Written by
Walt Whitman |
FROM pent-up, aching rivers;
From that of myself, without which I were nothing;
From what I am determin’d to make illustrious, even if I stand sole among men;
From my own voice resonant—singing the phallus,
Singing the song of procreation,
Singing the need of superb children, and therein superb grown people,
Singing the muscular urge and the blending,
Singing the bedfellow’s song, (O resistless yearning!
O for any and each, the body correlative attracting!
O for you, whoever you are, your correlative body! O it, more than all else, you
delighting!)
—From the hungry gnaw that eats me night and day;
From native moments—from bashful pains—singing them;
Singing something yet unfound, though I have diligently sought it, many a long year;
Singing the true song of the Soul, fitful, at random;
Singing what, to the Soul, entirely redeem’d her, the faithful one, even the
prostitute, who detain’d me when I went to the city;
Singing the song of prostitutes;
Renascent with grossest Nature, or among animals;
Of that—of them, and what goes with them, my poems informing;
Of the smell of apples and lemons—of the pairing of birds,
Of the wet of woods—of the lapping of waves,
Of the mad pushes of waves upon the land—I them chanting;
The overture lightly sounding—the strain anticipating;
The welcome nearness—the sight of the perfect body;
The swimmer swimming naked in the bath, or motionless on his back lying and floating;
The female form approaching—I, pensive, love-flesh tremulous, aching;
The divine list, for myself or you, or for any one, making;
The face—the limbs—the index from head to foot, and what it arouses;
The mystic deliria—the madness amorous—the utter abandonment;
(Hark close, and still, what I now whisper to you,
I love you—-O you entirely possess me,
O I wish that you and I escape from the rest, and go utterly off—O free and lawless,
Two hawks in the air—two fishes swimming in the sea not more lawless than we;)
—The furious storm through me careering—I passionately trembling;
The oath of the inseparableness of two together—of the woman that loves me, and whom
I love more than my life—that oath swearing;
(O I willingly stake all, for you!
O let me be lost, if it must be so!
O you and I—what is it to us what the rest do or think?
What is all else to us? only that we enjoy each other, and exhaust each other, if it must
be so:)
—From the master—the pilot I yield the vessel to;
The general commanding me, commanding all—from him permission taking;
From time the programme hastening, (I have loiter’d too long, as it is;)
From sex—From the warp and from the woof;
(To talk to the perfect girl who understands me,
To waft to her these from my own lips—to effuse them from my own body;)
From privacy—from frequent repinings alone;
From plenty of persons near, and yet the right person not near;
From the soft sliding of hands over me, and thrusting of fingers through my hair and
beard;
From the long sustain’d kiss upon the mouth or bosom;
From the close pressure that makes me or any man drunk, fainting with excess;
From what the divine husband knows—from the work of fatherhood;
From exultation, victory, and relief—from the bedfellow’s embrace in the night;
From the act-poems of eyes, hands, hips, and bosoms,
From the cling of the trembling arm,
From the bending curve and the clinch,
From side by side, the pliant coverlid off-throwing,
From the one so unwilling to have me leave—and me just as unwilling to leave,
(Yet a moment, O tender waiter, and I return;)
—From the hour of shining stars and dropping dews,
From the night, a moment, I, emerging, flitting out,
Celebrate you, act divine—and you, children prepared for,
And you, stalwart loins.
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Written by
Edgar Lee Masters |
Why are you running so fast hither and thither
Chasing midges or butterflies?
Some of you are standing solemnly scratching for grubs;
Some of you are waiting for corn to be scattered.
This is life, is it?
Cock-a-doodle-do! Very well, Thomas Rhodes,
You are cock of the walk, no doubt.
But here comes Elliott Hawkins,
Gluck, Gluck, Gluck, attracting political followers.
Quah! quah! quah! why so poetical, Minerva,
This gray morning?
Kittie -- quah -- quah! for shame, Lucius Atherton,
The raucous squawk you evoked from the throat
Of Aner Clute will be taken up later
By Mrs.
