Written by
Barry Tebb |
Give me life at its most garish
Friday night in the Square, pink sequins dazzle
And dance on clubbers bare to the midriff
Young men in crisp shirts and pressed pants
‘Dress code smart’ gyrate to ‘Sex Bomb, Sex Bomb’
And sing along its lyrics to the throng of which I’m one
My shorts, shoulder bag and white beard
Making me stand out in the teeming swarm
Of teens and twenties this foetid Friday night
On my way from the ward where our son paces
And fulminates I throw myself into the drowning
Tide of Friday to be rescued by sheer normality.
The mill girl with her mates asks anxiously
"Are you on your own? Come and join us
What’s your name?" Age has driven my shyness away
As I join the crowd beneath the turning purple screens
Bannered ‘****** lasts for ever’ and sip unending
Halves of bitter, as I circulate among the crowd,
Being complete in itself and out for a good night out,
A relief from factory, shop floor and market stall
Running from the reality of the ward where my son
Pounds the ledge with his fist and seems out to blast
My very existence with words like bullets.
The need to anaesthetise the pain resurfaces
Again and again. In Leeds City Square where
Pugin’s church, the Black Prince and the Central Post Office
In its Edwardian grandeur are startled by the arching spumes
Or white water fountains and the steel barricades of Novotel
Rise from the ruins of a sixties office block.
I hurry past and join Boar Lane’s Friday crew
From Keighley and Dewsbury’s mills, hesitating
At the thought of being told I’m past my
Sell-by-date and turned away by the West Indian
Bouncers, black-suited and city-council badged
Who checked my bag but smiled at ‘The Lights of
Leeds’ and ‘Poets of Our Time’ tucked away as carefully as condoms-
Was it guns or drugs they were after
I wondered as I crossed the bare boards to the bar.
I stayed near the fruit machine which no-one played,
Where the crowd was thickest, the noise drowned out the pain
‘Sex Bomb, Sex Bomb’ the chorus rang
The girls joined in but the young men knew
The words no more than me. Dancing as we knew it
In the sixties has gone, you do your own thing
And follow the beat, hampered by my bag
I just kept going, letting the music and the crowd
Hold me, my camera eye moving in search, in search…
What I’m searching for I don’t know
Searching’s a way of life that has to grow
"All of us who are patients here are searchers after truth"
My son kept saying, his legs shaking from the side effects
Of God-knows- what, pacing the tiny ward kitchen cum smoking room,
Denouncing his ‘illegal section’ and ‘poisonous medication’
To an audience of one.
The prospect of TV, Seroxat and Diazepan fazed me:
I was beyond unravelling Meltzer on differentiation
Of self and object or Rosine Josef Perelberg on ‘Dreaming and Thinking’
Or even the simpler ‘Rise and Crisis of Psychoanalysis in the United States’
So I went out with West Yorkshire on a Friday night.
Nothing dramatic happened; perhaps I’m a little too used
To acute wards or worse where chairs fly across rooms,
Windows disintegrate and double doors are triple locked
And every nurse carries a white panic button and black pager
To pinpoint the moment’s crisis. Normality was a bit of adrenaline,
A wild therapy that drew me in, sanity had won the night.
"Are you on your own, love? Come and join us"
People kept asking if I was alright and why
I had that damned great shoulder bag. I was introduced
To three young men about to tie the knot, a handsome lothario
In his midforties winked at me constantly,
Dancing with practised ease with sixteen year olds
Who all seemed to know him and determined to show him.
Three hours passed in as many minutes and then the crowds
Disappeared to catch the last bus home. The young aren’t
As black as they are painted, one I danced with reminded me
Of how Margaret would have been at sixteen
With straw gold hair Yeats would have immortalised.
People seemed to guess I was haunted by an inner demon
I’d tried to leave in the raftered lofts of City Square
But failed to. Girls from sixteen to twenty six kept grabbing me
And making me dance and I found my teenage inhibitions
Gone at sixty-one and wildly gyrated to ‘Sex Bomb, Sex Bomb’
Egged on by the throng by the fruit machine and continuous
Thumbs-up signs from passing men. I had to forgo
A cheerful group of Aussies were intent on taking me clubbing
"I’d get killed or turned into a pumpkin
If I get home after midnight" I quipped to their delight
But being there had somehow put things right.
|
Written by
Robert William Service |
The lone man gazed and gazed upon his gold,
His sweat, his blood, the wage of weary days;
But now how sweet, how doubly sweet to hold
All gay and gleamy to the campfire blaze.
