10 Best Famous Boughs Poems

Here is a collection of the top 10 all-time best famous Boughs poems. This is a select list of the best famous Boughs poetry. Reading, writing, and enjoying famous Boughs poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of boughs poems.

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Ode to a Nightingale

by John Keats
MY heart aches, and a drowsy numbness pains 
My sense, as though of hemlock I had drunk, 
Or emptied some dull opiate to the drains 
One minute past, and Lethe-wards had sunk: 
'Tis not through envy of thy happy lot, 5 
But being too happy in thine happiness, 
That thou, light-wing¨¨d Dryad of the trees, 
In some melodious plot 
Of beechen green, and shadows numberless, 
Singest of summer in full-throated ease. 10 

O for a draught of vintage! that hath been 
Cool'd a long age in the deep-delv¨¨d earth, 
Tasting of Flora and the country-green, 
Dance, and Proven?al song, and sunburnt mirth! 
O for a beaker full of the warm South! 15 
Full of the true, the blushful Hippocrene, 
With beaded bubbles winking at the brim, 
And purple-stain¨¨d mouth; 
That I might drink, and leave the world unseen, 
And with thee fade away into the forest dim: 20 

Fade far away, dissolve, and quite forget 
What thou among the leaves hast never known, 
The weariness, the fever, and the fret 
Here, where men sit and hear each other groan; 
Where palsy shakes a few, sad, last grey hairs, 25 
Where youth grows pale, and spectre-thin, and dies; 
Where but to think is to be full of sorrow 
And leaden-eyed despairs; 
Where beauty cannot keep her lustrous eyes, 
Or new Love pine at them beyond to-morrow. 30 

Away! away! for I will fly to thee, 
Not charioted by Bacchus and his pards, 
But on the viewless wings of Poesy, 
Though the dull brain perplexes and retards: 
Already with thee! tender is the night, 35 
And haply the Queen-Moon is on her throne, 
Cluster'd around by all her starry Fays 
But here there is no light, 
Save what from heaven is with the breezes blown 
Through verdurous glooms and winding mossy ways. 40 

I cannot see what flowers are at my feet, 
Nor what soft incense hangs upon the boughs, 
But, in embalm¨¨d darkness, guess each sweet 
Wherewith the seasonable month endows 
The grass, the thicket, and the fruit-tree wild; 45 
White hawthorn, and the pastoral eglantine; 
Fast-fading violets cover'd up in leaves; 
And mid-May's eldest child, 
The coming musk-rose, full of dewy wine, 
The murmurous haunt of flies on summer eves. 50 

Darkling I listen; and, for many a time 
I have been half in love with easeful Death, 
Call'd him soft names in many a mus¨¨d rhyme, 
To take into the air my quiet breath; 
Now more than ever seems it rich to die, 55 
To cease upon the midnight with no pain, 
While thou art pouring forth thy soul abroad 
In such an ecstasy! 
Still wouldst thou sing, and I have ears in vain¡ª 
To thy high requiem become a sod. 60 

Thou wast not born for death, immortal Bird! 
No hungry generations tread thee down; 
The voice I hear this passing night was heard 
In ancient days by emperor and clown: 
Perhaps the self-same song that found a path 65 
Through the sad heart of Ruth, when, sick for home, 
She stood in tears amid the alien corn; 
The same that ofttimes hath 
Charm'd magic casements, opening on the foam 
Of perilous seas, in faery lands forlorn. 70 

Forlorn! the very word is like a bell 
To toll me back from thee to my sole self! 
Adieu! the fancy cannot cheat so well 
As she is famed to do, deceiving elf. 
Adieu! adieu! thy plaintive anthem fades 75 
Past the near meadows, over the still stream, 
Up the hill-side; and now 'tis buried deep 
In the next valley-glades: 
Was it a vision, or a waking dream? 
Fled is that music:¡ªdo I wake or sleep? 80 

A Song Of Despair

by Pablo Neruda
 The memory of you emerges from the night around me.
The river mingles its stubborn lament with the sea.

Deserted like the dwarves at dawn.
It is the hour of departure, oh deserted one!

Cold flower heads are raining over my heart.
Oh pit of debris, fierce cave of the shipwrecked.

In you the wars and the flights accumulated.
From you the wings of the song birds rose.

