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Best Famous Closure Poems

Here is a collection of the all-time best famous Closure poems. This is a select list of the best famous Closure poetry. Reading, writing, and enjoying famous Closure poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of closure poems.

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Written by Pam Ayres | Create an image from this poem

Woodland Burial

Don’t lay me in some gloomy churchyard shaded by a wall
Where the dust of ancient bones has spread a dryness over all,
Lay me in some leafy loam where, sheltered from the cold
Little seeds investigate and tender leaves unfold.
There kindly and affectionately, plant a native tree
To grow resplendent before God and hold some part of me.
The roots will not disturb me as they wend their peaceful way
To build the fine and bountiful, from closure and decay.
To seek their small requirements so that when their work is done
I’ll be tall and standing strongly in the beauty of the sun.

© Pam Ayres 2012
Official Website
http://pamayres.com/


Written by Algernon Charles Swinburne | Create an image from this poem

Ave atque Vale (In memory of Charles Baudelaire)

 SHALL I strew on thee rose or rue or laurel, 
 Brother, on this that was the veil of thee? 
 Or quiet sea-flower moulded by the sea, 
Or simplest growth of meadow-sweet or sorrel, 
 Such as the summer-sleepy Dryads weave, 
 Waked up by snow-soft sudden rains at eve? 
Or wilt thou rather, as on earth before, 
 Half-faded fiery blossoms, pale with heat 
 And full of bitter summer, but more sweet 
To thee than gleanings of a northern shore 
 Trod by no tropic feet? 

For always thee the fervid languid glories 
 Allured of heavier suns in mightier skies; 
 Thine ears knew all the wandering watery sighs 
Where the sea sobs round Lesbian promontories, 
 The barren kiss of piteous wave to wave 
 That knows not where is that Leucadian grave 
Which hides too deep the supreme head of song. 
 Ah, salt and sterile as her kisses were, 
 The wild sea winds her and the green gulfs bear 
Hither and thither, and vex and work her wrong, 
 Blind gods that cannot spare. 

Thou sawest, in thine old singing season, brother, 
 Secrets and sorrows unbeheld of us: 
 Fierce loves, and lovely leaf-buds poisonous, 
Bare to thy subtler eye, but for none other 
 Blowing by night in some unbreathed-in clime; 
 The hidden harvest of luxurious time, 
Sin without shape, and pleasure without speech; 
 And where strange dreams in a tumultuous sleep 
 Make the shut eyes of stricken spirits weep; 
And with each face thou sawest the shadow on each, 
 Seeing as men sow men reap. 

O sleepless heart and sombre soul unsleeping, 
 That were athirst for sleep and no more life 
 And no more love, for peace and no more strife! 
Now the dim gods of death have in their keeping 
 Spirit and body and all the springs of song, 
 Is it well now where love can do no wrong, 
Where stingless pleasure has no foam or fang 
 Behind the unopening closure of her lips? 
 Is it not well where soul from body slips 
And flesh from bone divides without a pang 
 As dew from flower-bell drips? 

It is enough; the end and the beginning 
 Are one thing to thee, who art past the end. 
 O hand unclasp'd of unbeholden friend, 
For thee no fruits to pluck, no palms for winning, 
 No triumph and no labour and no lust, 
 Only dead yew-leaves and a little dust. 
O quiet eyes wherein the light saith naught, 
 Whereto the day is dumb, nor any night 
 With obscure finger silences your sight, 
Nor in your speech the sudden soul speaks thought, 
 Sleep, and have sleep for light. 

Now all strange hours and all strange loves are over, 
 Dreams and desires and sombre songs and sweet, 
 Hast thou found place at the great knees and feet 
Of some pale Titan-woman like a lover, 
 Such as thy vision here solicited, 
 Under the shadow of her fair vast head, 
The deep division of prodigious breasts, 
 The solemn slope of mighty limbs asleep, 
 The weight of awful tresses that still keep 
The savour and shade of old-world pine-forests 
 Where the wet hill-winds weep? 

Hast thou found any likeness for thy vision? 
 O gardener of strange flowers, what bud, what bloom, 
 Hast thou found sown, what gather'd in the gloom? 
What of despair, of rapture, of derision, 
 What of life is there, what of ill or good? 
 Are the fruits gray like dust or bright like blood? 
Does the dim ground grow any seed of ours, 
 The faint fields quicken any terrene root, 
 In low lands where the sun and moon are mute 
And all the stars keep silence? Are there flowers 
 At all, or any fruit? 

Alas, but though my flying song flies after, 
 O sweet strange elder singer, thy more fleet 
 Singing, and footprints of thy fleeter feet, 
Some dim derision of mysterious laughter 
 From the blind tongueless warders of the dead, 
 Some gainless glimpse of Proserpine's veil'd head, 
Some little sound of unregarded tears 
 Wept by effaced unprofitable eyes, 
 And from pale mouths some cadence of dead sighs-- 
These only, these the hearkening spirit hears, 
 Sees only such things rise. 

