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Best Famous Churning Poems

Here is a collection of the all-time best famous Churning poems. This is a select list of the best famous Churning poetry. Reading, writing, and enjoying famous Churning poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of churning poems.

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Written by Barry Tebb | Create an image from this poem

LETTERS TO FRIENDS

 I


Eddie Linden

Dear Eddie we’ve not met

Except upon the written page 

And at your age the wonder 

Is that you write at all

When so many have gone under 

Or been split asunder by narcissistic humours

Blunder following blunder

Barker and Graham, godfathering my verse

Bearing me cloud-handed to Haworth moor

From my chained metropolitan moorings,

O hyaline March morning with Leeds

At its thrusting best, the thirsty beasts

Of night quenched as the furnaces

Of Hunslet where Hudswell Clarke’s locos

Rust in their skeletal sheds, rails skewed

To graveyards platforms and now instead

Skyscrapers circle the city, cranes, aeroplanes,

Electric trains but even they cannot hinder

Branches bursting with semen

Seraphic cloud sanctuaries shunting

Us homeward to the beckoning moors.
II Brenda Williams Leeds voices soothe the turbulence ‘Ey’ ‘sithee’ and ‘love’, lastingly lilt From cradle to grave, from backstreet On the social, our son, beat his way To Eton, Balliol, to Calcatta’s Shantiniketan And all the way back to a locked ward.
While I in the meantime fondly fiddled With rhyme and unreason, publishing pamphlets And Leeds Poetry Weekly while under the bane Of his tragic illness, poet and mother, You were driven from pillar to post By the taunting yobbery of your family And the crass insensitivity of wild therapy To the smoking dark of despair, Locked in your flat in the Abbey Road With seven cats and poetry.
O stop and strop your bladed darkness On the rock of ages while plangent tollings Mock your cradled rockings, knock by knock.
III Debjani Chatterjee In these doom-laden days You are steady as a pilot nursing tired ships homeward Through churning seas Where grey gulls scream Forlornly and for ever.
I am the red-neck, Bear-headed blaster Shifting sheer rock To rape the ore of poetry’s plunder Or bulldozing trees to glean mines of silver While you sail serenely onward Ever the diplomat’s daughter Toujours de la politesse.
IV Daisy Abey Daisy, dearest of all, safest And kindest, watcher and warner Of chaotic corners looming Round poetry’s boomerang bends I owe you most a letter While you are here beside me Patient as a miller waiting on wind To drive the great sails Through summer.
When the muse takes over I am snatched from order and duty Blowing routine into a riot of going And coming, blind, backwards, tip Over ****, sea waves crashing in suburbia, Saturnalia in Sutton, headlines of mad poet Striding naked over moors, roaring "I am here I am waiting".
V Jeremy Reed Niagaras of letters on pink sheets In sheaths of silver envelopes Mutually exchanged.
I open your missives Like undressing a girl in my teens Undoing the flap like a recalcitrant Bra strap, the letters stiff as nipples While I stroke the creviced folds Of amber and mauve and lick As I stick stamps like the ******** Of a reluctant virgin, urgent for Defloration and the pulse of ******.


Written by Patrick Kavanagh | Create an image from this poem

Advent

 We have tested and tasted too much, lover-
Through a chink too wide there comes in no wonder.
But here in the Advent-darkened room Where the dry black bread and the sugarless tea Of penance will charm back the luxury Of a child's soul, we'll return to Doom The knowledge we stole but could not use.
And the newness that was in every stale thing When we looked at it as children: the spirit-shocking Wonder in a black slanting Ulster hill Or the prophetic astonishment in the tedious talking Of an old fool will awake for us and bring You and me to the yard gate to watch the whins And the bog-holes, cart-tracks, old stables where Time begins.
O after Christmas we'll have no need to go searching For the difference that sets an old phrase burning- We'll hear it in the whispered argument of a churning Or in the streets where the village boys are lurching.
And we'll hear it among decent men too Who barrow dung in gardens under trees, Wherever life pours ordinary plenty.
Won't we be rich, my love and I, and God we shall not ask for reason's payment, The why of heart-breaking strangeness in dreeping hedges Nor analyse God's breath in common statement.
We have thrown into the dust-bin the clay-minted wages Of pleasure, knowledge and the conscious hour- And Christ comes with a January flower.
Written by Barry Tebb | Create an image from this poem

