10 Best Famous Builds Poems

Here is a collection of the top 10 all-time best famous Builds poems. This is a select list of the best famous Builds poetry. Reading, writing, and enjoying famous Builds poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of builds poems.

• All Famous Builds Poems

1897


God of our fathers, known of old,
   Lord of our far-flung battle-line,
Beneath whose awful Hand we hold
   Dominion over palm and pine—
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!

The tumult and the shouting dies;
   The Captains and the Kings depart:
Still stands Thine ancient sacrifice,
   An humble and a contrite heart.
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!

Far-called, our navies melt away;
   On dune and headland sinks the fire:
Lo, all our pomp of yesterday
   Is one with Nineveh and Tyre!
Judge of the Nations, spare us yet,
Lest we forget—lest we forget!

If, drunk with sight of power, we loose
   Wild tongues that have not Thee in awe,
Such boastings as the Gentiles use,
   Or lesser breeds without the Law—
Lord God of Hosts, be with us yet,
Lest we forget—lest we forget!

For heathen heart that puts her trust
   In reeking tube and iron shard,
All valiant dust that builds on dust,
   And guarding, calls not Thee to guard,
For frantic boast and foolish word—
Thy mercy on Thy People, Lord!

 Man was made of social earth,
Child and brother from his birth;
Tethered by a liquid cord
Of blood through veins of kindred poured,
Next his heart the fireside band
Of mother, father, sister, stand;
Names from awful childhood heard,
Throbs of a wild religion stirred,
Their good was heaven, their harm was vice,
Till Beauty came to snap all ties,
The maid, abolishing the past,
With lotus-wine obliterates
Dear memory's stone-incarved traits,
And by herself supplants alone
Friends year by year more inly known.
When her calm eyes opened bright,
All were foreign in their light.
It was ever the self-same tale,
The old experience will not fail,—
Only two in the garden walked,
And with snake and seraph talked.

But God said;
I will have a purer gift,
There is smoke in the flame;
New flowerets bring, new prayers uplift,
And love without a name.
Fond children, ye desire
To please each other well;
Another round, a higher,
Ye shall climb on the heavenly stair,
And selfish preference forbear;
And in right deserving,
And without a swerving
Each from your proper state,
Weave roses for your mate.

Deep, deep are loving eyes,
Flowed with naphtha fiery sweet,
And the point is Paradise
Where their glances meet:
Their reach shall yet be more profound,
And a vision without bound:
The axis of those eyes sun-clear
Be the axis of the sphere;
Then shall the lights ye pour amain
Go without check or intervals,
Through from the empyrean walls,
Unto the same again.

Close, close to men,
Like undulating layer of air,
Right above their heads,
The potent plain of Dæmons spreads.
Stands to each human soul its own,
For watch, and ward, and furtherance
In the snares of nature's dance;
And the lustre and the grace
Which fascinate each human heart,
Beaming from another part,
Translucent through the mortal covers,
Is the Dæmon's form and face.
To and fro the Genius hies,
A gleam which plays and hovers
Over the maiden's head,
And dips sometimes as low as to her eyes.

Unknown, — albeit lying near, —
To men the path to the Dæmon sphere,
And they that swiftly come and go,
Leave no track on the heavenly snow.
Sometimes the airy synod bends,
And the mighty choir descends,
And the brains of men thenceforth,
In crowded and in still resorts,
Teem with unwonted thoughts.
As when a shower of meteors
Cross the orbit of the earth,
And, lit by fringent air,
Blaze near and far.
Mortals deem the planets bright
Have slipped their sacred bars,
And the lone seaman all the night
Sails astonished amid stars.

Beauty of a richer vein,
Graces of a subtler strain,
Unto men these moon-men lend,
And our shrinking sky extend.
So is man's narrow path
By strength and terror skirted,
Also (from the song the wrath
Of the Genii be averted!
The Muse the truth uncolored speaking),
The Dæmons are self-seeking;
Their fierce and limitary will
Draws men to their likeness still.

