10 Best Famous Cataract Poems

Here is a collection of the top 10 all-time best famous Cataract poems. This is a select list of the best famous Cataract poetry. Reading, writing, and enjoying famous Cataract poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of cataract poems.

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Written by William Wordsworth | Create an image from this poem

Lines Composed a Few Miles above Tintern Abbey

Five years have passed; five summers, with the length 
Of five long winters! and again I hear
These waters, rolling from their mountain-springs
With a soft inland murmur.  Once again
Do I behold these steep and lofty cliffs,
That on a wild secluded scene impress
Thoughts of more deep seclusion; and connect
The landscape with the quiet of the sky.
The day is come when I again repose
Here, under this dark sycamore, and view
These plots of cottage-ground, these orchard-tufts,
Which at this season, with their unripe fruits,
Are clad in one green hue, and lose themselves
'Mid groves and copses. Once again I see
These hedgerows, hardly hedgerows, little lines
Of sportive wood run wild; these pastoral farms,
Green to the very door; and wreaths of smoke
Sent up, in silence, from among the trees!
With some uncertain notice, as might seem
Of vagrant dwellers in the houseless woods,
Or of some Hermit's cave, where by his fire
The Hermit sits alone. 

                               These beauteous forms,
Through a long absence, have not been to me
As is a landscape to a blind man's eye;
But oft, in lonely rooms, and 'mid the din
Of towns and cities, I have owed to them,
In hours of weariness, sensations sweet,
Felt in the blood, and felt along the heart;
And passing even into my purer mind
With tranquil restoration—feelings too
Of unremembered pleasure; such, perhaps,
As have no slight or trivial influence
On that best portion of a good man's life,
His little, nameless, unremembered, acts
Of kindness and of love.  Nor less, I trust,
To them I may have owed another gift,
Of aspect more sublime; that blessed mood,
In which the burthen of the mystery,
In which the heavy and the weary weight
Of all this unintelligible world,
Is lightened—that serene and blessed mood,
In which the affections gently lead us on—
Until, the breath of this corporeal frame
And even the motion of our human blood
Almost suspended, we are laid asleep
In body, and become a living soul;
While with an eye made quiet by the power
Of harmony, and the deep power of joy,
We see into the life of things. 

                                           If this
Be but a vain belief, yet, oh! how oft—
In darkness and amid the many shapes
Of joyless daylight; when the fretful stir
Unprofitable, and the fever of the world,
Have hung upon the beatings of my heart—
How oft, in spirit, have I turned to thee,
O sylvan Wye! thou wanderer through the woods,
How often has my spirit turned to thee! 

  And now, with gleams of half-extinguished thought,
With many recognitions dim and faint,
And somewhat of a sad perplexity,
The picture of the mind revives again;
While here I stand, not only with the sense
Of present pleasure, but with pleasing thoughts
That in this moment there is life and food
For future years.  And so I dare to hope,
Though changed, no doubt, from what I was when first
I came among these hills; when like a roe
I bounded o'er the mountains, by the sides
Of the deep rivers, and the lonely streams,
Wherever nature led—more like a man
Flying from something that he dreads than one
Who sought the thing he loved.  For nature then
(The coarser pleasures of my boyish days
And their glad animal movements all gone by)
To me was all in all.—I cannot paint
What then I was. The sounding cataract
Haunted me like a passion; the tall rock,
The mountain, and the deep and gloomy wood,
Their colors and their forms, were then to me
An appetite; a feeling and a love,
That had no need of a remoter charm,
By thought supplied, not any interest
Unborrowed from the eye.—That time is past,
And all its aching joys are now no more,
And all its dizzy raptures. Not for this
Faint I, nor mourn nor murmur; other gifts
Have followed; for such loss, I would believe,
Abundant recompense.  For I have learned
To look on nature, not as in the hour
Of thoughtless youth; but hearing oftentimes
The still sad music of humanity,
Nor harsh nor grating, though of ample power
To chasten and subdue.  And I have felt
A presence that disturbs me with the joy
Of elevated thoughts; a sense sublime
Of something far more deeply interfused,
Whose dwelling is the light of setting suns,
And the round ocean and the living air, 
And the blue sky, and in the mind of man:
A motion and a spirit, that impels 
All thinking things, all objects of all thought,
And rolls through all things. Therefore am I still
A lover of the meadows and the woods,
And mountains; and of all that we behold
From this green earth; of all the mighty world
Of eye, and ear—both what they half create,
And what perceive; well pleased to recognize
In nature and the language of the sense
The anchor of my purest thoughts, the nurse, 
The guide, the guardian of my heart, and soul
Of all my moral being. 

