Written by
Laura Riding Jackson |
The secrets of the mind convene splendidly,
Though the mind is meek.
To be aware inwardly
of brain and beauty
Is dark too recognizable.
Thought looking out on thought
Makes one an eye:
Which it shall be, both decide.
One is with the mind alone,
The other is with other thoughts gone
To be seen from afar and not known.
When openly these inmost sights
Flash and speak fully,
Each head at home shakes hopelessly
Of being never ready to see self
And sees a universe too soon.
The immense surmise swims round and round
And heads grow wise
With their own bigness beatified
In cosmos, and the idiot size
Of skulls spells Nature on the ground,
While ears listening the wrong way report
Echoes first and hear words before sounds
Because the mind, being quiet, seems late.
By ears words are copied into books,
By letters minds are taught self-ignorance.
From mouths spring forth vocabularies
To the assemblage of strange objects
Grown foreign to the faithful countryside
Of one king, poverty,
Of one line, humbleness.
Unavowed and false horizons claim pride
For spaces in the head
The native head sees outside.
The flood of wonder rushing from the eyes
Returns lesson by lesson.
The mind, shrunken of time,
Overflows too soon.
The complete vision is the same
As when the world-wideness began
Worlds to describe
The excessiveness of man.
But man's right portion rejects
The surplus in the whole.
This much, made secret first,
Now makes
The knowable, which was
Thought's previous flesh,
And gives instruction of substance to its intelligence
As far as flesh itself,
As bodies upon themselves to where
Understanding is the head
And the identity of breath and breathing are established
And the voice opening to cry: I know,
Closes around the entire declaration
With this evidence of immortality—
The total silence to say:
I am dead.
For death is all ugly, all lovely,
Forbids mysteries to make
Science of splendor, or any separate disclosing
Of beauty to the mind out of body's book
That page by page flutters a world in fragments,
Permits no scribbling in of more
Where spaces are,
Only to look.
Body as Body lies more than still.
The rest seems nothing and nothing is
If nothing need be.
But if need be,
Thought not divided anyway
Answers itself, thinking
All open and everything.
Dead is the mind that parted each head.
But now the secrets of the mind convene
Without pride, without pain
To any onlookers.
What they ordain alone
Cannot be known
The ordinary way of eyes and ears
But only prophesied
If an unnatural mind, refusing to divide,
Dies immediately
Of too plain beauty
Foreseen within too suddenly,
And lips break open of astonishment
Upon the living mouth and rehearse
Death, that seems a simple verse
And, of all ways to know,
Dead or alive, easiest.
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Written by
Rabindranath Tagore |
When the heart is hard and parched up,
come upon me with a shower of mercy.
When grace is lost from life,
come with a burst of song.
When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.
When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.
When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder
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Written by
Jorie Graham |
Today, because I couldn't find the shortcut through,
I had to walk this town's entire inner
perimeter to find
where the medieval walls break open
in an eighteenth century
arch.
The yellow valley flickered on and off
through cracks and the gaps
for guns.
Bruna is teaching me
to cut a pattern.
Saturdays we buy the cloth.
She takes it in her hands
like a good idea, feeling
for texture, grain, the built-in
limits.
It's only as an afterthought she asks
and do you think it's beautiful?
Her measuring tapes hang down, corn-blond and endless,
from her neck.
When I look at her
I think Rapunzel,
how one could climb that measuring,
that love.
But I was saying,
I wandered all along the street that hugs the walls,
a needle floating
on its cloth.
Once
I shut my eyes and felt my way
along the stone.
Outside
is the cashcrop, sunflowers, as far as one can see.
Listen,
the wind rattles in them,
a loose worship
seeking an object,
an interruption.
Sara,
the walls are beautiful.
They block the view.
And it feels rich to be
inside their grasp.
When Bruna finishes her dress
it is the shape of what has come
to rescue her.
She puts it on.
|
Written by
Philip Levine |
The last of day gathers
in the yellow parlor
and drifts like fine dust
across the face of
the gilt-framed mirror
I ofien prayed to.
An old man's room
without him, a room I
came back to again
and again to steal
cigarettes and loose change,
to open cans of sardines,
to break open crackers
and share what he had.
Something is missing.
The cut glass ashtray
is here and overflowing,
the big bottle of homemade,
the pack of English Ovals,
the new red bicycle deck
wrapped in cellophane
and gold edged, the dishes
crusted with the last snack.
The music is gone.
The lilt
of his worn voice broken
with the weight of all
those lost languages --
"If you knew Solly like
I knew Solly, oy oy
oy what a girl.
" That music
made new each day and absent
forever from the corners
ofrooms like this one
darkening with dusk.
The music a boy would laugh
at until it went out
and days began and ended
without the banging fist,
without the old truths
of blood and water, without
the loud cries of I won,
you lost, without song.
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