You swallowed everything, like distance.
Like the sea, like time. In you everything sank!

It was the happy hour of assault and the kiss.
The hour of the spell that blazed like a lighthouse.

Pilot's dread, fury of blind driver,
turbulent drunkenness of love, in you everything sank!

In the childhood of mist my soul, winged and wounded.
Lost discoverer, in you everything sank!

You girdled sorrow, you clung to desire,
sadness stunned you, in you everything sank!

I made the wall of shadow draw back,
beyond desire and act, I walked on.

Oh flesh, my own flesh, woman whom I loved and lost,
I summon you in the moist hour, I raise my song to you.

Like a jar you housed infinite tenderness.
and the infinite oblivion shattered you like a jar.

There was the black solitude of the islands,
and there, woman of love, your arms took me in.

There was thirst and hunger, and you were the fruit.
There were grief and ruins, and you were the miracle.

Ah woman, I do not know how you could contain me
in the earth of your soul, in the cross of your arms!

How terrible and brief my desire was to you!
How difficult and drunken, how tensed and avid.

Cemetery of kisses, there is still fire in your tombs,
still the fruited boughs burn, pecked at by birds.

Oh the bitten mouth, oh the kissed limbs,
oh the hungering teeth, oh the entwined bodies.

Oh the mad coupling of hope and force
in which we merged and despaired.

And the tenderness, light as water and as flour.
And the word scarcely begun on the lips.

This was my destiny and in it was my voyage of my longing,
and in it my longing fell, in you everything sank!

Oh pit of debris, everything fell into you,
what sorrow did you not express, in what sorrow are you not drowned!

From billow to billow you still called and sang.
Standing like a sailor in the prow of a vessel.

You still flowered in songs, you still brike the currents.
Oh pit of debris, open and bitter well.

Pale blind diver, luckless slinger,
lost discoverer, in you everything sank!

It is the hour of departure, the hard cold hour
which the night fastens to all the timetables.

The rustling belt of the sea girdles the shore.
Cold stars heave up, black birds migrate.

Deserted like the wharves at dawn.
Only tremulous shadow twists in my hands.

Oh farther than everything. Oh farther than everything.

It is the hour of departure. Oh abandoned one!

The Wood

by Charlotte Bronte
 BUT two miles more, and then we rest ! 
Well, there is still an hour of day, 
And long the brightness of the West 
Will light us on our devious way; 
Sit then, awhile, here in this wood­ 
So total is the solitude, 
We safely may delay. 

These massive roots afford a seat, 
Which seems for weary travellers made. 
There rest. The air is soft and sweet 
In this sequestered forest glade, 
And there are scents of flowers around, 
The evening dew draws from the ground;
How soothingly they spread ! 

Yes; I was tired, but not at heart; 
No­that beats full of sweet content, 
For now I have my natural part 
Of action with adventure blent; 
Cast forth on the wide vorld with thee, 
And all my once waste energy
To weighty purpose bent. 

Yet­say'st thou, spies around us roam, 
Our aims are termed conspiracy ? 
Haply, no more our English home 
An anchorage for us may be ? 
That there is risk our mutual blood 
May redden in some lonely wood 
The knife of treachery ? 

Say'st thou­that where we lodge each night, 
In each lone farm, or lonelier hall 
Of Norman Peer­ere morning light 
Suspicion must as duly fall,
As day returns­such vigilance 
Presides and watches over France, 
Such rigour governs all ? 

I fear not, William; dost thou fear ? 
So that the knife does not divide, 
It may be ever hovering near: 
I could not tremble at thy side, 
And strenuous love­like mine for thee­
Is buckler strong, 'gainst treachery, 
And turns its stab aside. 

I am resolved that thou shalt learn 
To trust my strength as I trust thine; 
I am resolved our souls shall burn, 
With equal, steady, mingling shine;
Part of the field is conquered now, 
Our lives in the same channel flow, 
Along the self-same line; 

And while no groaning storm is heard, 
Thou seem'st content it should be so, 
But soon as comes a warning word 
Of danger­straight thine anxious brow 
Bends over me a mournful shade, 
As doubting if my powers are made 
To ford the floods of woe. 

