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Best Famous Ask Poems

Here is a collection of the all-time best famous Ask poems. This is a select list of the best famous Ask poetry. Reading, writing, and enjoying famous Ask poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of ask poems.

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Written by Robert Frost | Create an image from this poem

Maple

 Her teacher's certainty it must be Mabel
Made Maple first take notice of her name.
She asked her father and he told her, "Maple—
Maple is right."
"But teacher told the school
There's no such name."
"Teachers don't know as much
As fathers about children, you tell teacher.
You tell her that it's M-A-P-L-E.
You ask her if she knows a maple tree.
Well, you were named after a maple tree.
Your mother named you. You and she just saw
Each other in passing in the room upstairs,
One coming this way into life, and one
Going the other out of life—you know?
So you can't have much recollection of her.
She had been having a long look at you.
She put her finger in your cheek so hard
It must have made your dimple there, and said,
'Maple.' I said it too: 'Yes, for her name.'
She nodded. So we're sure there's no mistake.
I don't know what she wanted it to mean,
But it seems like some word she left to bid you
Be a good girl—be like a maple tree.
How like a maple tree's for us to guess.
Or for a little girl to guess sometime.
Not now—at least I shouldn't try too hard now.
By and by I will tell you all I know
About the different trees, and something, too,
About your mother that perhaps may help."
Dangerous self-arousing words to sow.
Luckily all she wanted of her name then
Was to rebuke her teacher with it next day,
And give the teacher a scare as from her father.
Anything further had been wasted on her,
Or so he tried to think to avoid blame.
She would forget it. She all but forgot it.
What he sowed with her slept so long a sleep,
And came so near death in the dark of years,
That when it woke and came to life again
The flower was different from the parent seed.
It carne back vaguely at the glass one day,
As she stood saying her name over aloud,
Striking it gently across her lowered eyes
To make it go well with the way she looked.
What was it about her name? Its strangeness lay
In having too much meaning. Other names,
As Lesley, Carol, Irma, Marjorie,
Signified nothing. Rose could have a meaning,
But hadn't as it went. (She knew a Rose.)
This difference from other names it was
Made people notice it—and notice her.
(They either noticed it, or got it wrong.)
Her problem was to find out what it asked
In dress or manner of the girl who bore it.
If she could form some notion of her mother—
What she bad thought was lovely, and what good.
This was her mother's childhood home;
The house one story high in front, three stories
On the end it presented to the road.
(The arrangement made a pleasant sunny cellar.)
Her mother's bedroom was her father's still,
Where she could watch her mother's picture fading.
Once she found for a bookmark in the Bible
A maple leaf she thought must have been laid
In wait for her there. She read every word
Of the two pages it was pressed between,
As if it was her mother speaking to her.
But forgot to put the leaf back in closing
And lost the place never to read again.
She was sure, though, there had been nothing in it.

So she looked for herself, as everyone
Looks for himself, more or less outwardly.
And her self-seeking, fitful though it was,
May still have been what led her on to read,
And think a little, and get some city schooling.
She learned shorthand, whatever shorthand may
Have had to do with it--she sometimes wondered.
So, till she found herself in a strange place
For the name Maple to have brought her to,
Taking dictation on a paper pad
And, in the pauses when she raised her eyes,
Watching out of a nineteenth story window
An airship laboring with unshiplike motion
And a vague all-disturbing roar above the river
Beyond the highest city built with hands.
Someone was saying in such natural tones
She almost wrote the words down on her knee,
"Do you know you remind me of a tree--
A maple tree?"

 "Because my name is Maple?"
"Isn't it Mabel? I thought it was Mabel."

 "No doubt you've heard the office call me Mabel.
I have to let them call me what they like."

 They were both stirred that he should have divined
Without the name her personal mystery.
It made it seem as if there must be something
She must have missed herself. So they were married,
And took the fancy home with them to live by.

 They went on pilgrimage once to her father's
(The house one story high in front, three stories
On the side it presented to the road)
To see if there was not some special tree
She might have overlooked. They could find none,
Not so much as a single tree for shade,
Let alone grove of trees for sugar orchard.
She told him of the bookmark maple leaf
In the big Bible, and all she remembered
of the place marked with it—"Wave offering,
Something about wave offering, it said."

 "You've never asked your father outright, have you?"

