Written by
Walt Whitman |
1
MANHATTAN’S streets I saunter’d, pondering,
On time, space, reality—on such as these, and abreast with them, prudence.
2
After all, the last explanation remains to be made about prudence;
Little and large alike drop quietly aside from the prudence that suits immortality.
The Soul is of itself;
All verges to it—all has reference to what ensues;
All that a person does, says, thinks, is of consequence;
Not a move can a man or woman make, that affects him or her in a day, month, any part of
the
direct
life-time, or the hour of death, but the same affects him or her onward afterward through
the
indirect life-time.
3
The indirect is just as much as the direct,
The spirit receives from the body just as much as it gives to the body, if not more.
Not one word or deed—not venereal sore, discoloration, privacy of the onanist,
putridity
of
gluttons or rum-drinkers, peculation, cunning, betrayal, murder, seduction, prostitution,
but
has
results beyond death, as really as before death.
4
Charity and personal force are the only investments worth anything.
No specification is necessary—all that a male or female does, that is vigorous,
benevolent,
clean, is so much profit to him or her, in the unshakable order of the universe, and
through
the
whole scope of it forever.
5
Who has been wise, receives interest,
Savage, felon, President, judge, farmer, sailor, mechanic, literat, young, old, it is the
same,
The interest will come round—all will come round.
Singly, wholly, to affect now, affected their time, will forever affect all of the past,
and
all of
the present, and all of the future,
All the brave actions of war and peace,
All help given to relatives, strangers, the poor, old, sorrowful, young children, widows,
the
sick,
and to shunn’d persons,
All furtherance of fugitives, and of the escape of slaves,
All self-denial that stood steady and aloof on wrecks, and saw others fill the seats of
the
boats,
All offering of substance or life for the good old cause, or for a friend’s sake, or
opinion’s sake,
All pains of enthusiasts, scoff’d at by their neighbors,
All the limitless sweet love and precious suffering of mothers,
All honest men baffled in strifes recorded or unrecorded,
All the grandeur and good of ancient nations whose fragments we inherit,
All the good of the dozens of ancient nations unknown to us by name, date, location,
All that was ever manfully begun, whether it succeeded or no,
All suggestions of the divine mind of man, or the divinity of his mouth, or the shaping of
his
great
hands;
All that is well thought or said this day on any part of the globe—or on any of the
wandering
stars, or on any of the fix’d stars, by those there as we are here;
All that is henceforth to be thought or done by you, whoever you are, or by any one;
These inure, have inured, shall inure, to the identities from which they sprang, or shall
spring.
6
Did you guess anything lived only its moment?
The world does not so exist—no parts palpable or impalpable so exist;
No consummation exists without being from some long previous consummation—and that
from
some
other,
Without the farthest conceivable one coming a bit nearer the beginning than any.
7
Whatever satisfies Souls is true;
Prudence entirely satisfies the craving and glut of Souls;
Itself only finally satisfies the Soul;
The Soul has that measureless pride which revolts from every lesson but its own.
8
Now I give you an inkling;
Now I breathe the word of the prudence that walks abreast with time, space, reality,
That answers the pride which refuses every lesson but its own.
What is prudence, is indivisible,
Declines to separate one part of life from every part,
Divides not the righteous from the unrighteous, or the living from the dead,
Matches every thought or act by its correlative,
Knows no possible forgiveness, or deputed atonement,
Knows that the young man who composedly peril’d his life and lost it, has done
exceedingly
well
for himself without doubt,
That he who never peril’d his life, but retains it to old age in riches and ease, has
probably
achiev’d nothing for himself worth mentioning;
Knows that only that person has really learn’d, who has learn’d to prefer
results,
Who favors Body and Soul the same,
Who perceives the indirect assuredly following the direct,
Who in his spirit in any emergency whatever neither hurries or, avoids death.
|
Written by
Ezra Pound |
"Vocat aestus in umbram"
Nemesianus Es. IV.
E. P. Ode pour l'élection de son sépulchre
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start --
No, hardly, but, seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait:
"Idmen gar toi panth, os eni Troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events",
He passed from men's memory in l'an trentiesme
De son eage; the case presents
No adjunct to the Muses' diadem.
II.
The age demanded an image
Of its accelerated grimace,
Something for the modern stage,
Not, at any rate, an Attic grace;
Not, not certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.
III.
The tea-rose, tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.
Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.
All things are a flowing,
Sage Heracleitus says;
But a tawdry cheapness
Shall reign throughout our days.