                                   Nor perchance,
If I were not thus taught, should I the more
Suffer my genial spirits to decay:
For thou art with me here upon the banks
Of this fair river; thou my dearest Friend,
My dear, dear Friend; and in thy voice I catch
The language of my former heart, and read
My former pleasures in the shooting lights
Of thy wild eyes.  Oh! yet a little while
May I behold in thee what I was once,
My dear, dear Sister! and this prayer I make,
Knowing that Nature never did betray
The heart that loved her; 'tis her privilege,
Through all the years of this our life, to lead
From joy to joy: for she can so inform
The mind that is within us, so impress
With quietness and beauty, and so feed
With lofty thoughts, that neither evil tongues,
Rash judgments, nor the sneers of selfish men,
Nor greetings where no kindness is, nor all
The dreary intercourse of daily life,
Shall e'er prevail against us, or disturb
Our cheerful faith, that all which we behold
Is full of blessings.  Therefore let the moon
Shine on thee in thy solitary walk;
And let the misty mountain winds be free
To blow against thee: and, in after years,
When these wild ecstasies shall be matured
Into a sober pleasure; when thy mind
Shall be a mansion for all lovely forms,
Thy memory be as a dwelling place
For all sweet sounds and harmonies; oh! then,
If solitude, or fear, or pain, or grief,
Should be thy portion, with what healing thoughts
Of tender joy wilt thou remember me,
And these my exhortations! Nor, perchance—
If I should be where I no more can hear
Thy voice, nor catch from thy wild eyes these gleams
Of past existence—wilt thou then forget
That on the banks of this delightful stream
We stood together; and that I, so long
A worshipper of Nature, hither came
Unwearied in that service; rather say
With warmer love—oh! with far deeper zeal
Of holier love.  Nor wilt thou then forget,
That after many wanderings, many years
Of absence, these steep woods and lofty cliffs,
And this green pastoral landscape, were to me
More dear, both for themselves and for thy sake!

Written by Robinson Jeffers | Create an image from this poem

Birthday (Autobiography)

 Seventy years ago my mother labored to bear me,
A twelve-pound baby with a big head,
Her first, it was plain torture. Finally they used the forceps
And dragged me out, with one prong
In my right eye, and slapped and banged me until I breathed.
I am not particularly grateful for it.

As to the eye: it remained invalid and now has a cataract.
It can see gods and spirits in its cloud,
And the weird end of the world: the left one's for common daylight.

As to my mother:
A rather beautiful young woman married to a grim clergyman
Twenty-two years older than she:
She had her little innocent diversions, her little travels in Europe—
And once for scandal kissed the Pope's ring—
Perhaps her life was no emptier than other lives. Both parents
Swim in my blood and distort my thought but the old man's welcome.
Written by Anne Sexton | Create an image from this poem

Live

 Live or die, but don't poison everything...

Well, death's been here
for a long time --
it has a hell of a lot
to do with hell
and suspicion of the eye
and the religious objects
and how I mourned them
when they were made obscene
by my dwarf-heart's doodle.
The chief ingredient
is mutilation.
And mud, day after day,
mud like a ritual,
and the baby on the platter,
cooked but still human,
cooked also with little maggots,
sewn onto it maybe by somebody's mother,
the damn *****!

Even so,
I kept right on going on,
a sort of human statement,
lugging myself as if
I were a sawed-off body
in the trunk, the steamer trunk.
This became perjury of the soul.
It became an outright lie
and even though I dressed the body
it was still naked, still killed.
It was caught
in the first place at birth,
like a fish.
But I play it, dressed it up,
dressed it up like somebody's doll.

Is life something you play?
And all the time wanting to get rid of it?
And further, everyone yelling at you
to shut up. And no wonder!
People don't like to be told
that you're sick
and then be forced
to watch
you
come
down with the hammer.

Today life opened inside me like an egg
and there inside
after considerable digging
I found the answer.
What a bargain!
There was the sun,
her yolk moving feverishly,
tumbling her prize --
and you realize she does this daily!
I'd known she was a purifier
but I hadn't thought
she was solid,
hadn't known she was an answer.
God! It's a dream,
lovers sprouting in the yard
like celery stalks
and better,
a husband straight as a redwood,
two daughters, two sea urchings,
picking roses off my hackles.
If I'm on fire they dance around it
and cook marshmallows.
And if I'm ice
they simply skate on me
in little ballet costumes.

