by
Anne Sexton
Consider
a girl who keeps slipping off,
arms limp as old carrots,
into the hypnotist's trance,
into a spirit world
speaking with the gift of tongues.
She is stuck in the time machine,
suddenly two years old sucking her thumb,
as inward as a snail,
learning to talk again.
She's on a voyage.
She is swimming further and further back,
up like a salmon,
struggling into her mother's pocketbook.
Little doll child,
come here to Papa.
Sit on my knee.
I have kisses for the back of your neck.
A penny for your thoughts, Princess.
I will hunt them like an emerald.
Come be my snooky
and I will give you a root.
That kind of voyage,
rank as a honeysuckle.
Once
a king had a christening
for his daughter Briar Rose
and because he had only twelve gold plates
he asked only twelve fairies
to the grand event.
The thirteenth fairy,
her fingers as long and thing as straws,
her eyes burnt by cigarettes,
her uterus an empty teacup,
arrived with an evil gift.
She made this prophecy:
The princess shall prick herself
on a spinning wheel in her fifteenth year
and then fall down dead.
Kaputt!
The court fell silent.
The king looked like Munch's Scream
Fairies' prophecies,
in times like those,
held water.
However the twelfth fairy
had a certain kind of eraser
and thus she mitigated the curse
changing that death
into a hundred-year sleep.
The king ordered every spinning wheel
exterminated and exorcised.
Briar Rose grew to be a goddess
and each night the king
bit the hem of her gown
to keep her safe.
He fastened the moon up
with a safety pin
to give her perpetual light
He forced every male in the court
to scour his tongue with Bab-o
lest they poison the air she dwelt in.
Thus she dwelt in his odor.
Rank as honeysuckle.
On her fifteenth birthday
she pricked her finger
on a charred spinning wheel
and the clocks stopped.
Yes indeed. She went to sleep.
The king and queen went to sleep,
the courtiers, the flies on the wall.
The fire in the hearth grew still
and the roast meat stopped crackling.
The trees turned into metal
and the dog became china.
They all lay in a trance,
each a catatonic
stuck in a time machine.
Even the frogs were zombies.
Only a bunch of briar roses grew
forming a great wall of tacks
around the castle.
Many princes
tried to get through the brambles
for they had heard much of Briar Rose
but they had not scoured their tongues
so they were held by the thorns
and thus were crucified.
In due time
a hundred years passed
and a prince got through.
The briars parted as if for Moses
and the prince found the tableau intact.
He kissed Briar Rose
and she woke up crying:
Daddy! Daddy!
Presto! She's out of prison!
She married the prince
and all went well
except for the fear --
the fear of sleep.
Briar Rose
was an insomniac...
She could not nap
or lie in sleep
without the court chemist
mixing her some knock-out drops
and never in the prince's presence.
If if is to come, she said,
sleep must take me unawares
while I am laughing or dancing
so that I do not know that brutal place
where I lie down with cattle prods,
the hole in my cheek open.
Further, I must not dream
for when I do I see the table set
and a faltering crone at my place,
her eyes burnt by cigarettes
as she eats betrayal like a slice of meat.
I must not sleep
for while I'm asleep I'm ninety
and think I'm dying.
Death rattles in my throat
like a marble.
I wear tubes like earrings.
I lie as still as a bar of iron.
You can stick a needle
through my kneecap and I won't flinch.
I'm all shot up with Novocain.
This trance girl
is yours to do with.
You could lay her in a grave,
an awful package,
and shovel dirt on her face
and she'd never call back: Hello there!
But if you kissed her on the mouth
her eyes would spring open
and she'd call out: Daddy! Daddy!
Presto!
She's out of prison.
There was a theft.
That much I am told.
I was abandoned.
That much I know.
I was forced backward.
I was forced forward.
I was passed hand to hand
like a bowl of fruit.
Each night I am nailed into place
and forget who I am.
Daddy?
That's another kind of prison.
It's not the prince at all,
but my father
drunkeningly bends over my bed,
circling the abyss like a shark,
my father thick upon me
like some sleeping jellyfish.
What voyage is this, little girl?
This coming out of prison?