MARGINALIA

 Here is a silence I had not hoped for

This side of paradise, I am an old believer

In nature’s bounty as God’s grace

To us poor mortals, fretting and fuming

At frustrated lust or the scent of fame 

Coming too late to make a difference

Blue with white vertebrae of cloud forms

Riming the spectrum of green dark of poplars

Lined like soldiers, paler the hue of hawthorn 

With the heather beginning to bud blue

Before September purple, yellow ragwort

Sways in the wind as distantly a plane hums

And a lazy bee bumbles by.
A day in Brenda’s flat, mostly play with Eydie, My favourite of her seven cats, they soothe better Than Diazepan for panic Seroxat for grief Zopiclone to make me sleep.
I smoke my pipe and sip blackcurrant tea Aware of the ticking clock: I have to be back To talk to my son’s key nurse when she comes on For the night shift.
Always there are things to sort, Misapprehensions to untangle, delusions to decipher, Lies to expose, statistics to disclose, Trust Boards And team meetings to attend, ‘Mental Health Monthly’ To peruse, funds for my press to raise – the only one I ever got will leave me out of pocket.
A couple sat on the next bench Are earnestly discussing child custody, broken marriages, Failed affairs, social service interventions – Even here I cannot escape complexity "I should never have slept with her once we split" "The kids are what matters when it comes to the bottom line" "Is he poisoning their minds against me?" Part of me nags to offer help but I’ve too much On already and the clock keeps ticking.
"It’s a pity she won’t turn round and clip his ear" But better not to interfere.
Damn my bloody superego Nattering like an old woman or Daisy nagging About my pipe and my loud voice on buses – No doubt she’s right – smoking’s not good And hearing about psychosis, medication and end-on-sections Isn’t what people are on buses for.
I long for a girl in summer, pubescent With a twinkle in her eye to come and say "Come on, let’s do it!" I was always shy in adolescence, too busy reading Baudelaire To find a decent whore and learn to score And now I’m probably impotent with depression So I’d better forget sex and read more of Andr? Green On metaphor from Hegel to Lacan and how the colloquium At Bonneval changed analytic history, a mystery I’ll not unravel if I live to ninety.
Ignorance isn’t bliss, I know enough to talk the piss From jumped-up SHO’s and locums who’d miss vital side effects And think all’s needed is a mother’s kiss.
I’ll wait till the heather’s purple and bring nail scissors To cut and suture neatly and renew my stocks Of moor momentoes vased in unsunny Surrey.
Can you believe it? Some arseholes letting off fireworks On the moor? Suburban excesses spread like the sores Of syphilis and more regulations in a decade of Blair Than in the century before.
"Shop your neighbours.
Prove it.
Bring birth certificates to A&E If you want NHS treatment free.
Be careful not to bleed to death While finding the certificate.
Blunkett wants us all to have ID Photo cards, genetic codes, DNA database, eye scans, the lot – And kiss good-bye to the last bits of freedom we’ve got" "At the end of the day she shopped me and all I’d done Was take a few pound from the till ’cos Jenny was ill And I didn’t have thirteen quid to get the bloody prescription done" To-morrow I’ll be back in the Great Wen, Two days of manic catching up and then Thistledown, wild wheat, a dozen kinds of grass, The mass of beckoning hills I’d love to make A poet’s map of but never will.
"Oh to break loose" Lowell’s magic lines Entice me still but slimy Fenton had to have his will And slate it in the NYB, arguing that panetone Isn’t tin foil as Lowell thought.
James you are a dreadful bore, A pedantic creep like hundreds more, five A4 pages Of sniping and nit-picking for how many greenbacks? A thousand or two I’d guess, they couldn’t pay you less For churning out such a king-size mess But not even you can spoil this afternoon Of watching Haworth heather bloom.
Written by John Matthew | Create an image from this poem

Is White a Color?

 White, pristine, unblemished
They say it is not a color
I love white mists, clouds
Lingering on blue mountains.
White, no shades No off white, cream Pure as snow on shimmering peaks Is my favorite sight.
Nurses, priests, politicians Are bound, chained to white White nebulous clouds evoke deep nostalgic thoughts.
They swaddled my father in white As he lay in the black coffin His best shirt was white His loin cloth was white.
The paper I write is white White is holy, pure They say light is white Because it combines all colors.
So white is the mother of all colors The churning of all yellow, blue, green Colors sacrifice their egos To the eternal white.
They say they are "white" The purest of all races I think they aren't white But pink, beige and red.
Why can't colors of people Merge and become white Would people called "white" Allow their color to merge? Is white a color? The matriarch of all colors The fountain of all extent colors Yes, king white reigns supreme!
Written by Barry Tebb | Create an image from this poem

LETTER FROM LEEDS

 Would ‘any woman’ find me difficult to live with?

My tastes are simple: space for several thousand books,

The smoke from my pipe stuffed with aromatic Balkan Sobranie, 

A leftover from the Sixties, frequent brief absences to fulfil

My duties as a carer, unending phone calls

And the unenviable reputation as England’s worst or best complainer,

"Treading on toes or keeping people on their toes"

Also a warm and welcoming vagina, an insatiable need

For ******** and cunnilingus, a bed with clean sheets

I can retire to by five with a hot water bottle 

To calm my churning viscera while I read 

Endless analytic texts, tomes of French poems to translate,

A notorious weekly newsletter to edit, a quarterly to write reviews for

And – I must confess – cable TV so I can access Starsky and Hutch.
I need a cottage in Haworth to go with the wife, Companion or whatever, to see with me the changing Seasons of heather from purple September glory To the browns of winter and wisps of summer green And meet with Michael Haslam, fellow poet, Maestro of the moors and shape-shifter supreme.
I write these verses sitting in the marble hall Of City Station’s restored art deco glory, The rats and debris of decades swept away, How much I need the kindness of strangers, The welcome from my son’s nurses on the Ward with the highest security rating Leeds possesses, A magnificent rotunda among lawns and wooded glades, Air conditioned with more staff than patients- When visiting times are readily extended to encompass My moorland walks and journeys to the capital When I visit Brenda Williams, England’s leading protest poet.
In an Eden garden which spreads its lawned sleeves To envelop my tobacco smoke which irritates everyone Or is it a displacement onto the smoker As I ecstasise the red and yellow splendour of the red hot poker Defiantly erect among the flowering robes of magnolia? Here we reminisce of long ago days when our children Blossomed with talent and showed no signs Of the unending torment of their adult years, Depot injections, Red clouds which whirl as in end-on sections, absconding, Liasing, losing and finding…


Written by James Tate | Create an image from this poem

Never Again The Same

 Speaking of sunsets,
last night's was shocking.
I mean, sunsets aren't supposed to frighten you, are they? Well, this one was terrifying.
Sure, it was beautiful, but far too beautiful.
It wasn't natural.
One climax followed another and then another until your knees went weak and you couldn't breathe.
The colors were definitely not of this world, peaches dripping opium, pandemonium of tangerines, inferno of irises, Plutonian emeralds, all swirling and churning, swabbing, like it was playing with us, like we were nothing, as if our whole lives were a preparation for this, this for which nothing could have prepared us and for which we could not have been less prepared.
The mockery of it all stung us bitterly.
And when it was finally over we whimpered and cried and howled.
And then the streetlights came on as always and we looked into one another's eyes-- ancient caves with still pools and those little transparent fish who have never seen even one ray of light.
And the calm that returned to us was not even our own.
Written by Theodore Roethke | Create an image from this poem

The Far Field

 I

I dream of journeys repeatedly:
Of flying like a bat deep into a narrowing tunnel
Of driving alone, without luggage, out a long peninsula,
The road lined with snow-laden second growth,
A fine dry snow ticking the windshield,
Alternate snow and sleet, no on-coming traffic,
And no lights behind, in the blurred side-mirror,
The road changing from glazed tarface to a rubble of stone,
Ending at last in a hopeless sand-rut,
Where the car stalls,
Churning in a snowdrift
Until the headlights darken.
II At the field's end, in the corner missed by the mower, Where the turf drops off into a grass-hidden culvert, Haunt of the cat-bird, nesting-place of the field-mouse, Not too far away from the ever-changing flower-dump, Among the tin cans, tires, rusted pipes, broken machinery, -- One learned of the eternal; And in the shrunken face of a dead rat, eaten by rain and ground-beetles (I found in lying among the rubble of an old coal bin) And the tom-cat, caught near the pheasant-run, Its entrails strewn over the half-grown flowers, Blasted to death by the night watchman.
I suffered for young birds, for young rabbits caught in the mower, My grief was not excessive.
For to come upon warblers in early May Was to forget time and death: How they filled the oriole's elm, a twittering restless cloud, all one morning, And I watched and watched till my eyes blurred from the bird shapes, -- Cape May, Blackburnian, Cerulean, -- Moving, elusive as fish, fearless, Hanging, bunched like young fruit, bending the end branches, Still for a moment, Then pitching away in half-flight, Lighter than finches, While the wrens bickered and sang in the half-green hedgerows, And the flicker drummed from his dead tree in the chicken-yard.
-- Or to lie naked in sand, In the silted shallows of a slow river, Fingering a shell, Thinking: Once I was something like this, mindless, Or perhaps with another mind, less peculiar; Or to sink down to the hips in a mossy quagmire; Or, with skinny knees, to sit astride a wet log, Believing: I'll return again, As a snake or a raucous bird, Or, with luck, as a lion.
I learned not to fear infinity, The far field, the windy cliffs of forever, The dying of time in the white light of tomorrow, The wheel turning away from itself, The sprawl of the wave, The on-coming water.
II The river turns on itself, The tree retreats into its own shadow.
I feel a weightless change, a moving forward As of water quickening before a narrowing channel When banks converge, and the wide river whitens; Or when two rivers combine, the blue glacial torrent And the yellowish-green from the mountainy upland, -- At first a swift rippling between rocks, Then a long running over flat stones Before descending to the alluvial plane, To the clay banks, and the wild grapes hanging from the elmtrees.
The slightly trembling water Dropping a fine yellow silt where the sun stays; And the crabs bask near the edge, The weedy edge, alive with small snakes and bloodsuckers, -- I have come to a still, but not a deep center, A point outside the glittering current; My eyes stare at the bottom of a river, At the irregular stones, iridescent sandgrains, My mind moves in more than one place, In a country half-land, half-water.
I am renewed by death, thought of my death, The dry scent of a dying garden in September, The wind fanning the ash of a low fire.
What I love is near at hand, Always, in earth and air.
IV The lost self changes, Turning toward the sea, A sea-shape turning around, -- An old man with his feet before the fire, In robes of green, in garments of adieu.
A man faced with his own immensity Wakes all the waves, all their loose wandering fire.
The murmur of the absolute, the why Of being born falls on his naked ears.
His spirit moves like monumental wind That gentles on a sunny blue plateau.
He is the end of things, the final man.
All finite things reveal infinitude: The mountain with its singular bright shade Like the blue shine on freshly frozen snow, The after-light upon ice-burdened pines; Odor of basswood on a mountain-slope, A scent beloved of bees; Silence of water above a sunken tree : The pure serene of memory in one man, -- A ripple widening from a single stone Winding around the waters of the world.
Written by R S Thomas | Create an image from this poem

A Peasant

 Iago Prytherch his name, though, be it allowed,
Just an ordinary man of the bald Welsh hills,
Who pens a few sheep in a gap of cloud.
Docking mangels, chipping the green skin From the yellow bones with a half-witted grin Of satisfaction, or churning the crude earth To a stiff sea of clods that glint in the wind— So are his days spent, his spittled mirth Rarer than the sun that cracks the cheeks Of the gaunt sky perhaps once in a week.
And then at night see him fixed in his chair Motionless, except when he leans to gob in the fire.
There is something frightening in the vacancy of his mind.
His clothes, sour with years of sweat And animal contact, shock the refined, But affected, sense with their stark naturalness.
Yet this is your prototype, who, season by season Against siege of rain and the wind's attrition, Preserves his stock, an impregnable fortress Not to be stormed, even in death's confusion.
Remember him, then, for he, too, is a winner of wars, Enduring like a tree under the curious stars.
Written by Eugene Field | Create an image from this poem

