10 Best Famous Apostasy Poems

Here is a collection of the top 10 all-time best famous Apostasy poems. This is a select list of the best famous Apostasy poetry. Reading, writing, and enjoying famous Apostasy poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of apostasy poems.

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An Elegy upon the Death of the Dean of St. Pauls Dr. John

by Thomas Carew
 Can we not force from widow'd poetry, 
Now thou art dead (great Donne) one elegy 
To crown thy hearse? Why yet dare we not trust, 
Though with unkneaded dough-bak'd prose, thy dust, 
Such as th' unscissor'd churchman from the flower 
Of fading rhetoric, short-liv'd as his hour, 
Dry as the sand that measures it, should lay 
Upon thy ashes, on the funeral day? 
Have we no voice, no tune? Didst thou dispense 
Through all our language, both the words and sense? 
'Tis a sad truth. The pulpit may her plain 
And sober Christian precepts still retain, 
Doctrines it may, and wholesome uses, frame, 
Grave homilies and lectures, but the flame 
Of thy brave soul (that shot such heat and light 
As burnt our earth and made our darkness bright, 
Committed holy rapes upon our will, 
Did through the eye the melting heart distil, 
And the deep knowledge of dark truths so teach 
As sense might judge what fancy could not reach) 
Must be desir'd forever. So the fire 
That fills with spirit and heat the Delphic quire, 
Which, kindled first by thy Promethean breath, 
Glow'd here a while, lies quench'd now in thy death. 
The Muses' garden, with pedantic weeds 
O'erspread, was purg'd by thee; the lazy seeds 
Of servile imitation thrown away, 
And fresh invention planted; thou didst pay 
The debts of our penurious bankrupt age; 
Licentious thefts, that make poetic rage 
A mimic fury, when our souls must be 
Possess'd, or with Anacreon's ecstasy, 
Or Pindar's, not their own; the subtle cheat 
Of sly exchanges, and the juggling feat 
Of two-edg'd words, or whatsoever wrong 
By ours was done the Greek or Latin tongue, 
Thou hast redeem'd, and open'd us a mine 
Of rich and pregnant fancy; drawn a line 
Of masculine expression, which had good 
Old Orpheus seen, or all the ancient brood 
Our superstitious fools admire, and hold 
Their lead more precious than thy burnish'd gold, 
Thou hadst been their exchequer, and no more 
They each in other's dust had rak'd for ore. 
Thou shalt yield no precedence, but of time, 
And the blind fate of language, whose tun'd chime 
More charms the outward sense; yet thou mayst claim 
From so great disadvantage greater fame, 
Since to the awe of thy imperious wit 
Our stubborn language bends, made only fit 
With her tough thick-ribb'd hoops to gird about 
Thy giant fancy, which had prov'd too stout 
For their soft melting phrases. As in time 
They had the start, so did they cull the prime 
Buds of invention many a hundred year, 
And left the rifled fields, besides the fear 
To touch their harvest; yet from those bare lands 
Of what is purely thine, thy only hands, 
(And that thy smallest work) have gleaned more 
Than all those times and tongues could reap before. 

But thou art gone, and thy strict laws will be 
Too hard for libertines in poetry; 
They will repeal the goodly exil'd train 
Of gods and goddesses, which in thy just reign 
Were banish'd nobler poems; now with these, 
The silenc'd tales o' th' Metamorphoses 
Shall stuff their lines, and swell the windy page, 
Till verse, refin'd by thee, in this last age 
Turn ballad rhyme, or those old idols be 
Ador'd again, with new apostasy. 

Oh, pardon me, that break with untun'd verse 
The reverend silence that attends thy hearse, 
Whose awful solemn murmurs were to thee, 
More than these faint lines, a loud elegy, 
That did proclaim in a dumb eloquence 
The death of all the arts; whose influence, 
Grown feeble, in these panting numbers lies, 
Gasping short-winded accents, and so dies. 
So doth the swiftly turning wheel not stand 
In th' instant we withdraw the moving hand, 
But some small time maintain a faint weak course, 
By virtue of the first impulsive force; 
And so, whilst I cast on thy funeral pile 
Thy crown of bays, oh, let it crack awhile, 
And spit disdain, till the devouring flashes 
Suck all the moisture up, then turn to ashes. 

I will not draw the envy to engross 
All thy perfections, or weep all our loss; 
Those are too numerous for an elegy, 
And this too great to be express'd by me. 
Though every pen should share a distinct part, 
Yet art thou theme enough to tire all art; 
Let others carve the rest, it shall suffice 
I on thy tomb this epitaph incise: 

Here lies a king, that rul'd as he thought fit 
The universal monarchy of wit; 
Here lie two flamens, and both those, the best, 
Apollo's first, at last, the true God's priest.