God help --
this life after death?
|
by
Philip Levine
THE DREAM
This has nothing to do with war
or the end of the world. She
dreams there are gray starlings
on the winter lawn and the buds
of next year's oranges alongside
this year's oranges, and the sun
is still up, a watery circle
of fire settling into the sky
at dinner time, but there's no
flame racing through the house
or threatening the bed. When she
wakens the phone is ringing
in a distant room, but she
doesn't go to answer it. No
one is home with her, and the cars
passing before the house hiss
in the rain. "My children!" she
almost says, but there are no
longer children at home, there
are no longer those who would
turn to her, their faces running
with tears, and ask her forgiveness.
THE WAR
The Michigan Central Terminal
the day after victory. Her brother
home from Europe after years
of her mother's terror, and he still
so young but now with the dark
shadow of a beard, holding her
tightly among all the others
calling for their wives or girls.
That night in the front room
crowded with family and neighbors --
he was first back on the block --
he sat cross-legged on the floor
still in his wool uniform, smoking
and drinking as he spoke of passing
high over the dark cities she'd
only read about. He'd wanted to
go back again and again. He'd wanted
to do this for the country,
for this -- a small house with upstairs
bedrooms -- so he'd asked to go
on raid after raid as though
he hungered to kill or be killed.
THE PRESIDENT
Today on television men
will enter space and return,
men she cannot imagine.
Lost in gigantic paper suits,
they move like sea creatures.
A voice will crackle from out
there where no voices are
speaking of the great theater
of conquest, of advancing
beyond the simple miracles
of flight, the small ventures
of birds and beasts. The President
will answer with words she
cannot remember having
spoken ever to anyone.
THE PHONE CALL
She calls Chicago, but no one
is home. The operator asks
for another number but still
no one answers. Together
they try twenty-one numbers,
and at each no one is ever home.
"Can I call Baltimore?" she asks.
She can, but she knows no one
in Baltimore, no one in
St. Louis, Boston, Washington.
She imagines herself standing
before the glass wall high
over Lake Shore Drive, the cars
below fanning into the city.
East she can see all the way
to Gary and the great gray clouds
of exhaustion rolling over
the lake where her vision ends.
This is where her brother lives.
At such height there's nothing,
no birds, no growing, no noise.
She leans her sweating forehead
against the cold glass, shudders,
and puts down the receiver.
THE GARDEN
Wherever she turns her garden
is alive and growing. The thin
spears of wild asparagus, shaft
of tulip and flag, green stain
of berry buds along the vines,
even in the eaten leaf of
pepper plants and clipped stalk
of snap bean. Mid-afternoon
and already the grass is dry
under the low sun. Bluejay
and dark capped juncos hidden
in dense foliage waiting
the sun's early fall, when she
returns alone to hear them
call and call back, and finally
in the long shadows settle
down to rest and to silence
in the sudden rising chill.
THE GAME
Two boys are playing ball
in the backyard, throwing it
back and forth in the afternoon's
bright sunshine as a black mongrel
big as a shepherd races
from one to the other. She
hides behind the heavy drapes
in her dining room and listens,
but they're too far. Who are
they? They move about her yard
as though it were theirs. Are they
the sons of her sons? They've
taken off their shirts, and she
sees they're not boys at all --
a dark smudge of hair rises
along the belly of one --, and now
they have the dog down thrashing
on his back, snarling and flashing
his teeth, and they're laughing.
AFTER DINNER
She's eaten dinner talking
back to the television, she's
had coffee and brandy, done
the dishes and drifted into
and out of sleep over a book
she found beside the couch. It's
time for bed, but she goes
instead to the front door, unlocks
it, and steps onto the porch.
Behind her she can hear only
the silence of the house. The lights
throw her shadow down the stairs
and onto the lawn, and she walks
carefully to meet it. Now she's
standing in the huge, whispering
arena of night, hearing her
own breath tearing out of her
like the cries of an animal.
She could keep going into
whatever the darkness brings,
she could find a presence there
her shaking hands could hold
instead of each other.
SLEEP
A dark sister lies beside her
all night, whispering
that it's not a dream, that fire
has entered the spaces between
one face and another.
There will be no wakening.
