10 Best Famous Careworn Poems

Here is a collection of the top 10 all-time best famous Careworn poems. This is a select list of the best famous Careworn poetry. Reading, writing, and enjoying famous Careworn poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of careworn poems.

See Also:

The River of Life

by Thomas Campbell
 The more we live, more brief appear
Our life's succeeding stages; 
A day to childhood seems a year, 
And years like passing ages.

The gladsome current of our youth, 
Ere passion yet disorders, 
Steals lingering like a river smooth 
Along its grassy borders.

But as the careworn cheek grows wan, 
And sorrow's shafts fly thicker, 
Ye stars, that measure life to man, 
Why seem your courses quicker? 

When joys have lost their bloom and breath, 
And life itself is vapid, 
Why, as we reach the Falls of Death 
Feel we its tide more rapid?

It may be strange—yet who would change 
Time's course to slower speeding,
When one by one our friends have gone, 
And left our bosoms bleeding?

Heaven gives our years of fading strength 
Indemnifying fleetness; 
And those of youth, a seeming length, 
Proportion'd to their sweetness.

Wives in the Sere

by Thomas Hardy
 I 

Never a careworn wife but shows, 
 If a joy suffuse her, 
Something beautiful to those 
 Patient to peruse her, 
Some one charm the world unknows 
 Precious to a muser, 
Haply what, ere years were foes, 
 Moved her mate to choose her. 

II 

But, be it a hint of rose 
 That an instant hues her, 
Or some early light or pose 
 Wherewith thought renews her - 
Seen by him at full, ere woes 
 Practised to abuse her - 
Sparely comes it, swiftly goes, 
 Time again subdues her.

The straw parlor

by Eugene Field
 Way up at the top of a big stack of straw
Was the cunningest parlor that ever you saw!
And there could you lie when aweary of play
And gossip or laze in the coziest way;
No matter how careworn or sorry one's mood
No worldly distraction presumed to intrude.
As a refuge from onerous mundane ado
I think I approve of straw parlors, don't you?

A swallow with jewels aflame on her breast
On that straw parlor's ceiling had builded her nest;
And she flew in and out all the happy day long,
And twittered the soothingest lullaby song.
Now some might suppose that that beautiful bird
Performed for her babies the music they heard;
I reckon she twittered her répertoire through
For the folk in the little straw parlor, don't you?

And down from a rafter a spider had hung
Some swings upon which he incessantly swung.
He cut up such didoes--such antics he played
Way up in the air, and was never afraid!
He never made use of his horrid old sting,
But was just upon earth for the fun of the thing!
I deeply regret to observe that so few
Of these good-natured insects are met with, don't you?

And, down in the strawstack, a wee little mite
Of a cricket went chirping by day and by night;
And further down, still, a cunning blue mouse
In a snug little nook of that strawstack kept house!
When the cricket went "chirp," Miss Mousie would squeak
"Come in," and a blush would enkindle her cheek!
She thought--silly girl! 't was a beau come to woo,
But I guess it was only the cricket, don't you?

So the cricket, the mouse, and the motherly bird
Made as soothingsome music as ever you heard
And, meanwhile, that spider by means of his swings
Achieved most astounding gyrations and things!
No wonder the little folk liked what they saw
And loved what they heard in that parlor of straw!
With the mercury up to 102
In the shade, I opine they just sizzled, don't you?

But once there invaded that Eden of straw
The evilest Feline that ever you saw!
She pounced on that cricket with rare promptitude
And she tucked him away where he'd do the most good;
And then, reaching down to the nethermost house,
She deftly expiscated little Miss Mouse!
And, as for the Swallow, she shrieked and withdrew--
I rather admire her discretion, don't you?

Now listen: That evening a cyclone obtained,
And the mortgage was all on that farm that remained!
Barn, strawstack and spider--they all blew away,
And nobody knows where they're at to this day!
And, as for the little straw parlor, I fear
It was wafted clean off this sublunary sphere!
I really incline to a hearty "boo-hoo"
When I think of this tragical ending, don't you?

Decadence

by Robert William Service
 Before the florid portico
I watched the gamblers come and go,
While by me on a bench there sat
A female in a faded hat;
A shabby, shrinking, crumpled creature,
Of waxy casino-ward with eyes
Of lost soul seeking paradise. 

Then from the Café de la Paix
There shambled forth a waiter fellow,
Clad dingily, down-stooped and grey,
With hollow face, careworn and yellow.
With furtive feet before our seat
He came to a respectful stand,
And bowed, my sorry crone to greet,
Saying: "Princess, I kiss your hand." 

She gave him such a gracious smile,
And bade him linger by her side;
So there they talked a little while
Of kingly pomp and country pride;
Of Marquis This and Prince von That,
Of Old Vienna, glamour gay. . . .
Then sad he rose and raised his hat:
Saying: "My tables I must lay." 