 "I have, and been Put off sometime, I think."
(This was her faded memory of the way
Once long ago her father had put himself off.)
"Because no telling but it may have been
Something between your father and your mother
Not meant for us at all."
"Not meant for me?
Where would the fairness be in giving me
A name to carry for life and never know
The secret of?"
"And then it may have been
Something a father couldn't tell a daughter
As well as could a mother. And again
It may have been their one lapse into fancy
'Twould be too bad to make him sorry for
By bringing it up to him when be was too old.
Your father feels us round him with our questing,
And holds us off unnecessarily,
As if he didn't know what little thing
Might lead us on to a discovery.
It was as personal as be could be
About the way he saw it was with you
To say your mother, bad she lived, would be
As far again as from being born to bearing."

 "Just one look more with what you say in mind,
And I give up"; which last look came to nothing.
But though they now gave up the search forever,
They clung to what one had seen in the other
By inspiration. It proved there was something.
They kept their thoughts away from when the maples
Stood uniform in buckets, and the steam
Of sap and snow rolled off the sugarhouse.
When they made her related to the maples,
It was the tree the autumn fire ran through
And swept of leathern leaves, but left the bark
Unscorched, unblackened, even, by any smoke.
They always took their holidays in autumn.
Once they came on a maple in a glade,
Standing alone with smooth arms lifted up,
And every leaf of foliage she'd worn
Laid scarlet and pale pink about her feet.
But its age kept them from considering this one.
Twenty-five years ago at Maple's naming
It hardly could have been a two-leaved seedling
The next cow might have licked up out at pasture.
Could it have been another maple like it?
They hovered for a moment near discovery,
Figurative enough to see the symbol,
But lacking faith in anything to mean
The same at different times to different people.
Perhaps a filial diffidence partly kept them
From thinking it could be a thing so bridal.
And anyway it came too late for Maple.
She used her hands to cover up her eyes.

 "We would not see the secret if we could now:
We are not looking for it any more."

 Thus had a name with meaning, given in death,
Made a girl's marriage, and ruled in her life.
No matter that the meaning was not clear.
A name with meaning could bring up a child,
Taking the child out of the parents' hands.
Better a meaningless name, I should say,
As leaving more to nature and happy chance.
Name children some names and see what you do.


Written by Samuel Taylor Coleridge | Create an image from this poem

Frost at Midnight

The Frost performs its secret ministry,
Unhelped by any wind. The owlet's cry
Came loud---and hark, again! loud as before.
The inmates of my cottage, all at rest,
Have left me to that solitude, which suits
Abstruser musings: save that at my side
My cradled infant slumbers peacefully.
`Tis calm indeed! so calm, that it disturbs
And vexes meditation with its strange
And extreme silentness. Sea, hill, and wood,
This populous village! Sea, and hill, and wood,
With all the numberless goings-on of life,
Inaudible as dreams! the thin blue flame
Lies on my low-burnt fire, and quivers not;
Only that film, which fluttered on the grate,
Still flutters there, the sole unquiet thing.
Methinks, its motion in this hush of nature
Gives it dim sympathies with me who live,
Making it a companionable form,
Whose puny flaps and freaks the idling Spirit
By its own moods interprets, every where
Echo or mirror seeking of itself,
And makes a toy of Thought.

But O! how oft,
How oft, at school, with most believing mind,
Presageful, have I gazed upon the bars,
To watch that fluttering stranger! and as oft
With unclosed lids, already had I dreamt
Of my sweet birth-place, and the old church-tower,
Whose bells, the poor man's only music, rang
>From morn to evening, all the hot Fair-day,
So sweetly, that they stirred and haunted me
With a wild pleasure, falling on mine ear
Most like articulate sounds of things to come!
So gazed I, till the soothing things, I dreamt,
Lulled me to sleep, and sleep prolonged my dreams!
And so I brooded all the following morn,
Awed by the stern preceptor's face, mine eye
Fixed with mock study on my swimming book:
Save if the door half opened, and I snatched
A hasty glance, and still my heart leaped up,
For still I hoped to see the stranger's face,
Townsman, or aunt, or sister more beloved,
My play-mate when we both were clothed alike!