Know, then it is my spirit swells, 
And drinks, with eager joy, the air 
Of freedom­where at last it dwells,
Chartered, a common task to share 
With thee, and then it stirs alert,
And pants to learn what menaced hurt
Demands for thee its care. 

Remember, I have crossed the deep, 
And stood with thee on deck, to gaze 
On waves that rose in threatening heap, 
While stagnant lay a heavy haze, 
Dimly confusing sea with sky, 
And baffling, even, the pilot's eye, 
Intent to thread the maze­ 

Of rocks, on Bretagne's dangerous coast,
And find a way to steer our band
To the one point obscure, which lost,
Flung us, as victims, on the strand;­
All, elsewhere, gleamed the Gallic sword,
And not a wherry could be moored
Along the guarded land. 

I feared not then­I fear not now; 
The interest of each stirring scene 
Wakes a new sense, a welcome glow, 
In every nerve and bounding vein; 
Alike on turbid Channel sea, 
Or in still wood of Normandy, 
I feel as born again. 

The rain descended that wild morn 
When, anchoring in the cove at last, 
Our band, all weary and forlorn, 
Ashore, like wave-worn sailors, cast­ 
Sought for a sheltering roof in vain, 
And scarce could scanty food obtain 
To break their morning fast. 

Thou didst thy crust with me divide, 
Thou didst thy cloak around me fold; 
And, sitting silent by thy side, 
I ate the bread in peace untold: 
Given kindly from thy hand, 'twas sweet 
As costly fare or princely treat 
On royal plate of gold. 

Sharp blew the sleet upon my face, 
And, rising wild, the gusty wind 
Drove on those thundering waves apace, 
Our crew so late had left behind; 
But, spite of frozen shower and storm, 
So close to thee, my heart beat warm, 
And tranquil slept my mind. 

So now­nor foot-sore nor opprest
With walking all this August day,
I taste a heaven in this brief rest,
This gipsy-halt beside the way.
England's wild flowers are fair to view,
Like balm is England's summer dew,
Like gold her sunset ray. 

But the white violets, growing here,
Are sweeter than I yet have seen,
And ne'er did dew so pure and clear
Distil on forest mosses green,
As now, called forth by summer heat,
Perfumes our cool and fresh retreat­
These fragrant limes between. 

That sunset ! Look beneath the boughs,
Over the copse­beyond the hills;
How soft, yet deep and warm it glows,
And heaven with rich suffusion fills;
With hues where still the opal's tint,
Its gleam of poisoned fire is blent,
Where flame through azure thrills ! 

Depart we now­for fast will fade
That solemn splendour of decline,
And deep must be the after-shade
As stars alone to-night will shine;
No moon is destined­pale­to gaze
On such a day's vast Phoenix blaze,
A day in fires decayed ! 

There­hand-in-hand we tread again 
The mazes of this varying wood, 
And soon, amid a cultured plain, 
Girt in with fertile solitude, 
We shall our resting-place descry, 
Marked by one roof-tree, towering high 
Above a farm-stead rude. 

Refreshed, erelong, with rustic fare, 
We'll seek a couch of dreamless ease; 
Courage will guard thy heart from fear, 
And Love give mine divinest peace: 
To-morrow brings more dangerous toil, 
And through its conflict and turmoil 
We'll pass, as God shall please.

Laughter and Tears IX

by Kahlil Gibran
 As the Sun withdrew his rays from the garden, and the moon threw cushioned beams upon the flowers, I sat under the trees pondering upon the phenomena of the atmosphere, looking through the branches at the strewn stars which glittered like chips of silver upon a blue carpet; and I could hear from a distance the agitated murmur of the rivulet singing its way briskly into the valley. 

When the birds took shelter among the boughs, and the flowers folded their petals, and tremendous silence descended, I heard a rustle of feet though the grass. I took heed and saw a young couple approaching my arbor. The say under a tree where I could see them without being seen. 

After he looked about in every direction, I heard the young man saying, "Sit by me, my beloved, and listen to my heart; smile, for your happiness is a symbol of our future; be merry, for the sparkling days rejoice with us. 

"My soul is warning me of the doubt in your heart, for doubt in love is a sin. "Soon you will be the owner of this vast land, lighted by this beautiful moon; soon you will be the mistress of my palace, and all the servants and maids will obey your commands. 

"Smile, my beloved, like the gold smiles from my father's coffers. 

"My heart refuses to deny you its secret. Twelve months of comfort and travel await us; for a year we will spend my father's gold at the blue lakes of Switzerland, and viewing the edifices of Italy and Egypt, and resting under the Holy Cedars of Lebanon; you will meet the princesses who will envy you for your jewels and clothes. 

"All these things I will do for you; will you be satisfied?" 

In a little while I saw them walking and stepping on flowers as the rich step upon the hearts of the poor. As they disappeared from my sight, I commenced to make comparison between love and money, and to analyze their position in the heart. 

Money! The source of insincere love; the spring of false light and fortune; the well of poisoned water; the desperation of old age! 

I was still wandering in the vast desert of contemplation when a forlorn and specter-like couple passed by me and sat on the grass; a young man and a young woman who had left their farming shacks in the nearby fields for this cool and solitary place. 

After a few moments of complete silence, I heard the following words uttered with sighs from weather-bitten lips, "Shed not tears, my beloved; love that opens our eyes and enslaves our hearts can give us the blessing of patience. Be consoled in our delay our delay, for we have taken an oath and entered Love's shrine; for our love will ever grow in adversity; for it is in Love's name that we are suffering the obstacles of poverty and the sharpness of misery and the emptiness of separation. I shall attack these hardships until I triumph and place in your hands a strength that will help over all things to complete the journey of life. 

"Love - which is God - will consider our sighs and tears as incense burned at His altar and He will reward us with fortitude. Good-bye, my beloved; I must leave before the heartening moon vanishes." 

A pure voice, combined of the consuming flame of love, and the hopeless bitterness of longing and the resolved sweetness of patience, said, "Good-bye, my beloved." 

They separated, and the elegy to their union was smothered by the wails of my crying heart. 

I looked upon slumbering Nature, and with deep reflection discovered the reality of a vast and infinite thing -- something no power could demand, influence acquire, nor riches purchase. Nor could it be effaced by the tears of time or deadened by sorrow; a thing which cannot be discovered by the blue lakes of Switzerland or the beautiful edifices of Italy. 

It is something that gathers strength with patience, grows despite obstacles, warms in winter, flourishes in spring, casts a breeze in summer, and bears fruit in autumn -- I found Love.

Sunday Morning

by Wallace Stevens
1
Complacencies of the peignoir, and late
Coffee and oranges in a sunny chair,
And the green freedom of a cockatoo
Upon a rug mingle to dissipate
The holy hush of ancient sacrifice.
She dreams a little, and she feels the dark
Encroachment of that old catastrophe,
As a calm darkens among water-lights.
The pungent oranges and bright, green wings
Seem things in some procession of the dead,
Winding across wide water, without sound.
The day is like wide water, without sound,
Stilled for the passion of her dreaming feet
Over the seas, to silent Palestine,
Dominion of the blood and sepulchre.

2
Why should she give her bounty to the dead?
What is divinity if it can come
Only in silent shadows and in dreams?
Shall she not find in the comforts of sun,
In pungent fruit and bright, green wings, or else
In any balm or beauty of the earth,
Things to be cherished like the thought of heaven?
Divinity must live within herself:
Passions of rain, or moods in falling snow;
Grievings in loneliness, or unsubdued
Elations when the forest blooms; gusty
Emotions on wet roads on autumn nights;
All pleasures and all pains, remembering
The bough of summer and the winter branch.
These are the measures destined for her soul.

3
Jove in the clouds had his inhuman birth.
No mother suckled him, no sweet land gave
Large-mannered motions to his mythy mind
He moved among us, as a muttering king,
Magnificent, would move among his hinds,
Until our blood, commingling, virginal,
With heaven, brought such requital to desire
The very hinds discerned it, in a star.
Shall our blood fail? Or shall it come to be
The blood of paradise? And shall the earth
Seem all of paradise that we shall know?
The sky will be much friendlier then than now,
A part of labor and a part of pain,
And next in glory to enduring love,
Not this dividing and indifferent blue.