"Yea, you must go, dear Count," she said,
"For luncheon tables must be laid."
He sighed: from his alpaca jacket
He pressed into her hand a packet,
"Sorry, to-day it's all I'm rich in -
A chicken sandwich from the kitchen."
Then bowed and left her after she
Had thanked him with sweet dignity. 

She pushed the package out of sight,
Within her bag and closed it tight;
But by and bye I saw her go
To where thick laurel bushes grow,
And there behind that leafy screen,
Thinking herself by all unseen,
That sandwich! How I saw her grab it,
And gulp it like a starving rabbit! 

Thinks I: Is all that talk a bluff -
Their dukes and kings and courtly stuff:
The way she ate, why one would say
She hadn't broken fast all day.

Autumn in the Garden

by Henry Van Dyke
 When the frosty kiss of Autumn in the dark
Makes its mark
On the flowers, and the misty morning grieves
Over fallen leaves;
Then my olden garden, where the golden soil
Through the toil
Of a hundred years is mellow, rich, and deep,
Whispers in its sleep.

'Mid the crumpled beds of marigold and phlox,
Where the box
Borders with its glossy green the ancient walks,
There's a voice that talks
Of the human hopes that bloomed and withered here
Year by year,--
Dreams of joy, that brightened all the labouring hours,
Fading as the flowers.

Yet the whispered story does not deepen grief;
But relief
For the loneliness of sorrow seems to flow
From the Long-Ago,
When I think of other lives that learned, like mine,
To resign,
And remember that the sadness of the fall
Comes alike to all.

What regrets, what longings for the lost were theirs!
And what prayers
For the silent strength that nerves us to endure
Things we cannot cure!
Pacing up and down the garden where they paced,
I have traced
All their well-worn paths of patience, till I find
Comfort in my mind.

Faint and far away their ancient griefs appear:
Yet how near
Is the tender voice, the careworn, kindly face,
Of the human race!
Let us walk together in the garden, dearest heart,
Not apart!
They who know the sorrows other lives have known
Never walk alone.

The Death of Prince Leopold

by William Topaz McGonagall
 Alas! noble Prince Leopold, he is dead!
Who often has his lustre shed:
Especially by singing for the benefit of Esher School,
Which proves he was a wise prince. and no conceited fool.

Methinks I see him on the platform singing the Sands o' Dee,
The generous-hearted Leopold, the good and the free,
Who was manly in his actions, and beloved by his mother;
And in all the family she hasn't got such another.

He was of a delicate constitution all his life,
And he was his mother's favourite, and very kind to his wife,
And he had also a particular liking for his child,
And in his behaviour he was very mild.

Oh! noble-hearted Leopold, most beautiful to see,
Who was wont to fill your audience's hearts with glee,
With your charming songs, and lectures against strong drink:
Britain had nothing else to fear, as far as you could think

A wise prince you were, and well worthy of the name,
And to write in praise of thee I cannot refrain;
Because you were ever ready to defend that which is right,
Both pleasing and righteous in God's eye-sight.

And for the loss of such a prince the people will mourn,
But, alas! unto them he can never more return,
Because sorrow never could revive the dead again,
Therefore to weep for him is all in vain.

'Twas on Saturday the 12th of April, in the year 1884,
He was buried in the royal vault, never to rise more
Until the great and fearful judgment-day,
When the last trump shall sound to summon him awav.

When the Duchess of Albany arrived she drove through the Royal Arch,--
A little before the Seaforth Highlanders set out on the funeral march;
And she was received with every sympathetic respect,
Which none of the people present seem'd to neglect.

Then she entered the memorial chapel and stayed a short time,
And as she viewed her husband's remains it was really sublime,
While her tears fell fast on the coffin lid without delay,
Then she took one last fond look, and hurried away.

At half-past ten o'clock the Seaforth Highlanders did appear,
And every man in the detachment his medals did wear;
And they carried their side-arms by their side,
With mournful looks, but full of love and pride.

Then came the Coldstream Guards headed by their band,
Which made the scene appear imposing and grand;
Then the musicians drew up in front of the guardroom
And waited patiently to see the prince laid in the royal tomb.

First in the procession were the servants of His late Royal Highness,
And next came the servants of the Queen in deep mourning dress,
And the gentlemen of his household in deep distress,
Also General Du Pla, who accompanied the remains from Cannes.

The coffin was borne by eight Highlanders of his own regiment,
And the fellows seemed to be rather discontent
For the loss of the prince they loved most dear,
While adown their cheeks stole many a silent tear

Then behind the corpse came the Prince of Wales in field marshal uniform,
Looking very pale, dejected, careworn, and forlorn;
Then followed great magnates, all dressed in uniform,
And last, but not least, the noble Marquis of Lorne.