Even the Christian beauty
Defects -- after Samothrace;
We see to kalon
Decreed in the market place.
Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
Free of Peisistratus,
We choose a knave or an eunuch
To rule over us.
A bright Apollo,
tin andra, tin eroa, tina theon,
What god, man, or hero
Shall I place a tin wreath upon?
IV.
These fought, in any case,
and some believing, pro domo, in any case ..
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later ...
some in fear, learning love of slaughter;
Died some pro patria, non dulce non et decor" ..
walked eye-deep in hell
believing in old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
Fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
V.
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization.
Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,
For two gross of broken statues,
For a few thousand battered books.
Yeux Glauques
Gladstone was still respected,
When John Ruskin produced
"Kings Treasuries"; Swinburne
And Rossetti still abused.
Fœtid Buchanan lifted up his voice
When that faun's head of hers
Became a pastime for
Painters and adulterers.
The Burne-Jones cartons
Have preserved her eyes;
Still, at the Tate, they teach
Cophetua to rhapsodize;
Thin like brook-water,
With a vacant gaze.
The English Rubaiyat was still-born
In those days.
The thin, clear gaze, the same
Still darts out faun-like from the half-ruin'd face,
Questing and passive ....
"Ah, poor Jenny's case" ...
Bewildered that a world
Shows no surprise
At her last maquero's
Adulteries.
"Siena Mi Fe', Disfecemi Maremma"
Among the pickled fœtuses and bottled bones,
Engaged in perfecting the catalogue,
I found the last scion of the
Senatorial families of Strasbourg, Monsieur Verog.
For two hours he talked of Gallifet;
Of Dowson; of the Rhymers' Club;
Told me how Johnson (Lionel) died
By falling from a high stool in a pub ...
But showed no trace of alcohol
At the autopsy, privately performed --
Tissue preserved -- the pure mind
Arose toward Newman as the whiskey warmed.
Dowson found harlots cheaper than hotels;
Headlam for uplift; Image impartially imbued
With raptures for Bacchus, Terpsichore and the Church.
So spoke the author of "The Dorian Mood",
M. Verog, out of step with the decade,
Detached from his contemporaries,
Neglected by the young,
Because of these reveries.
Brennbaum.
The sky-like limpid eyes,
The circular infant's face,
The stiffness from spats to collar
Never relaxing into grace;
The heavy memories of Horeb, Sinai and the forty years,
Showed only when the daylight fell
Level across the face
Of Brennbaum "The Impeccable".
Mr. Nixon
In the cream gilded cabin of his steam yacht
Mr. Nixon advised me kindly, to advance with fewer
Dangers of delay. "Consider
Carefully the reviewer.
"I was as poor as you are;
"When I began I got, of course,
"Advance on royalties, fifty at first", said Mr. Nixon,
"Follow me, and take a column,
"Even if you have to work free.
"Butter reviewers. From fifty to three hundred
"I rose in eighteen months;
"The hardest nut I had to crack
"Was Dr. Dundas.
"I never mentioned a man but with the view
"Of selling my own works.
"The tip's a good one, as for literature
"It gives no man a sinecure."
And no one knows, at sight a masterpiece.
And give up verse, my boy,
There's nothing in it."
* * *
Likewise a friend of Bloughram's once advised me:
Don't kick against the pricks,
Accept opinion. The "Nineties" tried your game
And died, there's nothing in it.
X.
Beneath the sagging roof
The stylist has taken shelter,
Unpaid, uncelebrated,
At last from the world's welter
Nature receives him,
With a placid and uneducated mistress
He exercises his talents
And the soil meets his distress.
The haven from sophistications and contentions
Leaks through its thatch;
He offers succulent cooking;
The door has a creaking latch.
XI.
"Conservatrix of Milésien"
Habits of mind and feeling,
Possibly. But in Ealing
With the most bank-clerkly of Englishmen?
No, "Milésian" is an exaggeration.
No instinct has survived in her
Older than those her grandmother
Told her would fit her station.
XII.
"Daphne with her thighs in bark
Stretches toward me her leafy hands", --
Subjectively. In the stuffed-satin drawing-room
I await The Lady Valentine's commands,
Knowing my coat has never been
Of precisely the fashion
To stimulate, in her,
A durable passion;
Doubtful, somewhat, of the value
Of well-gowned approbation
Of literary effort,
But never of The Lady Valentine's vocation:
Poetry, her border of ideas,
The edge, uncertain, but a means of blending
With other strata
Where the lower and higher have ending;
A hook to catch the Lady Jane's attention,
A modulation toward the theatre,
Also, in the case of revolution,
A possible friend and comforter.