When she wakens, she can't
catch her own breath, so she yells
for help. It comes in the form
of sleep. They whisper
back and forth, using new words
that have no meaning
to anyone. The aspen shreds
itself against her window.
The oranges she saw that day
in her yard explode
in circles of oil, the few stars
quiet and darken. They go on,
two little girls up long past
their hour, playing in bed.
|
by
Anne Kingsmill Finch
NOW spent the alter'd King, in am'rous Cares,
The Hours of sacred Hymns and solemn Pray'rs:
In vain the Alter waits his slow returns,
Where unattended Incense faintly burns:
In vain the whisp'ring Priests their Fears express,
And of the Change a thousand Causes guess.
Heedless of all their Censures He retires,
And in his Palace feeds his secret Fires;
Impatient, till from Rabbah Tydings tell,
That near those Walls the poor Uriah fell,
Led to the Onset by a Chosen Few,
Who at the treacherous Signal, soon withdrew;
Nor to his Rescue e'er return'd again,
Till by fierce Ammon's Sword they saw the Victim slain.
'Tis pass'd, 'tis done! the holy Marriage-Knot,
Too strong to be unty'd, at last is cut.
And now to Bathsheba the King declares,
That with his Heart, the Kingdom too is hers;
That Israel's Throne, and longing Monarch's Arms
Are to be fill'd but with her widow'd Charms.
Nor must the Days of formal Tears exceed,
To cross the Living, and abuse the Dead.
This she denies; and signs of Grief are worn;
But mourns no more than may her Face adorn,
Give to those Eyes, which Love and Empire fir'd,
A melting Softness more to be desir'd;
Till the fixt Time, tho' hard to be endur'd,
Was pass'd, and a sad Consort's Name procur'd:
When, with the Pomp that suits a Prince's Thought,
By Passion sway'd, and glorious Woman taught,
A Queen she's made, than Michal seated higher,
Whilst light unusual Airs prophane the hallow'd Lyre.
Where art thou Nathan? where's that Spirit now,
Giv'n to brave Vice, tho' on a Prince's Brow?
In what low Cave, or on what Desert Coast,
Now Virtue wants it, is thy Presence lost?
But lo! he comes, the Rev'rend Bard appears,
Defil'd with Dust his awful silver Hairs,
And his rough Garment, wet with falling Tears.
The King this mark'd, and conscious wou'd have fled,
The healing Balm which for his Wounds was shed:
Till the more wary Priest the Serpents Art,
Join'd to the Dove-like Temper of his Heart,
And thus retards the Prince just ready now to part.
Hear me, the Cause betwixt two Neighbors hear,
Thou, who for Justice dost the Sceptre bear:
Help the Opprest, nor let me weep alone
For him, that calls for Succour from the Throne.
Good Princes for Protection are Ador'd,
And Greater by the Shield, than by the Sword.
This clears the Doubt, and now no more he fears
The Cause his Own, and therefore stays and hears:
When thus the Prophet: –
–In a flow'ry Plain
A King-like Man does in full Plenty reign;
Casts round his Eyes, in vain, to reach the Bound,
Which Jordan's Flood sets to his fertile Ground:
Countless his Flocks, whilst Lebanon contains
A Herd as large, kept by his numerous Swains,
That fill with morning Bellowings the cool Air,
And to the Cedar's shade at scorching Noon repair.
Near to this Wood a lowly Cottage stands,
Built by the humble Owner's painful Hands;
Fenc'd by a Stubble-roof, from Rain and Heat,
Secur'd without, within all Plain and Neat.
A Field of small Extent surrounds the Place,
In which One single Ewe did sport and graze:
This his whole Stock, till in full time there came,
To bless his utmost Hopes, a snowy Lamb;
Which, lest the Season yet too Cold might prove,
And Northern Blasts annoy it from the Grove,
Or tow'ring Fowl on the weak Prey might sieze,
(For with his Store his Fears must too increase)
He brings it Home, and lays it by his Side,
At once his Wealth, his Pleasure and his Pride;
Still bars the Door, by Labour call'd away,
And, when returning at the Close of Day,
With One small Mess himself, and that sustains,
And half his Dish it shares, and half his slender Gains.
When to the great Man's table now there comes
A Lord as great, follow'd by hungry Grooms:
For these must be provided sundry Meats,
The best for Some, for Others coarser Cates.