The evening sky was sinister and cold;
The willows shivered, wanly lay the snow;
The uncommiserating land, so old,
So worn, so grey, so niggard in its woe,
Peered through its ragged shroud. The lone man sighed,
Poured back the gaudy dust into its poke,
Gazed at the seething river listless-eyed,
Loaded his corn-cob pipe as if to smoke;
Then crushed with weariness and hardship crept
Into his ragged robe, and swiftly slept.
. . . . .
Hour after hour went by; a shadow slipped
From vasts of shadow to the camp-fire flame;
Gripping a rifle with a deadly aim,
A gaunt and hairy man with wolfish eyes . . .
* * * * * * *
The sleeper dreamed, and lo! this was his dream:
He rode a streaming horse across a moor.
Sudden 'mid pit-black night a lightning gleam
Showed him a way-side inn, forlorn and poor.
A sullen host unbarred the creaking door,
And led him to a dim and dreary room;
Wherein he sat and poked the fire a-roar,
So that weird shadows jigged athwart the gloom.
He ordered wine. 'Od's blood! but he was tired.
What matter! Charles was crushed and George was King;
His party high in power; how he aspired!
Red guineas packed his purse, too tight to ring.
The fire-light gleamed upon his silken hose,
His silver buckles and his powdered wig.
What ho! more wine! He drank, he slowly rose.
What made the shadows dance that madcap jig?
He clutched the candle, steered his way to bed,
And in a trice was sleeping like the dead.
. . . . .
Across the room there crept, so shadow soft,
His sullen host, with naked knife a-gleam,
(A gaunt and hairy man with wolfish eyes.) . . .
And as he lay, the sleeper dreamed a dream.
* * * * * *
'Twas in a ruder land, a wilder day.
A rival princeling sat upon his throne,
Within a dungeon, dark and foul he lay,
With chains that bit and festered to the bone.
They haled him harshly to a vaulted room,
Where One gazed on him with malignant eye;
And in that devil-face he read his doom,
Knowing that ere the dawn-light he must die.
Well, he was sorrow-glutted; let them bring
Their prize assassins to the bloody work.
His kingdom lost, yet would he die a King,
Fearless and proud, as when he faced the Turk.
Ah God! the glory of that great Crusade!
The bannered pomp, the gleam, the splendid urge!
The crash of reeking combat, blade to blade!
The reeling ranks, blood-avid and a-surge!
For long he thought; then feeling o'er him creep
Vast weariness, he fell into a sleep.
. . . . .
The cell door opened; soft the headsman came,
Within his hand a mighty axe a-gleam,
(A gaunt and hairy man with wolfish eyes,) . . .
And as he lay, the sleeper dreamed a dream.
* * * * * *
'Twas in a land unkempt of life's red dawn;
Where in his sanded cave he dwelt alone;
Sleeping by day, or sometimes worked upon
His flint-head arrows and his knives of stone;
By night stole forth and slew the savage boar,
So that he loomed a hunter of loud fame,
And many a skin of wolf and wild-cat wore,
And counted many a flint-head to his name;
Wherefore he walked the envy of the band,
Hated and feared, but matchless in his skill.
Till lo! one night deep in that shaggy land,
He tracked a yearling bear and made his kill;
Then over-worn he rested by a stream,
And sank into a sleep too deep for dream.
. . . . .
Hunting his food a rival caveman crept
Through those dark woods, and marked him where he lay;
Cowered and crawled upon him as he slept,
Poising a mighty stone aloft to slay --
(A gaunt and hairy man with wolfish eyes.) . . .
* * * * * *
The great stone crashed. The Dreamer shrieked and woke,
And saw, fear-blinded, in his dripping cell,
A gaunt and hairy man, who with one stroke
Swung a great ax of steel that flashed and fell . . .
So that he woke amid his bedroom gloom,
And saw, hair-poised, a naked, thirsting knife,
A gaunt and hairy man with eyes of doom --
And then the blade plunged down to drink his life . . .
So that he woke, wrenched back his robe, and looked,
And saw beside his dying fire upstart
A gaunt and hairy man with finger crooked --
A rifle rang, a bullet searched his heart . . .