* * *
Conduct, on the other hand, the soul
"Which the highest cultures have nourished"
To Fleet St. where
Dr. Johnson flourished;
Beside this thoroughfare
The sale of half-hose has
Long since superseded the cultivation
Of Pierian roses.
|
Written by
Geoffrey Chaucer |
THE PROLOGUE.
THE Cook of London, while the Reeve thus spake,
For joy he laugh'd and clapp'd him on the back:
"Aha!" quoth he, "for Christes passion,
This Miller had a sharp conclusion,
Upon this argument of herbergage.* *lodging
Well saide Solomon in his language,
Bring thou not every man into thine house,
For harbouring by night is perilous.
*Well ought a man avised for to be* *a man should take good heed*
Whom that he brought into his privity.
I pray to God to give me sorrow and care
If ever, since I highte* Hodge of Ware, *was called
Heard I a miller better *set a-work*; *handled
He had a jape* of malice in the derk. *trick
But God forbid that we should stinte* here, *stop
And therefore if ye will vouchsafe to hear
A tale of me, that am a poore man,
I will you tell as well as e'er I can
A little jape that fell in our city."
Our Host answer'd and said; "I grant it thee.
Roger, tell on; and look that it be good,
For many a pasty hast thou letten blood,
And many a Jack of Dover<1> hast thou sold,
That had been twice hot and twice cold.
Of many a pilgrim hast thou Christe's curse,
For of thy parsley yet fare they the worse.
That they have eaten in thy stubble goose:
For in thy shop doth many a fly go loose.
Now tell on, gentle Roger, by thy name,
But yet I pray thee be not *wroth for game*; *angry with my jesting*
A man may say full sooth in game and play."
"Thou sayst full sooth," quoth Roger, "by my fay;
But sooth play quad play,<2> as the Fleming saith,
And therefore, Harry Bailly, by thy faith,
Be thou not wroth, else we departe* here, *part company
Though that my tale be of an hostelere.* *innkeeper
But natheless, I will not tell it yet,
But ere we part, y-wis* thou shalt be quit."<3> *assuredly
And therewithal he laugh'd and made cheer,<4>
And told his tale, as ye shall after hear.
Notes to the Prologue to the Cook's Tale
1. Jack of Dover: an article of cookery. (Transcriber's note:
suggested by some commentators to be a kind of pie, and by
others to be a fish)
2. Sooth play quad play: true jest is no jest.
3. It may be remembered that each pilgrim was bound to tell
two stories; one on the way to Canterbury, the other returning.
4. Made cheer: French, "fit bonne mine;" put on a pleasant
countenance.
THE TALE.
A prentice whilom dwelt in our city,
And of a craft of victuallers was he:
Galliard* he was, as goldfinch in the shaw**, *lively **grove
Brown as a berry, a proper short fellaw:
With lockes black, combed full fetisly.* *daintily
And dance he could so well and jollily,
That he was called Perkin Revellour.
He was as full of love and paramour,
As is the honeycomb of honey sweet;
Well was the wenche that with him might meet.
At every bridal would he sing and hop;
He better lov'd the tavern than the shop.
For when there any riding was in Cheap,<1>
Out of the shoppe thither would he leap,
And, till that he had all the sight y-seen,
And danced well, he would not come again;
And gather'd him a meinie* of his sort, *company of fellows
To hop and sing, and make such disport:
And there they *sette steven* for to meet *made appointment*
To playen at the dice in such a street.
For in the towne was there no prentice
That fairer coulde cast a pair of dice
Than Perkin could; and thereto *he was free *he spent money liberally
Of his dispence, in place of privity.* where he would not be seen*
That found his master well in his chaffare,* *merchandise
For oftentime he found his box full bare.
For, soothely, a prentice revellour,
That haunteth dice, riot, and paramour,
His master shall it in his shop abie*, *suffer for
All* have he no part of the minstrelsy. *although
For theft and riot they be convertible,
All can they play on *gitern or ribible.* *guitar or rebeck*
Revel and truth, as in a low degree,
They be full wroth* all day, as men may see. *at variance
This jolly prentice with his master bode,
Till he was nigh out of his prenticehood,
All were he snubbed* both early and late, *rebuked
And sometimes led with revel to Newgate.
But at the last his master him bethought,
Upon a day when he his paper<2> sought,
Of a proverb, that saith this same word;
Better is rotten apple out of hoard,
Than that it should rot all the remenant:
So fares it by a riotous servant;
It is well lesse harm to let him pace*, *pass, go
Than he shend* all the servants in the place. *corrupt
Therefore his master gave him a quittance,
And bade him go, with sorrow and mischance.
And thus this jolly prentice had his leve*: *desire
Now let him riot all the night, or leave*. *refrain
And, for there is no thief without a louke,<3>
That helpeth him to wasten and to souk* *spend
Of that he bribe* can, or borrow may, *steal
Anon he sent his bed and his array
Unto a compere* of his owen sort, *comrade
That loved dice, and riot, and disport;
And had a wife, that held *for countenance* *for appearances*
A shop, and swived* for her sustenance. *prostituted herself
. . . . . . . <4>
Notes to the Cook's Tale
1. Cheapside, where jousts were sometimes held, and which
was the great scene of city revels and processions.
2. His paper: his certificate of completion of his apprenticeship.
3. Louke: The precise meaning of the word is unknown, but it
is doubtless included in the cant term "pal".
4. The Cook's Tale is unfinished in all the manuscripts; but in
some, of minor authority, the Cook is made to break off his
tale, because "it is so foul," and to tell the story of Gamelyn, on
which Shakespeare's "As You Like It" is founded. The story is
not Chaucer's, and is different in metre, and inferior in
composition to the Tales. It is supposed that Chaucer expunged
the Cook's Tale for the same reason that made him on his death-
bed lament that he had written so much "ribaldry."
|
Written by
Emily Dickinson |
The Butterfly in honored Dust
Assuredly will lie
But none will pass the Catacomb
So chastened as the Fly --
|
Written by
Ezra Pound |
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain "the sublime"
In the old sense. Wrong from the start--
No, hardly, but seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait;
Idmen gar toi panth, hos eni troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.
His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe's hair
Rather than the mottoes on sun-dials.
Unaffected by "the march of events,"
He passed from men's memory in l'an trentuniesme
de son eage;the case presents
No adjunct to the Muses' diadem.
II
The age demanded an image
Of its accelerated grimace,
Something for the modern stage
Not, at any rate, an Attic grace;
Not, certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!
The "age demanded" chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the "sculpture" of rhyme.
III
The tea-rose tea-gown, etc.
Supplants the mousseline of Cos,
The pianola "replaces"
Sappho's barbitos.
Christ follows Dionysus,
Phallic and ambrosial
Made way for macerations;
Caliban casts out Ariel.
All things are a flowing
Sage Heracleitus say;
But a tawdry cheapness
Shall outlast our days.
Even the Christian beauty
Defects--after Samothrace;
We see to kalon
Decreed in the market place.
Faun's flesh is not to us,
Nor the saint's vision.
We have the press for wafer;
Franchise for circumcision.
All men, in law, are equals.
Free of Pisistratus,
We choose a knave or an eunuch
To rule over us.
O bright Apollo,
Tin andra, tin heroa, tina theon,
What god, man or hero
Shall I place a tin wreath upon!
IV
These fought in any case,
And some believing,
pro domo, in any case...
Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later...
some in fear, learning love of slaughter;
Died some, pro patria,
non "dulce" not "et decor"...
walked eye-deep in hell
believing old men's lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.
Daring as never before, wastage as never before.
Young blood and high blood,
fair cheeks, and fine bodies;
fortitude as never before
frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.
V
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization,
Charm, smiling at the good mouth,
Quick eyes gone under earth's lid,
For two gross of broken statues,
For a few thousand battered books.
|
Written by
Elizabeth Bishop |
I dreamed that dead, and meditating,
I lay upon a grave, or bed,
(at least, some cold and close-built bower).
In the cold heart, its final thought
stood frozen, drawn immense and clear,
stiff and idle as I was there;
and we remained unchanged together
for a year, a minute, an hour.
Suddenly there was a motion,
as startling, there, to every sense
as an explosion. Then it dropped
to insistent, cautious creeping
in the region of the heart,
prodding me from desperate sleep.
I raised my head. A slight young weed
had pushed up through the heart and its
green head was nodding on the breast.
(All this was in the dark.)
It grew an inch like a blade of grass;
next, one leaf shot out of its side
a twisting, waving flag, and then
two leaves moved like a semaphore.
The stem grew thick. The nervous roots
reached to each side; the graceful head
changed its position mysteriously,
since there was neither sun nor moon
to catch its young attention.
The rooted heart began to change
(not beat) and then it split apart
and from it broke a flood of water.
Two rivers glanced off from the sides,
one to the right, one to the left,
two rushing, half-clear streams,
(the ribs made of them two cascades)
which assuredly, smooth as glass,
went off through the fine black grains of earth.
The weed was almost swept away;
it struggled with its leaves,
lifting them fringed with heavy drops.
A few drops fell upon my face
and in my eyes, so I could see
(or, in that black place, thought I saw)
that each drop contained a light,
a small, illuminated scene;
the weed-deflected stream was made
itself of racing images.
(As if a river should carry all
the scenes that it had once reflected
shut in its waters, and not floating
on momentary surfaces.)
The weed stood in the severed heart.
"What are you doing there?" I asked.
It lifted its head all dripping wet
(with my own thoughts?)
and answered then: "I grow," it said,
"but to divide your heart again."
|
Written by
Edwin Arlington Robinson |
(WASHINGTON SQUARE)
I met him, as one meets a ghost or two,
Between the gray Arch and the old Hotel.
“King Solomon was right, there’s nothing new,”
Said he. “Behold a ruin who meant well.”
He led me down familiar steps again,
Appealingly, and set me in a chair.
“My dreams have all come true to other men,”
Said he; “God lives, however, and why care?
“An hour among the ghosts will do no harm.”
He laughed, and something glad within me sank.
I may have eyed him with a faint alarm,
For now his laugh was lost in what he drank.
“They chill things here with ice from hell,” he said;
“I might have known it.” And he made a face
That showed again how much of him was dead,
And how much was alive and out of place.
And out of reach. He knew as well as I
That all the words of wise men who are skilled
In using them are not much to defy
What comes when memory meets the unfulfilled.
What evil and infirm perversity
Had been at work with him to bring him back?
Never among the ghosts, assuredly,
Would he originate a new attack;
Never among the ghosts, or anywhere,
Till what was dead of him was put away,
Would he attain to his offended share
Of honor among others of his day.
“You ponder like an owl,” he said at last;
“You always did, and here you have a cause.
For I’m a confirmation of the past,
A vengeance, and a flowering of what was.
“Sorry? Of course you are, though you compress,
With even your most impenetrable fears,
A placid and a proper consciousness
Of anxious angels over my arrears.
“I see them there against me in a book
As large as hope, in ink that shines by night
Surely I see; but now I’d rather look
At you, and you are not a pleasant sight.
“Forbear, forgive. Ten years are on my soul,
And on my conscience. I’ve an incubus:
My one distinction, and a parlous toll
To glory; but hope lives on clamorous.
“’Twas hope, though heaven I grant you knows of what—
The kind that blinks and rises when it falls,
Whether it sees a reason why or not—
That heard Broadway’s hard-throated siren-calls;
“’Twas hope that brought me through December storms,
To shores again where I’ll not have to be
A lonely man with only foreign worms
To cheer him in his last obscurity.
“But what it was that hurried me down here
To be among the ghosts, I leave to you.
My thanks are yours, no less, for one thing clear:
Though you are silent, what you say is true.
“There may have been the devil in my feet,
For down I blundered, like a fugitive,
To find the old room in Eleventh Street.
God save us!—I came here again to live.”
We rose at that, and all the ghosts rose then,
And followed us unseen to his old room.
No longer a good place for living men
We found it, and we shivered in the gloom.
The goods he took away from there were few,
And soon we found ourselves outside once more,
Where now the lamps along the Avenue
Bloomed white for miles above an iron floor.
“Now lead me to the newest of hotels,”
He said, “and let your spleen be undeceived:
This ruin is not myself, but some one else;
I haven’t failed; I’ve merely not achieved.”
Whether he knew or not, he laughed and dined
With more of an immune regardlessness
Of pits before him and of sands behind
Than many a child at forty would confess;
And after, when the bells in Boris rang
Their tumult at the Metropolitan,
He rocked himself, and I believe he sang.
“God lives,” he crooned aloud, “and I’m the man!”
He was. And even though the creature spoiled
All prophecies, I cherish his acclaim.
Three weeks he fattened; and five years he toiled
In Yonkers,—and then sauntered into fame.
And he may go now to what streets he will—
Eleventh, or the last, and little care;
But he would find the old room very still
Of evenings, and the ghosts would all be there.
I doubt if he goes after them; I doubt
If many of them ever come to him.
His memories are like lamps, and they go out;
Or if they burn, they flicker and are dim.
A light of other gleams he has to-day
And adulations of applauding hosts;
A famous danger, but a safer way
Than growing old alone among the ghosts.
But we may still be glad that we were wrong:
He fooled us, and we’d shrivel to deny it;
Though sometimes when old echoes ring too long,
I wish the bells in Boris would be quiet.
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Written by
Sir Thomas Wyatt |
The heart and service to you proffer'd
With right good will full honestly,
Refuse it not, since it is offer'd,
But take it to you gentlely.
And though it be a small present,
Yet good, consider graciously
The thought, the mind, and the intent
Of him that loves you faithfully.
It were a thing of small effect
To work my woe thus cruelly,
For my good will to be abject:
Therefore accept it lovingly.
Pain or travel, to run or ride,
I undertake it pleasantly;
Bid ye me go, and straight I glide
At your commandement humbly.
Pain or pleasure, now may you plant
Even which it please you steadfastly;
Do which you list, I shall not want
To be your servant secretly.
And since so much I do desire
To be your own assuredly,
For all my service and my hire
Reward your servant liberally.
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Written by
Edwin Arlington Robinson |
Old Eben Flood, climbing alone one night
Over the hill between the town below
And the forsaken upland hermitage
That held as much as he should ever know
On earth again of home, paused warily.
The road was his with not a native near;
And Eben, having leisure, said aloud,
For no man else in Tilbury Town to hear:
"Well, Mr. Flood, we have the harvest moon
Again, and we may not have many more;
The bird is on the wing, the poet says,
And you and I have said it here before.
Drink to the bird." He raised up to the light
The jug that he had gone so far to fill,
And answered huskily: "Well, Mr. Flood,
Since you propose it, I believe I will."
Alone, as if enduring to the end
A valiant armor of scarred hopes outworn,
He stood there in the middle of the road
Like Roland's ghost winding a silent horn.
Below him, in the town among the trees,
Where friends of other days had honored him,
A phantom salutation of the dead
Rang thinly till old Eben's eyes were dim.
Then, as a mother lays her sleeping child
Down tenderly, fearing it may awake,
He set the jug down slowly at his feet
With trembling care, knowing that most things break;
And only when assured that on firm earth
It stood, as the uncertain lives of men
Assuredly did not, he paced away,
And with his hand extended paused again:
"Well, Mr. Flood, we have not met like this
In a long time; and many a change has come
To both of us, I fear, since last it was
We had a drop together. Welcome home!"
Convivially returning with himself,
Again he raised the jug up to the light;
And with an acquiescent quaver said:
"Well, Mr. Flood, if you insist, I might.
"Only a very little, Mr. Flood --
For auld lang syne. No more, sir; that will do."
So, for the time, apparently it did,
And Eben evidently thought so too;
For soon amid the silver loneliness
Of night he lifted up his voice and sang,
Secure, with only two moons listening,
Until the whole harmonious landscape rang --
"For auld lang syne." The weary throat gave out,
The last word wavered; and the song being done,
He raised again the jug regretfully
And shook his head, and was again alone.
There was not much that was ahead of him,
And there was nothing in the town below --
Where strangers would have shut the many doors
That many friends had opened long ago.
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Written by
Algernon Charles Swinburne |
One, who is not, we see; but one, whom we see not, is;
Surely this is not that; but that is assuredly this.
What, and wherefore, and whence? for under is over and under;
If thunder could be without lightning, lightning could be without thunder.
Doubt is faith in the main; but faith, on the whole, is doubt;
We cannot believe by proof; but could we believe without?
Why, and whither, and how? for barley and rye are not clover;
Neither are straight lines curves; yet over is under and over.
Two and two may be four; but four and four are not eight;
Fate and God may be twain; but God is the same as fate.
Ask a man what he thinks, and get from a man what he feels;
God, once caught in the fact, shows you a fair pair of heels.
Body and spirit are twins; God only knows which is which;
The soul squats down in the flesh, like a tinker drunk in a ditch.
More is the whole than a part; but half is more than the whole;
Clearly, the soul is the body; but is not the body the soul?
One and two are not one; but one and nothing is two;
Truth can hardly be false, if falsehood cannot be true.
Once the mastodon was; pterodactyls were common as cocks;
Then the mammoth was God; now is He a prize ox.
Parallels all things are; yet many of these are askew;
You are certainly I; but certainly I am not you.
Springs the rock from the plain, shoots the stream from the rock;
Cocks exist for the hen; but hens exist for the cock.
God, whom we see not, is; and God, who is not, we see;
Fiddle, we know, is diddle, and diddle, we take it, is dee.
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