Dear Babe, that sleepest cradled by my side,
Whose gentle breathings, heard in this deep calm,
Fill up the interspersed vacancies
And momentary pauses of the thought!
My babe so beautiful! it thrills my heart
With tender gladness, thus to look at thee,
And think that thou shall learn far other lore,
And in far other scenes! For I was reared
In the great city, pent 'mid cloisters dim,
And saw nought lovely but the sky and stars.
But thou, my babe! shalt wander like a breeze
By lakes and sandy shores, beneath the crags
Of ancient mountain, and beneath the clouds,
Which image in their bulk both lakes and shores
And mountain crags: so shalt thou see and hear
The lovely shapes and sounds intelligible
Of that eternal language, which thy God
Utters, who from eternity doth teach
Himself in all, and all things in himself.
Great universal Teacher! he shall mould
Thy spirit, and by giving make it ask.

Therefore all seasons shall be sweet to thee,
Whether the summer clothe the general earth
With greenness, or the redbreast sit and sing
Betwixt the tufts of snow on the bare branch
Of mossy apple-tree, while the nigh thatch
Smokes in the sun-thaw; whether the eave-drops fall
Heard only in the trances of the blast,
Or if the secret ministry of frost
Shall hang them up in silent icicles,
Quietly shining to the quiet Moon. 
Written by Robert Frost | Create an image from this poem

Mending Wall

Something there is that doesn't love a wall,
That sends the frozen-ground-swell under it,
And spills the upper boulders in the sun;
And makes gaps even two can pass abreast.
The work of hunters is another thing:
I have come after them and made repair
Where they have left not one stone on a stone,
But they would have the rabbit out of hiding,
To please the yelping dogs.  The gaps I mean,
No one has seen them made or heard them made,
But at spring mending-time we find them there.
I let my neighbor know beyond the hill;
And on a day we meet to walk the line
And set the wall between us once again.
We keep the wall between us as we go.
To each the boulders that have fallen to each.
And some are loaves and some so nearly balls
We have to use a spell to make them balance:
"Stay where you are until our backs are turned!"
We wear our fingers rough with handling them.
Oh, just another kind of outdoor game,
One on a side.  It comes to little more:
There where it is we do not need the wall:
He is all pine and I am apple orchard.
My apple trees will never get across
And eat the cones under his pines, I tell him.
He only says, "Good fences make good neighbors."
Spring is the mischief in me, and I wonder
If I could put a notion in his head:
"Why do they make good neighbors?  Isn't it
Where there are cows?  But here there are no cows.
Before I built a wall I'd ask to know
What I was walling in or walling out,
And to whom I was like to give offense.
Something there is that doesn't love a wall,
That wants it down."  I could say "Elves" to him,
But it's not elves exactly, and I'd rather
He said it for himself.  I see him there
Bringing a stone grasped firmly by the top
In each hand, like an old-stone savage armed.
He moves in darkness as it seems to me,
Not of woods only and the shade of trees.
He will not go behind his father's saying,
And he likes having thought of it so well
He says again, "Good fences make good neighbors."
Written by Sadakichi Hartmann | Create an image from this poem

Why I Love Thee?

Why I love thee?
Ask why the seawind wanders,
Why the shore is aflush with the tide,
Why the moon through heaven meanders;
Like seafaring ships that ride
On a sullen, motionless deep;
Why the seabirds are fluttering the strand
Where the waves sing themselves to sleep
And starshine lives in the curves of the sand!

Written by Henry David Thoreau | Create an image from this poem

Friendship

 I think awhile of Love, and while I think, 
Love is to me a world, 
Sole meat and sweetest drink, 
And close connecting link 
Tween heaven and earth. 
I only know it is, not how or why, 
My greatest happiness; 
However hard I try, 
Not if I were to die, 
Can I explain. 

I fain would ask my friend how it can be, 
But when the time arrives, 
Then Love is more lovely 
Than anything to me, 
And so I'm dumb. 

For if the truth were known, Love cannot speak, 
But only thinks and does; 
Though surely out 'twill leak 
Without the help of Greek, 
Or any tongue. 

A man may love the truth and practise it, 
Beauty he may admire, 
And goodness not omit, 
As much as may befit 
To reverence. 