The scene in George's Chapel was most magnificent to behold,
The banners of the knights of the garter embroidered with gold;
Then again it was most touching and lovely to see
The Seaforth Highlanders' inscription to the Prince's memory:

It was wrought in violets, upon a background of white flowers,
And as they gazed upon it their tears fell in showers;
But the whole assembly were hushed when Her Majesty did appear,
Attired in her deepest mourning, and from her eye there fell a tear.

Her Majesty was unable to stand long, she was overcome with grief,
And when the Highlanders lowered the coffin into the tomb she felt relief;
Then the ceremony closed with singing "Lead, kindly light,"
Then the Queen withdrew in haste from the mournful sight.

Then the Seaforth Highlanders' band played "Lochaber no more,"
While the brave soldiers' hearts felt depressed and sore;
And as homeward they marched they let fall many a tear
For the loss of the virtuous Prince Leopold they loved so dear.

The Phantom Horsewoman

by Thomas Hardy
 ***** are the ways of a man I know:
He comes and stands
In a careworn craze,
And looks at the sands
And in the seaward haze
With moveless hands
And face and gaze,
Then turns to go...
And what does he see when he gazes so?

They say he sees as an instant thing
More clear than today,
A sweet soft scene
That once was in play
By that briny green;
Yes, notes alway
Warm, real, and keen,
What his back years bring-
A phantom of his own figuring.

Of this vision of his they might say more:
Not only there
Does he see this sight,
But everywhere
In his brain-day, night,
As if on the air
It were drawn rose bright-
Yea, far from that shore
Does he carry this vision of heretofore:

A ghost-girl-rider. And though, toil-tried,
He withers daily,
Time touches her not,
But she still rides gaily
In his rapt thought
On that shagged and shaly
Atlantic spot,
And as when first eyed
Draws rein and sings to the swing of the tide.

Night In The City

by Ellis Parker Butler
 The sluggish clouds hang low upon the town,
 And from yon lamp in chilled and sodden rays
The feeble light gropes through the heavy mist
 And dies, extinguished in the stagnant maze.

From moisty eaves the drops fall slowly down
 To strike with leaden sound the walk below,
And in dark, murky pools upon the street
The water stands, as lacking life to flow.

With hopeless brain, oppressed and sad at heart,
 Toil’s careworn slave turns out his flickering light
And treads in dreams his dulling round again,
 Where weary day succeeds to dismal night.

Without The Wherewithall

by Barry Tebb
 To Thushari Williams 

Dear Thushie, the six months you spent with us 

Will never be forgotten, the long days you laboured

In the care home, your care-worn comings home

To sit with Brenda Williams, po?te maudit sang pur,

Labouring together to bring to light poems buried alive

And turn them into a book, the living text 

Proof enough of your divine gift as muse

And enchantress of both word and screen.

Now in far Indonesia you strive to strike a bargain

With an uncaring world, webmaster with magic fingertips

You engrave the words of us, careworn poets of our age,

In blue and scarlet on a canvas alabaster page.

Simulacrum more real than reality itself,

Should reality exist in cyberspace.

My Pr?vert, my Nerval, I never thought to see

So handsomely orthographed, like Li Po scrolled

In Chinese water by a blue pagoda.

Indeed if anyone could write in troubled water

It would be you, my dearest daughter.

Whether this world will grant you a living

Only time’s indifference and your subtle craft will tell,

Artists like poets live on other’s bounty, as you know so well.

The Sorrows of the Blind

by William Topaz McGonagall
 Pity the sorrows of the poor blind,
For they can but little comfort find;
As they walk along the street,
They know not where to put their feet.
They are deprived of that earthly joy
Of seeing either man, woman, or boy;
Sad and lonely through the world they go,
Not knowing a friend from a foe:
Nor the difference betwixt day and night,
For the want of their eyesight;
The blind mother cannot see her darling boy,
That was once her soul's joy.
By day and night,
Since she lost her precious sight;
To her the world seems dark and drear,
And she can find no comfort here.
She once found pleasure in reading books,
But now pale and careworn are her looks.
Since she has lost her eyesight,
Everything seems wrong and nothing right. 

The face of nature, with all its beauties and livery green,
Appears to the blind just like a dream.
All things beautiful have vanished from their sight,
Which were once their heart's delight.
The blind father cannot see his beautiful child, nor wife,
That was once the joy of his life;
That he was wont to see at morn and night,
When he had his eyesight.
All comfort has vanished from him now,
And a dejected look hangs on his brow. 

Kind Christians all, both great and small,
Pity the sorrows of the blind,
They can but little comfort find;
Therefore we ought to be content with our lot,
And for the eyesight we have got,
And pray to God both day and night
To preserve our eyesight;
To be always willing to help the blind in their distress,
And the Lord will surely bless
And guard us by night and day,
And remember us at the judgment day.
Get a Premium Membership
Turn off ads, get more exposure for your poetry, and get more features with a Premium Membership.
Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace