10 Best Famous Blob Poems

Here is a collection of the top 10 all-time best famous Blob poems. This is a select list of the best famous Blob poetry. Reading, writing, and enjoying famous Blob poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of blob poems.

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Written by William Matthews | Create an image from this poem

Dire Cure

 "First, do no harm," the Hippocratic
Oath begins, but before she might enjoy
such balm, the docs had to harm her tumor.
It was large, rare, and so anomalous
in its behavior that at first they mis-
diagnosed it. "Your wife will die of it
within a year." But in ten days or so
I sat beside her bed with hot-and-sour
soup and heard an intern congratulate
her on her new diagnosis: a children's
cancer (doesn't that possessive break
your heart?) had possessed her. I couldn't stop
personifying it. Devious, dour,
it had a clouded heart, like Iago's.
It loved disguise. It was a garrison
in a captured city, a bad horror film
(The Blob), a stowaway, an inside job.
If I could make it be like something else,
I wouldn't have to think of it as what,
in fact, it was: part of my lovely wife.
Next, then, chemotherapy. Her hair fell
out in tufts, her color dulled, she sat laced
to bags of poison she endured somewhat
better than her cancer cells could, though not
by much. And indeed, the cancer cells waned
more slowly than the chemical "cocktails"
(one the bright color of Campari), as the chemo
nurses called them, dripped into her. There were
three hundred days of this: a week inside
the hospital and two weeks out, the fierce
elixirs percolating all the while.
She did five weeks of radiation, too,
Monday to Friday like a stupid job.
She wouldn't eat the food the hospital
wheeled in. "Pureed fish" and "minced fish" were worth,
I thought, a sharp surge of food snobbery,
but she'd grown averse to it all -- the nurses'
crepe soles' muffled squeaks along the hall,
the filtered air, the smothered urge to read,
the fear, the perky visitors, flowers
she'd not been sent when she was well, the room-
mate (what do "semiprivate" and "extra
virgin" have in common?) who died, the nights
she wept and sweated faster than the tubes
could moisten her with lurid poison.
One chemotherapy veteran, six
years in remission, chanced on her former
chemo nurse at a bus stop and threw up.
My wife's tumor has not come back.
I like to think of it in Tumor Hell
strapped to a dray, flat as a deflated
football, bleak and nubbled like a poorly
ironed truffle. There's one tense in Tumor Hell:
forever, or what we call the present.
For that long the flaccid tumor marinates
in lurid toxins. Tumor Hell Clinic
is, it turns out, a teaching hospital.
Every century or so, the way
we'd measure it, a chief doc brings a pack
of students round. They run some simple tests:
surge current through the tumor, batter it
with mallets, push a wood-plane across its
pebbled hide and watch a scurf of tumor-
pelt kink loose from it, impale it, strafe it
with lye and napalm. There might be nothing
left in there but a still space surrounded
by a carapace. "This one is nearly
dead," the chief doc says. "What's the cure for that?"
The students know: "Kill it slower, of course."
They sprinkle it with rock salt and move on.
Here on the aging earth the tumor's gone:
My wife is hale, though wary, and why not?
Once you've had cancer, you don't get headaches
anymore, you get brain tumors, at least
until the aspirin kicks in. Her hair's back,
her weight, her appetite. "And what about you?"
friends ask me. First the fear felt like sudden
weightlessness: I couldn't steer and couldn't stay.
I couldn't concentrate: surely my spit would
dry before I could slather a stamp.
I made a list of things to do next day
before I went to bed, slept like a cork,
woke to no more memory of last night's
list than smoke has of fire, made a new list,
began to do the things on it, wept, paced,
berated myself, drove to the hospital,
and brought my wife food from the takeout joints
that ring a hospital as surely as
brothels surround a gold strike. I drove home
rancid with anger at her luck and mine --
anger that filled me the same way nature
hates a vacuum. "This must be hell for you,"
some said. Hell's not other people: Sartre
was wrong about that, too. L'enfer, c'est moi?
I've not got the ego for it. There'd be
no hell if Dante hadn't built a model
of his rage so well, and he contrived to
get exiled from it, for it was Florence.
Why would I live in hell? I love New York.
Some even said the tumor and fierce cure
were harder on the care giver -- yes, they
said "care giver" -- than on the "sick person."
They were wrong who said those things. Of course
I hated it, but some of "it" was me --
the self-pity I allowed myself,
the brave poses I struck. The rest was dire
threat my wife met with moral stubbornness,
terror, rude jokes, nausea, you name it.
No, let her think of its name and never
say it, as if it were the name of God.

Written by William Matthews | Create an image from this poem

On The Porch At The Frost Place Franconia N. H

 So here the great man stood,
fermenting malice and poems
we have to be nearly as fierce
against ourselves as he
not to misread by their disguises.
Blue in dawn haze, the tamarack
across the road is new since Frost
and thirty feet tall already.
No doubt he liked to scorch off
morning fog by simply staring through it
long enough so that what he saw
grew visible. "Watching the dragon
come out of the Notch," his children
used to call it. And no wonder
he chose a climate whose winter
and house whose isolation could be
stern enough to his wrath and pity
as to make them seem survival skills
he'd learned on the job, farming
fifty acres of pasture and woods.
For cash crops he had sweat and doubt
and moralizing rage, those staples
of the barter system. And these swift
and aching summers, like the blackberries
I've been poaching down the road
from the house where no one's home --
acid at first and each little globe
of the berry too taut and distinct
from the others, then they swell to hold
the riot of their juices and briefly
the fat berries are perfected to my taste,
and then they begin to leak and blob
and under their crescendo of sugar
I can taste how they make it through winter. . . .
By the time I'm back from a last,
six-berry raid, it's almost dusk,
and more and more mosquitos
will race around my ear their tiny engines,
the speedboats of the insect world.
I won't be longer on the porch
than it takes to look out once
and see what I've taught myself
in two months here to discern:
night restoring its opacities,
though for an instant as intense
and evanescent as waking from a dream
of eating blackberries and almost
being able to remember it, I think
I see the parts -- haze, dusk, light
broken into grains, fatigue,
the mineral dark of the White Mountains,
the wavering shadows steadying themselves --
separate, then joined, then seamless:
the way, in fact, Frost's great poems,
like all great poems, conceal
what they merely know, to be
predicaments. However long
it took to watch what I thought
I saw, it was dark when I was done,
everywhere and on the porch,
and since nothing stopped
my sight, I let it go.
Written by Robert William Service | Create an image from this poem

The Booby-Trap

 I'm crawlin' out in the mangolds to bury wot's left o' Joe --
Joe, my pal, and a good un (God! 'ow it rains and rains).
I'm sick o' seein' him lyin' like a 'eap o' offal, and so
I'm crawlin' out in the beet-field to bury 'is last remains.

'E might 'a bin makin' munitions -- 'e 'adn't no need to go;
An' I tells 'im strite, but 'e arnsers, "'Tain't no use chewin' the fat;
I've got to be doin' me dooty wiv the rest o' the boys" . . . an' so
Yon's 'im, yon blob on the beet-field wot I'm tryin' so 'ard to git at.

There was five of us lads from the brickyard; 'Enry was gassed at Bapome,
Sydney was drowned in a crater, 'Erbert was 'alved by a shell;
Joe was the pick o' the posy, might 'a bin sifely at 'ome,
Only son of 'is mother, 'er a widder as well.

She used to sell bobbins and buttons -- 'ad a plice near the Waterloo Road;
A little, old, bent-over lydy, wiv glasses an' silvery 'air;
Must tell 'er I planted 'im nicely, cheer 'er up like. . . . (Well, I'm blowed,
That bullet near catched me a biffer) -- I'll see the old gel if I'm spared.

She'll tike it to 'eart, pore ol' lydy, fer 'e was 'er 'ope and 'er joy;
'Is dad used to drink like a knot-'ole, she kept the 'ome goin', she did:
She pinched and she scriped fer 'is scoolin', 'e was sich a fine 'andsome boy
('Alf Flanders seems packed on me panties) -- 'e's 'andsome no longer, pore kid!

This bit o' a board that I'm packin' and draggin' around in the mire,
I was tickled to death when I found it. Says I, "'Ere's a nice little glow."
I was chilled and wet through to the marrer, so I started to make me a fire;
And then I says: "No; 'ere, Goblimy, it'll do for a cross for Joe."

Well, 'ere 'e is. Gawd! 'Ow one chinges a-lyin' six weeks in the rain.
Joe, me old pal, 'ow I'm sorry; so 'elp me, I wish I could pray.
An' now I 'ad best get a-diggin' 'is grave (it seems more like a drain) --
And I 'opes that the Boches won't git me till I gits 'im safe planted away.

(As he touches the body there is a tremendous explosion. He falls back shattered.)

A booby-trap! Ought to 'a known it! If that's not a bastardly trick!
Well, one thing, I won't be long goin'. Gawd! I'm a 'ell of a sight.
Wish I'd died fightin' and killin'; that's wot it is makes me sick. . . .
Ah, Joe! we'll be pushin' up dysies . . . together, old Chummie . . . good-night!
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