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Best Famous Amputated Poems

Here is a collection of the all-time best famous Amputated poems. This is a select list of the best famous Amputated poetry. Reading, writing, and enjoying famous Amputated poetry (as well as classical and contemporary poems) is a great past time. These top poems are the best examples of amputated poems.

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Written by Adrienne Rich | Create an image from this poem

Victory

 Something spreading underground won't speak to us
under skin won't declare itself
not all life-forms want dialogue with the
machine-gods in their drama hogging down
the deep bush clear-cutting refugees
from ancient or transient villages into
our opportunistic fervor to search
 crazily for a host a lifeboat

Suddenly instead of art we're eyeing
organisms traced and stained on cathedral transparencies
cruel blues embroidered purples succinct yellows
a beautiful tumor

•

I guess you're not alone I fear you're alone
There's, of course, poetry:
awful bridge rising over naked air: I first
took it as just a continuation of the road: 
"a masterpiece of engineering
praised, etc." then on the radio: 
"incline too steep for ease of, etc."
Drove it nonetheless because I had to
this being how— So this is how
I find you: alive and more

•

As if (how many conditionals must we suffer?) 
I'm driving to your side
—an intimate collusion—
packed in the trunk my bag of foils for fencing with pain
glasses of varying spectrum for sun or fog or sun-struck
 rain or bitterest night my sack of hidden
poetries, old glue shredding from their spines

my time exposure of the Leonids
 over Joshua Tree

As if we're going to win this O because

•

If you have a sister I am not she
nor your mother nor you my daughter
nor are we lovers or any kind of couple
 except in the intensive care
 of poetry and
death's master plan architecture-in-progress
draft elevations of a black-and-white mosaic dome
the master left on your doorstep
with a white card in black calligraphy:
 Make what you will of this
 As if leaving purple roses

•

If (how many conditionals must we suffer?)
I tell you a letter from the master
is lying on my own doorstep
glued there with leaves and rain
and I haven't bent to it yet
 if I tell you I surmise
 he writes differently to me:

 Do as you will, you have had your life
 many have not

signing it in his olden script:

 Meister aus Deutschland

•

In coldest Europe end of that war
frozen domes iron railings frozen stoves lit in the
 streets
memory banks of cold

the Nike of Samothrace
on a staircase wings in blazing
backdraft said to me
: : to everyone she met
 Displaced, amputated never discount me

Victory
 indented in disaster striding
 at the head of stairs

 for Tory Dent


Written by Yehuda Amichai | Create an image from this poem

A Pity We Were Such A Good Invention

 They amputated
Your thighs off my hips.
As far as I'm concerned
They are all surgeons. All of them.

They dismantled us
Each from the other.
As far as I'm concerned 
They are all engineers. All of them.

A pity. We were such a good
And loving invention.
An aeroplane made from a man and wife.
Wings and everything.
We hovered a little above the earth.

We even flew a little.
Written by Walt Whitman | Create an image from this poem

Dresser The

 1
AN old man bending, I come, among new faces, 
Years looking backward, resuming, in answer to children, 
Come tell us, old man, as from young men and maidens that love me; 
Years hence of these scenes, of these furious passions, these chances, 
Of unsurpass’d heroes, (was one side so brave? the other was equally brave;)
Now be witness again—paint the mightiest armies of earth; 
Of those armies so rapid, so wondrous, what saw you to tell us? 
What stays with you latest and deepest? of curious panics, 
Of hard-fought engagements, or sieges tremendous, what deepest remains? 

2
O maidens and young men I love, and that love me,
What you ask of my days, those the strangest and sudden your talking recalls; 
Soldier alert I arrive, after a long march, cover’d with sweat and dust; 
In the nick of time I come, plunge in the fight, loudly shout in the rush of successful
 charge;

Enter the captur’d works.... yet lo! like a swift-running river, they fade; 
Pass and are gone, they fade—I dwell not on soldiers’ perils or soldiers’
 joys;
(Both I remember well—many the hardships, few the joys, yet I was content.) 

But in silence, in dreams’ projections, 
While the world of gain and appearance and mirth goes on, 
So soon what is over forgotten, and waves wash the imprints off the sand, 
In nature’s reverie sad, with hinged knees returning, I enter the doors—(while
 for
 you up
 there,
Whoever you are, follow me without noise, and be of strong heart.) 

3
Bearing the bandages, water and sponge, 
Straight and swift to my wounded I go, 
Where they lie on the ground, after the battle brought in; 
Where their priceless blood reddens the grass, the ground;
Or to the rows of the hospital tent, or under the roof’d hospital; 
To the long rows of cots, up and down, each side, I return; 
To each and all, one after another, I draw near—not one do I miss; 
An attendant follows, holding a tray—he carries a refuse pail, 
Soon to be fill’d with clotted rags and blood, emptied and fill’d again.

I onward go, I stop, 
With hinged knees and steady hand, to dress wounds; 
I am firm with each—the pangs are sharp, yet unavoidable; 
One turns to me his appealing eyes—(poor boy! I never knew you, 
Yet I think I could not refuse this moment to die for you, if that would save you.)

4
On, on I go!—(open doors of time! open hospital doors!) 
The crush’d head I dress, (poor crazed hand, tear not the bandage away;) 
The neck of the cavalry-man, with the bullet through and through, I examine; 
Hard the breathing rattles, quite glazed already the eye, yet life struggles hard; 
(Come, sweet death! be persuaded, O beautiful death!
In mercy come quickly.) 

From the stump of the arm, the amputated hand, 
I undo the clotted lint, remove the slough, wash off the matter and blood; 
Back on his pillow the soldier bends, with curv’d neck, and side-falling head; 
His eyes are closed, his face is pale, (he dares not look on the bloody stump,
And has not yet look’d on it.) 

I dress a wound in the side, deep, deep; 
But a day or two more—for see, the frame all wasted already, and sinking, 
And the yellow-blue countenance see. 

I dress the perforated shoulder, the foot with the bullet wound,
Cleanse the one with a gnawing and putrid gangrene, so sickening, so offensive, 
While the attendant stands behind aside me, holding the tray and pail. 

I am faithful, I do not give out; 
The fractur’d thigh, the knee, the wound in the abdomen, 
These and more I dress with impassive hand—(yet deep in my breast a fire, a burning
 flame.)

5
Thus in silence, in dreams’ projections, 
Returning, resuming, I thread my way through the hospitals; 
The hurt and wounded I pacify with soothing hand, 
I sit by the restless all the dark night—some are so young; 
Some suffer so much—I recall the experience sweet and sad;
(Many a soldier’s loving arms about this neck have cross’d and rested, 
Many a soldier’s kiss dwells on these bearded lips.)
Written by Emily Dickinson | Create an image from this poem

Those -- dying then

 Those -- dying then,
Knew where they went --
They went to God's Right Hand --
That Hand is amputated now
And God cannot be found --

The abdication of Belief
Makes the Behavior small --
Better an ignis fatuus
Than no illume at all --

Book: Radiant Verses: A Journey Through Inspiring Poetry