Elegy III: Change

by John Donne
 Although thy hand and faith, and good works too,
Have sealed thy love which nothing should undo,
Yea though thou fall back, that apostasy
Confirm thy love; yet much, much I fear thee.
Women are like the Arts, forced unto to none,
Open to all searchers, unprized if unknown.
If I have caught a bird, and let him fly,
Another fowler using these means, as I,
May catch the same bird; and, as these things be,
Women are made for men, not him, nor me.
Foxes and goats, all beasts, change when they please,
Shall women, more hot, wily, wild than these,
Be bound to one man, and did Nature then
Idly make tham apter t' endure than men?
They're our clogs, not their own; if a man be
Chained to a galley, yet the galley's free;
Who hath a plough-land casts all his seedcorn there,
And yet allows his ground more corn should bear;
Though Danuby into the sea must flow,
The sea receives the Rhine, Volga, and Po.
By Nature, which gave it, this liberty
Thou lov'st, but Oh! canst thou love it and me?
Likeness glues love: and if that thou so do,
To make us like and love, must I change too?
More than thy hate, I hate't; rather let me
Allow her change than change as oft as she,
And so not teach, but force my opinion
To love not any one, nor every one.
To live in one land is captivity,
To run all countries, a wild roguery;
Waters stink soon if in one place they bide,
And in the vast sea are more purified:
But when they kiss one bank, and leaving this
Never look back, but the next bank do kiss,
Then are they purest. Change is the nursery
Of music, joy, life, and eternity.

Apostasy

by Charlotte Bronte
 THIS last denial of my faith, 
Thou, solemn Priest, hast heard; 
And, though upon my bed of death,
I call not back a word.
Point not to thy Madonna, Priest,­
Thy sightless saint of stone; 
She cannot, from this burning breast,
Wring one repentant moan. 

Thou say'st, that when a sinless child, 
I duly bent the knee,
And prayed to what in marble smiled 
Cold, lifeless, mute, on me.
I did. But listen ! Children spring 
Full soon to riper youth;
And, for Love's vow and Wedlock's ring, 
I sold my early truth. 

'Twas not a grey, bare head, like thine, 
Bent o'er me, when I said,
' That land and God and Faith are mine, 
For which thy fathers bled.'
I see thee not, my eyes are dim; 
But, well I hear thee say,
' O daughter, cease to think of him 
Who led thy soul astray. 

Between you lies both space and time; 
Let leagues and years prevail
To turn thee from the path of crime, 
Back to the Church's pale.'
And, did I need that thou shouldst tell 
What mighty barriers rise
To part me from that dungeon-cell, 
Where my loved Walter lies ? 

And, did I need that thou shouldst taunt 
My dying hour at last,
By bidding this worn spirit pant 
No more for what is past ? 
Priest­must I cease to think of him ?
How hollow rings that word !
Can time, can tears, can distance dim
The memory of my lord ? 

I said before, I saw not thee,
Because, an hour agone,
Over my eye-balls, heavily,
The lids fell down like stone.
But still my spirit's inward sight
Beholds his image beam
As fixed, as clear, as burning bright,
As some red planet's gleam. 

Talk not of thy Last Sacrament,
Tell not thy beads for me;
Both rite and prayer are vainly spent,
As dews upon the sea.
Speak not one word of Heaven above,
Rave not of Hell's alarms;
Give me but back my Walter's love,
Restore me to his arms ! 

Then will the bliss of Heaven be won;
Then will Hell shrink away,
As I have seen night's terrors shun
The conquering steps of day.
'Tis my religion thus to love,
My creed thus fixed to be;
Not Death shall shake, nor Priestcraft break
My rock-like constancy ! 


Now go; for at the door there waits 
Another stranger guest:
He calls­I come­my pulse scarce beats, 
My heart fails in my breast.
Again that voice­how far away, 
How dreary sounds that tone !
And I, methinks, am gone astray 
In trackless wastes and lone. 

I fain would rest a little while:
Where can I find a stay,
Till dawn upon the hills shall smile,
And show some trodden way ?
' I come ! I come !' in haste she said,
' 'Twas Walter's voice I heard !'
Then up she sprang­but fell back, dead, 
His name her latest word.

To My Inconstant Mistress

by Thomas Carew
 When thou, poor excommunicate
From all the joys of love, shalt see
The full reward and glorious fate
Which my strong faith shall purchase me,
Then curse thine own inconstancy.

A fairer hand than thine shall cure
That heart which thy false oaths did wound;
And to my soul a soul more pure
Than thine shall by Love's hand be bound,
And both with equal glory crowned.

Then shalt thou weep, entreat, complain
To Love, as I did once to thee;
When all thy tears shall be as vain
As mine were then, for thou shalt be
Damned for thy false apostasy.

His oriental heresies

by Emily Dickinson
 His oriental heresies
Exhilarate the Bee,
And filling all the Earth and Air
With gay apostasy

Fatigued at last, a Clover plain
Allures his jaded eye
That lowly Breast where Butterflies
Have felt it meet to die --
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