* * * * * *
The morning sky was sinister and cold.
Grotesque the Dreamer sprawled, and did not rise.
For long and long there gazed upon some gold
A gaunt and hairy man with wolfish eyes.
|
Written by
Lucy Maud Montgomery |
Here let us linger at will and delightsomely hearken
Music aeolian of wind in the boughs of pine,
Timbrel of falling waters, sounds all soft and sonorous,
Worshipful litanies sung at a bannered shrine.
Deep let us breathe the ripeness and savor of balsam,
Tears that the pines have wept in sorrow sweet,
With its aroma comes beguilement of things forgotten,
Long-past hopes of the years on tip-toeing feet.
Far in the boskiest glen of this wood is a dream and a silence
Come, we shall claim them ours ere look we long;
A dream that we dreamed and lost, a silence richly hearted,
Deep at its lyric core with the soul of a song.
If there be storm, it will thunder a march in the branches,
So that our feet may keep true time as we go;
If there be rain, it will laugh, it will glisten, and beckon,
Calling to us as a friend all lightly and low.
If it be night, the moonlight will wander winsomely with us,
If it be hour of dawn, all heaven will bloom,
If it be sunset, it's glow will enfold and pursue us.
To the remotest valley of purple gloom.
Lo! the pine wood is a temple where the days meet to worship,
Laying their cark and care for the nonce aside,
God, who made it, keeps it as a witness to Him forever,
Walking in it, as a garden, at eventide.
|
Written by
Les Murray |
Sprawl is the quality
of the man who cut down his Rolls-Royce
into a farm utility truck, and sprawl
is what the company lacked when it made repeated efforts
to buy the vehicle back and repair its image.
Sprawl is doing your farm work by aeroplane, roughly,
or driving a hitchhiker that extra hundred miles home.
It is the rococo of being your own still centre.
It is never lighting cigars with ten dollar notes:
that's idiot ostentation and murder of starving people.
Nor can it be bought with the ash of million dollar deeds.
Sprawl lengthens the legs; it trains greyhounds on liver and beer.
Sprawl almost never says, Why not?, with palms comically raised
nor can it be dressed for, not even in running shoes worn
with mink and a nose ring. That is Society. That's Style.
Sprawl is more like the thirteenth banana in a dozen
or anyway the fourteenth.
Sprawl is Hank Stamper in Never Give an Inch
bisecting an obstructive official's desk with a chain saw.
Not harming the official. Sprawl is never brutal,
though it's often intransigent. Sprawl is never Simon de Montfort
at a town-storming: Kill them all! God will know His own.
Knowing the man's name this was said to might be sprawl.
Sprawl occurs in art. The fifteenth to twenty-first
lines in a sonnet, for example. And in certain paintings.
I have sprawl enough to have forgotten which paintings.
Turner's glorious Burning of the Houses of Parliament
comes to mind, a doubling bannered triumph of sprawl -
except he didn't fire them.
Sprawl gets up the noses of many kinds of people
(every kind that comes in kinds) whose futures don't include it.
Some decry it as criminal presumption, silken-robed Pope Alexander
dividing the new world between Spain and Portugal.
If he smiled in petto afterwards, perhaps the thing did have sprawl.
Sprawl is really classless, though. It is John Christopher Frederick Murray
asleep in his neighbours' best bed in spurs and oilskins,
but not having thrown up:
sprawl is never Calum, who, in the loud hallway of our house
reinvented the Festoon. Rather
it's Beatrice Miles going twelve hundred ditto in a taxi,
No Lewd Advances, no Hitting Animals, no Speeding,
on the proceeds of her two-bob-a-sonnet Shakespeare readings.
An image of my country. And would thatit were more so.
No, sprawl is full gloss murals on a council-house wall.
Sprawl leans on things. It is loose-limbed in its mind.
Reprimanded and dismissed,
it listens with a grin and one boot up on the rail
of possibility. It may have to leave the Earth.
Being roughly Christian, it scratches the other cheek
And thinks it unlikely. Though people have been shot for sprawl.
|
Written by
Robert William Service |
Six bulls I saw as black as jet,
With crimsoned horns and amber eyes
That chewed their cud without a fret,
And swished to brush away the flies,
Unwitting their soon sacrifice.