One Servant, diligent above the rest
To help his Master to contrive the Feast,
Extols the Lamb was nourished with such Care,
So fed, so lodg'd, it must be Princely Fare;
And having this, my Lord his own may spare.
In haste he sends, led by no Law, but Will,
Not to entreat, or purchase, but to Kill.
The Messenger's arriv'd: the harmless Spoil,
Unus'd to fly, runs Bleating to the Toil:
Whilst for the Innocent the Owner fear'd,
And, sure wou'd move, cou'd Poverty be heard.
Oh spare (he cries) the Product of my Cares,
My Stock's Encrease, the Blessing on my Pray'rs;
My growing Hope, and Treasure of my Life!
More was he speaking, when the murd'ring Knife
Shew'd him, his Suit, tho' just, must be deny'd,
And the white Fleece in its own Scarlet dy'd;
Whilst the poor helpless Wretch stands weeping by,
And lifts his Hands for Justice to the Sky.
Which he shall find, th' incensed King replies,
When for the proud Offence th' Oppressor dies.
O Nathan! by the Holy Name I swear,
Our Land such Wrongs unpunished shall not bear
If, with the Fault, th' Offender thou declare.
To whom the Prophet, closing with the Time,
Thou art the Man replies, and thine th' ill-natur'd Crime.
Nor think, against thy Place, or State, I err;
A Pow'r above thee does this Charge prefer;
Urg'd by whose Spirit, hither am I brought
T' expostulate his Goodness and thy Fault;
To lead thee back to those forgotten Years,
In Labour spent, and lowly Rustick Cares,
When in the Wilderness thy Flocks but few,
Thou didst the Shepherd's simple Art pursue
Thro' crusting Frosts, and penetrating Dew:
Till wondring Jesse saw six Brothers past,
And Thou Elected, Thou the Least and Last;
A Sceptre to thy Rural Hand convey'd,
And in thy Bosom Royal Beauties laid;
A lovely Princess made thy Prize that Day,
When on the shaken Ground the Giant lay
Stupid in Death, beyond the Reach of Cries
That bore thy shouted Fame to list'ning Skies,
And drove the flying Foe as fast away,
As Winds, of old, Locusts to Egypt's Sea.
Thy Heart with Love, thy Temples with Renown,
Th' All-giving Hand of Heav'n did largely crown,
Whilst yet thy Cheek was spread with youthful Down.
What more cou'd craving Man of God implore?
Or what for favour'd Man cou'd God do more?
Yet cou'd not These, nor Israel's Throne, suffice
Intemp'rate Wishes, drawn thro' wand'ring Eyes.
One Beauty (not thy own) and seen by chance,
Melts down the Work of Grace with an alluring Glance;
Chafes the Spirit, fed by sacred Art,
And blots the Title AFTER GOD'S OWN HEART;
Black Murder breeds to level at his Head,
Who boasts so fair a Part'ner of his Bed,
Nor longer must possess those envy'd Charms,
The single Treasure of his House, and Arms:
Giving, by this thy Fall, cause to Blaspheme
To all the Heathen the Almighty Name.
For which the Sword shall still thy Race pursue,
And, in revolted Israel's scornful View,
Thy captiv'd Wives shall be in Triumph led
Unto a bold Usurper's shameful Bed;
Who from thy Bowels sprung shall seize thy Throne,
And scourge thee by a Sin beyond thy own.
Thou hast thy Fault in secret Darkness done;
But this the World shall see before the Noonday's Sun.
Enough! the King, enough! the Saint replies,
And pours his swift Repentance from his Eyes;
Falls on the Ground, and tears the Nuptial Vest,
By which his Crime's Completion was exprest:
Then with a Sigh blasting to Carnal Love,
Drawn deep as Hell, and piercing Heaven, above
Let Me (he cries) let Me attend his Rod,
For I have sinn'd, for I have lost my God.
Hold! (says the Prophet ) of that Speech beware,
God ne'er was lost, unless by Man's Despair.
The Wound that is thus willingly reveal'd,
Th' Almighty is as willing should be heal'd.