The erring painter made Love blind,
Highest Love who shines on all;
Him radiant, sharpest-sighted god
None can bewilder;
Whose eyes pierce
The Universe,
Path-finder, road-builder,
Mediator, royal giver,
Rightly-seeing, rightly-seen,
Of joyful and transparent mien.
'Tis a sparkle passing
From each to each, from me to thee,
Perpetually,
Sharing all, daring all,
Levelling, misplacing
Each obstruction, it unites
Equals remote, and seeming opposites.
And ever and forever Love
Delights to build a road;
Unheeded Danger near him strides,
Love laughs, and on a lion rides.
But Cupid wears another face
Born into Dæmons less divine,
His roses bleach apace,
His nectar smacks of wine.
The Dæmon ever builds a wall,
Himself incloses and includes,
Solitude in solitudes:
In like sort his love doth fall.
He is an oligarch,
He prizes wonder, fame, and mark,
He loveth crowns,
He scorneth drones;
He doth elect
The beautiful and fortunate,
And the sons of intellect,
And the souls of ample fate,
Who the Future's gates unbar,
Minions of the Morning Star.
In his prowess he exults,
And the multitude insults.
His impatient looks devour
Oft the humble and the poor,
And, seeing his eye glare,
They drop their few pale flowers
Gathered with hope to please
Along the mountain towers,
Lose courage, and despair.
He will never be gainsaid,
Pitiless, will not be stayed.
His hot tyranny
Burns up every other tie;
Therefore comes an hour from Jove
Which his ruthless will defies,
And the dogs of Fate unties.
Shiver the palaces of glass,
Shrivel the rainbow-colored walls
Where in bright art each god and sibyl dwelt
Secure as in the Zodiack's belt;
And the galleries and halls
Wherein every Siren sung,
Like a meteor pass.
For this fortune wanted root
In the core of God's abysm,
Was a weed of self and schism:
And ever the Dæmonic Love
Is the ancestor of wars,
And the parent of remorse.

 O MATER! O fils! 
O brood continental! 
O flowers of the prairies! 
O space boundless! O hum of mighty products! 
O you teeming cities! O so invincible, turbulent, proud!
O race of the future! O women! 
O fathers! O you men of passion and the storm! 
O native power only! O beauty! 
O yourself! O God! O divine average! 
O you bearded roughs! O bards! O all those slumberers!
O arouse! the dawn bird’s throat sounds shrill! Do you not hear the cock crowing? 
O, as I walk’d the beach, I heard the mournful notes foreboding a tempest—the
 low,
 oft-repeated shriek of the diver, the long-lived loon; 
O I heard, and yet hear, angry thunder;—O you sailors! O ships! make quick
 preparation! 
O from his masterful sweep, the warning cry of the eagle! 
(Give way there, all! It is useless! Give up your spoils;)
O sarcasms! Propositions! (O if the whole world should prove indeed a sham, a sell!) 
O I believe there is nothing real but America and freedom! 
O to sternly reject all except Democracy! 
O imperator! O who dare confront you and me? 
O to promulgate our own! O to build for that which builds for mankind!
O feuillage! O North! O the slope drained by the Mexican sea! 
O all, all inseparable—ages, ages, ages! 
O a curse on him that would dissever this Union for any reason whatever! 
O climates, labors! O good and evil! O death! 
O you strong with iron and wood! O Personality!
O the village or place which has the greatest man or woman! even if it be only a few
 ragged
 huts; 
O the city where women walk in public processions in the streets, the same as the men; 
O a wan and terrible emblem, by me adopted! 
O shapes arising! shapes of the future centuries! 
O muscle and pluck forever for me!
O workmen and workwomen forever for me! 
O farmers and sailors! O drivers of horses forever for me! 
O I will make the new bardic list of trades and tools! 
O you coarse and wilful! I love you! 
O South! O longings for my dear home! O soft and sunny airs!
O pensive! O I must return where the palm grows and the mocking-bird sings, or else I die!