But only when these three together meet, 
As they always incline, 
And make one soul the seat, 
And favorite retreat, 
Of loveliness; 

When under kindred shape, like loves and hates 
And a kindred nature, 
Proclaim us to be mates, 
Exposed to equal fates 
Eternally; 

And each may other help, and service do, 
Drawing Love's bands more tight, 
Service he ne'er shall rue 
While one and one make two, 
And two are one; 

In such case only doth man fully prove 
Fully as man can do, 
What power there is in Love 
His inmost soul to move 
Resistlessly. 
________________________________

Two sturdy oaks I mean, which side by side, 
Withstand the winter's storm, 
And spite of wind and tide, 
Grow up the meadow's pride, 
For both are strong 

Above they barely touch, but undermined 
Down to their deepest source, 
Admiring you shall find 
Their roots are intertwined 
Insep'rably.


Written by Homer | Create an image from this poem

THE ILIAD (excerpt)

  Achilles' wrath, to Greece the direful spring
  Of woes unnumber'd, heavenly goddess, sing!
  That wrath which hurl'd to Pluto's gloomy reign
  The souls of mighty chiefs untimely slain;
  Whose limbs unburied on the naked shore,
  Devouring dogs and hungry vultures tore.(41)
  Since great Achilles and Atrides strove,
  Such was the sovereign doom, and such the will of Jove!(42)

  Declare, O Muse! in what ill-fated hour(43)
  Sprung the fierce strife, from what offended power
  Latona's son a dire contagion spread,(44)
  And heap'd the camp with mountains of the dead;
  The king of men his reverent priest defied,(45)
  And for the king's offence the people died.

  For Chryses sought with costly gifts to gain
  His captive daughter from the victor's chain.
  Suppliant the venerable father stands;
  Apollo's awful ensigns grace his hands
  By these he begs; and lowly bending down,
  Extends the sceptre and the laurel crown
  He sued to all, but chief implored for grace
  The brother-kings, of Atreus' royal race(46)

  "Ye kings and warriors! may your vows be crown'd,
  And Troy's proud walls lie level with the ground.
  May Jove restore you when your toils are o'er
  Safe to the pleasures of your native shore.
  But, oh! relieve a wretched parent's pain,
  And give Chryseis to these arms again;
  If mercy fail, yet let my presents move,
  And dread avenging Phoebus, son of Jove."

  The Greeks in shouts their joint assent declare,
  The priest to reverence, and release the fair.
  Not so Atrides; he, with kingly pride,
  Repulsed the sacred sire, and thus replied:

  "Hence on thy life, and fly these hostile plains,
  Nor ask, presumptuous, what the king detains
  Hence, with thy laurel crown, and golden rod,
  Nor trust too far those ensigns of thy god.
  Mine is thy daughter, priest, and shall remain;
  And prayers, and tears, and bribes, shall plead in vain;
  Till time shall rifle every youthful grace,
  And age dismiss her from my cold embrace,
  In daily labours of the loom employ'd,
  Or doom'd to deck the bed she once enjoy'd
  Hence then; to Argos shall the maid retire,
  Far from her native soil and weeping sire."
Written by Lewis Carroll | Create an image from this poem

The Walrus and the Carpenter

The sun was shining on the sea,
   Shining with all his might;
He did his very best to make
   The billows smooth and bright—
And this was odd, because it was
   The middle of the night.

The moon was shining sulkily,
   Because she thought the sun
Had got no business to be there
   After the day was done—
"It's very rude of him," she said,
   "To come and spoil the fun!"

The sea was wet as wet could be,
   The sands were dry as dry.
You could not see a cloud, because
   No cloud was in the sky;
No birds were flying overhead—
   There were no birds to fly.

The Walrus and the Carpenter
   Were walking close at hand;
They wept like anything to see
   Such quantities of sand.
"If this were only cleared away,"
   They said, "it would be grand!"

"If seven maids with seven mops
   Swept it for half a year,
Do you suppose," the Walrus said,
   "That they could get it clear?"
"I doubt it," said the Carpenter,
   And shed a bitter tear.

"O Oysters, come and walk with us!"
   The Walrus did beseech.
"A pleasant walk, a pleasant talk,
   Along the briny beach;
We cannot do with more than four,
   To give a hand to each."

The eldest Oyster looked at him,
   But never a word he said;
The eldest Oyster winked his eye,
   And shook his heavy head—
Meaning to say he did not choose
   To leave the oyster-bed.

But four young Oysters hurried up,
   All eager for the treat;
Their coats were brushed, their faces washed,
   Their shoes were clean and neat—
And this was odd, because, you know,
   They hadn't any feet.