Thus wash'd in Tears, thy Soul as fair does show
As the first Fleece, which on the Lamb does grow,
Or on the Mountain's top the lately fallen Snow.
Yet to the World that Justice may appear
Acting her Part impartial, and severe,
The Offspring of thy Sin shall soon resign
That Life, for which thou must not once repine;
But with submissive Grief his Fate deplore,
And bless the Hand, that does inflict no more.
Shall I then pay but Part, and owe the Whole?
My Body's Fruit, for my offending Soul?
Shall I no more endure (the King demands)
And 'scape thus lightly his offended Hands?
Oh! let him All resume, my Crown, my Fame;
Reduce me to the Nothing, whence I came;
Call back his Favours, faster than he gave;
And, if but Pardon'd, strip me to my Grave:
Since (tho' he seems to Lose ) He surely Wins,
Who gives but earthly Comforts for his Sins.
|
by
Emily Brontë
Ah! why, because the dazzling sun
Restored our Earth to joy,
Have you departed, every one,
And left a desert sky?
All through the night, your glorious eyes
Were gazing down in mine,
And, with a full heart's thankful sighs,
I blessed that watch divine.
I was at peace, and drank your beams
As they were life to me;
And revelled in my changeful dreams,
Like petrel on the sea.
Thought followed thought, star followed star
Through boundless regions on;
While one sweet influence, near and far,
Thrilled through, and proved us one!
Why did the morning dawn to break
So great, so pure a spell;
And scorch with fire the tranquil cheek,
Where your cool radiance fell?
Blood-red, he rose, and arrow-straight,
His fierce beams struck my brow;
The soul of nature sprang, elate,
But mine sank sad and low.
My lids closed down, yet through their veil
I saw him, blazinig, still,
And steep in gold the misty dale,
And flash upon the hill.
I turned me to the pillow, then,
To call back night, and see
Your words of solemn light, again,
Throb with my heart, and me!
It would not do - the pillow glowed,
And glowed both roof and floor;
And birds sang loudly in the wood,
And fresh winds shook the door;
The curtains waved, the wakened flies
Were murmuring round my room,
Imprisoned there, till I should rise,
And give them leave to roam.
O stars, and dreams, and gentle night;
O night and stars, return!
And hide me from the hostile light
That does not warm, but burn;
That drains the blood of suffering men;
Drinks tears, instead of dew;
Let me sleep through his blinding reign,
And only wake with you!
|
by
Oscar Wilde
(To L. L.)
Could we dig up this long-buried treasure,
Were it worth the pleasure,
We never could learn love's song,
We are parted too long.
Could the passionate past that is fled
Call back its dead,
Could we live it all over again,
Were it worth the pain!
I remember we used to meet
By an ivied seat,
And you warbled each pretty word
With the air of a bird;
And your voice had a quaver in it,
Just like a linnet,
And shook, as the blackbird's throat
With its last big note;
And your eyes, they were green and grey
Like an April day,
But lit into amethyst
When I stooped and kissed;
And your mouth, it would never smile
For a long, long while,
Then it rippled all over with laughter
Five minutes after.
You were always afraid of a shower,
Just like a flower:
I remember you started and ran
When the rain began.
I remember I never could catch you,
For no one could match you,
You had wonderful, luminous, fleet,
Little wings to your feet.
I remember your hair - did I tie it?
For it always ran riot -
Like a tangled sunbeam of gold:
These things are old.
I remember so well the room,
And the lilac bloom
That beat at the dripping pane
In the warm June rain;
And the colour of your gown,
It was amber-brown,
And two yellow satin bows
From your shoulders rose.
And the handkerchief of French lace
Which you held to your face -
Had a small tear left a stain?
Or was it the rain?
On your hand as it waved adieu
There were veins of blue;
In your voice as it said good-bye
Was a petulant cry,
'You have only wasted your life.'
(Ah, that was the knife!)
When I rushed through the garden gate
It was all too late.
Could we live it over again,
Were it worth the pain,
Could the passionate past that is fled
Call back its dead!
Well, if my heart must break,
Dear love, for your sake,
It will break in music, I know,
Poets' hearts break so.