4
She says, "I am content when wakened birds,
Before they fly, test the reality
Of misty fields, by their sweet questionings;
But when the birds are gone, and their warm fields
Return no more, where, then, is paradise?"
There is not any haunt of prophecy,
Nor any old chimera of the grave,
Neither the golden underground, nor isle
Melodious, where spirits gat them home,
Nor visionary south, nor cloudy palm
Remote as heaven's hill, that has endured
As April's green endures; or will endure
Like her rememberance of awakened birds,
Or her desire for June and evening, tipped
By the consummation of the swallow's wings.

5
She says, "But in contentment I still feel
The need of some imperishable bliss."
Death is the mother of beauty; hence from her,
Alone, shall come fulfillment to our dreams
And our desires. Although she strews the leaves
Of sure obliteration on our paths,
The path sick sorrow took, the many paths
Where triumph rang its brassy phrase, or love
Whispered a little out of tenderness,
She makes the willow shiver in the sun
For maidens who were wont to sit and gaze
Upon the grass, relinquished to their feet.
She causes boys to pile new plums and pears
On disregarded plate. The maidens taste
And stray impassioned in the littering leaves.

6
Is there no change of death in paradise?
Does ripe fruit never fall? Or do the boughs
Hang always heavy in that perfect sky,
Unchanging, yet so like our perishing earth,
With rivers like our own that seek for seas
They never find, the same receeding shores
That never touch with inarticulate pang?
Why set the pear upon those river-banks
Or spice the shores with odors of the plum?
Alas, that they should wear our colors there,
The silken weavings of our afternoons,
And pick the strings of our insipid lutes!
Death is the mother of beauty, mystical,
Within whose burning bosom we devise
Our earthly mothers waiting, sleeplessly.

7
Supple and turbulent, a ring of men
Shall chant in orgy on a summer morn
Their boisterous devotion to the sun,
Not as a god, but as a god might be,
Naked among them, like a savage source.
Their chant shall be a chant of paradise,
Out of their blood, returning to the sky;
And in their chant shall enter, voice by voice,
The windy lake wherein their lord delights,
The trees, like serafin, and echoing hills,
That choir among themselves long afterward.
They shall know well the heavenly fellowship
Of men that perish and of summer morn.
And whence they came and whither they shall go
The dew upon their feet shall manifest.

8
She hears, upon that water without sound,
A voice that cries, "The tomb in Palestine
Is not the porch of spirits lingering.
It is the grave of Jesus, where he lay."
We live in an old chaos of the sun,
Or old dependency of day and night,
Or island solitude, unsponsered, free,
Of that wide water, inescapable.
Deer walk upon our mountains, and the quail
Whistle about us their spontaneous cries;
Sweet berries ripen in the wilderness;
And, in the isolation of the sky,
At evening, casual flocks of pigeons make
Abiguous undulations as they sink,
Downward to darkness, on extended wings.

The Deserted Garden

by Elizabeth Barrett Browning
I MIND me in the days departed, 
How often underneath the sun 
With childish bounds I used to run 
To a garden long deserted. 

The beds and walks were vanish'd quite; 5 
And wheresoe'er had struck the spade, 
The greenest grasses Nature laid, 
To sanctify her right. 

I call'd the place my wilderness, 
For no one enter'd there but I. 10 
The sheep look'd in, the grass to espy, 
And pass'd it ne'ertheless. 

The trees were interwoven wild, 
And spread their boughs enough about 
To keep both sheep and shepherd out, 15 
But not a happy child. 

Adventurous joy it was for me! 
I crept beneath the boughs, and found 
A circle smooth of mossy ground 
Beneath a poplar-tree. 20 

Old garden rose-trees hedged it in, 
Bedropt with roses waxen-white, 
Well satisfied with dew and light, 
And careless to be seen. 

Long years ago, it might befall, 25 
When all the garden flowers were trim, 
The grave old gardener prided him 
On these the most of all. 

Some Lady, stately overmuch, 
Here moving with a silken noise, 30 
Has blush'd beside them at the voice 
That liken'd her to such. 

Or these, to make a diadem, 
She often may have pluck'd and twined; 
Half-smiling as it came to mind, 35 
That few would look at them. 

O, little thought that Lady proud, 
A child would watch her fair white rose, 
When buried lay her whiter brows, 
And silk was changed for shroud!¡ª 40 

Nor thought that gardener (full of scorns 
For men unlearn'd and simple phrase) 
A child would bring it all its praise, 
By creeping through the thorns! 