O equality! O organic compacts! I am come to be your born poet! 
O whirl, contest, sounding and resounding! I am your poet, because I am part of you; 
O days by-gone! Enthusiasts! Antecedents! 
O vast preparations for These States! O years!
O what is now being sent forward thousands of years to come! 
O mediums! O to teach! to convey the invisible faith! 
To promulge real things! to journey through all The States! 
O creation! O to-day! O laws! O unmitigated adoration! 
O for mightier broods of orators, artists, and singers!
O for native songs! carpenter’s, boatman’s, ploughman’s songs!
 shoemaker’s
 songs! 
O haughtiest growth of time! O free and extatic! 
O what I, here, preparing, warble for! 
O you hastening light! O the sun of the world will ascend, dazzling, and take his
 height—and you too will ascend; 
O so amazing and so broad! up there resplendent, darting and burning;
O prophetic! O vision staggered with weight of light! with pouring glories! 
O copious! O hitherto unequalled! 
O Libertad! O compact! O union impossible to dissever! 
O my Soul! O lips becoming tremulous, powerless! 
O centuries, centuries yet ahead!
O voices of greater orators! I pause—I listen for you 
O you States! Cities! defiant of all outside authority! I spring at once into your arms!
 you I
 most love! 
O you grand Presidentiads! I wait for you! 
New history! New heroes! I project you! 
Visions of poets! only you really last! O sweep on! sweep on!
O Death! O you striding there! O I cannot yet! 
O heights! O infinitely too swift and dizzy yet! 
O purged lumine! you threaten me more than I can stand! 
O present! I return while yet I may to you! 
O poets to come, I depend upon you!

 The artichoke
of delicate heart
erect
in its battle-dress, builds
its minimal cupola;
keeps
stark
in its scallop of
scales.
Around it,
demoniac vegetables
bristle their thicknesses,
devise
tendrils and belfries,
the bulb's agitations;
while under the subsoil
the carrot
sleeps sound in its
rusty mustaches.
Runner and filaments
bleach in the vineyards,
whereon rise the vines.
The sedulous cabbage
arranges its petticoats;
oregano
sweetens a world;
and the artichoke
dulcetly there in a gardenplot,
armed for a skirmish,
goes proud
in its pomegranate
burnishes.
Till, on a day,
each by the other,
the artichoke moves
to its dream
of a market place
in the big willow
hoppers:
a battle formation.
Most warlike
of defilades-
with men
in the market stalls,
white shirts
in the soup-greens,
artichoke field marshals,
close-order conclaves,
commands, detonations,
and voices,
a crashing of crate staves.

And
Maria
come
down
with her hamper
to
make trial
of an artichoke:
she reflects, she examines,
she candles them up to the light like an egg,
never flinching;
she bargains,
she tumbles her prize
in a market bag
among shoes and a
cabbage head,
a bottle
of vinegar; is back
in her kitchen.
The artichoke drowns in a pot.

So you have it:
a vegetable, armed,
a profession
(call it an artichoke)
whose end
is millennial.
We taste of that
sweetness,
dismembering scale after scale.
We eat of a halcyon paste:
it is green at the artichoke heart.

Though loath to grieve
The evil time's sole patriot,
I cannot leave
My honied thought
For the priest's cant,
Or statesman's rant.

If I refuse
My study for their politique,
Which at the best is trick,
The angry Muse
Puts confusion in my brain.

But who is he that prates
Of the culture of mankind,
Of better arts and life?
Go, blindworm, go,
Behold the famous States
Harrying Mexico
With rifle and with knife!

Or who, with accent bolder,
Dare praise the freedom-loving mountaineer?
I found by thee, O rushing Contoocook!
And in thy valleys, Agiochook!
The jackals of the *****-holder.

