthmus, scrambling up
the scree-slope of what at high tide
will be again an island,
to where, a decade since well-being staked
the slender, unpremeditated claim that brings us
back, year after year, lugging the
makings of another picnic—
the cucumber sandwiches, the sea-air-sanctified
fig newtons—there's no knowing what the slamming
seas, the gales of yet another winter
may have done. Still there,
the gust-beleaguered single spruce tree,
the ant-thronged, root-snelled moss, grass
and clover tuffet underneath it,
edges frazzled raw
but, like our own prolonged attachment, holding.
Whatever moral lesson might commend itself,
there's no use drawing one,
there's nothing here
to seize on as exemplifying any so-called virtue
(holding on despite adversity, perhaps) or
any no-more-than-human tendency—
stubborn adherence, say,
to a wholly wrongheaded tenet. Though to
hold on in any case means taking less and less
for granted, some few things seem nearly
certain, as that the longest day
will come again, will seem to hold its breath,
the months-long exhalation of diminishment
again begin. Last night you woke me
for a look at Jupiter,
that vast cinder wheeled unblinking
in a bath of galaxies. Watching, we traveled
toward an apprehension all but impossible
to be held onto—
that no point is fixed, that there's no foothold
but roams untethered save by such snells,
such sailor's knots, such stays
and guy wires as are
mainly of our own devising. From such an
empyrean, aloof seraphic mentors urge us
to look down on all attachment,
on any bonding, as
in the end untenable. Base as it is, from
year to year the earth's sore surface
mends and rebinds itself, however
and as best it can, with
thread of cinquefoil, tendril of the magenta
beach pea, trammel of bramble; with easings,
mulchings, fragrances, the gray-green
bayberry's cool poultice—
and what can't finally be mended, the salt air
proceeds to buff and rarefy: the lopped carnage
of the seaward spruce clump weathers
lustrous, to wood-silver.
Little is certain, other than the tide that
circumscribes us that still sets its term
to every picnic—today we stayed too long
again, and got our feet wet—
and all attachment may prove at best, perhaps,
a broken, a much-mended thing. Watching
the longest day take cover under
a monk's-cowl overcast,
with thunder, rain and wind, then waiting,
we drop everything to listen as a
hermit thrush distills its fragmentary,
hesitant, in the end
unbroken music. From what source (beyond us, or
the wells within?) such links perceived arrive—
diminished sequences so uninsistingly
not even human—there's
hardly a vocabulary left to wonder, uncertain
as we are of so much in this existence, this
botched, cumbersome, much-mended,
not unsatisfactory thing.
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Written by
James Schuyler |
beside me in this garden
are huge and daisy-like
(why not? are not
oxeye daisies a chrysanthemum?),
shrubby and thick-stalked,
the leaves pointing up
the stems from which
the flowers burst in
sunbursts. I love
this garden in all its moods,
even under its winter coat
of salt hay, or now,
in October, more than
half gone over: here
a rose, there a clump
of aconite. This morning
one of the dogs killed
a barn owl. Bob saw
it happen, tried to
intervene. The airedale
snapped its neck and left
it lying. Now the bird
lies buried by an apple
tree. Last evening
from the table we saw
the owl, huge in the dusk,
circling the field
on owl-silent wings.
The first one ever seen
here: now it's gone,
a dream you just remember.
The dogs are barking. In
the studio music plays
and Bob and Darragh paint.
I sit scribbling in a little
notebook at a garden table,
too hot in a heavy shirt
in the mid-October sun
into which the Korean mums
all face. There is a
dull book with me,
an apple core, cigarettes,
an ashtray. Behind me
the rue I gave Bob
flourishes. Light on leaves,
so much to see, and
all I really see is that
owl, its bulk troubling
the twilight. I'll
soon forget it: what
is there I have not forgot?
Or one day will forget:
this garden, the breeze
in stillness, even
the words, Korean mums.
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Written by
Galway Kinnell |
At intermission I find her backstage
still practicing the piece coming up next.
She calls it the "solo in high dreary."
Her bow niggles at the string like a hand
stroking skin it never wanted to touch.
Probably under her scorn she is sick
that she can't do better by it. As I am,
at the dreary in me, such as the disparity
between all the tenderness I've received
and the amount I've given, and the way
I used to shrug off the imbalance
simply as how things are, as if the male
were constituted like those coffeemakers
that produce less black bitter than the quantity
of sweet clear you poured in--forgetting about
how much I spilled through unsteady walking,
and that lot I threw on the ground
in suspicion, and for fear I wasn't worthy,
and all I poured out for reasons I don't understand yet.
"Break a leg!" somebody tells her.
Back in my seat, I can see she is nervous
when she comes out; her hand shakes as she
re-dog-ears the top corners of the big pages
that look about to flop over on their own.
Now she raises the bow--its flat bundle of hair
harvested from the rear ends of horses--like a whetted
scimitar she is about to draw across a throat,
and attacks. In a back alley a cat opens
her pink-ceilinged mouth, gets netted
in full yowl, clubbed, bagged, bicycled off, haggled open,
gutted, the gut squeezed down to its highest pitch,
washed, sliced into cello strings, which bring
an ancient screaming into this duet of hair and gut.
Now she is flying--tossing back the goblets
of Saint-Amour standing empty,
half-empty, or full on the tablecloth-
like sheet music. Her knees tighten
and loosen around the big-hipped creature
wailing and groaning between them
as if in elemental amplexus.
The music seems to rise from the crater left
when heaven was torn up and taken off the earth;
more likely it comes up through her priest's dress,
up from that clump of hair which by now
may be so wet with its waters, like the waters
the fishes multiplied in at Galilee, that
each wick draws a portion all the way out
to its tip and fattens a droplet on the bush
of half notes now glittering in that dark.
At last she lifts off the bow and sits back.
Her face shines with the unselfconsciousness of a cat
screaming at night and the teary radiance of one
who gives everything no matter what has been given.
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