Thou art far too far for wings of words to follow, 
 Far too far off for thought or any prayer. 
 What ails us with thee, who art wind and air? 
What ails us gazing where all seen is hollow? 
 Yet with some fancy, yet with some desire, 
 Dreams pursue death as winds a flying fire, 
Our dreams pursue our dead and do not find. 
 Still, and more swift than they, the thin flame flies, 
 The low light fails us in elusive skies, 
Still the foil'd earnest ear is deaf, and blind 
 Are still the eluded eyes. 

Not thee, O never thee, in all time's changes, 
 Not thee, but this the sound of thy sad soul, 
 The shadow of thy swift spirit, this shut scroll 
I lay my hand on, and not death estranges 
 My spirit from communion of thy song-- 
 These memories and these melodies that throng 
Veil'd porches of a Muse funereal-- 
 These I salute, these touch, these clasp and fold 
 As though a hand were in my hand to hold, 
Or through mine ears a mourning musical 
 Of many mourners roll'd. 

I among these, I also, in such station 
 As when the pyre was charr'd, and piled the sods. 
 And offering to the dead made, and their gods, 
The old mourners had, standing to make libation, 
 I stand, and to the Gods and to the dead 
 Do reverence without prayer or praise, and shed 
Offering to these unknown, the gods of gloom, 
 And what of honey and spice my seed-lands bear, 
 And what I may of fruits in this chill'd air, 
And lay, Orestes-like, across the tomb 
 A curl of sever'd hair. 

But by no hand nor any treason stricken, 
 Not like the low-lying head of Him, the King, 
 The flame that made of Troy a ruinous thing, 
Thou liest and on this dust no tears could quicken. 
 There fall no tears like theirs that all men hear 
 Fall tear by sweet imperishable tear 
Down the opening leaves of holy poets' pages. 
 Thee not Orestes, not Electra mourns; 
 But bending us-ward with memorial urns 
The most high Muses that fulfil all ages 
 Weep, and our God's heart yearns. 

For, sparing of his sacred strength, not often 
 Among us darkling here the lord of light 
 Makes manifest his music and his might 
In hearts that open and in lips that soften 
 With the soft flame and heat of songs that shine. 
 Thy lips indeed he touch'd with bitter wine, 
And nourish'd them indeed with bitter bread; 
 Yet surely from his hand thy soul's food came, 
 The fire that scarr'd thy spirit at his flame 
Was lighted, and thine hungering heart he fed 
 Who feeds our hearts with fame. 

Therefore he too now at thy soul's sunsetting, 
 God of all suns and songs, he too bends down 
 To mix his laurel with thy cypress crown, 
And save thy dust from blame and from forgetting. 
 Therefore he too, seeing all thou wert and art, 
 Compassionate, with sad and sacred heart, 
Mourns thee of many his children the last dead, 
 And hollows with strange tears and alien sighs 
 Thine unmelodious mouth and sunless eyes, 
And over thine irrevocable head 
 Sheds light from the under skies. 

And one weeps with him in the ways Lethean, 
 And stains with tears her changing bosom chill; 
 That obscure Venus of the hollow hill, 
That thing transform'd which was the Cytherean, 
 With lips that lost their Grecian laugh divine 
 Long since, and face no more call'd Erycine-- 
A ghost, a bitter and luxurious god. 
 Thee also with fair flesh and singing spell 
 Did she, a sad and second prey, compel 
Into the footless places once more trod, 
 And shadows hot from hell. 

And now no sacred staff shall break in blossom, 
 No choral salutation lure to light 
 A spirit sick with perfume and sweet night 
And love's tired eyes and hands and barren bosom. 
 There is no help for these things; none to mend, 
 And none to mar; not all our songs, O friend, 
Will make death clear or make life durable. 
 Howbeit with rose and ivy and wild vine 
 And with wild notes about this dust of thine 
At least I fill the place where white dreams dwell 
 And wreathe an unseen shrine. 

Sleep; and if life was bitter to thee, pardon, 
 If sweet, give thanks; thou hast no more to live; 
 And to give thanks is good, and to forgive. 
Out of the mystic and the mournful garden 
 Where all day through thine hands in barren braid 
 Wove the sick flowers of secrecy and shade, 
Green buds of sorrow and sin, and remnants gray, 
 Sweet-smelling, pale with poison, sanguine-hearted, 
 Passions that sprang from sleep and thoughts that started, 
Shall death not bring us all as thee one day 
 Among the days departed? 

For thee, O now a silent soul, my brother, 
 Take at my hands this garland, and farewell. 
 Thin is the leaf, and chill the wintry smell, 
And chill the solemn earth, a fatal mother, 
 With sadder than the Niobean womb, 
 And in the hollow of her breasts a tomb. 
Content thee, howsoe'er, whose days are done; 
 There lies not any troublous thing before, 
 Nor sight nor sound to war against thee more, 
For whom all winds are quiet as the sun, 
 All waters as the shore.
Written by Les Murray | Create an image from this poem

Poetry And Religion

 Religions are poems. They concert
our daylight and dreaming mind, our
emotions, instinct, breath and native gesture

into the only whole thinking: poetry.
Nothing's said till it's dreamed out in words
and nothing's true that figures in words only.