The God who made New Hampshire
Taunted the lofty land
With little men;--
Small bat and wren
House in the oak:--
If earth-fire cleave
The upheaved land, and bury the folk,
The southern crocodile would grieve.
Virtue palters; Right is hence;
Freedom praised, but hid;
Funeral eloquence
Rattles the coffin-lid.

What boots thy zeal,
O glowing friend,
That would indignant rend
The northland from the south?
Wherefore? to what good end?
Boston Bay and Bunker Hill
Would serve things still;--
Things are of the snake.

The horseman serves the horse,
The neatherd serves the neat,
The merchant serves the purse,
The eater serves his meat;
'T is the day of the chattel,
Web to weave, and corn to grind;
Things are in the saddle,
And ride mankind.

There are two laws discrete,
Not reconciled,--
Law for man, and law for thing;
The last builds town and fleet,
But it runs wild,
And doth the man unking.
'T is fit the forest fall,
The steep be graded,
The mountain tunnelled,
The sand shaded,
The orchard planted,
The glebe tilled,
The prairie granted,
The steamer built.

Let man serve law for man;
Live for friendship, live for love,
For truth's and harmony's behoof;
The state may follow how it can,
As Olympus follows Jove.

Yet do not I implore
The wrinkled shopman to my sounding woods,
Nor bid the unwilling senator
Ask votes of thrushes in the solitudes.
Every one to his chosen work;--
Foolish hands may mix and mar;
Wise and sure the issues are.
Round they roll till dark is light,
Sex to sex, and even to odd;--
The over-god
Who marries Right to Might,
Who peoples, unpeoples,--
He who exterminates
Races by stronger races,
Black by white faces,--
Knows to bring honey
Out of the lion;
Grafts gentlest scion
On pirate and Turk.

The Cossack eats Poland,
Like stolen fruit;
Her last noble is ruined,
Her last poet mute:
Straight, into double band
The victors divide;
Half for freedom strike and stand;--
The astonished Muse finds thousands at her side. 

 Orpheus liked the glad personal quality
Of the things beneath the sky. Of course, Eurydice was a part
Of this. Then one day, everything changed. He rends
Rocks into fissures with lament. Gullies, hummocks
Can't withstand it. The sky shudders from one horizon
To the other, almost ready to give up wholeness.
Then Apollo quietly told him: "Leave it all on earth.
Your lute, what point? Why pick at a dull pavan few care to 
Follow, except a few birds of dusty feather,
Not vivid performances of the past." But why not?
All other things must change too.
The seasons are no longer what they once were,
But it is the nature of things to be seen only once,
As they happen along, bumping into other things, getting along
Somehow. That's where Orpheus made his mistake.
Of course Eurydice vanished into the shade;
She would have even if he hadn't turned around.
No use standing there like a gray stone toga as the whole wheel
Of recorded history flashes past, struck dumb, unable to 
utter an intelligent
Comment on the most thought-provoking element in its train.
Only love stays on the brain, and something these people,
These other ones, call life. Singing accurately
So that the notes mount straight up out of the well of
Dim noon and rival the tiny, sparkling yellow flowers
Growing around the brink of the quarry, encapsulizes
The different weights of the things. 
But it isn't enough
To just go on singing. Orpheus realized this
And didn't mind so much about his reward being in heaven
After the Bacchantes had torn him apart, driven
Half out of their minds by his music, what it was doing to them.
Some say it was for his treatment of Eurydice.
But probably the music had more to do with it, and
The way music passes, emblematic
Of life and how you cannot isolate a note of it
And say it is good or bad. You must
Wait till it's over. "The end crowns all,"
Meaning also that the "tableau"
Is wrong. For although memories, of a season, for example,
Melt into a single snapshot, one cannot guard, treasure
That stalled moment. It too is flowing, fleeting;
It is a picture of flowing, scenery, though living, mortal,
Over which an abstract action is laid out in blunt,
Harsh strokes. And to ask more than this
Is to become the tossing reeds of that slow, 
Powerful stream, the trailing grasses
Playfully tugged at, but to participate in the action
No more than this. Then in the lowering gentian sky
Electric twitches are faintly apparent first, then burst forth
Into a shower of fixed, cream-colored flares. The horses
Have each seen a share of the truth, though each thinks, 
"I'm a maverick. Nothing of this is happening to me,
Though I can understand the language of birds, and
The itinerary of the lights caught in the storm is 
fully apparent to me.
Their jousting ends in music much
As trees move more easily in the wind after a summer storm
And is happening in lacy shadows of shore-trees, now, 
day after day."