To me upon my low moss seat, 45 
Though never a dream the roses sent 
Of science or love's compliment, 
I ween they smelt as sweet. 

It did not move my grief to see 
The trace of human step departed: 50 
Because the garden was deserted, 
The blither place for me! 

Friends, blame me not! a narrow ken 
Hath childhood 'twixt the sun and sward: 
We draw the moral afterward¡ª 55 
We feel the gladness then. 

And gladdest hours for me did glide 
In silence at the rose-tree wall: 
A thrush made gladness musical 
Upon the other side. 60 

Nor he nor I did e'er incline 
To peck or pluck the blossoms white:¡ª 
How should I know but that they might 
Lead lives as glad as mine? 

To make my hermit-home complete, 65 
I brought clear water from the spring 
Praised in its own low murmuring, 
And cresses glossy wet. 

And so, I thought, my likeness grew 
(Without the melancholy tale) 70 
To 'gentle hermit of the dale,' 
And Angelina too. 

For oft I read within my nook 
Such minstrel stories; till the breeze 
Made sounds poetic in the trees, 75 
And then I shut the book. 

If I shut this wherein I write, 
I hear no more the wind athwart 
Those trees, nor feel that childish heart 
Delighting in delight. 80 

My childhood from my life is parted, 
My footstep from the moss which drew 
Its fairy circle round: anew 
The garden is deserted. 

Another thrush may there rehearse 85 
The madrigals which sweetest are; 
No more for me!¡ªmyself afar 
Do sing a sadder verse. 

Ah me! ah me! when erst I lay 
In that child's-nest so greenly wrought, 90 
I laugh'd unto myself and thought, 
'The time will pass away.' 

And still I laugh'd, and did not fear 
But that, whene'er was pass'd away 
The childish time, some happier play 95 
My womanhood would cheer. 

I knew the time would pass away; 
And yet, beside the rose-tree wall, 
Dear God, how seldom, if at all, 
Did I look up to pray! 100 

The time is past: and now that grows 
The cypress high among the trees, 
And I behold white sepulchres 
As well as the white rose,¡ª 

When wiser, meeker thoughts are given, 105 
And I have learnt to lift my face, 
Reminded how earth's greenest place 
The colour draws from heaven,¡ª 

It something saith for earthly pain, 
But more for heavenly promise free, 110 
That I who was, would shrink to be 
That happy child again. 

Haunted

by Siegfried Sassoon
EVENING was in the wood, louring with storm. 
A time of drought had sucked the weedy pool 
And baked the channels; birds had done with song. 
Thirst was a dream of fountains in the moon, 
Or willow-music blown across the water 5 
Leisurely sliding on by weir and mill. 

Uneasy was the man who wandered, brooding, 
His face a little whiter than the dusk. 
A drone of sultry wings flicker¡¯d in his head. 
The end of sunset burning thro¡¯ the boughs 10 
Died in a smear of red; exhausted hours 
Cumber¡¯d, and ugly sorrows hemmed him in. 

He thought: ¡®Somewhere there¡¯s thunder,¡¯ as he strove 
To shake off dread; he dared not look behind him, 
But stood, the sweat of horror on his face. 15 

He blunder¡¯d down a path, trampling on thistles, 
In sudden race to leave the ghostly trees. 
And: ¡®Soon I¡¯ll be in open fields,¡¯ he thought, 
And half remembered starlight on the meadows, 
Scent of mown grass and voices of tired men, 20 
Fading along the field-paths; home and sleep 
And cool-swept upland spaces, whispering leaves, 
And far off the long churring night-jar¡¯s note. 

But something in the wood, trying to daunt him, 
Led him confused in circles through the thicket. 25 
He was forgetting his old wretched folly, 
And freedom was his need; his throat was choking. 
Barbed brambles gripped and clawed him round his legs, 
And he floundered over snags and hidden stumps. 
Mumbling: ¡®I will get out! I must get out!¡¯ 30 
Butting and thrusting up the baffling gloom, 
Pausing to listen in a space ¡¯twixt thorns, 
He peers around with peering, frantic eyes. 