It is the Corpus Christi fête;
Processions crowd the bannered ways;
Before the alters women wait,
While men unite in hymns of praise,
And children look with angel gaze.
The bulls know naught of holiness,
To pious pomp their eyes are blind;
Their brutish brains will never guess
The sordid passions of mankind:
Poor innocents, they wait resigned.
Till in a black room each is penned,
While from above with cruel aim
Two torturers with lances bend
To goad their fieriness to flame,
To devil them to play the game.
The red with rage and mad with fear
They charge into the roaring ring;
Against the mockery most near
Of human might their hate they fling,
In futile, blind blood-boltering.
And so the day of unction ends;
Six bulls are dragged across the sand.
Ferocity and worship blends,
Religion and red thirst hold hands . . .
Dear Christ! 'Tis hard to understand!
|
Written by
Carl Sandburg |
The monotone of the rain is beautiful,
And the sudden rise and slow relapse
Of the long multitudinous rain.
The sun on the hills is beautiful,
Or a captured sunset sea-flung,
Bannered with fire and gold.
A face I know is beautiful--
With fire and gold of sky and sea,
And the peace of long warm rain.
|
Written by
Edwin Arlington Robinson |
Dark hills at evening in the west,
Where sunset hovers like a sound
Of golden horns that sang to rest
Old bones of warriors under ground,
Far now from all the bannered ways
Where flash the legions of the sun,
You fade--as if the last of days
Were fading, and all wars were done.
|
Written by
Barry Tebb |
Leeds this silent solemn Sunday
Tempest Road is clear of all
But wistful birds, parked cars
And vagrant trees.
The surgery and pharmacy are shuttered tight
"Get your medication straight into your bag",
The friendly GP gravely warned, "The junks
Lay in wait to grab and run from those no longer young
The building site’s scaffolding of bone
Masks pristine piles of bricks where
May winds mourn and moan among
The gaping frames beneath a bannered
Street-wide invitation to a "Housing Consultation Initiative"
Flapping desultory and unread
Where last year ‘Beeston in Bloom’ was up instead.
|
Written by
Lucy Maud Montgomery |
He rides away with sword and spur,
Garbed in his warlike blazonry,
With gallant glance and smile for her
Upon the dim-lit balcony.
Her kiss upon his lips is warm,
Upon his breast he wears her rose,
From her fond arms to stress and storm
Of many a bannered field he goes.
He dreams of danger, glory, strife,
His voice is blithe, his hand is strong,
He rides perchance to death from life
And leaves his lady with a song;
But her blue-brimmed eyes are dim
With her deep anguish standing there,
Sending across the world with him
The dear, white guerdon of her prayer.
For her the lonely vigil waits
When ashen dawnlights come and go,
Each bringing through the future's gates
Its presages of fear and woe;
For her the watch with soul and heart
Grown sick with dread, as women may,
Yet keeping still her pain apart
From the wan duties of the day.
'Tis hers to walk when sunsets yield
Their painted splendors to the skies,
And dream on some far battlefield
Perchance alone, unwatched, he dies;
'Tis hers to kneel in patient prayer
When midnight stars keep sentinel,
Lest the chill death-dews damp the hair
Upon the brow she loves so well.
So stands she, white and sad and sweet,
Upon the latticed balcony,
From golden hair to slender feet
No lady is so fair as she;
He loves her true, he holds her dear,
But he must ride on dangerous quest,
With gallant glance and smile of cheer,
And her red rose upon his breast.
|
Written by
Lucy Maud Montgomery |
A gallant city has been builded far
In the pied heaven,
Bannered with crimson, sentinelled by star
Of crystal even;
Around a harbor of the twilight glowing,
With jubilant waves about its gateways flowing
A city of the Land of Lost Delight,
On seas enchanted,
Presently to be lost in mist moon-white
And music-haunted;
Given but briefly to our raptured vision,
With all its opal towers and shrines elysian.
Had we some mystic boat with pearly oar
And wizard pilot,
To guide us safely by the siren shore
And cloudy islet,
We might embark and reach that shining portal
Beyond which linger dreams and joys immortal.
But we may only gaze with longing eyes
On those far, sparkling
Palaces in the fairy-peopled skies,
O'er waters darkling,
Until the winds of night come shoreward roaming,
And the dim west has only gray and gloaming.
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