But strange that I was not told
That the brain can hold
In a tiny ivory cell
God's heaven and hell.
|
by
Charles Bukowski
here comes the fishhead singing
here comes the baked potato in drag
here comes nothing to do all day long
here comes another night of no sleep
here comes the phone wringing the wrong tone
here comes a termite with a banjo
here comes a flagpole with blank eyes
here comes a a cat and a dog wearing nylons
here comes a machine gun saying
here comes bacon burning in the pan
here comes a voice saying something dull
here comes a newspaper stuffed with small red birds
with flat brown beaks
here comes a **** carrying a torch
a grenade
a deathly love
here comes a victory carrying
one bucket of blood
and stumbling over the berry bush
and the sheets hang out the windows
and the bombers head east west north south
get lost
get tossed like salad
as all the fish in the sea line up and form
one line
one long line
one very long thin line
the longest line you could ever imagine
and we get lost
walking past purple mountains
we walk lost
bare at last like the knife
having given
having spit it out like an unexpected olive seed
as the girl at the call service
screams over the phone:
"don't call back! you sound like a jerk!"
|
by
Paul Muldoon
When the master was calling the roll
At the primary school in Collegelands,
You were meant to call back Anseo
And raise your hand
As your name occurred.
Anseo, meaning here, here and now,
All present and correct,
Was the first word of Irish I spoke.
The last name on the ledger
Belonged to Joseph Mary Plunkett Ward
And was followed, as often as not,
By silence, knowing looks,
A nod and a wink, the master's droll
'And where's our little Ward-of-court?'
I remember the first time he came back
The master had sent him out
Along the hedges
To weigh up for himself and cut
A stick with which he would be beaten.
After a while, nothing was spoken;
He would arrive as a matter of course
With an ash-plant, a salley-rod.
Or, finally, the hazel-wand
He had whittled down to a whip-lash,
Its twist of red and yellow lacquers
Sanded and polished,
And altogether so delicately wrought
That he had engraved his initials on it.
I last met Joseph Mary Plunkett Ward
In a pub just over the Irish border.
He was living in the open,
in a secret camp
On the other side of the mountain.
He was fighting for Ireland,
Making things happen.
And he told me, Joe Ward,
Of how he had risen through the ranks
To Quartermaster, Commandant:
How every morning at parade
His volunteers would call back Anseo
And raise their hands
As their names occurred.
|
by
Andrew Barton Paterson
The London lights are far abeam
Behind a bank of cloud,
Along the shore the gaslights gleam,
The gale is piping loud;
And down the Channel, groping blind,
We drive her through the haze
Towards the land we left behind --
The good old land of `never mind',
And old Australian ways.
The narrow ways of English folk
Are not for such as we;
They bear the long-accustomed yoke
Of staid conservancy:
But all our roads are new and strange,
And through our blood there runs
The vagabonding love of change
That drove us westward of the range
And westward of the suns.
The city folk go to and fro
Behind a prison's bars,
They never feel the breezes blow
And never see the stars;
They never hear in blossomed trees
The music low and sweet
Of wild birds making melodies,
Nor catch the little laughing breeze
That whispers in the wheat.
Our fathers came of roving stock
That could not fixed abide:
And we have followed field and flock
Since e'er we learnt to ride;
By miner's camp and shearing shed,
In land of heat and drought,
We followed where our fortunes led,
With fortune always on ahead
And always further out.
The wind is in the barley-grass,
The wattles are in bloom;
The breezes greet us as they pass
With honey-sweet perfume;
The parakeets go screaming by
With flash of golden wing,
And from the swamp the wild-ducks cry
Their long-drawn note of revelry,
Rejoicing at the Spring.
So throw the weary pen aside
And let the papers rest,
For we must saddle up and ride
Towards the blue hill's breast;
And we must travel far and fast
Across their rugged maze,
To find the Spring of Youth at last,
And call back from the buried past
The old Australian ways.
When Clancy took the drover's track
In years of long ago,
He drifted to the outer back
Beyond the Overflow;
By rolling plain and rocky shelf,
With stockwhip in his hand,
He reached at last, oh lucky elf,
The Town of Come-and-help-yourself
In Rough-and-ready Land.