The peter-bird

 Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened, And, when the story is told, let us pay heed to the lesson.
Once on a time, long ago, lived in the State of Kentucky One that was reckoned a witch--full of strange spells and devices; Nightly she wandered the woods, searching for charms voodooistic-- Scorpions, lizards, and herbs, dormice, chameleons, and plantains! Serpents and caw-caws and bats, screech-owls and crickets and adders-- These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning Ambled that hussy to brew spells of unspeakable evil; And, when the people awoke, seeing that hillside and valley Sweltered in swathes as of mist--"Look!" they would whisper in terror-- "Look! the old witch is at work brewing her spells of great evil!" Then would they pray till the sun, darting his rays through the vapor, Lifted the smoke from the earth and baffled the witch's intentions.
One of the boys at that time was a certain young person named Peter, Given too little to work, given too largely to dreaming; Fonder of books than of chores, you can imagine that Peter Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!" "Peter!" his father would cry, "go grub at the weeds in the garden!" So it was "Peter!" all day--calling, reminding, and chiding-- Peter neglected his work; therefore that nagging at Peter! Peter got hold of some books--how, I'm unable to tell you; Some have suspected the witch--this is no place for suspicions! It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes; What thing soever it was--done with a pen and a pencil, Wrought with a brain, not a hoe--surely 't was hostile to farming! "Fudge on all readin'!" they quoth; or "that's what's the ruin of Peter!" So, when the mornings were hot, under the beech or the maple, Cushioned in grass that was blue, breathing the breath of the blossoms, Lulled by the hum of the bees, the coo of the ring-doves a-mating, Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!" "Peter!" his father would cry, "go grub at the weeds in the garden!" "Peter!" and "Peter!" all day--calling, reminding, and chiding-- Peter neglected his chores; therefore that outcry for Peter; Therefore the neighbors allowed evil would surely befall him-- Yes, on account of these things, ruin would come upon Peter! Surely enough, on a time, reading and lazing and dreaming Wrought the calamitous ill all had predicted for Peter; For, of a morning in spring when lay the mist in the valleys-- "See," quoth the folk, "how the witch breweth her evil decoctions! See how the smoke from her fire broodeth on woodland and meadow! Grant that the sun cometh out to smother the smudge of her caldron! She hath been forth in the night, full of her spells and devices, Roaming the marshes and dells for heathenish magical nostrums; Digging in leaves and at stumps for centipedes, pismires, and spiders, Grubbing in poisonous pools for hot salamanders and toadstools; Charming the bats from the flues, snaring the lizards by twilight, Sucking the scorpion's egg and milking the breast of the adder!" Peter derided these things held in such faith by the farmer, Scouted at magic and charms, hooted at Jonahs and hoodoos-- Thinking and reading of books must have unsettled his reason! "There ain't no witches," he cried; "it isn't smoky, but foggy! I will go out in the wet--you all can't hender me, nuther!" Surely enough he went out into the damp of the morning, Into the smudge that the witch spread over woodland and meadow, Into the fleecy gray pall brooding on hillside and valley.
Laughing and scoffing, he strode into that hideous vapor; Just as he said he would do, just as he bantered and threatened, Ere they could fasten the door, Peter had done gone and done it! Wasting his time over books, you see, had unsettled his reason-- Soddened his callow young brain with semi-pubescent paresis, And his neglect of his chores hastened this evil condition.
Out of the woods by the creek cometh a calling for Peter And from the orchard a voice echoes and echoes it over; Down in the pasture the sheep hear that shrill crying for Peter, Up from the spring house the wail stealeth anon like a whisper, Over the meadows that call is aye and forever repeated.
Such were the voices that whooped wildly and vainly for Peter Decades and decades ago down in the State of Kentucky-- Such are the voices that cry now from the woodland and meadow, "Peter--O Peter!" all day, calling, reminding, and chiding-- Taking us back to the time when Peter he done gone and done it! These are the voices of those left by the boy in the farmhouse When, with his laughter and scorn, hatless and bootless and sockless, Clothed in his jeans and his pride, Peter sailed out in the weather, Broke from the warmth of his home into that fog of the devil, Into the smoke of that witch brewing her damnable porridge! Lo, when he vanished from sight, knowing the evil that threatened, Forth with importunate cries hastened his father and mother.