Four other Oysters followed them,
   And yet another four;
And thick and fast they came at last,
   And more, and more, and more—
All hopping through the frothy waves,
   And scrambling to the shore.

The Walrus and the Carpenter
   Walked on a mile or so,
And then they rested on a rock
   Conveniently low;
And all the little Oysters stood
   And waited in a row.

"The time has come," the Walrus said,
   "To talk of many things:
Of shoes—and ships—and sealing-wax—
   And cabbages—and kings—
And why the sea is boiling hot—
   And whether pigs have wings."

"But wait a bit," the Oysters cried,
   "Before we have our chat;
For some of us are out of breath,
   And all of us are fat!"
"No hurry!" said the Carpenter.
  They thanked him much for that.

"A loaf of bread," the Walrus said,
   "Is what we chiefly need;
Pepper and vinegar besides
   Are very good indeed—
Now if you're ready, Oysters dear,
   We can begin to feed."

"But not on us!" the Oysters cried,
   Turning a little blue.
"After such kindness, that would be
   A dismal thing to do!"
"The night is fine," the Walrus said,
   "Do you admire the view?"

"It was so kind of you to come!
   And you are very nice!"
The Carpenter said nothing but
   "Cut us another slice.
I wish you were not quite so deaf—
   I've had to ask you twice!"

"It seems a shame," the Walrus said,
   "To play them such a trick,
After we've brought them out so far,
   And made them trot so quick!"
The Carpenter said nothing but
   "The butter's spread too thick!"

"I weep for you," the Walrus said;
   "I deeply sympathize."
With sobs and tears he sorted out
   Those of the largest size,
Holding his pocket-handkerchief
   Before his streaming eyes.

"O Oysters," said the Carpenter,
   "You've had a pleasant run!
Shall we be trotting home again?"
   But answer came there none—
And this was scarcely odd, because
   They'd eaten every one.
Written by Rabindranath Tagore | Create an image from this poem

The Hero

 Mother, let us imagine we are travelling, and passing through a
strange and dangerous country.
You are riding in a palanquin and I am trotting by you on a
red horse.
It is evening and the sun goes down. The waste of Joradighi
lies wan and grey before us. The land is desolate and barren.
You are frightened and thinking-"I know not where we have come
to."
I say to you, "Mother, do not be afraid."
The meadow is prickly with spiky grass, and through it runs
a narrow broken path.
There are no cattle to be seen in the wide field; they have
gone to their village stalls.
It grows dark and dim on the land and sky, and we cannot tell
where we are going.
Suddenly you call me and ask me in a whisper, "What light is
that near the bank?"
Just then there bursts out a fearful yell, and figures come
running towards us.
You sit crouched in your palanquin and repeat the names of the
gods in prayer.
The bearers, shaking in terror, hide themselves in the thorny
bush.
I shout to you, "Don't be afraid, mother. I am here."
With long sticks in their hands and hair all wild about their
heads, they come nearer and nearer.
I shout, "Have a care, you villains! One step more and you are
dead men."
They give another terrible yell and rush forward.
You clutch my hand and say, "Dear boy, for heaven's sake, keep
away from them."
I say, "Mother, just you watch me."
Then I spur my horse for a wild gallop, and my sword and
buckler clash against each other.
The fight becomes so fearful, mother, that it would give you
a cold shudder could you see it from your palanquin.
Many of them fly, and a great number are cut to pieces.
I know you are thinking, sitting all by yourself, that your
boy must be dead by this time.
But I come to you all stained with blood, and say,"Mother, the
fight is over now."
You come out and kiss me, pressing me to your heart, and you
say to yourself,
"I don't know what I should do if I hadn't my boy to escort
me."
A thousand useless things happen day after day, and why
couldn't such a thing come true by chance?
It would be like a story in a book.
My brother would say, "Is it possible? I always thought he was
so delicate!"
Our village people would all say in amazement, "Was it not
lucky that the boy was with his mother?"
Written by Ralph Waldo Emerson | Create an image from this poem