And if it be that you would know
The tracks he used to ride,
Then you must saddle up and go
Beyond the Queensland side --
Beyond the reach of rule or law,
To ride the long day through,
In Nature's homestead -- filled with awe
You then might see what Clancy saw
And know what Clancy knew.
|
by
Andrew Barton Paterson
The daylight is dying
Away in the west,
The wild birds are flying
in silence to rest;
In leafage and frondage
Where shadows are deep,
They pass to its bondage--
The kingdom of sleep
And watched in their sleeping
By stars in the height,
They rest in your keeping,
O wonderful night.
When night doth her glories
Of starshine unfold,
'Tis then that the stories
Of bush-land are told.
Unnumbered I told them
In memories bright,
But who could unfold them,
Or read them aright?
Beyond all denials
The stars in their glories,
The breeze in the myalls,
Are part of these stories.
The waving of grasses,
The song of the river
That sings as it passes
For ever and ever,
The hobble-chains' rattle,
The calling of birds,
The lowing of cattle
Must blend with the words.
Without these, indeed you
Would find it ere long,
As though I should read you
The words of a song
That lamely would linger
When lacking the rune,
The voice of a singer,
The lilt of the tune.
But as one halk-bearing
An old-time refrain,
With memory clearing,
Recalls it again,
These tales roughly wrought of
The Bush and its ways,
May call back a thought of
The wandering days;
And, blending with each
In the memories that throng
There haply shall reach
You some echo of song.
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by
Thomas Carew
THINK not, 'cause men flattering say
You're fresh as April, sweet as May,
Bright as is the morning star,
That you are so ; or, though you are,
Be not therefore proud, and deem
All men unworthy your esteem :
For, being so, you lose the pleasure
Of being fair, since that rich treasure
Of rare beauty and sweet feature
Was bestow'd on you by nature
To be enjoy'd ; and 'twere a sin
There to be scarce, where she hath bin
So prodigal of her best graces.
Thus common beauties and mean faces
Shall have more pastime, and enjoy
The sport you lose by being coy.
Did the thing for which I sue
Only concern myself, not you ;
Were men so framed as they alone
Reap'd all the pleasure, women none ;
Then had you reason to be scant :
But 'twere a madness not to grant
That which affords (if you consent)
To you the giver, more content
Than me, the beggar. Oh, then be
Kind to yourself, if not to me.
Starve not yourself, because you may
Thereby make me pine away ;
Nor let brittle beauty make
You your wiser thoughts forsake ;
For that lovely face will fail.
Beauty's sweet, but beauty's frail,
'Tis sooner past, 'tis sooner done,
Than summer's rain, or winter's sun ;
Most fleeting, when it is most dear,
'Tis gone, while we but say 'tis here.
These curious locks, so aptly twined,
Whose every hair a soul doth bind,
Will change their auburn hue and grow
White and cold as winter's snow.
That eye, which now is Cupid's nest,
Will prove his grave, and all the rest
Will follow ; in the cheek, chin, nose,
Nor lily shall be found, nor rose.
And what will then become of all
Those whom now you servants call ?
Like swallows, when your summer's done,
They'll fly, and seek some warmer sun.
Then wisely choose one to your friend
Whose love may, when your beauties end,
Remain still firm : be provident,
And think, before the summer's spent,
Of following winter ; like the ant,
In plenty hoard for time of scant.
Cull out, amongst the multitude
Of lovers, that seek to intrude
Into your favour, one that may
Love for an age, not for a day ;
One that will quench your youthful fires,
And feed in age your hot desires.
For when the storms of time have moved
Waves on that cheek which was beloved,
When a fair lady's face is pined,
And yellow spread where once red shined ;
When beauty, youth, and all sweets leave her,
Love may return, but lover never :
And old folks say there are no pains
Like itch of love in aged veins.
O love me, then, and now begin it,
Let us not lose this present minute ;
For time and age will work that wrack
Which time or age shall ne'er call back.
The snake each year fresh skin resumes,
And eagles change their aged plumes ;
The faded rose each spring receives
A fresh red tincture on her leaves :
But if your beauties once decay,
You never know a second May.
O then, be wise, and whilst your season
Affords you days for sport, do reason ;
Spend not in vain your life's short hour,
But crop in time your beauty's flower,
Which will away, and doth together
Both bud and fade, both blow and wither.
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