Here,
all along,
thinking I was a killer,
anointing myself daily
with my little poisons.
But no.
I'm an empress.
I wear an apron.
My typewriter writes.
It didn't break the way it warned.
Even crazy, I'm as nice
as a chocolate bar.
Even with the witches' gymnastics
they trust my incalculable city,
my corruptible bed.

O dearest three,
I make a soft reply.
The witch comes on
and you paint her pink.
I come with kisses in my hood
and the sun, the smart one,
rolling in my arms.
So I say Live
and turn my shadow three times round
to feed our puppies as they come,
the eight Dalmatians we didn't drown,
despite the warnings: The abort! The destroy!
Despite the pails of water that waited,
to drown them, to pull them down like stones,
they came, each one headfirst, blowing bubbles the color of cataract-blue
and fumbling for the tiny ****.
Just last week, eight Dalmatians,
3/4 of a lb., lined up like cord wood
each
like a
birch tree.
I promise to love more if they come,
because in spite of cruelty
and the stuffed railroad cars for the ovens,
I am not what I expected. Not an Eichmann.
The poison just didn't take.
So I won't hang around in my hospital shift,
repeating The Black Mass and all of it.
I say Live, Live because of the sun,
the dream, the excitable gift.
Written by Robinson Jeffers | Create an image from this poem

The Deer Lay Down Their Bones

 I followed the narrow cliffside trail half way up the mountain
Above the deep river-canyon. There was a little cataract crossed the path, 
 flinging itself
Over tree roots and rocks, shaking the jeweled fern-fronds, bright bubbling 
 water
Pure from the mountain, but a bad smell came up. Wondering at it I clam-
 bered down the steep stream
Some forty feet, and found in the midst of bush-oak and laurel,
Hung like a bird's nest on the precipice brink a small hidden clearing,
Grass and a shallow pool. But all about there were bones Iying in the grass, 
 clean bones and stinking bones,
Antlers and bones: I understood that the place was a refuge for wounded 
 deer; there are so many
Hurt ones escape the hunters and limp away to lie hidden; here they have 
 water for the awful thirst
And peace to die in; dense green laurel and grim cliff

Make sanctuary, and a sweet wind blows upward from the deep gorge.--I 
 wish my bones were with theirs.
But that's a foolish thing to confess, and a little cowardly. We know that life
Is on the whole quite equally good and bad, mostly gray neutral, and can 
 be endured
To the dim end, no matter what magic of grass, water and precipice, and 
 pain of wounds,
Makes death look dear. We have been given life and have used it--not a 
 great gift perhaps--but in honesty
Should use it all. Mine's empty since my love died--Empty? The flame-
 haired grandchild with great blue eyes
That look like hers?--What can I do for the child? I gaze at her and wonder 
 what sort of man
In the fall of the world . . . I am growing old, that is the trouble. My chil-
 dren and little grandchildren
Will find their way, and why should I wait ten years yet, having lived sixty-
 seven, ten years more or less,
Before I crawl out on a ledge of rock and die snapping, like a wolf
Who has lost his mate?--I am bound by my own thirty-year-old decision:
 who drinks the wine
Should take the dregs; even in the bitter lees and sediment
New discovery may lie. The deer in that beautiful place lay down their
 bones: I must wear mine.
Written by William Topaz McGonagall | Create an image from this poem

Saving a Train

 'Twas in the year of 1869, and on the 19th of November,
Which the people in Southern Germany will long remember,
The great rain-storm which for twenty hours did pour down,
That the rivers were overflowed and petty streams all around. 

The rain fell in such torrents as had never been seen before,
That it seemed like a second deluge, the mighty torrents' roar,
At nine o'clock at night the storm did rage and moan
When Carl Springel set out on his crutches all alone -- 

From the handsome little hut in which he dwelt,
With some food to his father, for whom he greatly felt,
Who was watching at the railway bridge,
Which was built upon a perpendicular rocky ridge. 

The bridge was composed of iron and wooden blocks,
And crossed o'er the Devil's Gulch, an immense cleft of rocks,
Two hundred feet wide and one hundred and fifty feet deep,
And enough to make one's flesh to creep. 

Far beneath the bridge a mountain-stream did boil and rumble,
And on that night did madly toss and tumble;
Oh! it must have been an awful sight
To see the great cataract falling from such a height. 

It was the duty of Carl's father to watch the bridge on stormy nights,
And warn the on-coming trains of danger with the red lights;
So, on this stormy night, the boy Carl hobbled along
Slowly and fearlessly upon his crutches, because he wasn't strong. 