But how late to be regretting all this, even
Bearing in mind that regrets are always late, too late!
To which Orpheus, a bluish cloud with white contours,
Replies that these are of course not regrets at all,
Merely a careful, scholarly setting down of
Unquestioned facts, a record of pebbles along the way.
And no matter how all this disappeared,
Or got where it was going, it is no longer
Material for a poem. Its subject
Matters too much, and not enough, standing there helplessly
While the poem streaked by, its tail afire, a bad
Comet screaming hate and disaster, but so turned inward
That the meaning, good or other, can never
Become known. The singer thinks
Constructively, builds up his chant in progressive stages
Like a skyscraper, but at the last minute turns away.
The song is engulfed in an instant in blackness
Which must in turn flood the whole continent
With blackness, for it cannot see. The singer
Must then pass out of sight, not even relieved
Of the evil burthen of the words. Stellification
Is for the few, and comes about much later
When all record of these people and their lives
Has disappeared into libraries, onto microfilm.
A few are still interested in them. "But what about
So-and-so?" is still asked on occasion. But they lie
Frozen and out of touch until an arbitrary chorus
Speaks of a totally different incident with a similar name
In whose tale are hidden syllables
Of what happened so long before that
In some small town, one different summer.

 Like Oedipus I am losing my sight.
LIke Judas I have done my wrong.
Their punishment is over;
the shame and disgrace of it
are all used up.
But as for me,
look into my face
and you will know that crimes dropped upon me
as from a high building
and although I cannot speak of them
or explain the degrading details
I have remembered much
about Judas -
about Judas, the old and the famous -
that you overlooked.

The story of his life
is the story of mine.
I have one glass eye.
My nerves push against its painted surface
but the other one
waiting for judgement
continues to see . . .

Of course
the New Testament is very small.
Its mouth opens four times -
as out-of-date as a prehistoric monster,
yet somehow man-made
held together by pullies
like the stone jaw of a back-hoe.
It gouges out the Judaic ground,
taking its own backyard
like a virgin daughter.

And furthermore how did Judas come into it -
that Judas Iscariot,
belonging to the tribe of Reuben?
He should have tried to lift him up there!
His neck like an iron pole,
hard as Newcastle,
his heart as stiff as beeswax,
his legs swollen and unmarked,
his other limbs still growing.
All of it heavy!
That dead weight that would have been his fault
. He should have known!

In the first place who builds up such ugliness?
I think of this man saying . . .
Look! Here's the price to do it
plus the cost of the raw materials
and if it took him three or four days
to do it, then, they'd understand.
They figured it weighed enough
to support a man. They said,
fifteen stone is the approximate weight
of a thief.

Its ugliness is a matter of custom.
If there was a mistake made
then the Crucifix was constructed wrong . . .
not from the quality of the pine,
not from hanging a mirror,
not from dropping the studding or the drill
but from having an inspriation.
But Judas was not a genius
or under the auspices of an inspiration.

I don't know whether it was gold or silver.
I don't know why he betrayed him
other than his motives,
other than the avaricious and dishonest man.
And then there were the forbidden crimes,
those that were expressly foretold,
and then overlooked
and then forgotten
except by me . . .
Judas had a mother
just as I had a mother.
Oh! Honor and relish the facts!
Do not think of the intense sensation
I have as I tell you this
but think only . . .