A poem, compared with an arrayed religion,
may be like a soldier's one short marriage night
to die and live by. But that is a small religion. 

Full religion is the large poem in loving repetition;
like any poem, it must be inexhaustible and complete
with turns where we ask Now why did the poet do that?

You can't pray a lie, said Huckleberry Finn;
you can't poe one either. It is the same mirror:
mobile, glancing, we call it poetry,

fixed centrally, we call it a religion,
and God is the poetry caught in any religion,
caught, not imprisoned. Caught as in a mirror

that he attracted, being in the world as poetry
is in the poem, a law against its closure.
There'll always be religion around while there is poetry

or a lack of it. Both are given, and intermittent,
as the action of those birds - crested pigeon, rosella parrot -
who fly with wings shut, then beating, and again shut.
Written by Duncan Campbell Scott | Create an image from this poem

Avis

 With a golden rolling sound 
Booming came a bell,
From the aery in the tower
Eagles fell;
So with regal wings 
Hurled, and gleaming sound and power, 
Sprang the fatal spell.

Ten a storm of burnished doves
Gleaming from the cote
Flurried by the almonry
O'er the moat,--
Fell and soared and fell
With the arc and iris eye
Burning breast and throat.

Avis heard the beaten bell
Break the quiet space,
Gathering softly in the room 
Round her face;
And the sound of wings
From the deeps of rosy gloom
Rustled in the place.

Nothing moved along the wall,
Weltered on the floor;
Only in the purple deep,
Streaming o'er,
Came the dream of sound
Silent as the dale of sleep,
Where the dreams are four.

(One of love without a word,
Wan to look upon,
One of fear without a cry, 
Cowering stone,
And the dower of life, 
Grief without a single sigh,
Pain without a moan.)

"Avis-Avis!" Cried a voice;
Then the voice was mute.
"Avis!" Soft the echo lay
As the lute.
Where she was she fell,
Drowsy as mandragora,
Trancèd to the root.

Then she heard her mother's voice,
Tender as a dove;
Then her lover plain and sigh,
"Avis--Love!"
Like the mavis bird
Calling, calling lonelily
From the eerie grove.

Then she heard within the vast 
Closure of the spell,
Rolled and moulded into one 
Rounded swell,
All the sounds that ever were 
Uttered underneath the sun,
Heard in heaven or hell.

In the arras moved the wind,
And the window cloth
Rippled like a serpent barred,
Gray with wrath;
In the brazier gold
The wan ghost of a rose charred
Fluttered like a moth.

Tranquil lay her darkened eyes 
As the pools that keep
Auras dim of fern and frond 
Dappled, deep,
Dreamy as the map of Nod;
Moveless was she as a wand
In the wind of sleep.

Then the birds began to cry
From the crannied wall,
Piping as the morning rose
Mystical,
Gray with whistling rain,
Silver with the light that flows
In the interval.

Pallid poplars cast a shade,
Twinkling gray and dun,
Where the wind and water wove
Into one
All the linnet leaves,
Greening from the mere and grove
In the undern sun.

Night fell with the ferny dusk, 
Planets paled and grew,
Up, with lily and clarid turns
Throbbing through,
Rose the robin's song,
Heart of home and love that burns beating in the dew.

But she neither moved nor heard,
Trancèd was her breath;
Lip on charmèd lip was laid
(One who saith
"Love-Undone" and falls).
Silent was she as a shade
In the dells of death.
Written by William Shakespeare | Create an image from this poem

Sonnet 48: How careful was I when I took my way

 How careful was I, when I took my way,
Each trifle under truest bars to thrust,
That to my use it might unusèd stay
From hands of falsehood, in sure wards of trust!
But thou, to whom my jewels trifles are,
Most worthy comfort, now my greatest grief,
Thou best of dearest, and mine only care,
Art left the prey of every vulgar thief.
Thee have I not locked up in any chest,
Save where thou art not—though I feel thou art—
Within the gentle closure of my breast,
From whence at pleasure thou mayst come and part;
And even thence thou wilt be stol'n, I fear,
For truth proves thievish for a prize so dear.


Written by William Shakespeare | Create an image from this poem

Sonnet XLVIII

 How careful was I, when I took my way,
Each trifle under truest bars to thrust,
That to my use it might unused stay
From hands of falsehood, in sure wards of trust!
But thou, to whom my jewels trifles are,
Most worthy of comfort, now my greatest grief,
Thou, best of dearest and mine only care,
Art left the prey of every vulgar thief.
Thee have I not lock'd up in any chest,
Save where thou art not, though I feel thou art,
Within the gentle closure of my breast,
From whence at pleasure thou mayst come and part;
And even thence thou wilt be stol'n, I fear,
For truth proves thievish for a prize so dear.

Book: Radiant Verses: A Journey Through Inspiring Poetry