Benjamin Pantier as a cry
Of votes for women: Ka dook -- dook!
What inspiration has come to you, Margaret Fuller Slack?
And why does your gooseberry eye
Flit so liquidly, Tennessee Claflin Shope?
Are you trying to fathom the esotericism of an egg?
Your voice is very metallic this morning, Hortense Robbins --
Almost like a guinea hen's!
Quah! That was a guttural sigh, Isaiah Beethoven;
Did you see the shadow of the hawk,
Or did you step upon the drumsticks
Which the cook threw out this morning?
Be chivalric, heroic, or aspiring,
Metaphysical, religious, or rebellious,
You shall never get out of the barnyard
Except by way of over the fence
Mixed with potato peelings and such into the trough!
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Written by
Anne Kingsmill Finch |
Give me, O indulgent Fate!
Give me yet before I die
A sweet, but absolute retreat,
'Mongst paths so lost and trees so high
That the world may ne'er invade
Through such windings and such shade
My unshaken liberty.
No intruders thither come
Who visit but to be from home!
None who their vain moments pass
Only studious of their glass;
News, that charm to list'ning ears,
That false alarm to hopes and fears,
That common theme for every fop,
From the statesman to the shop,
In those coverts ne'er be spread,
Of who's deceas'd, and who's to wed.
Be no tidings thither brought,
But silent as a midnight thought
Where the world may ne'er invade
Be those windings and that shade!
Courteous Fate! afford me there
A table spread, without my care,
With what the neighb'ring fields impart,
Whose cleanliness be all its art.
When of old the calf was drest
(Though to make an angel's feast)
In the plain unstudied sauce
Nor truffle nor morillia was;
Nor could the mighty patriarchs' board
One far-fetch'd ortolan afford.
Courteous Fate! then give me there
Only plain and wholesome fare;
Fruits indeed (would heaven bestow)
All that did in Eden grow,
All but the forbidden Tree
Would be coveted by me;
Grapes with juice so crowded up
As breaking through the native cup;
Figs yet growing candied o'er
By the sun's attracting power;
Cherries, with the downy peach,
All within my easy reach;
Whilst creeping near the humble ground
Should the strawberry be found
Springing wheresoe'er I stray'd
Through those windings and that shade.
For my garments: let them be
What may with the time agree;
Warm when Ph{oe}bus does retire
And is ill-supplied by fire:
But when he renews the year
And verdant all the fields appear,
Beauty every thing resumes,
Birds have dropp'd their winter plumes,
When the lily full-display'd
Stands in purer white array'd
Than that vest which heretofore
The luxurious monarch wore,
When from Salem's gates he drove
To the soft retreat of love,
Lebanon's all burnish'd house
And the dear Egyptian spouse.
Clothe me, Fate, though not so gay,
Clothe me light and fresh as May!
In the fountains let me view
All my habit cheap and new
Such as, when sweet zephyrs fly,
With their motions may comply,
Gently waving to express
Unaffected carelessness.
No perfumes have there a part
Borrow'd from the chemist's art,
But such as rise from flow'ry beds
Or the falling jasmine sheds!
'Twas the odour of the field
Esau's rural coat did yield
That inspir'd his father's prayer
For blessings of the earth and air:
Of gums or powders had it smelt,
The supplanter, then unfelt,
Easily had been descried
For one that did in tents abide,
For some beauteous handmaid's joy,
And his mother's darling boy.
Let me then no fragrance wear
But what the winds from gardens bear,
In such kind surprising gales
As gather'd from Fidentia's vales
All the flowers that in them grew;
Which intermixing as they flew
In wreathen garlands dropp'd again
On Lucullus and his men;
Who, cheer'd by the victorious sight,
Trebled numbers put to flight.
Let me, when I must be fine,
In such natural colours shine;
Wove and painted by the sun;
Whose resplendent rays to shun
When they do too fiercely beat
Let me find some close retreat
Where they have no passage made
Through those windings, and that shade.
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