Blight

Give me truths;
For I am weary of the surfaces,
And die of inanition. If I knew
Only the herbs and simples of the wood,
Rue, cinquefoil, gill, vervain and agrimony,
Blue-vetch and trillium, hawkweed, sassafras,
Milkweeds and murky brakes, quaint pipes and sun-dew,
And rare and virtuous roots, which in these woods
Draw untold juices from the common earth,
Untold, unknown, and I could surely spell
Their fragrance, and their chemistry apply
By sweet affinities to human flesh,
Driving the foe and stablishing the friend,--
O, that were much, and I could be a part
Of the round day, related to the sun
And planted world, and full executor
Of their imperfect functions.
But these young scholars, who invade our hills,
Bold as the engineer who fells the wood,
And traveling often in the cut he makes,
Love not the flower they pluck, and know it not,
And all their botany is Latin names.
The old men studied magic in the flowers,
And human fortunes in astronomy,
And an omnipotence in chemistry,
Preferring things to names, for these were men,
Were unitarians of the united world,
And, wheresoever their clear eye-beams fell,
They caught the footsteps of the SAME. Our eyes
And strangers to the mystic beast and bird,
And strangers to the plant and to the mine.
The injured elements say, 'Not in us;'
And haughtily return us stare for stare.
For we invade them impiously for gain;
We devastate them unreligiously,
And coldly ask their pottage, not their love.
Therefore they shove us from them, yield to us
Only what to our griping toil is due;
But the sweet affluence of love and song,
The rich results of the divine consents
Of man and earth, of world beloved and lover,
The nectar and ambrosia, are withheld;
And in the midst of spoils and slaves, we thieves
And pirates of the universe, shut out
Daily to a more thin and outward rind,
Turn pale and starve. Therefore, to our sick eyes,
The stunted trees look sick, the summer short,
Clouds shade the sun, which will not tan our hay,
And nothing thrives to reach its natural term;
And life, shorn of its venerable length,
Even at its greatest space is a defeat,
And dies in anger that it was a dupe;
And, in its highest noon and wantonness,
Is early frugal, like a beggar's child;
Even in the hot pursuit of the best aims
And prizes of ambition, checks its hand,
Like Alpine cataracts frozen as they leaped,
Chilled with a miserly comparison
Of the toy's purchase with the length of life. 
Written by Thomas Campbell | Create an image from this poem

Ode to Winter

 When first the fiery-mantled sun 
His heavenly race begun to run; 
Round the earth and ocean blue, 
His children four the Seasons flew. 
First, in green apparel dancing, 
The young Spring smiled with angel grace; 
Rosy summer next advancing, 
Rushed into her sire's embrace:- 
Her blue-haired sire, who bade her keep 
For ever nearest to his smile, 
On Calpe's olive-shaded steep, 
On India's citron-covered isles: 
More remote and buxom-brown, 
The Queen of vintage bowed before his throne, 
A rich pomegranate gemmed her gown, 
A ripe sheaf bound her zone. 
But howling Winter fled afar, 
To hills that prop the polar star, 
And lives on deer-borne car to ride 
With barren darkness at his side, 
Round the shore where loud Lofoden 
Whirls to death the roaring whale, 
Round the hall where runic Odin 
Howls his war-song to the gale; 
Save when adown the ravaged globe 
He travels on his native storm, 
Deflowering Nature's grassy robe, 
And trampling on her faded form:- 
Till light's returning lord assume 
The shaft the drives him to his polar field, 
Of power to pierce his raven plume 
And crystal-covered shield. 
Oh, sire of storms! whose savage ear 
The Lapland drum delights to hear, 
When frenzy with her blood-shot eye 
Implores thy dreadful deity, 
Archangel! power of desolation! 
Fast descending as thou art, 
Say, hath mortal invocation 
Spells to touch thy stony heart? 
Then, sullen Winter, hear my prayer, 
And gently rule the ruined year; 
Nor chill the wanders bosom bare, 
Nor freeze the wretch's falling tear;- 
To shuddering Want's unmantled bed 
Thy horror-breathing agues cease to lead, 
And gently on the orphan head 
Of innocence descend.- 
But chiefly spare, O king of clouds! 
The sailor on his airy shrouds; 
When wrecks and beacons strew the steep, 
And specters walk along the deep. 
Milder yet thy snowy breezes 
Pour on yonder tented shores, 
Where the Rhine's broad billow freezes, 
Or the Dark-brown Danube roars. 
Oh, winds of winter! List ye there 
To many a deep and dying groan; 
Or start, ye demons of the midnight air, 
At shrieks and thunders louder than your own. 
Alas! Even unhallowed breath 
May spare the victim fallen low; 
But man will ask no truce of death,- 
No bounds to human woe.

Book: Reflection on the Important Things