An evil creature in the twilight looping, 
Flapped blindly in his face. Beating it off, 35 
He screeched in terror, and straightway something clambered 
Heavily from an oak, and dropped, bent double, 
To shamble at him zigzag, squat and bestial. 

Headlong he charges down the wood, and falls 
With roaring brain¡ªagony¡ªthe snap¡¯t spark¡ª 40 
And blots of green and purple in his eyes. 
Then the slow fingers groping on his neck, 
And at his heart the strangling clasp of death. 

A Birthday

by Christina Rossetti
 My heart is like a singing bird
Whose nest is in a water'd shoot;
My heart is like an apple-tree
Whose boughs are bent with thickset fruit;
My heart is like a rainbow shell
That paddles in a halcyon sea;
My heart is gladder than all these
Because my love is come to me.

Raise me a dais of silk and down;
Hang it with vair and purple dyes;
Carve it in doves and pomegranates,
And peacocks with a hundred eyes;
Work it in gold and silver grapes,
In leaves and silver fleurs-de-lys;
Because the birthday of my life
Is come, my love is come to me.

Ode on a Grecian Urn

by John Keats
THOU still unravish'd bride of quietness  
Thou foster-child of Silence and slow Time  
Sylvan historian who canst thus express 
A flowery tale more sweetly than our rhyme: 
What leaf-fringed legend haunts about thy shape 5 
Of deities or mortals or of both  
In Tempe or the dales of Arcady? 
What men or gods are these? What maidens loth? 
What mad pursuit? What struggle to escape? 
What pipes and timbrels? What wild ecstasy? 10 

Heard melodies are sweet but those unheard 
Are sweeter; therefore ye soft pipes play on; 
Not to the sensual ear but more endear'd  
Pipe to the spirit ditties of no tone: 
Fair youth beneath the trees thou canst not leave 15 
Thy song nor ever can those trees be bare; 
Bold Lover never never canst thou kiss  
Though winning near the goal¡ªyet do not grieve; 
She cannot fade though thou hast not thy bliss  
For ever wilt thou love and she be fair! 20 

Ah happy happy boughs! that cannot shed 
Your leaves nor ever bid the Spring adieu; 
And happy melodist unweari¨¨d  
For ever piping songs for ever new; 
More happy love! more happy happy love! 25 
For ever warm and still to be enjoy'd  
For ever panting and for ever young; 
All breathing human passion far above  
That leaves a heart high-sorrowful and cloy'd  
A burning forehead and a parching tongue. 30 

Who are these coming to the sacrifice? 
To what green altar O mysterious priest  
Lead'st thou that heifer lowing at the skies  
And all her silken flanks with garlands drest? 
What little town by river or sea-shore 35 
Or mountain-built with peaceful citadel  
Is emptied of its folk this pious morn? 
And little town thy streets for evermore 
Will silent be; and not a soul to tell 
Why thou art desolate can e'er return. 40 

O Attic shape! fair attitude! with brede 
Of marble men and maidens overwrought  
With forest branches and the trodden weed; 
Thou silent form! dost tease us out of thought 
As doth eternity: Cold Pastoral! 45 
When old age shall this generation waste  
Thou shalt remain in midst of other woe 
Than ours a friend to man to whom thou say'st  
'Beauty is truth truth beauty ¡ªthat is all 
Ye know on earth and all ye need to know.' 50 

A Forest Hymn

by William Cullen Bryant
The groves were God's first temples. Ere man learned 
To hew the shaft, and lay the architrave, 
And spread the roof above them,---ere he framed 
The lofty vault, to gather and roll back 
The sound of anthems; in the darkling wood, 
Amidst the cool and silence, he knelt down, 
And offered to the Mightiest solemn thanks 
And supplication. For his simple heart 
Might not resist the sacred influences, 
Which, from the stilly twilight of the place, 
And from the gray old trunks that high in heaven 
Mingled their mossy boughs, and from the sound 
Of the invisible breath that swayed at once 
All their green tops, stole over him, and bowed 
His spirit with the thought of boundless power 
And inaccessible majesty. Ah, why 
Should we, in the world's riper years, neglect 
God's ancient sanctuaries, and adore 
Only among the crowd, and under roofs, 
That our frail hands have raised? Let me, at least, 
Here, in the shadow of this aged wood, 
Offer one hymn---thrice happy, if it find 
Acceptance in His ear. 
Father, thy hand 
Hath reared these venerable columns, thou 
Didst weave this verdant roof. Thou didst look down 
Upon the naked earth, and, forthwith, rose 
All these fair ranks of trees. They, in thy sun, 
Budded, and shook their green leaves in the breeze, 
And shot towards heaven. The century-living crow, 
Whose birth was in their tops, grew old and died 
Among their branches, till, at last, they stood, 
As now they stand, massy, and tall, and dark, 
Fit shrine for humble worshipper to hold 
Communion with his Maker. These dim vaults, 
These winding aisles, of human pomp and pride 
Report not. No fantastic carvings show 
The boast of our vain race to change the form 
Of thy fair works. But thou art here---thou fill'st 
The solitude. Thou art in the soft winds 
That run along the summit of these trees 
In music; thou art in the cooler breath 
That from the inmost darkness of the place 
Comes, scarcely felt; the barky trunks, the ground, 
The fresh moist ground, are all instinct with thee. 
Here is continual worship;---Nature, here, 
In the tranquility that thou dost love, 
Enjoys thy presence. Noiselessly, around, 
From perch to perch, the solitary bird 
Passes; and yon clear spring, that, midst its herbs, 
Wells softly forth and wandering steeps the roots 
Of half the mighty forest, tells no tale 
Of all the good it does. Thou hast not left 
Thyself without a witness, in these shades, 
Of thy perfections. Grandeur, strength, and grace 
Are here to speak of thee. This mighty oak--- 
By whose immovable stem I stand and seem 
Almost annihilated---not a prince, 
In all that proud old world beyond the deep, 
E'er wore his crown as lofty as he 
Wears the green coronal of leaves with which 
Thy hand has graced him. Nestled at his root 
Is beauty, such as blooms not in the glare 
Of the broad sun. That delicate forest flower 
With scented breath, and look so like a smile, 
Seems, as it issues from the shapeless mould, 
An emanation of the indwelling Life, 
A visible token of the upholding Love, 
That are the soul of this wide universe. 

My heart is awed within me when I think 
Of the great miracle that still goes on, 
In silence, round me---the perpetual work 
Of thy creation, finished, yet renewed 
Forever. Written on thy works I read 
The lesson of thy own eternity. 
Lo! all grow old and die---but see again, 
How on the faltering footsteps of decay 
Youth presses----ever gay and beautiful youth 
In all its beautiful forms. These lofty trees 
Wave not less proudly that their ancestors 
Moulder beneath them. Oh, there is not lost 
One of earth's charms: upon her bosom yet, 
After the flight of untold centuries, 
The freshness of her far beginning lies 
And yet shall lie. Life mocks the idle hate 
Of his arch enemy Death---yea, seats himself 
Upon the tyrant's throne---the sepulchre, 
And of the triumphs of his ghastly foe 
Makes his own nourishment. For he came forth 
From thine own bosom, and shall have no end. 

There have been holy men who hid themselves 
Deep in the woody wilderness, and gave 
Their lives to thought and prayer, till they outlived 
The generation born with them, nor seemed 
Less aged than the hoary trees and rocks 
Around them;---and there have been holy men 
Who deemed it were not well to pass life thus. 
But let me often to these solitudes 
Retire, and in thy presence reassure 
My feeble virtue. Here its enemies, 
The passions, at thy plainer footsteps shrink 
And tremble and are still. Oh, God! when thou 
Dost scare the world with falling thunderbolts, or fill, 
With all the waters of the firmament, 
The swift dark whirlwind that uproots the woods 
And drowns the village; when, at thy call, 
Uprises the great deep and throws himself 
Upon the continent, and overwhelms 
Its cities---who forgets not, at the sight 
Of these tremendous tokens of thy power, 
His pride, and lays his strifes and follies by? 
Oh, from these sterner aspects of thy face 
Spare me and mine, nor let us need the wrath 
Of the mad unchained elements to teach 
Who rules them. Be it ours to meditate, 
In these calm shades, thy milder majesty, 
And to the beautiful order of the works 
Learn to conform the order of our lives. 
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Book: Diverse Voices: The Poetry of Human Rights and the Pursuit of Peace