"Peter!" they shrieked in alarm, "Peter!" and evermore "Peter!"-- Ran from the house to the barn, ran from the barn to the garden, Ran to the corn-crib anon, then to the smoke-house proceeded; Henhouse and woodpile they passed, calling and wailing and weeping, Through the front gate to the road, braving the hideous vapor-- Sought him in lane and on pike, called him in orchard and meadow, Clamoring "Peter!" in vain, vainly outcrying for Peter.
Joining the search came the rest, brothers and sisters and cousins, Venting unspeakable fears in pitiful wailing for Peter! And from the neighboring farms gathered the men and the women, Who, upon hearing the news, swelled the loud chorus for Peter.
Farmers and hussifs and maids, bosses and field-hands and niggers, Colonels and jedges galore from cornfields and mint-beds and thickets, All that had voices to voice, all to those parts appertaining, Came to engage in the search, gathered and bellowed for Peter.
The Taylors, the Dorseys, the Browns, the Wallers, the Mitchells, the Logans, The Yenowines, Crittendens, Dukes, the Hickmans, the Hobbses, the Morgans; The Ormsbys, the Thompsons, the Hikes, the Williamsons, Murrays, and Hardins, The Beynroths, the Sherleys, the Hokes, the Haldermans, Harneys, and Slaughters-- All, famed in Kentucky of old for prowess prodigious at farming, Now surged from their prosperous homes to join in that hunt for the truant, To ascertain where he was at, to help out the chorus for Peter.
Still on those prosperous farms where heirs and assigns of the people Specified hereinabove and proved by the records of probate-- Still on those farms shall you hear (and still on the turnpikes adjacent) That pitiful, petulant call, that pleading, expostulant wailing, That hopeless, monotonous moan, that crooning and droning for Peter.
Some say the witch in her wrath transmogrified all those good people; That, wakened from slumber that day by the calling and bawling for Peter, She out of her cave in a thrice, and, waving the foot of a rabbit (Crossed with the caul of a coon and smeared with the blood of a chicken), She changed all those folk into birds and shrieked with demoniac venom: "Fly away over the land, moaning your Peter forever, Croaking of Peter, the boy who didn't believe there were hoodoos, Crooning of Peter, the fool who scouted at stories of witches, Crying of Peter for aye, forever outcalling for Peter!" This is the story they tell; so in good sooth saith the legend; As I have told it to you, so tell the folk and the legend.
That it is true I believe, for on the breezes this morning Come the shrill voices of birds calling and calling for Peter; Out of the maple and beech glitter the eyes of the wailers, Peeping and peering for him who formerly lived in these places-- Peter, the heretic lad, lazy and careless and dreaming, Sorely afflicted with books and with pubescent paresis, Hating the things of the farm, care of the barn and the garden, Always neglecting his chores--given to books and to reading, Which, as all people allow, turn the young person to mischief, Harden his heart against toil, wean his affections from tillage.
This is the legend of yore told in the state of Kentucky When in the springtime the birds call from the beeches and maples, Call from the petulant thorn, call from the acrid persimmon; When from the woods by the creek and from the pastures and meadows, When from the spring house and lane and from the mint-bed and orchard, When from the redbud and gum and from the redolent lilac, When from the dirt roads and pikes cometh that calling for Peter; Cometh the dolorous cry, cometh that weird iteration Of "Peter" and "Peter" for aye, of "Peter" and "Peter" forever! This is the legend of old, told in the tum-titty meter Which the great poets prefer, being less labor than rhyming (My first attempt at the same, my last attempt, too, I reckon!); Nor have I further to say, for the sad story is ended.
Written by John Betjeman | Create an image from this poem

Dilton Marsh Halt

 Was it worth keeping the Halt open,
We thought as we looked at the sky
Red through the spread of the cedar-tree,
With the evening train gone by?

Yes, we said, for in summer the anglers use it,
Two and sometimes three
Will bring their catches of rods and poles and perches
To Westbury, home for tea.
There isn't a porter.
The platform is made of sleepers.
The guard of the last train puts out the light And high over lorries and cattle the Halt unwinking Waits through the Wiltshire night.
O housewife safe in the comprehensive churning Of the Warminster launderette! O husband down at the depot with car in car-park! The Halt is waiting yet.
And when all the horrible roads are finally done for, And there's no more petrol left in the world to burn, Here to the Halt from Salisbury and from Bristol Steam trains will return.

Book: Reflection on the Important Things