He struggled on manfully with all his might
Through the fearful darkness of the night,
And half-blinded by the heavy rain,
But still resolved the bridge to gain. 

But when within one hundred yards of the bridge, it gave way with an awful crash,
And fell into the roaring flood below, and made a fearful splash,
Which rose high above the din of the storm,
The like brave Carl never heard since he was born. 

Then; 'Father! father!' cried Carl in his loudest tone,
'Father! father!' he shouted again in very pitiful moans;
But no answering voice did reply,
Which caused him to heave a deep-fetched sigh. 

And now to brave Carl the truth was clear
That he had lost his father dear,
And he cried, 'My poor father's lost, and cannot be found,
He's gone down with the bridge, and has been drowned.' 

But he resolves to save the on-coming train,
So every nerve and muscle he does strain,
And he trudges along dauntlessly on his crutches,
And tenaciously to them he clutches. 

And just in time he reaches his father's car
To save the on-coming train from afar,
So he seizes the red light, and swings it round,
And cried with all his might, 'The bridge is down! The bridge is down!' 

So forward his father's car he drives,
Determined to save the passengers' lives,
Struggling hard with might and main,
Hoping his struggle won't prove in vain. 

So on comes the iron-horse snorting and rumbling,
And the mountain-torrent at the bridge kept roaring and tumbling;
While brave Carl keeps shouting, 'The bridge is down! The bridge is down!'
He cried with a pitiful wail and sound. 

But, thank heaven, the engine-driver sees the red light
That Carl keeps swinging round his head with all his might;
But bang! bang! goes the engine with a terrible crash,
And the car is dashed all to smash. 

But the breaking of the car stops the train,
And poor Carl's struggle is not in vain;
But, poor soul, he was found stark dead,
Crushed and mangled from foot to head! 

And the passengers were all loud in Carl's praise,
And from the cold wet ground they did him raise,
And tears for brave Carl fell silently around,
Because he had saved two hundred passengers from being drowned. 

In a quiet village cemetery he now sleeps among the silent dead,
In the south of Germany, with a tombstone at his head,
Erected by the passengers he saved in the train,
And which to his memory will long remain.

Written by Stephen Vincent Benet | Create an image from this poem

Winged Man

 The moon, a sweeping scimitar, dipped in the stormy straits, 
The dawn, a crimson cataract, burst through the eastern gates, 
The cliffs were robed in scarlet, the sands were cinnabar, 
Where first two men spread wings for flight and dared the hawk afar. 

There stands the cunning workman, the crafty past all praise, 
The man who chained the Minotaur, the man who built the Maze. 
His young son is beside him and the boy's face is a light, 
A light of dawn and wonder and of valor infinite. 

Their great vans beat the cloven air, like eagles they mount up, 
Motes in the wine of morning, specks in a crystal cup, 
And lest his wings should melt apace old Daedalus flies low, 
But Icarus beats up, beats up, he goes where lightnings go. 

He cares no more for warnings, he rushes through the sky, 
Braving the crags of ether, daring the gods on high, 
Black 'gainst the crimson sunset, golden o'er cloudy snows, 
With all Adventure in his heart the first winged man arose. 

Dropping gold, dropping gold, where the mists of morning rolled, 
On he kept his way undaunted, though his breaths were stabs of cold, 
Through the mystery of dawning that no mortal may behold. 

Now he shouts, now he sings in the rapture of his wings, 
And his great heart burns intenser with the strength of his desire, 
As he circles like a swallow, wheeling, flaming, gyre on gyre. 

Gazing straight at the sun, half his pilgrimage is done, 
And he staggers for a moment, hurries on, reels backward, swerves 
In a rain of scattered feathers as he falls in broken curves. 

Icarus, Icarus, though the end is piteous, 
Yet forever, yea, forever we shall see thee rising thus, 
See the first supernal glory, not the ruin hideous. 

You were Man, you who ran farther than our eyes can scan, 
Man absurd, gigantic, eager for impossible Romance, 
Overthrowing all Hell's legions with one warped and broken lance. 

On the highest steeps of Space he will have his dwelling-place, 
In those far, terrific regions where the cold comes down like Death 
Gleams the red glint of his pinions, smokes the vapor of his breath. 

Floating downward, very clear, still the echoes reach the ear 
Of a little tune he whistles and a little song he sings, 
Mounting, mounting still, triumphant, on his torn and broken wings!
Written by Vachel Lindsay | Create an image from this poem

The Perfect Marriage

 I

I hate this yoke; for the world's sake here put it on:
Knowing 'twill weigh as much on you till life is gone.
Knowing you love your freedom dear, as I love mine—
Knowing that love unchained has been our life's great wine:
Our one great wine (yet spent too soon, and serving none;
Of the two cups free love at last the deadly one).