Judas had a mother.
His mother had a dream.
Because of this dream
he was altogether managed by fate
and thus he raped her.
As a crime we hear little of this.
Also he sold his God.

 Though loth to grieve
The evil time's sole patriot,
I cannot leave
My buried thought
For the priest's cant,
Or statesman's rant.

If I refuse
My study for their politique,
Which at the best is trick,
The angry muse
Puts confusion in my brain.

But who is he that prates
Of the culture of mankind,
Of better arts and life?
Go, blind worm, go,
Behold the famous States
Harrying Mexico
With rifle and with knife.

Or who, with accent bolder,
Dare praise the freedom-loving mountaineer,
I found by thee, O rushing Contoocook!
And in thy valleys, Agiochook!
The jackals of the *****-holder.

The God who made New Hampshire
Taunted the lofty land
With little men.
Small bat and wren
House in the oak.
If earth fire cleave
The upheaved land, and bury the folk,
The southern crocodile would grieve.

Virtue palters, right is hence,
Freedom praised but hid;
Funeral eloquence
Rattles the coffin-lid.

What boots thy zeal,
O glowing friend,
That would indignant rend
The northland from the south?
Wherefore? To what good end?
Boston Bay and Bunker Hill
Would serve things still:
Things are of the snake.

The horseman serves the horse,
The neat-herd serves the neat,
The merchant serves the purse,
The eater serves his meat;
'Tis the day of the chattel,
Web to weave, and corn to grind,
Things are in the saddle,
And ride mankind.

There are two laws discrete
Not reconciled,
Law for man, and law for thing;
The last builds town and fleet,
But it runs wild,
And doth the man unking.

'Tis fit the forest fall,
The steep be graded,
The mountain tunnelled,
The land shaded,
The orchard planted,
The globe tilled,
The prairie planted,
The steamer built.

Live for friendship, live for love,
For truth's and harmony's behoof;
The state may follow how it can,
As Olympus follows Jove.
Yet do not I implore
The wrinkled shopman to my sounding woods,
Nor bid the unwilling senator
Ask votes of thrushes in the solitudes.
Every one to his chosen work.
Foolish hands may mix and mar,
Wise and sure the issues are.
Round they roll, till dark is light,
Sex to sex, and even to odd;
The over-God,
Who marries Right to Might,
Who peoples, unpeoples,
He who exterminates
Races by stronger races,
Black by white faces,
Knows to bring honey
Out of the lion,
Grafts gentlest scion
On Pirate and Turk.

The Cossack eats Poland,
Like stolen fruit;
Her last noble is ruined,
Her last poet mute;
Straight into double band
The victors divide,
Half for freedom strike and stand,
The astonished muse finds thousands at her side.

 Farewell to the bushy clump close to the river
And the flags where the butter-bump hides in forever;
Farewell to the weedy nook, hemmed in by waters;
Farewell to the miller's brook and his three bonny daughters;
Farewell to them all while in prison I lie—
In the prison a thrall sees naught but the sky.

Shut out are the green fields and birds in the bushes;
In the prison yard nothing builds, blackbirds or thrushes.
Farewell to the old mill and dash of waters,
To the miller and, dearer still, to his three bonny daughters.

In the nook, the larger burdock grows near the green willow;
In the flood, round the moor-cock dashes under the billow;
To the old mill farewell, to the lock, pens, and waters,
To the miller himsel', and his three bonny daughters.

Stone-cutters fighting time with marble, you foredefeated
Challengers of oblivion
Eat cynical earnings, knowing rock splits, records fall down,
The square-limbed Roman letters
Scale in the thaws, wear in the rain. The poet as well
Builds his monument mockingly;
For man will be blotted out, the blithe earth die, the brave sun
Die blind and blacken to the heart:
Yet stones have stood for a thousand years, and pained thoughts found
The honey of peace in old poems.