II

We grant our meetings will be tame, not honey-sweet
No longer turning to the tryst with flying feet.
We know the toil that now must come will spoil the bloom
And tenderness of passion's touch, and in its room
Will come tame habit, deadly calm, sorrow and gloom.
Oh, how the battle sears the best who enter life!
Each soidier comes out blind or lame from the black strife.
Mad or diseased or damned of soul the best may come—
It matters not how merrily now rolls the drum,
The fife shrills high, the horn sings loud, till no steps lag—
And all adore that silken flame, Desire's great flag.


III

We will build strong our tiny fort, strong as we can—
Holding one inner room beyond the sword of man.
Love is too wide, it seems to-day, to hide it there.
It seems to flood the fields of corn, and gild the air—
It seems to breathe from every brook, from flowers to sigh—
It seems a cataract poured down from the great sky;
It seems a tenderness so vast no bush but shows
Its haunting and transfiguring light where wonder glows.
It wraps us in a silken snare by shadowy streams,
And wildering sweet and stung with joy your white soul seems
A flame, a flame, conquering day, conquering night,
Brought from our God, a holy thing, a mad delight.
But love, when all things beat it down, leaves the wide air,
The heavens are gray, and men turn wolves, lean with despair. 
Ah, when we need love most, and weep, when all is dark,
Love is a pinch of ashes gray, with one live spark—
Yet on the hope to keep alive that treasure strange 
Hangs all earth's struggle, strife and scorn, and desperate change.


IV

Love? . . . we will scarcely love our babes full many a time—
Knowing their souls and ours too well, and all our grime—
And there beside our holy hearth we'll hide our eyes—
Lest we should flash what seems disdain without disguise.
Yet there shall be no wavering there in that deep trial— 
And no false fire or stranger hand or traitor vile—
We'll fight the gloom and fight the world with strong sword-play, 
Entrenched within our block-house small, ever at bay—
As fellow-warriors, underpaid, wounded and wild,
True to their battered flag, their faith still undefiled!
Written by Alfred Lord Tennyson | Create an image from this poem

Blow Bugle Blow

 THE splendour falls on castle walls 
And snowy summits old in story: 
The long light shakes across the lakes, 
And the wild cataract leaps in glory. 
Blow, bugle, blow, set the wild echoes flying, 
Blow, bugle; answer, echoes, dying, dying, dying. 

O hark, O hear! how thin and clear, 
And thinner, clearer, farther going! 
O sweet and far from cliff and scar 
The horns of Elfland faintly blowing! 
Blow, let us hear the purple glens replying: 
Blow, bugle; answer, echoes, dying, dying, dying. 

O love, they die in yon rich sky, 
They faint on hill or field or river: 
Our echoes roll from soul to soul, 
And grow for ever and for ever. 
Blow, bugle, blow, set the wild echoes flying, 
And answer, echoes, answer, dying, dying, dying.
Written by Alfred Lord Tennyson | Create an image from this poem

Blow Bugle blow

THE splendour falls on castle walls 
And snowy summits old in story: 
The long light shakes across the lakes  
And the wild cataract leaps in glory. 
Blow bugle blow set the wild echoes flying 5 
Blow bugle; answer echoes dying dying dying. 

O hark O hear! how thin and clear  
And thinner clearer farther going! 
O sweet and far from cliff and scar 
The horns of Elfland faintly blowing! 10 
Blow let us hear the purple glens replying: 
Blow bugle; answer echoes dying dying dying. 

O love they die in yon rich sky  
They faint on hill or field or river: 
Our echoes roll from soul to soul 15 
And grow for ever and for ever. 
Blow bugle blow set the wild echoes flying  
And answer echoes answer dying dying dying.
Written by Henry Wadsworth Longfellow | Create an image from this poem

The Sound of the Sea

 The sea awoke at midnight from its sleep,
And round the pebbly beaches far and wide
I heard the first wave of the rising tide
Rush onward with uninterrupted sweep;
A voice out of the silence of the deep,
A sound mysteriously multiplied
As of a cataract from the mountain's side,
Or roar of winds upon a wooded steep.
So comes to us at times, from the unknown
And inaccessible solitudes of being,
The rushing of the sea-tides of the soul;
And inspirations, that we deem our own,
Are some divine of foreshadowing and foreseeing
Of things beyond our reason or control.
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